Road Stories Quotes & Sayings
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Top Road Stories Quotes
Life is not a straight line leading from one blessing to the next and then finally to heaven. Life is a winding and troubled road. Switchback after switchback. And the point of biblical stories like Joseph and Job and Esther and Ruth is to help us feel in our bones (not just know in our heads) that God is for us in all these strange turns. God is not just showing up after the trouble and cleaning it up. He is plotting the course and managing the troubles with far-reaching purposes for our good and for the glory of Jesus Christ. — John Piper
I just want to tell you: the only good thing in these days is that I still believe there's something good behind all these things. I don't know what that good thing is but the idea of it keeps me smile. Stories will be finished. Money has its way to come. Admission result will be announced, and if I get rejected, it does not mean I failed (though I'm pretty sure I will cry, either a lot or a little). There will be something good down the road. There is something meaningful hidden in everything plain but stressful around me right now: A lesson to learn, friends to treasure, stories to create, new places to discover and home to go back, chances to grab, opportunities to develop. — Rio Lam
Everyone knew what he was thinking. Certainly there were demons in the world. But they were like Tehlu's angels. They were like heroes and kings. They belonged in stories. They belonged out there. Taborlin the Great called up fire and lightning to destroy demons. Tehlu broke them in his hands and sent them howling into the nameless void. Your childhood friend didn't stomp one to death on the road to Baedn-Bryt. It was ridiculous. — Patrick Rothfuss
Happiness is a garden walled with glass: there's no way in or out. In Paradise there are no stories, because there are no journeys. It's loss and regret and misery and yearning that drive the story forward, along its twisted road. — Margaret Atwood
Stories have endings; that's why we tell them, for reassurance that there is meaning in our lives. But like a diagnosis, a story can become a prison, a straight road mapped out by the people who went before. Stories are not the truth. — Sarah Moss
Even today I keep a Dream Journal. It's whatever's going on in my subconscious, or things from dreams or even interesting items that pop into my head. I have thousands of pages of notes which I hope someday will turn into stories, or movies ... Being on the road gives me breathing time and the opportunity to think about what to do next. In fact right before I came down for lunch today, I was writing down notes about my feelings. Things that I need to do to keep motivated. I need to be motivated if I am to going to devote fifteen months to writing another book. And I couldn't write a book just because it's a commercial idea. I need to have a compelling reason. — Clive Barker
I have never seen a film being as influenced by the incidents during its making as Highway. The adventures of our north Indian road journey has many stories to tell — Imtiaz Ali
Why did so many teenagers fall for Stanley Horowitz's tricks?"
"These were impressionable teenagers," Nick explained. "Many of them were devoted fans of romantic Vampyre stories. They over-romanticized what it means to be a Vampyre, and that gave Stanley a way to manipulate them."
"I've read Twilight," Tamara said. "My daughter is a huge fan. Is she in any danger?"
"The danger arises from wanting to belong to the in crowd so badly, you lose sight of what's real and what's fantasy."
"Surely today's teenagers know that vampires are fantasy," Tamara said.
"Possibly. But remember, Vampyres are not romantic. Vampyres are dead. They are walking reminders of tragedy. Loving one is necrophilia. And wanting to be one is the first step on the road to catastrophe. — Abramelin Keldor
They rode up the faint marks of the old trace where thousands of sojourners walking and riding both had crossed it and before them the buffalo far back in time. She joined the stream of humanity that had gone down that road, just one more story in a stream of narratives both likely and unlikely that were being told somewhere even now, by someone, in a far place. — Paulette Jiles
The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories - in short, out of our heads and into our hearts. — Gloria Steinem
Thought all the wilderness of America was in the West till the Ghost of the Susquehanna showed me different. No, there is a wilderness in the East; it's the same wilderness Ben Franklin plodded in the oxcart days when he was postmaster, the same as it was when George Washington was a wildbuck Indian-fighter, when Daniel Boone told stories by Pennsylvania lamps and promised to find the Gap, when Bradford built his road and men whooped her up in log cabins. There were not great Arizona spaces for the little man, just the bushy wilderness of eastern Pennsylvania, Maryland, and Virginia, the backroads, the black-tar roads that curve among the mournful rivers like Susquehanna, Monongahela, old Potomac and Monocacy. — Jack Kerouac
In the moment when that glass passed from his hand to mine, something sent up a high wild warning cry in the back of my mind. Persephone's irrevocable pomegranate seeds, Never take food from strangers; old stories where one sip or bite seals the spellbound walls forever, dissolves the road home into mist and blows it away on the wind. — Tana French
Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... — Terri Windling
State Road 60 is one of those great old Florida drives. From Tampa on the west coast to Vero Beach on the east, rolling through Mulberry and Bartow and Yeehaw Junction. Phosphate mines and orange groves and cows loitering near water holes in vast open flats dotted with sabal palms, stretching for miles, making the sky big. Here and there were the kind of occasional, isolated farmhouses that made people subconsciously think: Do they get Internet? In the middle of one overgrown field stood a single concrete wall, several stories high, covered with grime and mildew, the ancient ruins of a drive-in theater. The top of the wall was the last thing to catch a warm glow from the setting sun. — Tim Dorsey
Come, come into this circle of grace and friendship.
Come bringing only your open heart.
You owe us nothing but truth, you need no heavy armor here.
Show us your beautiful scars, the evidence of adventures you've survived.
Tell your stories from the road.
This space is home.
You are safe to come as you are without fear. — Jacob Nordby
As we've said, it's not a coincidence that Fear Itself, Schism, and other big stories end at the same time. This is the first brick in the next road. — Tom Brevoort
I can't wait until this show gets on the road," he said. "You and me are going to have so much fun, Rose. Picking out curtains, doing each other's hair, telling ghost stories ... "
The reference to "ghost stories" hit a little closer to home than I was comfortable with. Not that choosing curtains or brushing Christian's hair was much more appealing. — Richelle Mead
For decades I've had an intense interest in the history and mythology of the Silk Road, I think in part because an aspect of me loves the resonance of long distance travel as a theme or anchor, if you will, for narrative. The ways that cultures rise and fade across centuries, the ways cultures connect and conflict, absorb and reject, transform or remain static: As a writer this is thematic content that never gets old for me. A million million stories rise out of the endless back and forth of cultural contact in all its best and worst aspects, and everything in between. Weave that within a story of adventure or empire or a journey into unknown spaces and I'm in writer and reader hog heaven. — Kate Elliott
My first book of stories was 'Satan in the Suburbs'. The title story was in part suggested to me by a stranger whom I met in Mortlake and who, when he saw me, crossed the road and made the sign of the Cross as he went. — Bertrand Russell
St. Cyril of Jerusalem, in instructing catechumens, wrote: "The dragon sits by the side of the road, watching those who pass. Beware lest he devour you. We go to the Father of Souls, but it is necessary to pass by the dragon." No matter what form the dragon may take, it is of this mysterious passage past him, or into his jaws, that stories of any depth will always be concerned to tell, and this being the case, it requires considerable courage at any time, in any country, not to turn away from the storyteller. — Flannery O'Connor
It all remained unreadable for him, though reading, he felt, was not a natural thing and should not be done to people. In general, people were not road maps. People were not hieroglyphs or books. They were not stories. A person was a collection of accidents. A person was an infinite pile of rocks with things growing underneath. — Lorrie Moore
A story is not like a road to follow ... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you. — Alice Munro
Apple of My Eye is a twisted collection of short stories by Amy Grech, including the sexy and deadly title story that makes you want to stay home with the door locked and the lights on. Grech's stories are sinister, sneaky, convoluted and dangerous - and absolutely not to be missed!
- Jonathan Maberry, Bram Stoker Award-Winning Author of
Ghost Road Blues and Dead Man's Song — Jonathan Maberry
No bitter complaints about society whatever from this grand and ideal man who really loves me moreover as if I deserve it, but I'm bursting to explain everything to him, not even Big Sur but the past several years, but there's no chance with everybody yakking
And in fact I can see in Cody's eyes that he can see in my own eyes the regret we both feel that recently we haven't had chances to talk whatever, like we used to do driving across America and back in the old road days, too many people now want to talk to us and tell us their stories, we've been hemmed in and surrounded and outnumbered
The circle's closed in on the old heroes of the night
— Jack Kerouac
There's no narrative to your life, no arc, no reward for achieving all of the things you want. That kind of thinking is a recipe for a you-centric world view and is a very lonely road. Focus instead on the role you play in the stories of others.. — Justin McElroy
No one is on this road, she thought. No one but us. Everyone knows this isn't the place to be at three o'clock on a summer afternoon. Everyone but us. — V.S. Kemanis
Danny couldn't remember how many times he had driven down this particular stretch of highway. — Mike Mehalek
There are our ghosts,' Smithers said.
It was a word he liked to use, said Brewster. Like most of us Brewster had read a few ghost stories, and to him the word 'ghosts' summoned up the creaking floorboards of a haunted house, shrouded white figures gliding silently through darkness, fluttering robes moving of their own bodiless accord, strangely transparent coaches travelling swiftly down a midnight road, and other such images quite remote from the chanting and drumming of desert folk in gaudy garb, with jingling anklets and necklaces, under a hot fierce sun. But the sounds of the Thar came from some invisible source, and to Smithers they were sounds made by ghosts.
("Smithers And The Ghosts Of The Thar") — Robert Silverberg
The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind. — Tana French
Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. — Iain Banks
I was always aware that Jack loved women not only for their bodies but for the stories that came into being as they interacted with him
they were part of his "road," the infinite range of experience that always had to remain open to fuel his work. — Joyce Johnson
The beach was hours away by bicycle, forbidden, completely out of all bounds. Going there risked expulsion, destroyed the studying I was going to do for an important test the next morning, blasted the reasonable amount of order I wanted to maintain in my life, and it also involved the kind of long, labored bicycle ride I hated. "All right," I said. We got our bikes and slipped away from Devon along a back road. Having invited me Finny now felt he had to keep me entertained. He told long, wild stories about his childhood; as I pumped panting up steep hills he glided along beside me, joking steadily. He analyzed my character, and he insisted on knowing what I disliked most about him ("You're too conventional," I said). — John Knowles
I lack the skill to hold a story line for the length required for a novel or even a short story. I have never had an idea that could withstand a hundred thousand words, or even ten thousand words of rubber meeting the road. — Henry Rollins
If any of [my stories] succeed in causing their readers to feel pleasantly uncomfortable when walking along a solitary road at nightfall, or sitting over a dying fire in the small hours, my purpose in writing them will have been attained. — M.R. James
The Wise County Bookmobile is one of the most beautiful sights in the world to me. When I see it lumbering down the mountain road like a tank ... I flag it down like an old friend. I've waited on this corner every Friday since I can remember. The Bookmobile is just a government truck, but to me it's a glittering royal coach delivering stories and knowledge and life itself. I even love the smell of books. People have often told me that one of their strongest childhood memories is the scent of their grandmother's house. I never knew my grandmothers, but I could always count on the Bookmobile. — Adriana Trigiani
Cars are all jammed up all along the road and a light turns red and someone honks. In every one of those cars there is a story or a hundred stories. For every light on in al of those huge city buildings there is a story. No one knows what I am about to face and no one knows my story and neither do I right then. — Deb Caletti
Chance encounters, the desire to watch, a visit from an unexpected stranger -- all of these things fall within a realm of normalcy. There is always a moment in stories like these, a fork in the road, when you wonder which path will be chosen. Will it end quietly, without incident, or will it move on to the next level? Here lies the difference between reality and imagination. — K. Kiker
Stories hang from the trees, hive under the coffee table, gather like glass on the corners of the road. To pick them up one needs simply to focus one's eye and keep a steady hand. Writing focuses the eye; writing develops the steadiness of one's hand. — Bonnie Friedman
That is what a motorcycle road trip is supposed to be about, long miles and short stops in obscure places with interesting people and stories to be heard. — Geoff Smith
Ciabattari is a master of transformation as she gives these stories of loss, woe, crisis and collapse the salutary and sometimes bracing pleasures of plain good fiction.
Kirkus Reviews — Jane Ciabattari
Our passing interrupted the road crossing, and the crowd bunched on both sides waited for us to go by as we all waited for the war to go by, thinking we can suspend or postpone living and not knowing that in war the heart grows older than it does in dreams — Dan Davin
We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar
In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see. — Todd Farmer
What I notice, as a historian reading stories about so-called nature miracles, the walking on the water, or the miraculous catch of fishes, they're done especially for the insiders, for the disciples. Usually healings and exorcisms are done for people along the road, as it were. Jesus doesn't come on the water to save the fishing fleet from Capernaum, he comes on the water to save the disciples. It's a parable, dummy, it's a parable, don't you get it? If the leadership of the church takes off in a boat without Jesus, it will sink, it will get nowhere. — John Dominic Crossan
After a short time I felt my truck began to move. The force of the water and the rising floodwaters lifted me and my truck off the road and through an orchard, bumping into trees, flood debris and who knows what else. — Steven C. Smith
There is no situation like the open road, and seeing things completely afresh. I'm used to traveling. It's not a question of meeting or seeing new faces particularly, or hearing new stories, but of looking at life in a different way. It's the curtain coming up on another act. — James Salter
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories. — Howard Dean
Husband and I are preparing ourselves for the new Doctor by watching - well, mainly rewatching - Mr. Capaldi's back catalogue, we've just finished The Crow Road in which he is utterly drop-dead gorgeous and actually I'd better stop there as husband is probably reading this so just let me point out that of course I'm only excited about upcoming Doctor Who because of the stories and it's definitely not because I fancy the new Doctor. — Jacqueline Rayner
If TV sitcoms idealized the American suburbs of the 1960s, the works of the artistic elite disparaged them ceaselessly, then and now. The songs of Pete Seeger, novels like Revolutionary Road, the stories of John Cheever, movies like Pleasantville and American Beauty, television series like Mad Men: in all of them, that long-ago land of lawns and houses is depicted as a country of stultifying conformity and cultural emptiness, sexual hypocrisy, alcoholism, and spiritual despair. Privilege murders the senses there, the creatives tell us. Gender roles strangle freedom. Family life turns the heart of adventure to ashes. There's bigotry and gossip and dangerous liaisons behind every closed door. Oh, the soul, the human soul! In the suburbs of fiction, she is forever dying. But — Andrew Klavan
There is no such thing as a boring person: everyone has stories and insights worth sharing. While on the road, we let our phones or laptops take up our attention. By doing that, we might miss out on the chance to learn and absorb ideas and inspiration from an unexpected source: our fellow travelers. — Richard Branson
Matthew, Mark, Luke, and John are a bunch of practical jokers who meet somewhere and decide to have a contest. They invent a character, agree on a few basic facts, and then each one's free to take it and run with it. At the end, they'll see who's done the best job. The four stories are picked up by some friends who act as critics: Matthew is fairly realistic, but insists on that Messiah business too much: Mark isn't bad, just a little sloppy: Luke is elegant, no denying that; and John takes the philosophy a little too far. Actually, though, the books have an appeal, they circulate, and when the four realize what's happening, it's too late, Paul has already met Jesus on the road to Damascus, Pliny begins his investigation ordered by the worried emperor, and a legion of apocryphal writers pretends also to know plenty ... It all goes to Peter's head; he takes himself seriously. John threatens to tell the truth, Peter and Paul have him chained up on the island of Patmos. — Umberto Eco
Travelling the dusty highways in the early evenings, just as the light began to fade, I would look out along the perpendicular dirt tracks that joined the road at intervals. They undulated away gently into the distance; slow streams of people in twos and threes and fours walked them, through the haze, talking easily, making their way back from wherever lay beyond. I longed to take every one of these turnings, to step out along every track in the morning, to return at dusk, to see what lay over each of these horizons and to share in the stories of those that returned from them. My trajectory, and that of each one of us, was that of a meteor, shedding millions of tiny sparks of possibility with every passing second, each with the capacity to ignite a flash of experience, but nearly all of which quickly burned up and vanished as it was left behind. The fire that moved forward was the flame of our lives. — Luke F.D. Marsden
You can be writing every day. When you go on a road trip, the trip itself becomes part of the story. — Steve Rushin
The Wellbriety path does not compete with A.A. or any other pathway of personal recovery, but instead enriches those pathways by embracing them within the web of Native American tribal histories and cultures. In these pages, you will meet people who have committed themselves to live their lives on the Red Road. Here you will meet Native people whose stories embody the living history of Native American recovery. You will hear the details of their addiction and recovery journeys and feel the life and hope in — White Bison
The road to home is when we find our hearts filled with the stories of our people. — Psyche Roxas-Mendoza
Since the last tour I have done a lot of extensive travel to Iraq, Kuwait, Siberia, South Korea and other places and picked up some hopefully interesting stories. We are living in interesting times and as bad as things are, I draw considerable inspiration from some of the things I'm seeing and people I'm meeting. I'm looking forward to getting out on the road and talking about it all. — Henry Rollins
The road has been viewed as a male turf. If you think of the classic "Odyssey," of, you know, classical literature or Jack Kerouac or almost any road story, it's really about a man on the road. There's an assumption that the road is too dangerous for women. — Gloria Steinem
I went up on stage, and said, "Why did the chicken cross the road? To check out the chicks." I was a genius at 10. Try telling that at 21, and you look hacky and stupid. That was the only joke I've ever told. Everything since has been character voices, doing impressions or just telling stories. — Gabriel Iglesias
I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner
This is the most beautiful place on earth.
There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome - there's no limit to the human capacity for the homing sentiment. — Edward Abbey
I would've never done a 1970's road movie. It just wouldn't have occurred to me. So when he started talking about it he brought up all these movies and he'll do that with you guys and you'll feel the Goosebumps as you start realizing the story that he wanted to tell. — Todd Farmer
There is one story left, one road: that it is. And on this road there are very many signs that, being, is uncreated and imperishable, whole, unique, unwavering, and complete. — Parmenides
At the same distance from it is the city of Sala, situate on a river which bears the same name, a place which stands upon the very verge of the desert, and though infested by troops of elephants, is much more exposed to the attacks of the nation of the Autololes, through whose country lies the road to Mount Atlas, the most fabulous locality even in Africa.
[ ... ] There formerly existed some Commentaries written by Hanno, a Carthaginian general, who was commanded, in the most flourishing times of the Punic state, to explore the sea-coast of Africa. The greater part of the Greek and Roman writers have followed him, and have related, among other fabulous stories, that many cities there were founded by him, of which no remembrance, nor yet the slightest vestige, now exists. [V,1] — Pliny The Elder
Baby's World
I wish I could take a quiet corner in the heart of my baby's very
own world.
I know it has stars that talk to him, and a sky that stoops
down to his face to amuse him with its silly clouds and rainbows.
Those who make believe to be dumb, and look as if they never
could move, come creeping to his window with their stories and with
trays crowded with bright toys.
I wish I could travel by the road that crosses baby's mind,
and out beyond all bounds;
Where messengers run errands for no cause between the kingdoms
of kings of no history;
Where Reason makes kites of her laws and flies them, the Truth
sets Fact free from its fetters. — Rabindranath Tagore
For all the idealism that propels him through the story, if you read between the lines you may see that at a moment which he considers a defining point in his life as an activist, he's also set the stage for potential ugliness down the road. — James Vance
Anyone who has been in business can tell war stories about the bumps in the road. But if they've outlasted the competition, ask for their stories about survival. They've figured out how to turn disappointments into opportunities. — Harvey MacKay
