Quotes & Sayings About Red Walls

The prompt Paris morning struck its cheerful notes - in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The — Henry James

Countless candles dribbled with hot wax, and their flames, like little flags, fluttered in the unchartered currents of air. Thousands of lamps, naked, or shuttered behind coloured glass, burned with their glows of purple, amber, grass-green, blue, blood red and even grey. The walls of Gormenghast were like the walls of paradise or like the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plumaged seraphim; the scales of Satan. — Mervyn Peake

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

The walls of the arch are covered with blood-red jellies that wink and glisten at me by the light of the moon. My father told me they were completely harmless. I don't believe him. Nothing is completely harmless. — Maggie Stiefvater

I could have clasped the red walls to my bosom as a garment of eternal peace. "Death," I said, "any death but that of the pit!" Fool! might I have not known that into the pit it was the object of the burning iron to urge me? — Edgar Allan Poe

The Daffodil-Yellow Villa
The new villa was enormous, a tall, square Venetian mansion, with faded daffodil-yellow walls, green shutters, and a fox-red roof. It stood on a hill overlooking the sea, surrounded by unkempt olive groves and silent orchards of lemon and orange trees.
... the little walled and sunken garden that ran along one side of the house, its wrought-iron gates scabby with rust, had roses, anemones and geraniums sprawling across the weed-grown paths ...
... there were fifteen acres of garden to explore, a vast new paradise sloping down to the shallow, tepid sea. — Gerald Durrell

With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city. Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance. — Ursula K. Le Guin

She falls back like a dead weight. The red hair loosens from the hair band and spreads in the colorful surface of the pillows, her white body is in sharp contrast, the gleam in her bloodshot eyes becomes intense and shines. My aunt, lying like this, looks like a goddess in an orgasm, only that, inside, she is suffering. I close my eyes and breathe deeply. The same is happening to us, we're really disappearing. I think of the matter of our bodies, changeable, disappearing in the particles of the air while we breathe. In this room, everywhere, we are printed on the walls, in the air that settles on things. I breathe and look at her. I'm stuck in her. — Pat R

At His pleasure the Red Sea divided and its waters stood up as walls (Exo 14); the earth opened her mouth, and guilty rebels went down alive into the pit (Num 16). When He so ordered, the sun stood still (Josh 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa 38:8). To exemplify His supremacy, He made ravens carry food to Elijah (1Ki 17), iron to swim on top of the waters (2Ki 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus "Whatsoever the LORD pleased, that did He in heaven, and in earth, in the seas, and all deep places" (Psa 135:6). — Arthur W. Pink

He sees his world in black and white: Filthy snow, a hollow sky, the gray cement of the walls - water stains, like giant ink spills, eating into them - and his own skin, an ashy patina enveloping his body. Even the wounds on his feet, hardened and crusted, have lost their red. He has come to think of colour as something fantastic that exists only in his mind - the red of a tomato sliced and salted at the lunch table, the deep blue of a lapis lazuli on Farnaz's finger, the honey hue of his daughter's hair in the sun. — Dalia Sofer

You don't need a uniform color: We used a mixture of brick red, browns and grays, and then threw in seashells, branches and various types of rock, so our walls ended up looking like cave paintings! — Randy Bachman

Listen to th' wind wutherin' round the house," she said. "You could bare stand up on the moor if you was out on it tonight."
Mary did not know what "wutherin'" meant until she listened, and then she understood. It must mean that hollow shuddering sort of roar which rushed round and round the house, as if the giant no one could see were buffeting it and beating at the walls and windows to try to break in. But one knew he could not get in, and somehow it made one feel very safe and warm inside a room with a red coal fire. — Frances Hodgson Burnett

He walked back to St George's-in-the-East, which in his mind he had now reduced to a number of surfaces against which the murderer might have leaned in sorrow, desperation or even, perhaps, joy. For this reason it was worth examining the blackened stones in detail, although he realised that the marks upon them had been deposited by many generations of men and women. It was now a matter of received knowledge in the police force that no human being could rest or move in any area without leaving some trace of his or her identity; but if the walls of the Wapping church were to be analysed by emission spectroscopy, how many partial or residual spectra might be detected? And he had an image of a mob screaming to be set free as he guided his steps towards the tower which rose above the houses cluttered around Red Maiden Lane, Crab Court and Rope Walk. — Peter Ackroyd

Swords were brought out, guns oiled and made ready, and everything was in a bustle when the old Lexington dropped her anchor on January 26, 1847, in Monterey Bay, after a voyage of one hundred and ninety-eight days from New York. Everything on shore looked bright and beautiful, the hills covered with grass and flowers, the live oaks so serene and homelike, and the low adobe houses, with red-tiled roofs and whitened walls, contrasted well with the dark pine trees behind, making a decidedly good impression upon us who had come so far to spy out the land. Nothing could be more peaceful in its looks than Monterey in January, 1847. — William T. Sherman

It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer. — Aldis Hodge

The house was burning, the yellow-red sky was like the sunset ... Nothing would be left, the golden ferns and the silver ferns, the orchids, the ginger lilies and the roses ... When they had finished, there would be nothing left but blackened walls and the mounting stone. That was always left. That could not be stolen or burned. — Jean Rhys

Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess.

The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago. — Anthony Doerr

Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead. — Julie Kagawa

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples.
The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover. — Frances O'Roark Dowell

I don't know when I died. It always seemed to me I died old, about ninety years old, and what years, and that my body bore it out, from head to foot. But this evening, alone in my icy bed, I have the feeling I'll be older than the day, the night, when the sky with all its lights fell upon me, the same I had so often gazed on since my first stumblings on the distant earth. For I'm too frightened this evening to listen to myself rot, waiting for the great red lapses of the heart, the tear sings at the caecal walls, and for the slow killings to finish in my skull, the assaults on unshakable pillars, the fornications with corpses. So I'll tell myself a story, I'll try and tell myself another story, to try and calm myself, and it's there I feel I'll be old, old, even older than the day I fell, calling for help, and it came. Or is it possible that in this story I have come back to life, after my death? No, it's not like me to come back to life, after my death. — Samuel Beckett

It's just a stupid sword, she said, aloud this time ...
... but it wasn't.
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. — George R R Martin

Harriott maintained that Zafar was the evil genius and linchpin behind an international Muslim conspiracy stretching from Constantinople, Mecca and Iran to the walls of the Red Fort. His intent, declared Harriott, was to subvert the British Empire and put the Mughals in its place. Contrary to all the evidence that the Uprising broke out first among the overwhelmingly Hindu sepoys, and that it was high-caste Hindu sepoys who all along formed the bulk of the fighting force; and ignoring all the evident distinctions between the sepoys, the jihadis, the Shia Muslims of Persia and the Sunni court of Delhi, Major Harriott argued that the Mutiny was the product of the convergence of all these conspiring forces around the fanatical Islamic dynastic ambitions of Zafar: — William Dalrymple

Leave a cavity behind the [wall] facings, and on the inside build walls two feet thick, made of red dimension stone or burnt brick or lava in courses, and then bind them to the fronts by means of iron clamps and lead ... the beds and builds, all settling equally and bonded at the joints, will not let the work bulge out, nor allow the fall of the face walls which have been tightly fastened together. — Marcus Vitruvius Pollio

The tree burst into color and we all gasped at the red, yellow, green, white and the blue lights boldly growing in the cold night, the only lights for miles around in the inmense darkness of the range. — Jeannette Walls

November is chill, frosted mornings with a silver sun rising behind the trees, red cardinals at the feeders, and squirrels running scallops along the tops of the gray stone walls. — Jean Hersey

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit - the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each windowpane, lifting the mist from the fields, showing the red brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone! — Virginia Woolf

When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil's interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.
He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played. — William Gaddis

Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world - all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation ... the vastness of St. Peter's the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. — George Eliot

If you have white walls, human beings look better in a room than if you have red walls. — Minoru Yamasaki

Vermilion alone could render the brilliant red of the tiles on the opposite slope. The orange of the soil, the harsh crude colors of the walls and greenery, the ultramarine and cobalt of the sky achieved an extreme harmony that was sensually and musically ordered. — Maurice De Vlaminck

In the morning she found pieces of a bird
chopped and scattered by the fan
blood sprayed onto the mosquito net,
its body leaving paths on the walls
like red snails that drifted down in lumps.
She could imagine the feathers
while she had slept
falling around her
like slow rain. — Michael Ondaatje

Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you
beyond that next turning of the canyon walls. — Edward Abbey

The Lurking Fear:
Shrieking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguined condors of purple fulgurous sky ... formless phantasms and kaleidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion ... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation ... Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies. — H.P. Lovecraft

A red veil covers the room as walls, which flow but do not stand. Screams echo from every stone. Incense I smell of sandalwood and lavender, and lavender I taste as well. A tea, a brew, or a liquid I sip. Calm I feel. Gyfu shows a great sacrifice will be made. I feel tied in knots as light reflects from crystals found in rock. All is not what it seems. Choices are made, the white handled bolline swings, the steps slide, gates swing open, memories flow like rain - betrayal and it is done.
A quote by Gannon reciting his vision — Wynter Wilkins

Massive edifice, with its impenetrable walls, its monumental gate, and its red-coated guards, I began to have doubts. What — Diana Gabaldon

Harry took the wand. He felt a sudden warmth in his fingers. He raised the wand above his head, brought it swishing down through the dusty air and a stream of red and gold sparks shot from the end like a firework, throwing dancing spots of light on to the walls. — J.K. Rowling

I don't wish for the red house back, not really, yet in a way, I wish for everything back that ever was, everything that once seemed like forever and yet has vanished ... Standing here on an empty hilltop in New Hampshire, as a bulldozer slowly pushes the debris of a small red house into a neat pile, I allow, just for a moment, the past to push hard against the walls of my heart. Being alive, it seems, means learning to bear the weight of the passing of all things. It means finding a way to lightly hold all the places we've loved and left anyway, all the moments and days and years that have already been lived and lost to memory, even as we live on in the here and now, knowing full well that this moment, too, is already gone. It means, always, allowing for the hard truth of endings. It means, too, keeping faith in beginnings. — Katrina Kenison

If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does. — Jonathan Safran Foer

The earl narrowed his eyes as he hopped off his bay gelding and surveyed the deep green expanse of lawn surrounding the ancestral home. The graceful house, built atop and around an ancient abbey, wore its centuries of accretion with aplomb, as if it had always perched atop this
gentle slope. In the slanting late afternoon sun, the fading red-brick walls glowed. "My God, I hate the country," he said. — Jenny Holiday

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. — Marcel Proust

Lay me on an anvil, O God.
Beat me and hammer me into a crowbar.
Let me pry loose old walls.
Let me lift and loosen old foundations.
Lay me on an anvil, O God.
Beat me and hammer me into a steel spike.
Drive me into the girders that hold a skyscraper together.
Take red-hot rivets and fasten me into the central girders.
Let me be the great nail holding a skyscraper through blue nights into white stars. — Carl Sandburg

I used to know a carnival man turned preacher who said the key to his success was understanding the people of what he called Snake's Navel, Arkansas. He said in Snake's Navel, the biggest thing going on Saturday night was the Dairy Queen. He said you could get the people there to do damn near anything
pollute their own water, work at five-dollar-an-hour jobs, drive fifty miles to a health clinic
as long as you packaged it right. That meant you gave them a light show and faith healings and blow-down-the-walls gospel music with a whole row of American flags across the stage. He said what they liked best, though
what really got them to pissing all over themselves
was to be told it was other people going to hell and not them. He said people in Snake's Navel wasn't real fond of homosexuals and Arabs and Hollywood Jews, although he didn't use them kinds of terms in his sermons. — James Lee Burke

The prose poem Walk The Red Road is great stuff and deserves to be read aloud. It compares quite favorably to The Walls Of Emerald by Li Chiang Yen, a Chinese poet of the late Tang period. — Brian Aldiss

The next day I was driven down to New York City to take the physical. It was one of the strangest things I'd ever seen. Several hundred young men, maybe even a thousand, in their skivvies, walking around an enormous room, all of us lost, dazed, and confused.
Some of these guys had dodged the draft and were there under the watchful eyes of dozens of federal marshals lined up against one of the walls. After eight hours of being poked, prodded, stuck, and poked again, I was given a large red envelope. I had been rejected. I had the respiratory problems of an old man, high blood pressure, partial loss of hearing, very bad teeth, very flat, very wide feet and I tested positive for tuberculosis.
"Frankly," the doctor said, "I don't know how the hell you're even standing up," and that was when the sergeant told me that if they bottled everything that was wrong with me "we could take over the world without a shot. — John William Tuohy

Moses prayed and the Lord parted the Red Sea. Joshua prayed and the walls of Jericho fell. David prayed and God protected him from Saul. Esther prayed and the lives of the children of Israel were saved. Daniel prayed and the Lord closed the lion's mouths. Jesus prayed in the garden until He was ready to face Calvary. I don't think any of those prayers were "Now I lay me down to sleep". — Clay Wallace

She did not make monsters of us. She simply gave us the power to remake ourselves into those inviolable creatures the God of Equality had intended us to be. We knew she was deconstructing the old disabled versions of our sex, and that her ruthlessness was adopted because those constructs were built to endure. She broke down the walls that had kept us contained. There was a fresh red field on the other side, and in its rich soil were growing all the flowers of war that history never let us gather. It was beautiful to walk in. As beautiful as the fells that autumn. — Sarah Hall

I couldn't think of anything I wanted to do or any place I wanted to be more than home. Where I can walk around the yard, sweeping leaves off the slate paths to my heart's content. Where I can spend all day in my pajamas puttering around the house, or curled up in my favorite chair in the family room next to the big stone fireplace. The walls are papered deep red, hung with Madison's paintings and lined with our favorite books. The furniture is comfortable and inviting. Our house is made to be lived in; we use every inch of it and don't mind the signs of wear and tear. There's a deep dent in the floor next to the hearth ... It's part of the story of this house, where a family has left its mark, and where it continues to grow and evolve. — Sissy Spacek

If I can't, then I'll paint the walls of her house red with my blood. — Dia Reeves

This morning the secret has claws. And it's climbing the walls of my stomach, twisting my gut, quivering and rolling and burning. Red-hot acid in the back of my throat. Ready to explode. — Courtney C. Stevens

Living there [Horse Mesa] was like living in a natural cathedral. Waking up every morning, you walked outside and looked down at the blue lake, then up at the sandstone cliffs
those awe-inspiring layers of red and yellow rock shaped over the millennia, with dozens of black-streaked crevices that temporarily became waterfalls after rainstorms. — Jeannette Walls

Julian wore his favorite good-luck red-striped soccer jersey. He was planning to make money to build cement walls for his mother's house. He was recently married, and he and his wife were expecting a child that October.
His father said Julian had promised to "always behave with respect," and that he would do nothing to cost his father his feelings of pride.
He had a note from his bridge in his pocket. — Luis Alberto Urrea

She watched the tunnels as they flowed past: bare walls of concrete, a net of pipes and wires, a web of rails that went off into black holes where green and red lights hung as distant drops of color. There was nothing else to dilute it, so that one could admire naked purpose and the ingenuity that had achieved it. — Ayn Rand

I hear myself laughing, screeching, cackling. The world is red hot and pulsing. On fire [...] I stroll down the corridor and the flickering fluorescents celebrate my passing, humming in praise. I spin, bow and hum along. Bloody footprints trail; bloody fingers smear the walls. — Eliza Crewe

Like most Istanbul Turks I had little interest in Byzantium as a child. I associated the word with spooky, bearded, black-robed Greek Orthodox priests, with the aqueducts that still ran through the city, with the Hagia Sophia and the red brick walls of old churches. To me, these were remnants of an age so distant there was little need to know about it. Even the Ottomans who conquered Byzantium seemed very far away. — Orhan Pamuk

although the mission seemed doomed to fail, the four angels might succeed. He prayed also for Dallas Garner, the baby whose life hung in the balance. And for a generation who might never find redemption otherwise. FOUR EMPTY CHAIRS faced each other at the center of the adjacent room. Jag took the lead as they entered the space and shut the door behind them. Windows lined the walls, flooding the place with light and peace. When they were seated, Jag studied his peers. "Are you surprised?" Beck leaned back. Rays of sunshine streamed through the windows and flashed in his green eyes. He breathed deep, clearly bewildered. "Shocked." "It's true, we know the humans better." Ember ran her hand over her long, golden-red hair. Concern knit itself into her expression. "But if they suspect us, it could alter their choices. We must be so very discreet." Jag nodded. "Discretion will be key." He planted his elbows on his knees, leaning closer to the others. — Karen Kingsbury

Inside Bag End, Bilbo and Gandalf were sitting at the open window of a small room looking out west on to the garden. The late afternoon was bright and peaceful. The flowers glowed red and golden: snap-dragons and sunflowers, and nasturtians trailing all over the turf walls and peeping in at the round windows. — J.R.R. Tolkien

The pain between them made me as envious as their laughter, because it was real and expressible, blood-red with passion, and not the invisible pain of a ghost like me. Sometimes my head filled with a scream that went on for hours but was silenced by the walls of the closet. My face still wearing its social smile fixed in place as if by a stroke. — Paul Monette

Course they wouldn't have all the details, like whether or not they played in squares of sunlight on their walls, if they wore spiders on their hats, if they ate hamburger every other day, if they had ever made love in a yellow canola field tenderly or passionately or awkwardly. If they preferred dresses or pants, if they shaved their legs or didn't, or if they preferred red peppers to green. Stuff was happening. Even in Half-a-Life. Little things, but it all added up to something big. To our lives. It was happening all along. These were our lives. This was it. My mom was hanging on to the lives, the recorded lives, of these women. We might escape, but what if we didn't? What if we lived in Half-a-Life all our lives, poor, lonely, proud, happy? If we did, we did. These were our lives. If we couldn't escape them, we'd have to live them. — Miriam Toews

Emily woke to shadows and their voices. They looked different today, because the entire world hurt. The numbness had worn off sometime between sleep and awake, and she was seeing red. The shadows on the walls were not shadows at all, but red blobs consisting of teeth and claws. Her house reeked of pain.
The whole world was fucking bleeding. — Allie Burke

CELL

Now look objectively. You have to
admit the cancer cell is beautiful.
If it were a flower, you'd say, How pretty,
with its mauve centre and pink petals

of if a cover for a pulpy thirties
sci-fi magazine. How striking:
as an alien, a success,
all purple eye and jelly tentacles
and spines, or are they gills,
creeping around on granular Martian
dirt red as the inside of the body,

while its tender walls
expand and burst, its spores
scatter elsewhere, take root, like money,
drifting like a fiction or
miasma in and out of people's
brains, digging themselves
industriously in. The lab technician

says, It has forgotten
how to die. But why remember? All it wants is more
amnesia. More life, and more abundantly. to take
more. to eat more. To replicate itself. To keep on
doing those things forever. Such desires
are not unknown. Look in the mirror. — Margaret Atwood

I look down at the picture in my hand. It's home, the image slightly dog-eared after two years in various grab bags and holdalls. There's the house, white walls covered in the blue flowers she loves, red poppies stretching away in the background. There's my mother, small and fair, hair falling out of its bun as usual, glasses - one of her many eccentricities - perched on her nose. — Amie Kaufman

Shreiking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguinated condors of purple fulgurous sky ... formless phantasms and kalaidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion ... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation ... — H.P. Lovecraft

The walls billowed with printed fabric - yellow, green, indigo, purple - and a red hammer-and-sickle flag hung over the batik-draped mattress. It was as if a Russian cosmonaut had crashed in the jungle and fashioned himself a shelter of his nation's flag and whatever native sarongs and textiles he could find. — Donna Tartt

Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes. — George R R Martin

On Fifth Avenue I went into the Trump Tower, a new skyscraper. A guy named Donald Trump, a developer, is slowly taking over New York, building skyscrapers all over town with his name on them, so I went in and had a look around. The building had the most tasteless lobby I had ever seen
all brass and chrome and blotchy red and white marble that looked like the sort of thing that if you saw it on the sidewalk you would walk around it. Here it was everywhere
on the floors, up the walls , on the ceiling. It was like being inside somebody's stomach after he'd eaten pizza. — Bill Bryson

Past the projects, the land opened up and water came into view. The breeze carried rain and salt. Jetties and barrier walls supported the shore, which was stacked with crumbling brick warehouses. Out in the channel, the Statue of Liberty stood alone on her little island, her corroding flame held high in the air as the sun set over the industrial shoreline and skyways of New Jersey. Across the narrows, the bluffs of Staten Island wavered in the smoky light of dusk that turned the Verrazano into bronze. Faint light burnished water into busy with freighters and tug boats. A lone sail boat flitted in the distance. On the near shore, on a slip of water between a jetty and the land, a blood red barge bobbed on the tide. — Andrew Cotto

School is a terrible place, I have decided. There is nothing good about it except for math class. Everything else is a total waste of time. As I mentioned before I have done a lot of reading about prisons, and I notice that they always describe them as painted in very dull colors, and my school is also painted in these kinds of colors, with greenish lockers and brownish walls and grayish floors. Actually they recently fixed up one wing of the school, and now that part of the school is just the opposite - all the colors are really bright, with bright red and yellow lockers and blue doors and shiny white floors that are already all scuffed up. It's funny because I thought the other colors were terrible but these are much worse, because they make it seem like it's normal to be happy there when it isn't. — Dara Horn

Balloons
Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish
Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. — Sylvia Plath

God's supremacy over the works of his hands is vividly depicted in Scripture. Inanimate matter, irrational creatures, all perform their Maker's bidding. At his pleasure the Red Sea divided and its waters stood up as walls (Exod. 14); and the earth opened her mouth, and guilty rebels went down alive into the pit (Num. 16). When he so ordered, the sun stood still (Josh. 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa. 38:8). To exemplify his supremacy, he made ravens carry food to Elijah (1 Kings 17), iron to swim on top of the waters (2 Kings 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus "Whatsoever the Lord pleased, that did he in heaven, and in earth, in the seas, and all deep places" (Ps. 135:6). — Arthur W. Pink