Reichmuth Park Quotes & Sayings

Yet these roaring waters," said Neville, "upon which we build our crazy platforms are more stable than the wild, the weak and inconsequent cries that we utter when, trying to speak, we rise; when we reason and jerk out these false sayings, 'I am this; I am that!' Speech is false. — Virginia Woolf

My mother preferred trees to certain kinds of people. Increasingly, as I get older I have to admit that I occasionally understand her preference. — Lucinda Roy

It is possible to live twenty-four hours a day in a state of love. Every movement, every glance, every thought, and every word can be infused with love. — Thich Nhat Hanh

The sight of Ethan - of Scam, since this was a mission - sent a trickle of annoyance down Crash's spine. Not like all the little itches of tech, just the ever-present need to punch him in the face. — Scott Westerfeld

He just looked like a pretty boy, tall and lanky. She thought again of the crumpled paper in her purse and of him, caged beneath a cemetery. How long had he been there? How long had he looked just as he did now? A hundred years? Two hundred? Could he even remember the press of time? Maybe having stepped outside of it would drive anybody crazy. — Holly Black

Did you know we know we are all the object of another's imagination? — Carlos Fuentes

Inanna spoke:
"What I tell you
Let the singer weave into song.
What I tell you,
Let it flow from ear to mouth,
Let it pass from old to young:

My vulva, the horn,
The Boat of Heaven,
Is full of eagerness like the young moon.
My untilled land lies fallow.

As for me, Inanna,
Who will plow my vulva?
Who will plow my high field?
Who will plow my wet ground?

As for me, the young woman,
Who will plow my vulva?
Who will station the ox there?
Who will plow my vulva?"

Dumuzi replied:
"Great Lady, the king will plow your vulva.
I, Dumuzi the King, will plow your vulva."

Inanna:
"Then plow my vulva, man of my heart!
Plow my vulva! — Diane Wolkstein

Has it ever happened, you've seen a striking film, beautifully written and acted and photographed, that you walk out of the theater glad to be a human being and you say to yourself I hope they make a lot of money from that? I hope the actors, I hope the director earns a million dollars for what they've done, what they've given me tonight? And you go back and see the movie again and you're happy to be a tiny part of the system that is rewarding those people with every ticket ... the actors I see on the screen, they'll get twenty cents of this very dollar I'm paying now; they'll be able to buy an ice cream cone any flavor they want from their share of my ticket alone. Glorious moments in art in books and films and dance, they're delicious because we see ourselves in glory's mirror. — Richard Bach