Retyped Quotes & Sayings

I revise the manuscript till I can't read it any longer, then I get somebody to type it. Then I revise the typing. Then it's retyped again. Then there's a third typing, which is the final one. Nothing should then remain that offends the eye. — Robert Graves

Every phenomenon on earth is symbolic, and each symbol is an open gate through which the soul, if it is ready, can enter into the inner part of the world, where you and I and day and night are all one. — Hermann Hesse

with a goofy-looking bald baby on the cover. Dad disappeared — Gayle Forman

Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled. — Ilana Mercer

Did I read The New Yorker? This question had a dangerous urgency. It wasn't any one writer or article he was worried about, but the font. The meaning embedded, at a preconscious level, by the look of the magazine; the seal, as he described it, that the typography and layout put on dialectical thought. According to Perkus, to read The New Yorker was to find that you always already agreed, not with The New Yorker but, much more dismayingly, with yourself. I tried hard to understand. Apparently here was the paranoia Susan Eldred had warned me of: The New Yorker's font was controlling, perhaps assailing, Perkus Tooth's mind. To defend himself he frequently retyped their articles and printed them out in simple Courier, an attempt to dissolve the magazine's oppressive context. Once I'd enter his apartment to find him on his carpet with a pair of scissors, furiously slicing up and rearranging an issue of the magazine, trying to shatter its spell on his brain. — Jonathan Lethem

There is a point at which a transformation has to take place. — Peter Drucker

Nothing is inevitable if we are willing to contemplate what is happening. — Marshall McLuhan

When faced with the scariest of things, all you want to do is turn away, hide in your own invisible place. But you can't. That's why it's not only important for us to be seen, but to have someone to look for us, as well. — Sarah Dessen

Each cartoon needs the right amount of wrong. — Robert Mankoff

And while the future's there for anyone to change, still you know it's seems, It would be easier sometimes to change the past. — Jackson Browne

In any assembly the simplest way to stop transacting business and split the ranks is to appeal to a principle. — Jacques Barzun

He who finds Fortune on his side should go briskly ahead, for she is wont to favor the bold. — Baltasar Gracian

It wasn't any one writer or article he was worried about, but the font. The meaning embedded, at a preconscious level, by the look of the magazine; the seal, as he described it, that the typography and layout put on dialectical thought. According to Perkus, to read the New Yorker was to find that you always already agreed, not with the New Yorker but, much more dismayingly, with yourself. I tried hard to understand. Apparently here was the paranoia Susan Eldred had warned me of: the New Yorker's font was controlling, perhaps attacking, Perkus Tooth's mind. To defend himself he frequently retyped their articles and printed them out in simple Courier, an attempt to dissolve the magazine's oppressive context. — Zadie Smith

Buildings are seldom just buildings in downtown Chicago, they are Examples, and not a city on Earth, I swear, is as knowledgeably preoccupied with architectural meaning. Where else would a department store include in its advertisements the name of the architect who created it, or a newspaper property section throw in a scholarly exposition of theoretical design? — Jan Morris

Sometimes reality T.V. can be stressful. — Carnie Wilson