Rigina Daniels Quotes & Sayings
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Top Rigina Daniels Quotes

You should always take the best from the past, leave the worst back there and go forward into the future. — Bob Dylan

Why did you do that, Pedro? It will look ridiculous, you agreeing to marry Rosaura. What happened to the eternal love you swore to Tita? Aren't you going to keep that vow?'
'Of course I'll keep it. When you're told there's no way you can marry the woman you love, and your only hope of being near her is to marry her sister, wouldn't you do the same?'
'So you intend to marry without love?'
'No, Papa. I am going to marry with a great love for Tita that will never die. — Laura Esquivel

From now on, the sound of my nights will be the sound of her abscence. — Kimberley Starr

I honour your circumspection. A fortnight's acquaintance is certainly very little. One cannot know what a man really is by the end of a fortnight. But if we do not venture somebody else will; and after all, Mrs. Long and her daughters must stand their chance; and, therefore, as she will think it an act of kindness, if you decline the office, I will take it on myself. — Jane Austen

I think it's fair to say I'm attracted to playing characters who are rather intense. — Mandy Patinkin

I'd feel wasted and burnt, having wasted my time and my body and my energy and y words and my soul. — Ned Vizzini

Any concerns that Romney will adopt McCain's milquetoast campaign model are quickly diminishing. — David Limbaugh

Peace will not be preserved by pious sentiments. — Winston Churchill

The human condition is such that we can only stomach so much imagination. We need for things to be labeled either fiction or nonfiction. There is no section in between. — J.W. Lord

Call me once you've taken care of that hard-on in your pants, so you'll last longer than ten seconds when we fuck. — Tina Folsom

It all comes down to who does the dishes. — Norman Mailer

A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met.
An illuminated road sign flashes by:
CAUTION!
MAIN STREET AHEAD - SLOW UP
The man nods grimly, as if agreeing with that first word. But not in the way it is meant.
The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by.
With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body") — Cornell Woolrich