Roppongi Japanese Quotes & Sayings

The media tends to portray the teenage world as one where drinking and sex is taken for granted. In fact, I think most teenagers don't drink, are unsure of themselves, and feel awkward around members of the opposite sex. — Louis Sachar

Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief. — Anne Sexton

When you remove time," de becker says, "you are subject to the lowest-quality intuitive reaction — Malcolm Gladwell

flagitious mistresses. It was — Isaac Asimov

Grant me an old man's frenzy, Myself must I remake Till I am Timon and Lear Or that William Blake Who beat upon the wall Till Truth obeyed his call. — William Butler Yeats

I get more gratification out of getting some obese person who had a heart attack running around and enjoying life within a year. I get more gratification from that than putting a person in the Olympic Games. The Olympic athlete probably doesn't appreciate what you've done, but the other guy does. I think it's really rewarding. — Arthur Lydiard

- sit down and take dinner with us - a guest that is safe from repeating his visit, can generally be made welcome ... — Emily Bronte

Roppongi is an interzone, the land of gaijin bars, always up late. I'm waiting at a pedestrian crossing when I see her. She's probably Australian, young and quite serviceably beautiful. She wears very expensive, very sheer black undergarments, and little else, save for some black outer layer - equally sheer, skintight, and micro-short - and some gold and diamonds to give potential clients the right idea. She steps past me, into four lanes of traffic, conversing on her phone in urgent Japanese. Traffic halts obediently for this triumphantly jaywalking gaijin in her black suede spikes. I watch her make the opposite curb, the brain-cancer deflector on her slender little phone swaying in counterpoint to her hips. When the light changes, I cross, and watch her high-five a bouncer who looks like Oddjob in a Paul Smith suit, his skinny lip beard razored with micrometer precision. There's a flash of white as their palms meet. Folded paper. Junkie origami. — William Gibson

As a people, we have been tolled farther and farther away from the facts of what we have done by the romanticizers, whose bait is nothing more than the wishful insinuation that we have done no harm. Speaking a public language of propaganda, uninfluenced by the real content of our history which we know only in a deep and guarded privacy, we are still in the throes of the paradox of the "gentleman and soldier."
However conscious it may have been, there is no doubt in my mind that all this moral and verbal obfuscation is intentional. Nor do I doubt that its purpose is to shelter us from the moral anguish implicit in our racism - an anguish that began, deep and mute, in the minds of Christian democratic freedom-loving owners of slaves. — Wendell Berry

Those words, temperate and moderate, are words either of political cowardice, or of cunning, or seduction. A thing, moderately good is not so good as it ought to be. Moderation in temper, is always a virtue; but moderation in principle, is a species of vice. — Thomas Paine

In fact, I suspect that our only hope is disaster. Cruel tho' it is to say it, there has got to be a vast die-off in the human population
likely including us and our families
before the survivors find themselves in a world where a new and humble and 'religious' adaptation with nature is possible.
Disaster is not necessary; the better world could be achieved through reason and common sense and a sense of fellowship
but most of the present human world is dead set against us. Thus I was forced to the disagreeable resolutions (not solutions) which I attempted to sketch out in the novel 'Good News.' The title is of course deliberately ambiguous. — Edward Abbey

'Stimela' is the very first video I directed. I wanted it to be an emotional visual art piece, displaying humans as free, powerful animals. We are all running from something or searching for something; our instincts have been ignored. — Wynter Gordon