Romantic Art Quotes & Sayings

True values entail suffering. That's the way we think. All in all, we tend to view melancholia as more true. We prefer music and art to contain a touch of melancholia. So melancholia in itself is a value. Unhappy and unrequited love is more romantic than happy love. For we don't think that's completely real, do we? ... Longing is true. It may be that there's no truth at all to long for, but the longing itself is true. Just like pain is true. We feel it inside. It's part of our reality. — Lars Von Trier

Romantic art begins with its climax. — Oscar Wilde

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

The cumulative effect of the Romantic theory of creativity, as played out in the context of belief in the virtue of the avant-garde, is that while the art world has effectively freed itself from the tyranny of artistic tradition and its historic patronage system, it has ended up inhabiting an autonomous but perceived irrelevance. — John Walford

Romantic art is the fuel and the spark plug of a Man's soul. It's task is to set a soul on fire and never let it go out. — Ayn Rand

Behind every footballing tough guy there lurks a mincing aesthete with a love of art for art's sake, football for football's sake. A win without art is somehow less than a victory; less, almost, than a beautiful defeat. In football, the romantic and the pragmatist are ever at war in the same breast. Beauty, it must be understood here, is not Barcelona's aim but their method. And last night they were ready to use this method at every opportunity - quick-fire passing of wit and purpose in the danger areas, seeking always to produce an unlooked-for player in a position of threat. — Simon Barnes

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

If you can change the way you think in time you will notice a change in your heart and also a change in your life and the way you see things. — The Prolific Penman

Words are more thoughts;
the photographed images always
ends up having a romantic gloss about it
- no matter how I try to avoid it. — Robert Frank

I have always swung back and forth between alienation and relatedness. As a child, I would run away from the beatings, from the obscene words, and always knew that if I could run far enough, then any leaf, any insect, any bird, any breeze could bring me to my true home. I knew I did not belong among people. Whatever they hated about me was a human thing; the nonhuman world has always loved me. I can't remember when it was otherwise. But I have been emotionally crippled by this. There is nothing romantic about being young and angry, or even about turning that anger into art. I go through the motions of living in society, but never feel a part of it. When my family threw me away, every human on earth did likewise. — Wendy Rose

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. — Oscar Wilde

A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology ... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes. — Hans-Georg Gadamer

It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction. — Jerry Saltz

Energy was the ruling theme of Victorian science, as machines increasingly harnessed the forces of nature to do man's work. The concept is also present in the art and literature of the age, notably in the poems of William Blake. The Romantic movement was much interested in energy and its various transformations. — Jeremy Campbell

Your right. We do spend a lot of time worrying about our looks, instead of focusing on what's inside. - Raven
The artist has the power to capture that. To express what he thinks about the subject. I thought that was much more romantic then seeing myself in a cold, stark glass reflection. - Alexander — Ellen Schreiber

Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga. — John Roecker

A poet has to be a bit childlike at heart, and in that sense all the romantic stereotypes about poets being "eternal children", etc, are all accurate. They believe, whatever they may say, that art and words can change the world. — John Thomas Allen

And although this (marital love) cannot be portrayed artistically, then let your consolation be, as it is mine, that we are not to read about or listen to or look at what is highest and the most beautiful in life, but are, if you please, to live it.
Therefore, when I readily admit that romantic love lends itself much better to artistic portrayal than marital love, this does not at all mean that it is less esthetic than the other - on the contrary, it is more esthetic. — Soren Kierkegaard

Understanding knowledge as an essential element of love is vital because we are bombarded daily with messages that tell us love is about mystery, about that which cannot be known. We see movies in which people are represented as being in love who never talk with one another, who fall into bed without ever discussing their bodies, their sexual needs, their likes and dislikes. Indeed, the message is received from the mass media is that knowledge makes love less compelling; that it is ignorance that gives love its erotic and transgressive edge. These messages are brought to us by profiteering producers who have no clue about the art of loving, who substitute their mystified visions because they do not really know how to genuinely portray loving interaction. — Bell Hooks

The notion that the public accepts or rejects anything in modern art is merely romantic fiction. The game is completed and the trophies distributed long before the public knows what has happened. — Tom Wolfe

Marital life cannot be easily represented in art because it is the
small, invisible, quotidian growth of the day-to-day, where
outwardly nothing happens. Romantic love is like a general
who knows how to conquer but not how to govern once the
last shot is fired. Unlike the aesthete, who knows how to 'kill
time' , married people master time without killing it. Marital
time is about the wise use and governance of time, setting
one's hands to the plough of the day-to-day. — John D. Caputo

Romantic fiction is the only purely feminine art form. All other art forms were shaped and are dominated by men. — Charlotte Lamb

If you can't focus then how do you expect to make your dreams come true? — The Prolific Penman

I hate to sound like a romantic adolescent, but I believe artists don't generally see art as a career choice; they simply can't overcome their desire to make art, and will live on little income for as long as they have to, before they start to sell their work - or give up and get a paying job. — Charles Saatchi

When I look at you girl, I see a true work of art. So many beautiful things coming in one little heart. — Waylon Jennings

Warren Street was at the high end of the New Romantic scene. They were mostly college art students and people who knew top designers. — Boy George

The waste, the insane freaks of these money men, the cynicism and egotism of their life ... I'll show that they are not brilliant, not romantic, not delightful, not intelligent. — Christina Stead

When I was very, very young, seven years old, I heard there was school where you could go to learn to draw. That was my absolute driven passion, to become an artist or a painter. So the romantic realist in me, I studied to be a graphic design artist and an art teacher. — David Coverdale

As comestibles nourish our bodies and ideas nourish our minds, so art nourishes our souls. — Alexandra York

Romantic art deals with the exception and with the individual. Good people, belonging as they do to the normal, and so, commonplace type, are artistically uninteresting. — Oscar Wilde

I do want to make powerful works of art with people, but I also just want to have fun. I've never done a romantic comedy - I'm sure it would be a blast. — Ahna O'Reilly

In spite of their obvious differences, folk art and popular art have much in common; they are easy to understand, they are romantic, patriotic, conventionally moral, and they are held in deep affection by those who are suspicious of the great arts. Popular artists can be serious, like Frederick Remington, or trivial, like Charles Dana Gibson; they can be men of genius like Chaplin or men of talent like Harold Lloyd; they can be as uni versal as Dickens or as parochial as E.P. Roe; one thing common to all of them is the power to communicate directly with everyone. — Gilbert Seldes

The difference between sex with David and sex with Stephen is like the difference between science and art. With Stephen it's all empathy and imagination and exploration and the shock of the new, and the outcome is ... uncertain, if you know what I mean. I'm engaged by it, but I', mot necessarily sure what its all about. David, on the other hand, presses this button, then that one, and bingo! It's like operating a lift - just as romantic, but actually just as useful. — Nick Hornby

I have, for my own projected works and ideas, only the silliest and dewiest of hopes; no matter what, I am romantic enough or sentimental enough to wish to contribute something to life's fabric, to the world's beauty ... [S]imply to live does not justify existence, for life is a mere gesture on the surface of the earth, and death a return to that from which we had never been wholly separated; but oh to leave a trace, no matter how faint, of that brief gesture! For someone, some day, may find it beautiful! — Frank O'Hara

I had to admit that in his old-fashioned way O'Hara was still romantic about sex; like Scott Fitzgerald, he thought of it as an upper-class prerogative. — Alfred Kazin

Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result. — Todd Vickers

But in some curious way - I wonder will you understand me?- his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought:' ... Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. — Oscar Wilde

This is that CONSOLATION DES ARTS which is the key-note of Gautier's poetry, the secret of modern life foreshadowed - as indeed what in our century is not? - by Goethe. You remember what he said to the German people: 'Only have the courage,' he said, 'to give yourselves up to your impressions, allow yourselves to be delighted, moved, elevated, nay instructed, inspired for something great.' The courage to give yourselves up to your impressions: yes, that is the secret of the artistic life - for while art has been defined as an escape from the tyranny of the senses, it is an escape rather from the tyranny of the soul. But only to those who worship her above all things does she ever reveal her true treasure: else will she be as powerless to aid you as the mutilated Venus of the Louvre was before the romantic but sceptical nature of Heine. — Oscar Wilde

What bizarre things does not one find in a great city when one knows how to walk about and how to look! Life swarms with innocent monsters. Oh Lord my God, Thou Creator, Thou Master, Thou who hast made law and liberty, Thou the Sovereign who dost allow, Thou the Judge who dost pardon, Thou who art full of Motives and of Causes, Thou who hast (it may be) placed within my soul the love of horror in order to turn my hear to Thee, like the cure which follows the knife; Oh Lord, have pity, have pity upon the mad men and women that we are! Oh Creator, is it possible that monsters should exist in the eyes of Him alone who knoweth why they exist, how they have made themselves, and how they would have made themselves, and could not? — Charles Baudelaire

In England, wit is at least a profession, if not an art. everything becomes professional there, and even the rogues of that islandare pedants. So are the "wits" there too. They introduce into reality absolute freedom whose reflection lends a romantic and piquant air to wit, and thus they live wittily; hence their talent for madness. They die for their principles. — Karl Wilhelm Friedrich Schlegel

Suddenly I've got an overwhelming desire to surround myself with the aura of classical and Romantic art. — Sylvester Stallone

I was surprised to hear you'd grown up on a ranch," he said.
"What is that?"
"You don't like cowboy art."
She chuckled. "You think they go hand in hand? — B. J. Daniels

The romantic mode is primarily inspirational, imaginative, creative, intuitive. Feelings rather than facts predominate. "Art" when it is opposed to "Science" is often romantic. It does not proceed by reason or by laws. It proceeds by feeling, intuition and esthetic conscience. — Robert M. Pirsig

A Haydn symphony had a meaning for the social group that listened to it. A Mahler symphony had a meaning for the man who composed it. Here is the difference between the classical and romantic attitudes to art. — Anthony Burgess

Great works of art in all cultures succeed in capturing within the constraints of their form both the pathos of anguish and a vision of its resolution. Take, for example, the languorous sentences of Proust or the haiku of Basho, the late quartets and sonatas of Beethoven, the tragicomic brushwork of Sengai or the daunting canvases of Rothko, the luminous self-portraits of Rembrandt and Hakuin. Such works achieve their resolution not through consoling or romantic images whereby anguish is transcended. They accept anguish without being overwhelmed by it. They reveal anguish as that which gives beauty its dignity and depth. — Stephen Batchelor

It is the right of art to consider an impression valid simply as an impression and to accept it as something entire and complete without critical scrutiny. Art is, as Schopenhauer puts it, "everywhere at its goal." But for life, and hence surely also for religion, there is a danger, the romantic danger, in making the impression of an experience all-important. For then the sense for the content and commandment of life must all too soon evaporate together with any sense for reality with its definite tasks; and the place of all aspiration and expectation will be taken over by the sole dominion of the mood of faith which simply feels itself, and then finds it easy to deem itself, complete. This is faith for faith's sake. — Leo Baeck

I see love, like art, as an obsession. Maybe that's an overly romantic view of human existence, but I'm an overly romantic human being. If love, like rock and roll, doesn't consume me 24-7, it's not love. It can be respect, appreciation, admiration, wonderment, it can be a world of glory and a lifetime of peace, but I can't call it love. Love burns me and confuses me. Love's a light that can't be extinguished. — Scott Weiland

Wonderful art can spring from misery,I'm the last person to deny that.I'd go even further:the best works of art of all time are probably stemmed from the deep human sorrow or hellish frustration,the death of a loved one or a divorce and yes:jealousy.Heartache and impotence as the man-spring for making the unverifiable verifiable and for giving it face.How romantic,beautiful and especially useful pain and misery can be. — Esther Verhoef

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction! — Ray Bradbury

I find the Romantic period extraordinarily interesting. My landscapes have connections with Romanticism: at times I feel a real desire for, an attraction to, this period, and some of my pictures are a homage to Caspar David Friedrich. — Gerhard Richter

There is always something I gain from watching a movie, whether it's a silly romantic comedy or an art film. — Gia Coppola

O, thou art fairer than the evening air clad in the beauty of a thousand stars. — Christopher Marlowe

Romance can end, but I don't think art really ends, as romantic as that might sound. — Stew

I'm an eclectic and avid filmgoer. I try to see everything from romantic comedies to blockbusters to art house films, world cinema and documentaries. — Pamela Yates

People have romantic notions about television. In the highest realms they think it's some sort of art medium, and it's not. Others think it's an entertainment medium, it's not that either. It's an advertising medium. It's a method to deliver advertising like a cigarette is a method to deliver nicotine. — Bill Maher

The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused. — Tori Amos

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part. — Henry Moore

The assertion that only sex is power and the arrogation of creativity to the masculine sex and the rendering of all creativity as sexual - this is patriarchal aesthetics. Patriarchal passion sees violent sex as the essential creative act, even aesthetically, through a sort of metaphysical transubstantiation. This is their romantic belief that sex with the Master can produce the artistic spirit in the student. Male creativity is thus born in another, her work is given depth through the violent transgression of her boundaries. — Somer Brodribb

The Beats were tremendously significant, but chiefly in the way that they provided a preview in the 1950s of the cultural, intellectual, and moral disasters that would fully flower in the late 1960s. The ideas of the Beats, their sensibility, contained in ovo all the characteristics we think of as defining the cultural revolution of the Sixties and Seventies. The adolescent longing for liberation from conventional manners and intellectual standards; the polymorphous sexuality; the narcissism; the destructive absorption in drugs; the undercurrent of criminality; the irrationalism; the naive political radicalism and reflexive anti-Americanism; the adulation of pop music as a kind of spiritual weapon; the Romantic elevation of art as an alternative to rather than as an illumination of normal reality; the pseudo-spirituality, especially the spurious infatuation with Eastern religions: in all this and more the Beats provided a vivid glimpse of what was to come. — Roger Kimball

Classical art stands for form; romantic art for content. — Robin G. Collingwood

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr. — Bill Griffith

The work ethic at art school is completely different than the work ethic amongst people who get into music. People who paint, it's an honorable thing to spend all day and all night in front of your canvas - that is the romantic vision of the painter. — Nick Cave

Classic art was the art of necessity: modern romantic art bears the stamp of caprice and chance. — Max Eastman

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie. — Bill Cosby

Abstract art is uniquely modern. It is a fundamentally romantic response to modern life - rebellious, individualistic, unconventional, sensitive, irritable. — Robert Motherwell

Ah, art! Ah, life! The pendulum swinging back and forth, from complex to simple, again to complex. From romantic to realistic, back to romantic. — Ray Bradbury

It is the addition of strangeness to beauty that constitutes the romantic character in art. — Walter Hagen

Let us summarize these three points more concisely:

(a) The rejection of art as a mere emotional, individualistic, and romantic affair.
(b) "Objective" work, undertaken with the silent hope that the end product will nevertheless eventually be regarded as a work of art.
(c) Consciously goal-directed work in architecture, which will have a concise artistic effect on the basis of well-preparated objective-scientific criteria.

Such an architecture will actively raise the general standard of living. This represents the dialectic of our development process, which purports to arrive at the affirmative by negation - a process similar to melting down old iron and forging it into new steel. — El Lissitzky

We fail at romantic love when we have not learned the art of loving. It's as simple as that. Often we confuse perfect passion with perfect love. — Bell Hooks

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time
back home to the escapes of Time and Memory. — Thomas Wolfe

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of ... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false. — Victor Hugo

Romantic art is always stylized: the better the art, the cleaner and more attractive and intelligent the stylization. — Ayn Rand

He knows I have a soft spot for RLS and not just because he was sick or because we have the same initials but because there's something impossibly romantic about him and because before he started writing Treasure Island he first drew a map of an unknown island and because he believed in invisible places and was one of the last writers to know what the word adventure means. I could give you a hundred reasons why RLS is The Man. Look in his The Art of Writing (Book 683, Chatto & Windus, London) where he says that no living people have had the influence on him as strong for good as Hamlet or Rosalind. Or when he says his greatest friend is D'Artagnan from The Three Musketeers (Book 5, Regent Classics, London). RLS said: 'When I suffer in mind, stories are my refuge, I take them like opium.' And when you read Treasure Island you feel you are casting off. That's the thing. You are casting off and leaving behind the ordinary dullness of the world. — Niall Williams

Art has no place in modern life. It will continue to exist as long as there is a mania for the romantic and so long as there are people who love beautiful lies and deception ... Every modern cultured man must wage war against art, as against opium ... Photograph and be photographed. — Alexander Rodchenko