Rothko Art Quotes & Sayings

That is why we profess a spiritual kinship with primitive and archaic art. — Mark Rothko

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them. — Mark Rothko

I am proactive in every duty, except that which requires action. — Wes Fesler

Part of the strength of Pollock and Rothko's art, in fact, is this doubt as to whether art may be there at all. — John Ashbery

To me art is an adventure into an unknown world, which can be explored only by those willing to take the risk. — Mark Rothko

We both had wanted to see a Mark Rothko exhibit at the Yale Art Gallery but, because of a labor dispute, some of the university's buildings, including the museum, were closed. As Bill and I walked by, he decided he could get us in if we offered to pick up the litter that had accumulated in the gallery's courtyard. Watching him talk our way in was the first time I saw his persuasiveness in action. We had the entire museum to ourselves. We wandered through the galleries talking about Rothko and twentieth-century art. I admit to being surprised at his interest in and knowledge of subjects that seemed, at first, unusual for a Viking from Arkansas. We ended up in the museum's courtyard, where I sat in the large lap of Henry Moore's sculpture Drape Seated Woman while we talked until dark. — Hillary Rodham Clinton

Therefore we can posit this generalization: That a painting is the representation of the artist's notion of reality in the terms of the plastic elements. The creation of a plastic unit reduces all the phenomena of the time to a unity of sensuality and thereby relates the subjective and objective in its relevance to man. Art therefore is a generalization. The use of the plastic elements to any other ends, which are most usually particularizations and descriptions of appearances, or which serve the stimulation of separate senses, are not in the category of art and must be classified in the category of applied arts. — Mark Rothko

But nobody is visually naive any longer. We are cluttered with images, and only abstract art can bring us to the threshold of the divine. — Dominique De Menil

Without monsters and gods, art cannot enact a drama. — Mark Rothko

They are two brothers whose language to each other is mostly the farm, and the weather, or sport, but it is rarely a language that talks of the past or of what they think and feel. They sit, like stones. — Susan Fletcher

I'm at a stage in my career where I don't expect or get too much editorial input into what I'm doing. I have a proven track record of success, so my editors are willing to cut me some slack even when a particular approach is not to their personal taste. — Grant Morrison

Don't use 'tea' and 'manure' in the same sentence or I'll have to pound you into the ground." "You're such a baby," Lexi said. "It's science. You're supposed to love science." "I draw the line at foul-smelling llama-manure tea. — Christine Feehan

For, while the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done. — Mark Rothko

I get bored. We seem to have been having a little bit more time off this winter than last winter. I'm always itching to get back in the car. It's going to get harder, so I've got to make sure that I'm doing everything I possibly can do to make sure I can start next season how I ended this season. — Dan Wheldon

Art is such an action. It is a kindred form of action to idealism. They are both expressions of the same drive, and the man who fails to fulfill this urge in one form or another is as guilty of escapism as the one who fails to occupy himself with the satisfaction of bodily needs. In fact, the man who spends his entire life turning the wheels of industry so that he has neither time nor energy to occupy himself with any other needs of his human organism is by far a greater escapist than the one who developed his art. For the man who develops his art does make adjustments to his physical needs. He understands that man must have bread to live, while the other cannot understand that you cannot live by bread alone. — Mark Rothko

A little damage makes people more interesting, right? — Catherine Hapka

Great works of art in all cultures succeed in capturing within the constraints of their form both the pathos of anguish and a vision of its resolution. Take, for example, the languorous sentences of Proust or the haiku of Basho, the late quartets and sonatas of Beethoven, the tragicomic brushwork of Sengai or the daunting canvases of Rothko, the luminous self-portraits of Rembrandt and Hakuin. Such works achieve their resolution not through consoling or romantic images whereby anguish is transcended. They accept anguish without being overwhelmed by it. They reveal anguish as that which gives beauty its dignity and depth. — Stephen Batchelor

The Sleeping

I have imagined all this:
In 1940 my parents were in love
And living in the loft on West 10th
Above Mark Rothko who painted cabbage roses
On their bedroom walls the night they got married.

I can guess why he did it.
My mother's hair was the color of yellow apples
And she wore a velvet hat with her pajamas.

I was not born yet. I was remote as starlight.
It is hard for me to imagine that
My parents made love in a roomful of roses
And I wasn't there.

But now I am. My mother is blushing.
This is the wonderful thing about art.
It can bring back the dead. It can wake the sleeping
As it might have late that night
When my father and mother made love above Rothko
Who lay in the dark thinking Roses, Roses, Roses. — Lynn Emanuel

The space-dwelling nations of Shis'urna divided the universe into three parts. In the middle lay the natural environment of humans - space stations, ships, constructed habitats. Outside those was the Black - heaven, the home of God and everything holy. And within the gravity well of the planet Shis'urna itself - or for that matter any planet - lay the Underworld, the land of the dead from which humanity had had to escape in order to become fully free of its demonic influence. — Ann Leckie

We thus see the artist performing a dual function: first, furthering the integrity of the process of self-expression in the language of art; and secondly, protecting the organic continuity of art in relation to its own laws. For like any organic substance, art must always be in a state of flux, the tempo being slow or fast. But it must move. — Mark Rothko

Nevertheless, we react to one a bit differently than we do to Rothko's hovering panels or Barnett Newman's stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. ... The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved. — John Updike

That would have been a nice place, inside an idea, but it wasn't a place to live. It was necessary to live where the idea and the fact collided. — William McIlvanney

I'm not an abstractionist. I'm not interested in the relationship of color or form or anything else. I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on. — Mark Rothko

In order to achieve peace, tranquility, and real friendship, we must minimize anger and cultivate kindness and a warm heart. — Dalai Lama XIV

Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness. — Mark Rothko

The affirmation of one's own life, happiness, growth and freedom, is rooted in one's capacity to love. — Erich Fromm

I was always attracted not by some quantifiable, external beauty, but by something deep down, something absolute. Just as some people have a secret love for rainstorms, earthquakes, or blackouts, I liked that certain undefinable something directed my way by members of the opposite sex. For want of a better word, call it magnetism. Like it or not, it's a kind of power that snares people and reels them in. — Haruki Murakami

I had been thinking you were going to stay out on the farm through the whole Festival, Perrin Aybara shouted at Rand over the clamor. Half a head shorter than Rand, the curly-haired blacksmith's apprentice was so stocky as to seem a man and a half wide, with arms and shoulders thick enough to rival those of Master Luhhan himself. He could easily have pushed through the throng, but that was not his way. He picked his path carefully, offering apologies to people who had only half a mind to notice anything but the peddler. He made the apologies anyway, and tried not to jostle anyone as he worked through the crowd to Rand and Mat. — Robert Jordan

My art is not abstract, it lives and breathes — Mark Rothko

It is really one of the most serious faults which can be found with the whole conception of democracy, that its cultural function must move on the basis of the common denominator. Such a point of view indeed would make a mess of all of the values which we have developed for examining works of art. It would address one end of education in that it would consider that culture which was available to everyone, but in that achievement it would eliminate culture itself.
This is surely the death of all thought.
This quote is taken from "The Artist's Reality: Philosophies of Art" by Mark Rothko, written 1940-1 and published posthumously in 2004 by Yale University Press, pp.126-7. — Mark Rothko

It is really a matter of ending this silence and solitude, of breathing and stretching one's arms again. — Mark Rothko

You know, really - actually, it's funny because it's a sore spot with me because I have all these recipes that, you know, you have to measure things out and put them in. And then you bake it and it becomes this thing. And it's not a recipe. — Trisha Yearwood

I would like to say to those who think of my pictures as serene, whether in friendship or mere observation, that I have imprisoned the most utter violence in every inch of their surface. — Mark Rothko

When I was a younger man, art was a lonely thing. No galleries, no collectors, no critics, no money. Yet, it was a golden age, for we all had nothing to lose and a vision to gain. Today it is not quite the same. It is a time of tons of verbiage, activity, consumption. Which condition is better for the world at large I shall not venture to discuss. But I do know, that many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow. We must all hope we find them. — Mark Rothko

A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer. It dies by the same token. It is therefore risky to send it out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent. — Mark Rothko

Indeed, artists, particularly modern artists, have intentionally limited the scope and vocabulary of their expression to convey, as Mark Rothko and Ad Reinhardt do, the most essential, even spiritual, ideas of their art. — Eric Kandel