Road Clearing Quotes & Sayings

I'm very happy to make specific choices (as an actor), (but) you can't be married to them because you never know when the writers are going to be like, "By the way, you have no brothers, you have a sister." — Anna Chlumsky

Africa.
That bird came from Africa.
But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it.
'Oh Africa, oh, shit,' he said in a trembling voice. — Stephen King

O Canada I have not forgotten you,
as I kneel in my canoe, beholding this vision
of a bookcase.
You are the paddle, the snowshoe, the cabin in the pines.
You are the moose in the clearing and the moosehead on
the wall.
You are the rapids, the propeller, the kerosene lamp.
You are the dust that coats the roadside berries.
But not only that,
you are the two boys with pails walking along that road. — Billy Collins

It was dusk - winter dusk. Snow lay white and shining over the pleated hills, and icicles hung from the forest trees. Snow lay piled on the dark road across Willoughby Wold, but from dawn men had been clearing it with brooms and shovels. There were hundreds of them at work, wrapped in sacking because of the bitter cold, and keeping together in groups for fear of the wolves, grown savage and reckless from hunger. — Joan Aiken

The sled runners had been replaced by wheels and they traveled on a rutted, muddy road that formed a dark line between two fields of snow that occasionally showed a patch of matted, tangled weeds. Seeing them got her thinking. She wiped her face with the blanket and, digging her brush out of a nearby pack, began the arduous process of clearing the snarls from her hair.

She pulled, grunted, and then sighed. Modina looked over with a questioning expression, and Arista explained by letting go of the brush and leaving it to hang.

Modina smiled and crawled over to her. "Turn around," she said, and taking the brush, the empress began working the back of Arista's head. "You have quite the rat's nest here."

"Be careful one doesn't bite you," Arista replied. — Michael J. Sullivan

How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together. — Kiran Desai

If you want a great replacement, like, who can follow Barack and still have that swag, that charisma, that charm and be historic - I think it would be Tina Fey for president. — Hasan Minhaj

USA Today reports that the number of death row executions this year has hit a 35-year low. They attribute that to DNA evidence clearing more people and the fact that Rick Perry has been on the road campaigning. — Jay Leno

I thought maybe I could become like the next Van Gogh. I bought a sunflower and painted it, and it looked like the work of a 6-year-old. — Takeshi Kitano

Why would I seek to break your heart?"
"Because you can be a merciless bastard at times," I answered honestly.
A smile flitted across his lips. "True, but I want you with me. — Jeaniene Frost

So what do you want?"
"You."
"What?"
"I want you," he repeats. "Go out with me for real, Princess. — Jillian Dodd

The farmhouse sat on a rise at the end of a long dirt road, in a clearing surrounded by fruit trees and ninety acres of pines. It was painted white, and peeling, and some former hippie tenant had painted a mandala on the wall just inside the door with fine-point Magic Marker. I painted over it, but it bled through, again and again. I finally left it there, a pale and pastel version of itself, hanging ghostlike in the hall. — Marjorie Hudson

And since we don't just forget things because they don't matter but also forget things because they matter too much because each of us remembers and forgets in a pattern whose labyrinthine windings are an identification mark no less distinctive than a fingerprint's, it's no wonder that the shards of reality one person will cherish as a biography can seem to someone else who, say, happened to have eaten some ten thousand dinners at the very same kitchen table, to be a willful excursion into mythomania — Philip Roth

It is the spaces we must be concerned with. With clearing them out. Because of the contexts within them. With less context reacting us, we might all be safer. More efficient. I stare at the building across the road, and I wonder about its presence. Its residential spaces. Its malice. — Darin Bradley