Role Of Artists Quotes & Sayings

Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody. — Matt Bomer

The role of artists is to attend the funerals. They are the pall-bearers of failure, and every wonder they raise high in celebration harks back to a time already dead. — Steven Erikson

In Taiwan during the 1960s and mainland China in the 1980s, conceptualism played a role similar to that of Dada, that is, as a vehicle for upsetting conventions - aesthetic, social, and political. Almost all Chinese conceptual artists proclaimed an allegiance to Dada. On the mainland, they also embraced traditional Chan Budhism, wich encourages an ironic sensibility and rejects the privileging of any one doctrine in the search for enlightment. Combined, Dada and Chan Budhism became a potent weapon in the Chinese avant-garde's assault on business as usual. — Gao Minglu

In advanced societies it is not the race politicians or the "rights" leaders who create the new ideas and the new images of life and man. That role belongs to the artists and intellectuals of each generation. Let the race politicians, if they will, create political, economic or organizational forms of leadership; but it is the artists and the creative minds who will, and must, furnish the all important content. And in this role, they must not be subordinated to the whims and desires of politicians, race leaders and civil rights entrepreneurs whether they come from the Left, Right, or Center, or whether they are peaceful, reform, violent, non-violent or laissez-faire. Which means to say, in advanced societies the cultural front is a special one that requires special techniques not perceived, understood, or appreciated by political philistines. — Harold Cruse

Something needs to be said about the role of anonymity and digital pseudonyms. This is a topic for an essay unto itself, of course. Are true names really needed? Why are they asked for? Does the nation state have any valid reason to demand they be used? People want to know who they are dealing with, for psychological/evolutionary reasons and to better ensure traceability should they need to locate a person to enforce the terms of a transaction. The purely anonymous person is perhaps justifiably viewed with suspicion. And yet pseudonyms are successful in many cases. We rarely know whether someone who presents himself by some name is "actually" that person. Authors, artists, performers, etc., often use pseudonyms. What matters is persistence and nonforgeability. Crypto provides this. — Peter Ludlow

The role of the artist today is to defend feeling against the machine. — Marty Rubin

Certain artists have a role to echo the echoes of the people and that's what I'll be doing on my next album. — Jimmy Cliff

Emphasizing the body as art, these artists amplified the role of process over product and shifted from representation objects to presentational modes of action. — Kristine Stiles

It's been said that the role of the artist is to teach us to see and that's true. However, the role of other artists is to teach me how they see. To learn how I see is somethig that cannot be taught but must be learned. — Brooks Jensen

When power leads man towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man's concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses, for art establishes the basic human truths which must serve as the touchstones of our judgement. The artists, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, "a lover's quarrel with the world." In pursuing his perceptions of reality he must often sail against the currents of his time. This is not a popular role. — John F. Kennedy

If theory is the role of the architect, then such beautiful proofs are the role of the craftsman. Of course, as with the great renaissance artists, such roles are not mutually exclusive. A great cathedral has both structural impressiveness and delicate detail. A great mathematical theory should similarly be beautiful on both large and small scales. — Michael Atiyah

What all this posturing and fake glamor results in is a vast detachment and cynicism on the part of the artists. Since it's impossible to have respect for an audience that'll take just about anything you care to dish out, and the impassive demeanor is so central to the role, a general numbnose is all that can be expected. — Lester Bangs

'Branding' has taken on too much of a role as a specialized craft performed by voodoo artists. — Guy Kawasaki

When you are the only laowai in a village of 10,000 Chinese martial artists and you've sat through several dozen films where a white man shouts, "You Chinese dog," before getting his ass kicked, it starts to irritate you. We all need role models. — Matthew Polly

Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary. — Edgar Bronfman Jr.

I'm gonna make music, and I'm gonna capture every aspect of being a human being. That's really all I'm trying to do. I think that artists and pop culture identities are used to simplify what it means to be a human and pigeon-hole people into looking up to one role model. — Mac Miller

I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy. — Henry Rollins

The role of the artist is to ask questions, not answer them. — Anton Chekhov

Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art. Those who are engaged in the arts should be the last to send any other message, because when artists endorse the traditional order of a society, it suggests that they have forgotten their own true role within it. — Robin Black

External life being so mighty, the instruments so huge and terrible, the performances so great, the thoughts so great and threatening, you produce a someone who can exist before it. You invent a man who can stand before the terrible appearances. This way he can't get justice and he can't give justice, but he can live. And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe ... That's the struggle of humanity, to recruit others to your version of what's real. — Saul Bellow

And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. That's the struggle of humanity, to recruit others to your version of what's real. Then even the flowers and the moss on the stones become the moss and the flowers of a version. — Saul Bellow

Artists are agents of chaos. It is the artists
job to encourage entropy, to promote chaos. Idols must be killed, icons crushed, beliefs
shattered. It is the artists job to encourage legitimate, unadulterated, raw thought and
emotion. Art that does nothing new, that simply fills an established role, is not art.
It is a product. A stale, stagnant product of a disgustingly mundane process that has been
done so much it is assumed mandatory. Little different than feces. The last thing the world
needs is to get shittier. — Jonathan Culver

I can't let the baggage of my private life get into work. Artists are more fragile than normal people. But I know that I am a role model for zillions of people, so no matter how deep you are hurting, you need to come out strong. — Bipasha Basu

But artists aren't the only marginalized folks controlling real estate. Think about the colonizing role that wealthy white gay men have played in communities of color; they're often the first group to gentrify poor and working-class neighborhoods. Harlem is a good example. Gays have moved in and driven up rents, as have renegade young white students, who want to be cool and hip. This is colonization, post-colonial-style. After all, the people who are "sent back" to recover the territory are always those who don't mind associating with the colored people! And it's a double bind, because some of these people could be allies. Some gay white men are proactive about racism, even while being entrepreneurial. But in the end, they take spaces, redo them, sell them for a certain amount of money, while the people who have been there are displaced. And in some cases, the people of color who are there are perceived as enemies by white newcomers. — Bell Hooks

I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that? — A. Balasubramaniam

The primary role of the music industry is to have artists be heard above the rest. It's a big needle in a haystack problem. The Internet has the service and tools to find the needle in a haystack. — Ali Partovi

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

Burmese authors and artists can play the role that artists everywhere play. They help to mold the outlook of a society - not the whole outlook, and they are not the only ones to mold the outlook of society, but they have an important role to play there. — Aung San Suu Kyi

The view of life adopted by these people, my literary associates, was that generally speaking life is a process of development in the course of which the most important role is played by us, the thinkers; and that among the thinkers it is we, the artists and poets, who have the most influence. Our vocation is to educate people. In order to avoid being confronted by the obvious question - 'What do I know and what have I got to teach? — Leo Tolstoy

...While many who have debated the image of female sexuality have put "explicit" and "self-objectifying" on one side and "respectable" and "covered-up" on the other, I find this a flawed means of categorization. [...] There is a creative possibility for liberatory explicitness because it may expand the confines of what women are allowed to say and do. We just need to refer to the history of blues music - one full of raunchy, irreverent, and transgressive women artists - for examples. Yet the overwhelming prevalence of the Madonna/whore dichotomy in American culture means that any woman who uses explicit language or images in her creative expression is in danger of being symbolically cast into the role of whore regardless of what liberatory intentions she may have. — Imani Perry