River Stone Quotes & Sayings

Winds flap the sail, tortoise and snake are silent, a great plan looms. A bridge will fly over this moat dug by heaven and be a road from north to south. We will make a stone wall against the upper river to the west and hold back steamy clouds and rain of Wu peaks. Over tall chasms will be a calm lake, and if the goddess of these mountains is not dead she will marvel at the changed world. — Mao Zedong

I never wanted to be a model. My modelling career was nothing but a stepping stone to my acting career and that's all I ever saw it as. A pointless rock in the river that has to be stepped on in order to get to the meaningful oasis of acting. — Halle Berry

All day, after two days and nights of rain, water had been rising in the dykes and now it was creeping rapidly up the five stone arches of the bridge where the she stood watching the wide rainy valley up which the tongue of river finally lost itself in a gray country of winter elms. — H.E. Bates

Some say that time is like water that flows around us (like a stone in the river) and some say we flow with time (like a twig floating on the surface of the water). — Chuck Klosterman

ONE WORD
One word
- one stone
in a cold river.
One more stone
I'll need many stones
if I'm going to get over. — Olav H. Hauge

Headphones opened up a world of sonic colors, a palette of nuances and details that went far beyond the chords and melody, the lyrics, or a particular singer's voice. The swampy Deep South ambience of "Green River" by Creedence, or the pastoral, open-space beauty of the Beatles' "Mother Nature's Son"; the oboes in Beethoven's Sixth (conducted by Karajan), faint and drenched in the atmosphere of a large wood-and-stone church; the sound was an enveloping experience. — Daniel J. Levitin

Remembering is my only job and it's hard work. We are natural-born amnesiacs, hardwired to let go of the past, to release ourselves from history; the only way to withstand our pain is to forget our pain. We may think we don't forget, but we do. Time wears down the rough edges of our memory, sure as a stone on the river bank is smoothed by the rushing current. And like the eroding stone, the memory fades so gradually we don't even feel it. We don't notice. Eighteen years fly by, whoosh, and we don't even realize that not long ago, we didn't all drink bottled water, the Soviet Union loomed as a threat, smoking was commonplace in restaurants, and Bono was just a rockstar.
What I want... all I want... is not to forget. But it's an uphill battle. Over time, the image blurs, the scent dissipates, the memory fades. — Greg Olear

I remember sitting and meditating beside a slow flowing river in India, and I got the feeling that this river could teach me all the secrets of the mystery of life. If we learn to surrender to a stone, a flower, to a man, to a woman, or a river, it becomes a door to the Whole. — Swami Dhyan Giten

The river was behind him. The wind was full of acid. In the slow float of light I looked away, down at the river. On the brink of freezing, it gleamed in large, bulging blisters. The water, where it still moved, was black and braided. And it occurred to me then how it took hours, sometimes days, for the surface of a river to freeze over - to hold in its skin the perfect and crystalline world - and how that world could be shattered by a small stone dropped like a single syllable. — Nam Le

A year or so earlier I had been to the Sky River Rock Festival in rural Washington, where a dosen stone-broke freaks from Seattle Liberation Front had assembled a sound system that carried every small note of an acoustic guitar - even a cough or the sound of a boot drooping on the stage - to half-deaf acid victims huddled under bushes a half mile away.
But the best technicians available to the National DAs' convention in Vegas apparently couldn't handle it. Their sound system looked like something Ulysses S. Grant might have triggered up to addres his troops during the Siege of Vicksburg. The voices from up front crackled with a fuzzy, high-pitched urgency, and the delay was just enough to keep the words disconcertingly out of phaze with the speaker's gestures. (Fear and Loathing in Las Vegas, p. 73) — Hunter S. Thompson

I stood looking down through the beech trees. When I threw a stone I could count to five before the splash. Then I jumped in a rush of gold to the head, through black and cold, red and cold, brown and warm, giving water the weight and size of myself in order to imagine it, water with my bones, water with my mouth and my understanding. When my body was in some way a wave to swim in, one continuous fin from head to tail, I steered through rapids like a canoe, digging my hands in, keeping just ahead of the river. — Alice Oswald

Even places that have been shrouded in darkness for billions of years can be illuminated. Even a stone from the bottom of a river can be used to produce fire. Our present sufferings, no matter how dark, have certainly not continued for billions of years
nor will they linger forever. The sun will definitely rise. In fact, its ascent has already begun. — Daisaku Ikeda

And as I ran along the shore, crushing sleeping flowers with heedless feet and maddened ever by the fear of unknown things and the lure of the dead faces, I saw that the garden had no end under that moon; for where by day the walls were, there stretched now only new vistas of trees and paths, flowers and shrubs, stone idols and pagodas, and bendings of the yellow-litten stream past grassy banks and under grotesque bridges of marble. And the lips of the dead lotos-faces whispered sadly, and bade me follow, nor did I cease my steps till the stream became a river, and joined amidst marshes of swaying reeds and beaches of gleaming sand the shore of a vast and nameless sea. Upon — H.P. Lovecraft

But I can't see how anyone could believe that you killed the bear with a pitchfork,' I said.
'I didn't. I only wounded it - badly, I think, but not enough to put it out of action. It came blundering towards me, I stepped aside and it crashed head-first into the river - I could hear it threshing about in the darkness. I picked up a big stone - poor brute, I hated to do it but I had to finish it off. It gave just one groan as the stone hit it and then went down. I held the lantern high; I could see the bubbles coming up. And then I saw the dark bulk of it under the water, being carried along by the current.'
'But you didn't have a lantern,' I said.
'He didn't have a bear,' said Topaz. — Dodie Smith

The days aren't discarded or collected, they are bees
that burned with sweetness or maddened
the sting: the struggle continues,
the journeys go and come between honey and pain.
No, the net of years doesn't unweave: there is no net.
They don't fall drop by drop from a river: there is no river.
Sleep doesn't divide life into halves,
or action, or silence, or honor:
life is like a stone, a single motion,
a lonesome bonfire reflected on the leaves,
an arrow, only one, slow or swift, a metal
that climbs or descends burning in your bones. — Pablo Neruda

This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls,
what declaimers! — Victor Hugo

After a time, he felt a deeper rhythm, the rhythm of the stone and water, not the rhythm of his words and heartbeat. He breathed into this deeper rhythm, let it teach him a new mantra, a wordless mantra that waxed and waned, ebbed and flowed, moon and stars and clouds, river and sun, the wordless singing of the earth beneath it all like the world's own heartbeat. He laid his palms flat on the stone beneath him and listened in quiet rapture to the mantra of the world's praying. — Katherine Addison

Sumer, the land which came to be known in classical times as Babylonia, consists of the lower half of Mesopotamia, roughly identical with modern Iraq from north of Baghdad to the Persian Gulf. It has an area of approximately 10,000 square miles, somewhat larger than the state of Massachusetts. Its climate is extremely hot and dry, and its soil, left to itself, is arid, wind-swept, and unproductive. The land is flat and river-made, and therefore has no minerals whatever and almost no stone. Except for the huge reeds in the marshes, — Samuel Noah Kramer

Usually, the murmur that rises up from Paris by day is the city talking; in the night it is the city breathing; but here it is the city singing. Listen, then, to this chorus of bell-towers - diffuse over the whole the murmur of half a million people - the eternal lament of the river - the endless sighing of the wind - the grave and distant quartet of the four forests placed upon the hills, in the distance, like immense organpipes - extinguish to a half light all in the central chime that would otherwise be too harsh or too shrill; and then say whetehr you know of anything in the world more rich, more joyous, more golden, more dazzling, than this tumult of bells and chimes - this furnace of music - these thousands of brazen voices, all singing together in flutes of stone three hundred feet high, than this city which is but one orchestra - this symphony which roars like a tempest. — Victor Hugo

I liked the way that repetition wears things smooth, and there was something of the river stone to Iggie's stories. — Edmund De Waal

Well, you know how a river moves a mountain." The words surprised me at first, but I knew where they were coming from. "Stone by stone," she finished. — Lisa Wingate

He watched the stars go dark as the sun breathed fire into the sky, and when it finally cleared the ridge on the far side of the river, he bathed in the rays of gorgeous warmth streaming into his alcove and toasting the frozen stone. — Blake Crouch

to itself, is arid, wind-swept, and unproductive. The land is flat and river-made, and therefore has no minerals whatever and almost no stone. Except for the huge reeds in the marshes, it had no trees for timber. Here, then, was a region with "the hand of God against it," an unpromising land seemingly doomed to poverty and desolation. But the people that inhabited it, the Sumerians, as they came to be known by — Samuel Noah Kramer

Holmes took up the stone and held it against the light. "It's a bonny thing," said he. "Just see how it glints and sparkles. Of course it is a nucleus and focus of crime. Every good stone is. They are the devil's pet baits. In the larger and older jewels every facet may stand for a bloody deed. This stone is not yet twenty years old. It was found in the banks of the Amoy River in soutern China and is remarkable in having every characteristic of the carbuncle, save that it is blue in shade instead of ruby red. In spite of its youth, it has already a sinister history. There have been two murders, a vitriol-throwing, a suicide, and several robberies brought about for the sake of this forty-grain weight of crystallised charcoal. Who would think that so pretty a toy would be a purveyor to the gallows and the prison? — Arthur Conan Doyle

London is a city that sleeps too much. This is the mould of its quality. A magnetic contract: to reinvent itself on the other side of dream, each day. And such dreams, smouldering against the tidal spine of the river, telling and retelling the tales that must be told to manifest a city's bones. Whispering the night architecture back into stone. — Iain Sinclair

Wet. I'd much rather have God part the river, and then I'll step into the miracle. That way I don't get my feet wet, but if we aren't willing to get our feet wet, we'll never walk through parted rivers on dry ground. At flood tide, the Jordan River was approximately two hundred feet wide. That was all that separated the Israelites from their four-hundred-year-old promise. Their dream was practically a stone's throw away. But if the priests hadn't stepped into the river, they may well have spent the rest of their lives on the eastern banks of the Jordan River. And that's where many of us spend our lives. We're so close to the dream, so close to the promise, so close to the miracle. But we're waiting for God to part the river, while God is waiting for us to get our feet wet. — Mark Batterson

The past is like a great stone that lies on the bed of a river, hidden from view but shaping the currents of the water as it flows by. You cannot read the currents in the river of your own life, and navigate them safely, if you do not understand what causes them. You must know your past, for it will shape your future. — Derdriu In Viking Warrior By Judson Roberts

Ser Cleos raised a shout. When Jaime looked up, Brienne was lumbering along the clifftop well ahead of them, having cut across a finger of land while they were following the bend in the river. She threw herself off the rock, and looked almost graceful as she folded into a dive. It would have been ungracious to hope that she would smash her head on a stone. — George R R Martin

She was a river, not a stone, and every day was another curve in tomorrow's plain. She was pulled from a family she loved, and that loved her, she thought, until they took the word of a man, a friend and neighbour, who raped her. Years later, when she killed the rapist and went on the run, she severed every connection to her own life. She was runaway tough, a dancing cat, a green witch, and safe from everything but herself, like me. — Gregory David Roberts

Nancy grabbed Plum's hand and together they ran around the last curve and then they were leaning against the old stone wall that marked Lookout Hill. Far, far down below them, a river was trying to wriggle its way out of a steep canyon. Over to the right, thick green hills crowded close to each other to share one filmy white cloud. To the left, as far as they could see the land flowed into valleys that shaded from a pale watery green, through lime, emerald, jade, leaf, forest to a dark, dark, bluish-green, almost black. The rivers were like inky lines, the ponds like ink blots. — Betty MacDonald

It was all still there, an immense quilt of bold, fantastical human will: the faded tawny golds and grays of the descending rooftops and scorched chimney pots, the cold steel-blue river with its fabled Left and Right Banks, the towers and steeples and crooked cobblestone streets, bisected by wide, brutish boulevards. As seductive as a mirage, but every slab of stone, every silent or uproarious inch of it, real. She had not returned triumphant as a brilliant painter or a self-made woman whose only worry about money was how to spend it ... but she had come back to Paris anyway. It was hard to imagine being unhappy here. — Christine Sneed

Peace is Letting Go
Returning to the Silence that cannot enter the realm of words because it is too pure to be contained in words. This is why the tree, the stone, the river, and the mountain are quiet. — Malidoma Patrice Some

While sitting on the bank of a river one day, I picked up a solid round stone from the water and broke it open. It was perfectly dry in spite of the fact that it had been immersed in water for centuries. The same is true of many people in the Western world. For centuries they have been surrounded by Christianity; they live immersed in the waters of its benefits. And yet it has not penetrated their hearts; they do not love it. The fault is not in Christianity, but in men's hearts, which have been hardened by materialism and intellectualism. — Sadhu Sundar Singh

Gormenghast.
Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs ...
And darkness winds between the characters.
- Gormenghast — Mervyn Peake

He watched the early light of the new moon glint fretfully on the river, now silver slivers, now darkness, as the night breeze stirred the choked growth on the banks and lifted the tree branches. The watersteps were a deserted invitation, and he envied Hori who must surely even now be reclining on the bottom of his skiff, Antef beside him, their fishing lines tied to the boat whilst they watched the stars and gossiped. His fountain tinkled like music in the darkness, and the monkeys sighed and snuffled in their favourite warm spot under the stone basin, which still held the warmth of the day's heat. — Pauline Gedge

Isa looked down the river to the Taj Mahal. It shone harshly in the midday sun, the marble glared back at the sky and it stood isolated and alone. It needed a companion of beauty, but there was none in this world. Isa had thought long about the tomb; it had life, it breathed. He imagined the rise and fall of the stone as it sighed. He realized it was lonely. It was a perfect thing in an imperfect world, and that was an awesome burden. — Timeri N. Murari

Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one's mouth. Then the river will flow, then we can stand in the stream of it raining down. — Clarissa Pinkola Estes

After centuries of silence, someone or something was lying outside on the stone step . . .

"Are you deaf?" Death asked arriving abruptly with screams and cries and a fetid smell of rotting matter filling the room.

"Why are you here?" the Old Crone asked, knowing the answer before she asked the question. "Go away."

"When someone knocks you're supposed to open the door!" Death said, coughing as though she had swallowed a lot of water.

"What are you doing here?" the Old Crone asked again "and why are you amorphous? Show yourself! I don't like it when you look like nothing at all."

"Open the door!" Death rasped, appearing as a drowned cat coughing up minnows and river detritus. "Our future depends upon it! — Denny Taylor

Body of a woman, white hills, white thighs,
you look like a world, lying in surrender.
My rough peasant's body digs in you
and makes the son leap from the depth of the earth.
I was lone like a tunnel. The birds fled from me,
and nigh swamped me with its crushing invasion.
To survive myself I forged you like a weapon,
like an arrow in my bow, a stone in my sling.
But the hour of vengeance falls, and I love you.
Body of skin, of moss, of eager and firm milk.
Oh the goblets of the breast! Oh the eyes of absence!
Oh the roses of the pubis! Oh your voice, slow and sad!
Body of my woman, I will persist in your grace.
My thirst, my boundless desire, my shifting road!
Dark river-beds where the eternal thirst flows
and weariness follows, and the infinite ache. — Pablo Neruda

Right now she is reading Virginia Woolf, all of Virginia Woolf, book by book-She is fascinated by the idea of a woman like that, a woman of such brilliance, such strangeness, such immeasurable sorrow; a woman who had genius but still filled her pocket with a stone and waded out into a river. — Michael Cunningham

As Matt walked Rick outside, he whispered, "Don't forget my little secret." He wiggled his eyebrows. "A happy wife. A happy life. Got it?"
Rick nodded. "Got it. — Linda Weaver Clarke

Neither the stone that made you stumble is your enemy, nor the stone that helped you cross the river is your friend! Universe just lives its own life! — Mehmet Murat Ildan

I can no longer hear my voices, so I am a little lost. My suspicion is they would know far better how to tell this story. At least they would have opinions and suggestions and definite ideas as to what should go first and what should go last and what should go in the middle. They would inform me when to add detail, when to omit extraneous information, what was important and what was trivial. After so much time slipping past, I am not particularly good at remembering these things myself and could certainly use their help. A great many events took place, and it is hard for me to know precisely where to put what. And sometimes I'm unsure that incidents I clearly remember actually did happen. A memory that seems one instant to be as solid as stone, the next seems as vaporous as a mist above the river. That's one of the major problems with being crazy: you're just naturally uncertain about things. (9) — John Katzenbach

Her mother had smelled of cold and scales, her father of stone dust and dog. She imagined her husband's mother, whom she had never met, had a whiff of rotting apples, though her stationary had stunk of baby powder and rose perfume. Sally was starch, cedar, her dead grandmother sandalwood, her uncle, swiss cheese. People told her she smelled like garlic, like chalk, like nothing at all. Lotto, clean as camphor at his neck and belly, like electrified pennies at the armpit, like chlorine at the groin. She swallowed. Such things, details noticed only on the edges of thought would not return.
'Land,' Mathilde said, 'odd name for a guy like you.'
'Short for Roland,' the boy said.
Where the August sun had been steaming over the river, a green cloud was forming. It was still terrifically hot, but the birds had stopped singing. A feral cat scooted up the road on swift paws. It would rain soon.
'Alright Roland,' Mathilde said, suppressing as sigh, 'sing your song. — Lauren Groff

He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people's saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther. — Hilary Mantel

Big secrets were catastrophic. However hard you try to hide them, they bob to the surface and you must go over them again and again. They are taken out so often they become worn smooth as a river stone. You have to carry them around you like a baby. The secret grows until you feel like you are a skin that covers it, a thin skin, easily split, ripe — Karen Foxlee

Members of the Coyote Clan are not easily identified, but there are clues. You can see it in their eyes. They are joyful and they are fierce. They can cry louder and laugh harder than anyone on the planet. And they have an enormous range.
The Coyote Clan is a raucous bunch: they have drunk from desert potholes and belched forth toads. They tell stories with such virtuosity that you'll swear you've been in the presence of preachers.
The Coyote Clan is also serene. They can float on their backs down the length of any river or lose entire afternoons to the contemplation of stone.
Members of the Clan court risk and will dance on slickrock as flash floods erode the ground beneath their feet. It doesn't matter. They understand the earth re-creates itself day after day. — Terry Tempest Williams

The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.
as quoted in THE RIVER OF WINGED DREAMS — Abraham Lincoln

Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. — Jean-Paul Sartre

For all his clever ideas, Maven has nothing to say to this. He just stares, his breath coming in tiny, scared puffs. I know the look on his face; I wear it every time I'm forced to say good-bye to someone.
"It's too bad we didn't stay longer," I murmur, looking out at the river. "I would have liked to die close to home."
Another breeze sends a curtain of my hair across my face but Maven brushes it away and pulls me close with startling ferocity.
Oh.
His kiss is not at all like his brother's. Maven is more desperate, surprising himself as much as me. He knows I'm sinking fast, a stone dropping through the river. And he wants to drown with me.
"I will fix this," he murmurs against my lips. I have never seen his eyes so bright and sharp. "I won't let them hurt you. You have my word. — Victoria Aveyard

Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air. — Edith Hamilton

The Roman Road is the greatest monument ever raised to human liberty by a noble and generous people. It runs across mountain, marsh and river. It is built broad, straight and firm. It joins city with city and nation with nation. It is tens of thousands of miles long, and always thronged with grateful travellers. And while the Great Pyramid, a few hundred feet high and wide, awes sight-seers to silence - though it is only the rifled tomb of an ignoble corpse and a monument of oppression and misery, so that no doubt in viewing it you may still seem to hear the crack of the taskmaster's whip and the squeals and groans of the poor workmen struggling to set a huge block of stone into position - — Robert Graves

He is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature. — W. Somerset Maugham

To have regret is to be disappointed with yourself and your choices. Those who are wise, see their life like stepping stones across a great river. Everyone misses a stone from time to time. No one can cross the river without getting wet. Success is measured by your arrival on the other side, not on how muddy your shoes are. Regrets are only felt by those who do not understand life's purpose. They become so disillusioned that they stand still in the river and do not take the next leap. — Colleen Houck

Chava, I've no doubt you're the best baker in the city. But you can do so much more! Why spend all day making bread when you can lift more than a man's weight, and walk along the bottom of a river?" "And how would I use these abilities without calling attention to myself? Would you have me at a construction pit, hauling blocks of stone? Or should I license myself as a tugboat? — Helene Wecker

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better. — Mary Oliver

You're not honey. Your'e wine. You're the deepest, darkest shadow under a tree on a blazing day. You're strong and hard, coursing like a current at the bottom of a river. — Cate Tiernan

Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest. — Victor Hugo

When stuck in the river, it is best to dive and swim to the bank yourself before someone drops a large stone on your chest in an attempt to hoosh you there. — A.A. Milne

How could something so seemingly insignificant give someone comfort? A ribbon in a gutter. A pinecone on the street. A button leaning casually against a classroom wall. A flat stone from the river. If nothing else, it showed that she cared, and it might give them something to talk about when Max woke up. When she was alone, she would conduct those conversations.
'So what's all this?' Max would say. 'What's all this junk?'
'Junk?' In her mind,she was sitting on the side of the bed. 'This isn't junk, Max. These are what made you wake up. — Markus Zusak

Be still and let it wash over you. You are a stone at the bottom of a river. You are hard rock. The water wears you down, but it only makes you smoother. And the smoother and harder you are, the less the flow can affect you. — D.J. Molles

My mind, a Venn diagram.
You, the overlap and the intersect;
a pulsating glimmer - omnipresent,
a lighthouse with its glowing breath.

You are the stone that skirts the river,
that skips along its crystal plane;
a surface skimmed by concentric shimmer,
and trembles with the touch of rain.

You are worlds that spin in orbit,
a star who rose and fell;
infinity summoned for audit -
a penny toss in the wishing well. — Lang Leav

There was a feeling, not sudden, but complete, as though I had been given a small object to hold unseen in my hands. Precious as opal, smooth as jade, weighty as a river stone, more fragile than a bird's egg. Infinitely still, live as the root of Creation. Not a gift, but a trust. Fiercely to cherish, softly to guard. The words spoke themselves and disappeared into the groined shadows of the roof. — Diana Gabaldon

Beyond this point on the river Cambridge became a kind of miniature Venice, its river water lapping up against the ancient stone of college walls, here mottled and reddened brick, there white stone. Stained, lichened, softened by water light. Here the river became a great north-south tunnel, a gothic castle from the river, flanked by locked iron gates, steps leading nowhere, labyrinths, trapdoors, landing stages where barges had unloaded their freight: crates of fine wines, flour, oats, candles, fine meats carried into the damp darkness of college cellars. — Rebecca Stott

The man I am writing about is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. — W. Somerset Maugham

Newrose, Oldrose, Quean Anne's lace.
Water, river, stone and sun
Wind over hill, under tree.
Past the border none can see.
Climbing into dark for you,
Will you climb in stars for me?
P.124 — Ally Condie

Time is no river. Not here. In this tomb, time is the stone. It is the darkness, permanent and unyielding, its only measure the twin pendulums of life - breath and the beating of my heart. In. — Pierce Brown

He had sleepless eyes, his mouth a little swollen, the deeply tanned skin somehow burnished. Kestrel thought that she, too, must look like this: polished by desire, the way a river stone holds a luster from having been made so smooth. — Marie Rutkoski

A young girl, a freshman, I met in a bar in Cambridge my junior year at Harvard told me early one fall that "Life is full of endless possibilities." I tried valiantly nog to choke on the beer nuts I was chewing while she gushed this kidney stone of wisdom, and I calmly washed them down with the rest of a Heineken, smiled and concentrated on the dart game that was going on in the corner. Needless to say, she did not live to see her sophomore year.That winter, her body was found floating in the Charles River, decapitated, her head hung from a tree on the bank, her hair knotted around a low-hanging branch, three miles away. — Bret Easton Ellis

WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back. — James Salter

Oxford, where the real and the unreal jostle in the streets; where North Parade is in the south and South Parade is in the north, where Paradise is lost under a pumping station; where the river mists have a solvent and vivifying effect on the stone of the ancient buildings, so that the gargoyles of Magdalen College climb down at night and fight with those from Wykeham, or fish under the bridges, or simply change their expressions overnight; Oxford, where windows open into other worlds ...
Oscar Baedecker, The Coasts of Bohemia — Philip Pullman

Let there be sleep after death...Let me not be lonely for her. Let my desire be as ashes, my heart as a stone lost in a dark river. — Christine Monson

The Beatrice that obsessed Dante was a Florentine named Bice di Folco Portinari. Envision this moment (and, in all fairness, I am envisioning it the way Henry Holiday did in his exquisite nineteenth-century painting): Bice is walking beside the Arno River, dressed in white, the fabric clinging to her legs and outlining her slender thighs, and there is Dante. He meets her at the corner of one of the bridges that span
the river. His left hand, at first glimpse, is moving casually toward his hip; it is only on a more careful study that one realizes his hand is actually going up to his heart. Meanwhile, his right hand is resting on the bridge's waist-high stone balustrade, as if Bico's beauty is such that he needs to steady himself when he beholds her. — Chris Bohjalian

As a youth, I listened to the rain from the bowers of pleasure houses,
Red silk drapes translucent in the glow of candlelight.
In my prime, I listened to the rain as a traveler,
The sky low, the river broad, the calls of the wild geese harsh and cold.
Now, grey at the temples, I listen to the rain beneath the eaves of an abandoned cloister.
Has mine been a futile life?
I have no answers, only the sound of raindrops upon worn stone steps,
And long hours yet to pass before the light of dawn. — Sherry Thomas

The idea of suicide is of a very set narrative, as if killing yourself is a definitive statement. But it can be just as meaningless as throwing a stone in a river. — Denise Mina

Sonnet: To the River Otter

Dear native brook! wild streamlet of the West!
How many various-fated years have passed,
What happy and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep impressed
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,
But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows grey,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence! On my way,
Visions of childhood! oft have ye beguiled
Lone manhood's cares, yet waking fondest sighs:
Ah! that once more I were a careless child! — Samuel Taylor Coleridge

For, like the wind, the sun, or the flowing river, like a soaring man-of-war or a beetle under a stone, like a spider at a web or a crab scuttling sideways across a shore, Nimrod was free. — Andrea Levy

He believed that every individual was responsible for his conduct on earth, that there was a judge within. Could even a blazingly Christ inflict greater retribution? Could Dante's Charon in his rowboat on the river Acheron whip the miscreants into a deeper, more everlasting hell than man's unvarnished verdict of himself? — Irving Stone

In places, the drop was just a little ripple - a fall of some five feet or so. But in others, majestic waterfalls plunged fifty feet or more before pounding onto the next stone platform. It looked like a man-made effect, for the various split streams and waterfalls eventually ran back together into the river, which flowed away from the city toward distant Elendel. — Brandon Sanderson

Eventually, I would wear him down. That's what friends do: we weather until we erode every possible doubt a relationship can bring until we have a smooth stone to cast in our river of life. — Christina L. Barr

Newrose, oldrose, Queen Anne's lace. Water, river, stone, and sun. Wind over hill, under tree. Past the border none can see. Climbing into dark for you Will you wait in stars for me? I — Ally Condie

I think of my second lost compass sinking to the bottom of the river, like the stone it was before Ky changed it. — Ally Condie

All-out. Thaumaturgical. War. And there were of course no alliances, no sides, no deals, no mercy, no cease. The skies twisted, the seas boiled. The scream and whizz of fireballs turned the night into day, but that was all right because the ensuing clouds of black smoke turned the day into night. The landscape rose and fell like a honeymoon duvet, and the very fabric of space itself was tied in multidimensional knots and bashed on a flat stone down by the river of Time. — Terry Pratchett

The river itself portrays humanity precisely, with its tortuous windings, its accumulation of driftwood, its unsuspected depths, and its crystalline shallows, singing in the Summer sun. Barriers may be built across its path, but they bring only power, as the conquering of an obstacle is always sure to do. Sometimes when the rocks and stone-clad hills loom large ahead, and eternity itself would be needed to carve a passage, there is an easy way around. The discovery of it makes the river sing with gladness and turns the murmurous deeps to living water, bright with ripples and foam. — Myrtle Reed

When you infiltrate the enemy line and come to a naturally fortified place, use the appropriate tools to gain entrance successfully. To get into an impregnable castle with a high stone wall, a high fence, a barrier, or a castle not naturally fortified but well constructed, or even one fortified with water such as a river, it is essential for you to prepare yourself with useful tools before you embark on a shinobi mission. In addition, you need to use the appropriate weapons when you invade the enemy's residence. This chapter shows how you create these tools. — Antony Cummins

Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine. — Edmund De Waal

What can I say that I have not said before?
So I'll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.
Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.
(from, "What Can I Say") — Mary Oliver

Life is like fording a river, stepping from one slippery stone to another, and you must rejoice every time you don't lose your balance, and learn to laugh at all the times you do. — Merle Shain

Early morning mist ghosted along the Orm, trailing above the water, rising and twisting. Wide and sleek and almost silent, the river curled through the valley, curved almost to the doors of the stone-terraced cottages sunk tight in the moorland.
As soon as he was beyond sight of the mill gates, Manny ran, his step lighter, his boots crunching against the highway. The village was quiet now, and he could hear the faint cries of sheep on the hillside. He felt suddenly exultant at having acted decisively, felt the thrill of running away. Then he reasoned with himself that he wasn't so much running away as running to something else - something better - running away to take charge of his future. He was improving his station in life, looking for work of his choosing. — S.J. Wilkins

Behind them in the garden the little stone house brooded among the shadows. It was lonely but not forsaken. It had not yet done with dreams and laughter and the joy of life; there were to be future summers for the little stone house; meanwhile, it could wait. And over the river in purple durance the echoes bided their time. — L.M. Montgomery

A stone lies in a river; a piece of wood is jammed against it; dead leaves, drifting logs, and branches caked with mud collect; weeds settle there, and soon birds have made a nest and are feeding their young among the blossoming water plants. Then the river rises and the earth is washed away. The birds depart, the flowers wither, the branches are dislodged and drift downward; no trace is left of the floating island but a stone submerged by the water; - such is our personality. — Cyril Connolly

The Stone of Guilt in the River of the Mind, the block in the flow of intelligence.
~ Paramahamsa Nithyananda — Paramahamsa Nithyananda

But it was late.
We had to go home.
We listened
to the river singing,
the river singing stone. — Myrna Pena-Reyes

Come with me, the river said, close your eyes and quiet your limbs and float with me into the wonder and mystery of the canyons, see the unknown and the little known, look upon the stone gods face to face, see Medusa, drink my waters, hear my song, feel my power, come along and drift with me toward the distant, ultimate and legendary sea ... — Edward Abbey

I took him to the river and said "let's watch something drown," So he took a stone
and I took my necklace
and we threw it all together,
the way I always think I will get better in July. Things will change and sounds won't ache
and I gave my heart to uncertainty so many times, and so I took him to the river,
threw the necklace in the river to slowly watch it drown, or burn, or fade away
like I've done so many times. — Charlotte Eriksson

The tender Evenlode that makes Her meadows hush to hear the sound Of waters mingling in the brakes, And binds my heart to English ground. A lovely river, all alone, She lingers in the hills and holds A hundred little towns of stone, Forgotten in the western wolds. — Hilaire Belloc

All her violence had drained away, replaced by a fear older and deeper than anything she'd ever experienced. An old, old recognition. Something inside her knew him from a time when girls took skin bags to the river to get water, a time when panthers walked in the darkness outside mud huts. From a time before electric lights, before candles, when darkness was fended off with stone lamps. When darkness was the greatest danger of all. — L.J.Smith

There's a flame of magic inside every stone & every flower, every bird that sings & every frog that croaks. There's magic in the trees & the hills & the river & the rocks, in the sea & the stars & the wind, a deep, wild magic that's as old as the world itself. It's in you too, my darling girl, and in me, and in every living creature, be it ever so small. Even the dirt I'm sweeping up now is stardust. In fact, all of us are made from the stuff of stars. — Kate Forsyth

Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly, art which is not based on the subjugation of one half of the species. — Andrea Dworkin

Like a stone on the surface of a still river
Driving the ripples on forever
Redemption rips through the surface of time
In the cry of a tiny babe. — Bruce Cockburn