Romantic And Emotional Quotes & Sayings

Outside of my professional life, I have known many couples over the years who had passion and electricity between them and who treated each other well. But unfortunately there is wide acceptance in our society of the unhealthy notion that passion and aggression are interwoven and that cruel verbal exchanges and bomblike explosions are the price you pay for a relationship that is exciting, deep, and sexy. Popular romantic movies and soap operas sometimes reinforce this image. — Lundy Bancroft

Normal people are not always boring. On the contrary. Volatility and passion, although often more romantic and enticing, are not intrinsically preferable to a steadiness of experience and feeling about another person (nor are they incompatible). These are beliefs, of course, that one has intuitively about friendships and family; they become less obvious when caught up in a romantic life that mirrors, magnifies, and perpetuates one's own mercurial emotional life and temperament. It has been with my pleasure, and not-inconsiderable pain, that I have learned about the possibilities of love - its steadiness and its growth - from my husband, the man with whom I had lived for almost a decade. — Kay Redfield Jamison

But if I lack respect for and enjoyment of who I am, I have very little to give - except my unfilled needs. In my emotional impoverishment, I tend to see other people essentially as sources of approval or disapproval. I do not appreciate them for who they are in their own right. I see only what they can or cannot do for me. I am not looking for people whom I can admire and with whom I can share the excitement and adventure of life. I am looking for people who will not condemn me - and perhaps will be impressed by my persona, the face I present to the world. My ability to love remains undeveloped. This is one of the reasons why attempts at relationships so often fail - not because the vision of passionate or romantic love is intrinsically irrational, but because the self-esteem needed to support it is absent. — Nathaniel Branden

Today i want to talk to you, and you don't have time. Tomorrow you would desperately want to talk to me and I won't be around — Kunal Bhardwaj

Everything in me feels fluttering and free, like I could take off from the ground at any second. Music, I think, he makes me feel like music. — Lauren Oliver

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

[Donald] Keene observed [in a book entitled The Pleasures of Japanese Literature, 1988] that the Japanese sense of beauty has long sharply differed from its Western counterpart: it has been dominated by a love of irregularity rather than symmetry, the impermanent rather than the eternal and the simple rather than the ornate. The reason owes nothing to climate or genetics, added Keene, but is the result of the actions of writers, painters and theorists, who had actively shaped the sense of beauty of their nation.
Contrary to the Romantic belief that we each settle naturally on a fitting idea of beauty, it seems that our visual and emotional faculties in fact need constant external guidance to help them decide what they should take note of and appreciate. 'Culture' is the word we have assigned to the force that assists us in identifying which of our many sensations we should focus on and apportion value to. — Alain De Botton

It seemed like so much of romantic relationships today have to do when the people are not in the same room. Whether it's texting or emailing or Facebooking, there's a kind of distance between the participants. I think it's sort of shifted the energy of that first romantic meeting, where it's quicker, perhaps more desperate, more energetic, in a whole different way, and it's resulted in a situation where people seem to be sometimes more comfortable having a sexual relationship than an emotional one. — Ivan Reitman

All the vital components that make a relationship successful, without any of the emotional messiness to drag it down. It's about respect, caring, and commitment. Shared goals and compatible priorities. It's about treating marriage like a partnership instead of some romantic fantasy. It's about two people liking each other. — Mira Lyn Kelly

When one is able to overcome the romantic and emotional attitude, one discovers truth even in the kitchen sink. — Chogyam Trungpa

We're coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it's such a fitting metaphor. This man, whom I once thought of as a romantic hero, a brave shining white knight - or the dark knight, as he said. He's not a hero; he's a man with serious, deep emotional flaws, and he's dragging me into the dark. Can I not guide him into the light? — E.L. James

There's always one sure way of finding out that you're a misfit. When you're eleven years old, and your friends are telling you that they just sneaked into the theater to watch 'Twilight' and that it was "sooooo emotional and sooooo terrifying and soooooo romantic!" - but you've been spending the summer watching 'Rosemary's Baby' and 'Don't Look Now' and knowing the lines to all the Alfred Hitchcock films by heart - that's the moment you realize that you're a misfit. — Rebecca McNutt

She didn't believe there was anything like perfect, fairytale love. Most people were flawed and prone to mistakes. She thought herself a romantic but treated love with the same practicality she did most things. They'd had fall-outs and misunderstandings but she'd never been free to be herself like she was with Edward. She couldn't imagine being with another person after him. — Myne Whitman

Number 23 had plenty of redeeming qualities that made falling for him a justifiable accident. But our connection had nothing to do with our similarities, our differences, our aesthetic attractions, or our emotional and physical needs. When we spoke, he was truly with me. Our egos, our personas, expected social cues, the facades that everyone builds around them that are supposed to sculpt the way the world sees us, were stripped with Number 23 and I. He was immediately my best friend, familiar and safe - an epiphany that I had been spending my life alone in crowded rooms.
Our souls were naked. We initially curled into the warmth of that connection. But once we knew how real it was, we felt exposed, vulnerable, and raw. While his defense was his fearful recoil, mine was dictation. — Maggie Young

I thought again about throwing language all over a scene, wondered if the emotional mystery of one's response to place doesn't lie in the inchoate play of possible words, of felt meanings and poetries, of the sublime, the romantic, the picturesque, Zen; even, perhaps, something new. And perhaps that twinge of disappointment one always feels at the words chosen - and thus also at the glorious scene-comes from the dream that in that instant of indecision and all-decision before your mind clarified its response to beauty, you just might have held within you language finally saturated with all the earth's meaning." Page 211 — Daniel Duane

Romantic love is a passionate spiritual-emotional-sexual attachment between a man and a woman that reflects a high regard for the value of each other's person. — Nathaniel Branden

It's a romantic novel," Jaenelle said in a small voice as he called in his half-moon glasses and started idly flipping the pages. "A couple of women in a bookseller's shop kept talking about it." Romance. Passion. Sex. He suppressed - barely - the urge to leap to his feet and twirl her around the room. A sign of emotional healing? Please, sweet Darkness, please let it be a sign of healing. — Anne Bishop

When it comes to sexuality, romantic love plays a large part in feminine sexual scripts. Research suggests that women make sense of sexual encounters in terms of the amount of intimacy experienced; love becomes a rationale for sex. If i am in love, women often reason, sex is okay. Men more easily accept sex for its own sake, with no emotional strings necessarily attached. In this way, sexual scripts for men have involved more of an instrumental (sex for its own sake) approach, whereas for women it tends to be more expressive (sex involving emotional attachments). There is evidence to suggest that women are moving in the direction of sex as an end in itself without the normative constraints of an emotional relationship. By and large, however, women are still more likely than men to engage in sex as an act of love. Many scholars suggest that romance is one of the key ways that sexism is maintained in society. — Susan Shaw

In the infinity and chaos that swirls around them, they have fulfilled their purposes: to live their lives with less suffering, to further humanity's forays into the inhospitable void, to love one another unconditionally, endlessly. — Kay Simone

A large body of psychological research tells us something that many of us already know: girls and women place a lot of importance on their closest relationships. Our parents, relatives, romantic partners and spouses, children, and friends are central to our lives. We value our relationships with these people immensely, and we feel good about ourselves when we are able to create relationships with them that are warm, intimate, and loving. Our need to do so is healthy and adaptive. When our most intimate relationships are good, they protect us from becoming depressed. But when they are riddled with conflict and emotional insecurity, they actually increase our risk for depression. — Valerie E. Whiffen

Susan was a tough-minded romantic. She wanted to fall in love with a book. She always had reasons for her devotions, as an astute reader would, but she was, to her credit, probably the most emotional one among us. Susan could fall in love with a book in more or less the way one falls in love with a person. Yes, you can provide, if asked, a list of your loved one's lovable qualities: he's kind and funny and smart and generous and he knows the names of trees.
But he's also more than amalgamation of qualities. You love him, the entirety of him, which can't be wholly explained by even the most exhaustive explication of his virtues. And you love him no less for his failings. O.K., he's bad with money, he can be moody sometimes, and he snores. His marvels so outshine the little complaints as to render them ridiculous. — Michael Cunningham

When my hands can no longer make these hammers and strings play for you, my heart will always sing to you. — Karen Quan

As long as we're young, we manage to find excuses for the stoniest indifference, the most blatant caddishness, we put them down to emotional eccentricity or some sort of romantic inexperience. But later on, when life shows us how much cunning, cruelty, and malice are required just to keep the body at ninety-eight point six, we catch on, we know the scene, we begin to understand how much swinishness it takes to make up a past. Just take a close look at yourself and the degree of rottenness you've come to. There's no mystery about it, no more room for fairy tales; if you've lived this long, it's because you've squashed any poetry you had in you. — Louis-Ferdinand Celine

Let us summarize these three points more concisely:

(a) The rejection of art as a mere emotional, individualistic, and romantic affair.
(b) "Objective" work, undertaken with the silent hope that the end product will nevertheless eventually be regarded as a work of art.
(c) Consciously goal-directed work in architecture, which will have a concise artistic effect on the basis of well-preparated objective-scientific criteria.

Such an architecture will actively raise the general standard of living. This represents the dialectic of our development process, which purports to arrive at the affirmative by negation - a process similar to melting down old iron and forging it into new steel. — El Lissitzky

Scotsmen are metaphisical and emotional, they are sceptical and mystical, they are romantic and ironic, they are cruel and tender, and full of mirth and despair. — William Dunbar

Resolution number one: Obviously will lose twenty pounds. Number two: Always put last night's panties in the laundry basket. Equally important, will find sensible boyfriend to go out with and not continue to form romantic attachments to any of the following: alcoholics, workaholics, commitment phobic's, peeping toms, megalomaniacs, emotional fuckwits or perverts. And especially will not fantasize about a particular person who embodies all these things — Helen Fielding

Lost in the impossible pleasure of finding that soul and body that fits up perfectly to yours, lost in the starburst patterns that wait behind their eyelids when all that matters is that they are both here, now, for as long as they can be. — Kay Simone

Romantic poetry and fiction of the last 2000 years has blinded us to the fact that emotions are a low form of jungle consciousness. Emotional actions are the most contracted, dangerous form of fanatic stupor. — Timothy Leary

One of the most widely held beliefs in our culture today is that romantic love is all important in order to have a full life but that it almost never lasts. A second, related belief is that marriage should be based on romantic love. Taken together, these convictions lead to the conclusion that marriage and romance are essentially incompatible, that it is cruel to commit people to lifelong connection after the inevitable fading of romantic joy. The Biblical understanding of love does not preclude deep emotion. As we will see, a marriage devoid of passion and emotional desire for one another doesn't fulfill the Biblical vision. But neither does the Bible pit romantic love against the essence of love, which is sacrificial commitment to the good of the other. If we think of love primarily as emotional desire and not as active, committed service, we end up pitting duty and desire against each other in a way that is unrealistic and destructive. — Timothy Keller

There was a natural resource in the affective devotion to the saints and to Jesus, and a similar intensity of devotion inevitably became directed to the ordinary human.7 Eleanor of Aquitaine, the paragon of courtly love at the courts of Angers and Poitiers, was a grandchild of Guillaume, duke of Aquitaine, the first known troubadour. In many of Guillaume's love songs 'the vocabulary and emotional fervor hitherto ordinarily used to express man's love for God are transferred to the liturgical worship of woman, and vice versa.'8 The layering of Christian feeling and the new romantic spirit is also witnessed in the roman courtois, the epic stories filled with legendary material and hinged on figures of woman, mystery and quest. — Anthony Bartlett

Everybody has scars; some are more visible than others, that's all. But anyone without a scar is someone I don't want to know because it's someone who doesn't feel things deeply. You have to understand loss to recognize a gift when you see it."
He leaned over and kissed her again. "You are my gift. I want to be yours, if you'll let me. — Susannah Sandlin

As Ian looked at her, he felt something in his chest slip and shift. The pressure came with a blood-tingling rush of triumph and satisfaction, pride and a deeply burning sense of possessiveness. His inner caveman warrior had been awakened and wanted to rush around the room, peeing into the corners, marking it - and her - as his own, while shouting Mine! and randomly smashing things for emphasis.
But he knew that was he was feeling was the equivalent of emotional and hormonal indigestion. He hadn't done this in a long time. And he particularly hadn't done it with a woman he liked as much as this one. In fact, he'd never had sex with anyone that he genuinely liked as much as he liked Phoebe. — Suzanne Brockmann

We have unfinished personal business I do believe." He smiled. "And I do love to make you blush."
"It clashes with my hair. — Susannah Sandlin

Love can be such a mysterious muse and seductress ... spinning her magical web of stardust and emotional euphoria.
True love sang her siren song and we wrapped that song around us like the sweetest melody. — Jaeda DeWalt

A miracle happened. Right there and then, in amongst the lunchtime diners and tourists, with the sweeping views of San Francisco Bay outside the window and the sea lions making a racket on the wharf below, a miracle happened. And Samuel lost any hope of recovery. Lily laughed. — Lexxie Couper

Being a woman, I have found the road rougher than had I been born a man. Different defenses, different codes of ethics, different approaches to problems and personalities are a woman's lot. I have preferred to shun what is known as feminine wiles, the subterfuge of subtlety, reliance on tears and coquetry to shape my way. I am forthright, often blunt. I have learned to be a realist despite my romantic, emotional nature. I have no illusions that age, the rigors of my profession, disappointments, and unfulfilled dreams have not left their mark.

I am proud that I have carved my path on earth almost entirely by my own efforts, proud that I have compromised in my career only when I had no other recourse, when financial or contractual commitments dictated. Proud that I have never been involved in a physical liaison unless I was deeply attracted or in love. Proud that, whatever my worldly goods may be, they have been achieved by my own labors. — Joan Fontaine

A relationship is an event; two individuals meet and catch each other's attention. Like any event, the length and the quality of it depends on the quality of attention from both sides. A romantic relationship, like any other, can survive indefinitely. Respect is the key. Driven by old habits and emotional dramas, a union will fail, becoming an insatiable monster that eats love and turns it into a thousand investments and fears. — Miguel Ruiz

I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love. — Elizabeth Gilbert

Even before we met and long after we're both gone, my heart lives inside of yours. I'm forever and ever in love with you. — Crystal Woods

In Gothic fiction, characters must contend with the dead, with active hauntings or with hallucinations of hauntings, as well as whatever other trying circumstances they might find themselves in: orphanhood, lunacy, imprisonment, inheritances that go astray, troubling romantic situations. The Gothic novel does not strive for subtlety, and it isn't to everyone's taste. It can seem adolescent, an immature version of the stately, measured, grown-up realist novel, except that the line between Gothic and the realist is never clear. A disdain for the Gothic is limiting, since this literature, in all its flagrancy, has something to say about emotional as well as physical death, and a tale of a haunting can have a narrative vitality that is far from conclusive. Gothic stories linger especially in the mind. — Brenda Walker

Maturity means acknowledging that Romantic love might constitute only a narrow, and perhaps rather mean-minded, aspect of emotional life, one principally focused on a quest to find love rather than to give it; to be loved rather than to love. Children — Alain De Botton

To me the erotic is the relationship that organically manifests itself between people finding and exploring love. It is the universality of accepting the darkness that makes up human nature, the darkness I find so romantic within that dance, the inevitable opening up that lets in the light of sensuality between two human beings becoming one together without the confines of preconceived morality. In short, an exploration of all the facets of both the subconscious and conscious of light and dark. "Emotional connectedness. — R.B. O'Brien