Quotes & Sayings About Revision In Writing

One great aim of revision is to cut out. In the exuberance of composition it is natural to throw in - as one does in speaking - a number of small words that add nothing to meaning but keep up the flow and rhythm of thought. In writing, not only does this surplusage not add to meaning, it subtracts from it. Read and revise, reread and revise, keeping reading and revising until your text seems adequate to your thought. — Jacques Barzun

Students need to be reminded that revision isn't merely making a few cosmetic changes. Revision is seeing and then reseeing our words and practicing strategies that make a difference in our writing. — Georgia Heard

A dear and long-time friend, ... asked me, "Jack, how long does it usually take you to write a book?" I replied, "Of course it depends on the project and its requirements, each book has its own rules. But for a statement to the world at large, once I've thought a book through and written it in my mind, it takes me around a week or so, depending on this and that, ordinarily at the rate of a chapter a day, but I've had some two-chapters day and some chapters have taken two days. And then of course there is revision, but around a week is about right." He seemed surprised, and I was surprised by his surprise, so I thought, maybe I'm wrong. I went home and wrote this book, at the perfectly normal pace of a chapter a day, as usual ... — Jacob Neusner

Keeping this journal causes tension as much as it calms it. The writing busies my hands and occupies my mind, but there's something about the pen scratching against the thick textured paper that makes my words take on an uncomfortable weight. Online, words flow almost as quickly as thoughts without revision or purpose, the way they do when you're alone or with someone who's fallen in love with you. — Wayne Gladstone

Sometimes a fresh perspective is all you need to get a second wind on the revision process. Try viewing your material on a different medium; it will shed a new light on the inconsistencies in the dark. — V.S. Watson

I'm thinking about past events. I'm interested in recall, exact recall, of what was said, who said it and to whom. I want to know the truth, undistorted by time and revision and wishes and regrets. — Dana Spiotta

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

While writing the first draft is an exercise in shutting down all of the things we think we know so that the story features come tumbling out, the revision is the end of the joy ride. We pull on the gloves and sort of poke around inside the body. Is that a tumor? Will that limb need amputation? I nearly second-guessed myself into heart failure while learning to self-edit. — Patricia Hickman

Embrace the melancholic voice completely in the drafting stages, to explore it for all it's worth. Then, in revision, privilege craft over pure feeling. Write the work that someone besides you will want to read. — David Starkey

The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising.
[The Writer's Digest Interview: Stephen King & Jerry B. Jenkins (Jessica Strawser, Writer's Digest, May/June 2009)] — Stephen King

The Exile In July 587 BCE, Babylonian soldiers broke through Jerusalem's walls, ending a starvation siege that had lasted well over a year. They burned the city and Solomon's temple and took its king and many other leaders to Babylon as captives, leaving others to fend for themselves in the destroyed land. Many surrounding countries disappeared altogether when similar disasters befell them. But Judah did not. Instead, the period scholars most often call the "Babylonian exile" inspired religious leaders to revise parts of Scripture that had been passed down to them. It also sparked the writing of entirely new Scriptures and the revision of ideas about God, creation, and history. Much of what is called the Hebrew Scriptures or Old Testament was written, edited, and compiled during and after this national tragedy. — Walter Brueggemann

In writing, you must kill all your darlings. — William Faulkner

Practicality requires that we stop somewhere in the process, but nothing actually says we can't keep on writing and revising. In fact, most writers continue to develop ideas and themes from one book to the next in what is essentially a lifelong evolution and revision. — Ralph L. Wahlstrom

In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever. — W. H. Auden

There are days when the result is so bad that no fewer than five revisions are required. In contrast, when I'm greatly inspired, only four revisions are needed. — John Kenneth Galbraith

In writing short stories - as in writing novels - take one
thing at a time. (For some writers, this advice I'm giving may
apply best to a first draft; for others, it may hinder the flow at
first but be useful when time for revision comes.) Treat a short
passage of description as a complete unit and make that one
small unit as perfect as you can; then turn to the next unit
a passage of dialogue, say - and make that as perfect as you can.
Move to larger units, the individual scenes that together make
up the plot, and work each scene until it sparkles. — John Gardner

decade after the first edition of this book was published, Yan Wong and I met in the fitting surroundings of the Oxford Museum of Natural History to discuss the possibility of producing a new, tenth anniversary edition. Yan, once my undergraduate pupil, had been employed as my research assistant during the writing of the original edition, before he left for his lecturing position in Leeds and his career as a television presenter. He played an enormously important part in the conception and execution of the first edition, and he was credited as joint author of several of the chapters. During the course of our discussion ten years on, we realised that much new information had come in, especially from the molecular genetics laboratories of the world. Yan undertook the bulk of the revision and I proposed to the publisher that this time he should be properly credited as joint author of the whole book. — Richard Dawkins

A good approach is to allow one dream per novel. Then, in the final revision, go back and get rid of that, too. — Howard Mittelmark

For me writing is an organic process that starts with engaging the language and then thinking about the structure of the novel as you move along. Especially in revision you start to notice correlations. Things come up, not self-consciously, because you're busy feeling your way through sentences and trying to push the language into new places. — Dana Spiotta

My reputation for writing quickly and effortlessly notwithstanding, I am strongly in favor of intelligent, even fastidious revision, which is, or certainly should be, an art in itself. — Joyce Carol Oates

Writing is an often-painful task that can feel like the death of one's past. Equally discomfiting is seeing one's present commitments to truths crumble once one begins to tap away at the keyboard or scar the page with ink. Writing demands a different sort of apprenticeship to ideas than does speaking. It beckons one to revisit over an extended, or at least delayed, period the same material and to revise what one thinks. Revision is reading again and again what one writes so that one can think again and again about what one wants to say and in turn determine if better and deeper things can be said. — Michael Eric Dyson

Sometimes I would write while inspired and sometimes I would write through sheer force of will, and in revision the writing that I thought was "dead" very frequently turned out to be better because it was more free of ego. — Jesse Michaels

I'm a passionate believer in revision, and a lot of my writing gets done during revision process. It isn't just tweaking: I tend to break it apart and remake it every time I do a new draft. — John Jeremiah Sullivan

The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort ... Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance. — Donald Murray

If you submit an
article to a major refereed clinical journal and it is accepted
upon first submission without a single revision, let me
know and I will take you to dinner the next time you are in
Portland, Oregon. — Robert B. Taylor

There would seem to be four stages in the composition of a story. First comes the germ of the story, then a period of more or less conscious meditation, then the first draft, and finally the revision, which may be simply 'pencil work' as John O'Hara calls it - that is, minor changes in wording - or may lead to writing several drafts and what amounts to a new work. — Malcolm Cowley

Revision plays a very large role in writing. Sometimes it seems to be all revision. And the longer I write, the more I revise-until it is completely right. — Ellen Hunnicutt

In my experience, cutting back is the crucial act that allows the vitality, precision and emotional heart of a piece of writing to emerge. — Pamela Erens

Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art. — Gore Vidal

Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you're all alone. Readers extend and enhance the writer's created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there's a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it's no longer a part of anyone's thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there's a time and a place other than writing reviews for readers to 'speak' in the human literary conversation. — P.J. O'Brien

Active critical reflection is necessary in every aspect of our teaching, not only in front of a class. We must try to reevaluate our own values and experiences as they relate to our teaching. Our assumptions and theories about teaching composition must remain open to inspection, evaluation, and revision, a condition that requires an active inquiry paralleling the inquiry in which we engage our students. — George Hillocks

To look at the work of your peers, and learn how to explain with kindness and precision, the nature of their mistakes is, in fact, how you learn to diagnose your own work. — Steve Almond

Lie naked on the table, and let them cut. Criticism is surgery, and humility is the anesthetic that allows you to tolerate it. In the end, the process will make you a stronger, more flexible, and truly creative writer. It will replace attitude with genuine confidence, and empty arrogance with artistry. — Molly Cochran