Quotes & Sayings About Romantic Movement

What had really given birth to the Romantic Movement in the history of human ideas was affluence - an increase in the number of people who had plenty enough to eat, enough education to read and write, and time to ruminate on their own personal emotions. — Anne Rice

Nor is it again that the novel has killed the play, as some critics would persuade us - the romantic movement of France shows us that. The work of Balzac and of Hugo grew up side by side together; nay, more, were complementary to each other, though neither of them saw it. While all other forms of poetry may flourish in an ignoble age, the splendid individualism of the lyrist, fed by its own passion, and lit by its own power, may pass as a pillar of fire as well across the desert as across places that are pleasant. It is none the less glorious though no man follow it - nay, by the greater sublimity of its loneliness it may be quickened into loftier utterance and intensified into clearer song. — Oscar Wilde

Our prayer life and rule of prayer will be shaped by the different stages of our spiritual journey as well. Many people who have just come to know Christ find that their words flow easily. Prayer is a joy for them. But, as with romantic relationships, there is a natural movement beyond this honeymoon phase. When feelings of intense connection with God ebb, we have a new opportunity to engage God - not based on cool spiritual vibes but as an expression of our genuine love for God. Times of spiritual dryness are normal for almost everyone, even if we haven't sinned and to the best of our knowledge haven't done anything to wall off our relationship with God. God may allow this dryness so that we can mature in our relationship with him and learn to seek him not for an ecstatic spiritual experience but out of a deeper love and commitment. — Ken Shigematsu

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

The medieval doctors of divinity who did not pretend to settle how many angels could dance on the point of a needle cut a very poor figure as far as romantic credulity is concerned beside the modern physicists who have settled to the billionth of a millimetre every movement and position in the dance of the electrons. Not for worlds would I question the precise accuracy of these calculations or the existence of electrons (whatever they may be). The fate of Joan is a warning to me against such heresy. — George Bernard Shaw

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. — Oscar Wilde

Energy was the ruling theme of Victorian science, as machines increasingly harnessed the forces of nature to do man's work. The concept is also present in the art and literature of the age, notably in the poems of William Blake. The Romantic movement was much interested in energy and its various transformations. — Jeremy Campbell

What in the Haven's name just happened?"
Dazed and still trembling from the overload to her senses, Ellysetta floated in Rain's arms, her limp body draped across his, incapable of autonomous movement. She could barely think straight, let alone summon the strength to actually move.
Rain's chest rippled as he dragged in a shuddering breath. "I don't know." His voice came out hoarse, raspy. He swallowed, then tilted his chin against his chest to glance at her. A grin twitched at the corners of his mouth. "But I hope it happens again. — C.L. Wilson

Edgar Allan Poe was an American poet, short story writer, playwright, editor, critic, essayist and one of the leaders of the American Romantic Movement. Best known for his tales of the macabre and mystery, Poe was one of the early American practitioners of the short story and a progenitor of detective fiction and crime fiction. He is also credited with contributing to the emergent science fiction genre.Poe died at the age of 40. The cause of his death is undetermined and has been attributed to alcohol, drugs, cholera, rabies, suicide (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, heart disease, brain congestion and other agents. Source: Wikipedia — Edgar Allan Poe

His heart danced upon her movement like a cork upon a tide. — James Joyce

The actual individual, in whom this myth of the Favourite Son was founded, was indeed remarkable. Born of shepherd parents among the Southern Andes, he had first become famous as the leader of a romantic "youth movement"; and it was this early stage of his career that won him followers. He urged the young to set an example to the old, to live their own life undaunted by conventions, to enjoy, to work hard but briefly, to be loyal comrades. Above all, he preached the religious duty of remaining young in spirit. No one, he said, need grow old, if he willed earnestly not to do so, if he would but keep his soul from falling asleep, his heart open to all rejuvenating influences and shut to every breath of senility. The delight of soul in soul, he said, was the great rejuvenator; it re-created both lover and beloved. — Olaf Stapledon

She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it? — Ayn Rand

Put your mouth on mine, Little Raven. I'm ready for a taste of lemon cake," he said in a deep and tumbling voice.
"Maybe I'm not so sweet," I whispered, wetting my lower lip with a sweep of my tongue.
Logan's eyes followed every movement, and he licked his lips in response. "I want your mouth ... on my mouth. Do it, or else I'll have to find something else to kiss. — Dannika Dark

I don't have casual sex," she said.

He almost smiled. It was merely an expression in those pale eyes, rather than an actual movement of his mouth. "My dear, I promise you there wouldn't be anything casual about it. — Linda Howard

The Enlightenment needs more shadow; the Romantic Movement less. — Mason Cooley

The Romantic movement among other things was concerned to bring back into permitted human experience occasions when the 'invisible but real world' was of paramount importance, when the non-visual or dark senses were operating as organs of knowledge. — Peter Redgrove

He sucked in a breath, his head snapping back from hers. Groaning as he filled her, she arched her back against him, her nipples stroking his chest with the movement. They weren't going to make it to the living room. "Wall or floor?" he managed. — Katie Reus

Our Onirisme movement was a synthesis between the Romantic Fantastique and Surrealism. Dimov and I rejected automatic writing. We loved surrealist painters: Chirico, Magritte, Tanguy and especially Brauner (also a Romanian), who never respected the laws that Breton imposed in his manifests. — Dumitru Tepeneag

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

Fully revealed, the green eyes pierced her heart. In them, she sensed pain, loneliness and despair. Yet they weren't seeing her. Focused on the movement of the blade, the mesmerizing gaze seemed a world away. Stroke after stroke, the unmasked face appeared in the mirror. — Chris Lange

She didn't know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss.
"Shane," he said when he raised his head from hers. "I love you. I love you."
Her heart opened and the wall inside her trembled as she clung to him. "Burn me up, Matt," she said, her voice a ragged whisper. "Burn it away. Please, please, burn it all away."
She heard him growl deep in his throat and he lifted her into his arms in one swift movement.
As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire. — Jane Taylor Starwood

Sometimes guitar riffs get repeated over and over ("vamping," in the lingo of musicians), but generally there is a soloist proving variation that runs above that background, lest the song sound monotonous. Philip Glass's minimalist compositions (such as the soundtrack to 'Koyaanisqatsi') deviate from much of the classical music that preceded them, with much less obvious movement than, say, the Romantic-era compositions that his work seems to rebel against, yet his works, too, consist not only of extensive repetition but also of constant (though subtle) variation. Virtually every song you've ever heard consists of exactly that: themes that recur over and over, overlaid with variations. — Gary F. Marcus

The conflict is an old one. George Washington and other followers of the Enlightenment Movement wrote of their belief in an imminent maturity of humankind. The ancient and cruel feudal ways were splitting asunder at last; therefore, how could truth and freedom not prevail? In fact, the Enlightenment changed humanity forever. Yet its followers forgot something important
that each generation is invaded by a new wave of barbarians ... its children. Just as Washington, Franklin, and their peers took joy in toppling the tyranny of Church and King, so the youths of the Romantic Movement thrived on jeering the lofty ideals of their predecessors. — David Brin

Debates about the imagination and its role in human knowledge go back in the West to ancient Greece around the secrets and enigmas of the revealed "symbol" and its relationship to the more plodding ways of reason and rational knowledge. The most recent chapter of that larger conversation goes back to the eighteenth century and what we now call the Romantic movement. The poets and philosophers of the latter asked: What is the imagination? Is it simply a spinner of fantasies? Or can it also become a "window" of revealed truths from some other deeper part of the soul or world? Or, better yet, like some secret two-way mirror in a modern-day police station, is the imagination both, depending on whether one is looking at or through its reflecting surface, that is, depending on which side of it one is standing? Can one stand on both sides? — Whitley Strieber

To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction). — Arthur Honegger

So many of the conscious and unconscious ways men and women treat each other have to do with romantic and sexual fantasies that are deeply ingrained not just in society but in literature.The women's movement may manage to clean up the mess in society, but I don't know if it can clean up the mess in our minds. — Nora Ephron