Representation Of An Object Quotes & Sayings

For the main object of his representation is the word itself, and specifically the fully signifying word. Dostoevsky's works are a word about a word addressed to a word. The represented word comes together with the representing word on one level and on equal terms. They penetrate one another, overlap one another at various dialogic angles. As a result of this encounter, new aspects and new functions of the word are revealed and brought to the fore, — Mikhail Bakhtin

Those words ... national and portrait. They were both to do with identity: the identity of a culture (place, language and history), the identity of an individual human being as an object for mimetic representation. — A.S. Byatt

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture. — Gerardo Suter

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

If a picture, which is but a mute representation of an object, can give such pleasure, what cannot letters inspire? They have souls; they can speak; they have in them all that force which expresses the transports of the heart; they have all the fire of our passions, they can raise them as much as if the persons themselves were present; they have all the tenderness and the delicacy of speech, and sometimes a boldness of expression even beyond it. — Heloise

Men of superior vivacity and wit, when they take a wrong turn, are generally worse than other men: because wit, consisting in a lively representation of ideas assembled together, gives every sensible object those heightening touches, and that striking imagery, which is unknown to men of slower apprehensions: wit being to sensible objects, what light is to bodies; it does not merely show them as they are in themselves: it gives an adventitious colour, which is not a property inherent in them: it lends them beauties which are not their own. — Jeremiah Seed

But there are also remarkable differences between the two. The Beautiful in nature is connected with the form of the object, which consists in having boundaries. The Sublime, on the other hand, is to be found in a formless object, so far as in it or by occasion of it boundlessness is represented, and yet its totality is also present to thought. Thus the Beautiful seems to be regarded as the presentation of an indefinite concept of Understanding; the Sublime as that of a like concept of Reason. Therefore the satisfaction in the one case is bound up with the representation of quality, in the other with that of quantity. — Immanuel Kant

It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiae of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence. — George Eliot

If you can believe, you will see many miracles. — Lailah Gifty Akita

The tickling narrative, unlike the sexual narrative, has no climax.
Is the tickling scene, at its most reassuring, not a unique representation of desire and, at its most unsettling, a paradigm of the perverse contract?
Does it not highlight, this delightful game, the impossibility of satisfaction and of reunion, with its continual reenactment of the irresistible attraction and the inevitable repulsion of the object, in which the final satisfaction is frustration? — Adam Phillips

A universe of classical particles is devoid of knowledge because the universe can only be itself and not a representation of something else. If the universe was only composed of classical particles, then there would only be physical properties but no meanings. The idea that we can have information about an object without becoming that object is central to all knowledge. — Ashish Dalela

The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form. The elimination of the human relationship causes the vacuum which makes all of us suffer in various degrees - an individual alteration of the details of the object represented is necessary in order to display on the canvas the whole physicals reality. — Max Beckmann

Optimism requires confidence, and confidence is built on trust. And trust, as we know, flows in both directions. — Tim Brown

The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity. — Whitney Chadwick

Dinner is to a day what dessert is to dinner. — Michael Dorris

Depoliticization involves removing a political phenomenon from comprehension of its historical emergence and from a recognition of the powers that produce and contour it. No matter its particular form and mechanics, depoliticization always eschews power and history in the representation of its subject. When these two constitutive sources of social relations and political conflict are elided, an ontological naturalness or essentialism almost inevitably takes up residence in our understandings and explanations. In the case at hand, an object of tolerance analytically divested of constitution by history and power is identified as naturally and essentially different from the tolerating subject; in this difference, it appears as a natural provocation to that which tolerates it. Moreover, not merely the parties to tolerance but the very scene of tolerance is naturalized, ontologized in its constitution as produced by the problem of difference itself. — Wendy Brown

Ian," Bones drew out warningly.
He waved a hand. "Stop growling, Crispin. I'm well over my former attraction to your wife, but the point remains that I'm stunning."
With that, he got out of the car and sauntered off with his open shirt flapping behind him like twin mini capes. — Jeaniene Frost

3. The child is allowed to experience and express ordinary impulses, such as jealousy, rage, sexuality and defiance, because the parents have not disowned these feelings in themselves. 4. The child does not have to please the parent and can develop his own needs at his own developmental pace. 5. The child can depend on and use his parents because they are separate from him. 6. The parents' independence and good boundaries allow the child to separate self and object representation. 7. Because the child is allowed to display ambivalent feelings, he can learn to regard himself and the caregiver as "both good and bad," rather than splitting off certain parts as good and certain parts as bad. 8. The beginning of true object love is possible because the parents love the child as a separate object. — John Bradshaw

Borges's extreme architecture attempts to visualize the universe by assigning to every object real and unreal, now and yet to come, a code or sign, a corresponding figure within the Library. It seeks to render totality visible, to effect a total visibility and visuality. The Library of Babel is a view of the universe inside and out, an X-ray of the universe and universal X-ray, seen from within and without. It is a representation of everywhere: a perfect duplication of the universe. And of you: universal. An endless and eternal cinema, an imaginary archive that extends into the universe until it is indistinguishable from it, until you are indistinguishable from the universe. — Akira Mizuta Lippit

When you have your passion, you never even think about other things. It's tunnel vision. You go until you get it. — Nicola Peltz

Hope cannot be said to exist, nor can it be said not to exist. It is just like roads across the earth. For actually the earth had no roads to begin with, but when many men pass one way, a road is made. — Lu Xun

And I think, Lily Calloway is very, very magical. — Krista Ritchie

What seems interesting to me is to reproduce in the figurative representation of an object the whole complex system of impressions we receive in the normal course of everyday life, the way this affects our feelings and the shape it takes in our memory; and it is to this that I have always applied myself. — Jean Dubuffet

The important role of union organizations must be admitted: their object is the representation of the various categories of workers, their lawful collaboration in the economic advance of society, and the development of the sense of their responsibility for the realization of the common good. — Pope Paul VI

The sublime in art is the attempt to express the infinite without finding in the realm of phenomena any object which proves itself fitting for this representation. — Georg Wilhelm Friedrich Hegel

It is a curious thing: man, the centre and creator of all science, is the only object which our science has not yet succeeded in including in a homogeneous representation of the universe. We know the history of his bones, but no ordered place has yet been found in nature for his reflective intelligence. — Pierre Teilhard De Chardin

Representations are figures of objects as objective entities deprived of their virtual support or background, and we pass from representation to sign when we are able to discern in an object that which points towards its virtual ground, towards the problem with regard to which it is an answer. To put it succinctly, every answer is a sign of its problem. — Anonymous

In industrialized warfare, where the representation of events outstripped the presentation of facts, the image was starting to gain sway over the object, time over space. Soon a conflict of strategic and political interpretation would ensue, with radio and then radar completing the picture. — Paul Virilio

[Lizzie Bennington to a reporter who has asked for her opinion about Jack Archer's celebrated thighs.] When you come back from a set down and bring the match to a final set tiebreak and are a point away from winning the match, only to have what looks like an extremely fit player call a time out because of a cramp and then watch that player sit back and casually converse and laugh while you do your best to keep your mental focus and your body moving so you don't grow cold and cramp yourself, I hardly think you'd concern yourself with his burgeoning manhood, let alone his thighs! — A.G. Starling

Armageddon. The slaughter of humanity. An atomic war no one wanted, but which no one had the wisdom to avoid. — Edward Bernds

To a greater or lesser extent, every novel is a dialogized system made up of the images of "languages," styles and consciousnesses that are concrete and inseparable from language. Language in the novel not only represents, but itself serves as the object of representation. — Mikhail Bakhtin

The fundamental purpose of a novel like Count Julian is to achieve the unity of object and means of representation, the fusion of treason as scheme and treason as language. — Juan Goytisolo

Human will does not by liberty obtain grace, but by grace obtains liberty. — John Calvin