Red Road Quotes & Sayings

I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot of people are actors - the versatility. — Tony Curran

When I returned, not to Berlin, but to Hamburg in the midst of the fog of the beginning of winter, to the road that runs right above it's river and docks, a castle which never existed and a fountain which is really a sewer, a gust of wind far sweeter and more fragrant than any red rose carried the smell of shit and floating soil like a tongue into my nostril. — Kathy Acker

Red remembered growing up in that house as heaven. There were enough children on Bouton Road to form two baseball teams, when they felt like it, and they spent all their free time playing out of doors - boys and girls together, little ones and big ones. Suppers were brief, pesky interruptions foisted on them by their mothers. They disappeared again till they were called in for bed, and then they came protesting, all sweaty-faced and hot with grass blades sticking to them, begging for just another half hour. "I bet I can still name every kid on the block," Red would tell his own children. But that was not so impressive, because most of those kids had stayed on in the neighborhood as grown-ups, or at least come back to it later after trying out other, lesser places. Red — Anne Tyler

Don't give in to fear. Be strong, like i know you are. An never give up, d'you unnerstand, never. No matter what happens.
I stare at him.
I won't, I says. I ain't no quitter, Pa.
That's my girl. — Moira Young

I drove on, and between the north and southbound lanes a construction crew worked under daylight-bright industrial lamps. I saw them through a gauzy fog of dust and strong light...they wore blood-red vests and hardhats and massive goggles, and as the road sank I saw that the workers were bone thin, with skeletal jaws and long teeth. They labored on platforms over gaping holes in the earth, and among the men, piled atop rickety pallets, lolled babies, piles of them, in ashy cerements. I could not tell whether the crew was excavating or burying them. — Matthew M. Bartlett

Yes, we shall win in the end; but the road will be long and red with monstrous martyrdoms. Oscar Wilde, 1897, on his release from Reading Gaol — Mark Simpson

A red map isn't easy to follow. Any document made of blood and bones is tricky. Wrong turns are easily made, and there are often piles of stones in the road. A person has to disregard time and sorrow and all the damage done. If you follow, if you dare, the thread always leads to whomever or whatever you've forgotten ... — Alice Hoffman

Twenty minutes 'til 9, we're getting in the truck. I'm sweaty,
stinky and covered in red mud. I'm not sure what Logan smells
like and I don't plan on getting close enough to find out.
"What do you wanna be when you grow up?" he asks, as we
ride along the quiet, foggy, gravel road in the dark.
"Alive," I say, thoughtlessly.
"I like that. Aim low," he retorts. — Elizabeth Nicole

His dark eyes were on the road ahead, thoughtful. "No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she's in demand, though. She keeps putting me off each time I try to plan something romantic."
"Yeah, well, maybe if you come up with a good itinerary, you could lure her out."
"I was thinking dinner at Joe's."
I made a face. "If that's the case, maybe you'd better brace yourself for rejection."
"Red Pepper Bistro?"
"Okay. Now you're in the zone."
"Followed by a long massage in the sauna."
"That's pretty good too."
"And then indecent things in the sauna."
"I hope you mean you'll be doing the indecent things - because I more than did my share last night."
Kiyo glanced over at me with a mischievous grin. "Who says I'm talking about you? — Richelle Mead

All that night he followed bends of the black road jeweled by starlight until the wan light of the dawn touched the east with red and the pastures turned green. (pg. 76) — Robert Olmstead

I was on Stargate: Atlantis for four years, playing a similar character called Ronon, who was an alien that didn't say much and grunted. I've been there and done that. Whether people have seen it or not, you want to stretch. And then, while I waited, I got The Red Road, and I'd never gotten anything like that. — Jason Momoa

He had entered an endless subterranean cavern, where jeweled rocks loomed out of the spectral gloom like marine plants, the sprays of glass forming white fountains. Several times he crossed and recrossed the road. The spurs were almost waist-high, and he was forced to climb over the brittle stems. Once, as he rested against the trunk of a bifurcated oak, an immense multi-colored bird erupted from a bough over his head, and flew off with a wild screech, aureoles of light cascading from its red and yellow wings. At last the storm subsided, and a pale light filtered through the stained-glass canopy. Again, the forest was a place of rainbows, a deep, iridescent light glowing from within. — J.G. Ballard

I want a riot laser," Eve snapped at Peabody. "Full body armor." She yanked a six-inch combat knife from its leather sheath and watched with glee, as its wicked serrated edge caught the sunlight through her little window.
Peabody's eyes popped. "Sir?"
"I'm going down to maintenance, and I'm going locked and loaded. I'm taking those piss-brain sons of bitches out, one by one. Then I'm going to haul what's left of the bodies into my vehicle and set it on fire."
"Jesus, Dallas, I thought we had a red flag."
"I've got a red flag. I've got one." Her eyes wheeled to Peabody. "I've got under fifty miles on my ride since those lying, cheating, sniveling shitheads said it was road ready. Road ready? Do you want me to tell you about road ready?"
"I would like that very much, Lieutenant. If you'd sheathe that knife first. — J.D. Robb

The writer of 'The Red Road,' Aaron Guzikowski, deserves the credit. The fact that the dialogue is so understated is what makes this show so appealing, especially as an actor. — Martin Henderson

When lorry drivers come up behind me and I'm cycling, innocently keeping to my side of the road, and they decide because they are so big, and their lorry is so powerful, and they just want to clear me out of the road, and they hoot aggressively, then I do see red a bit. I do. — Boris Johnson

Little Man turned around and watched saucer-eyed as a bus bore down on him spewing clouds of red dust like a huge yellow dragon breathing fire. Little Man headed toward the bank, but it was too steep. He ran frantically along the road looking for a foothold and, finding one, hopped onto the bank, but not before the bus had sped past enveloping him in a scarlet haze while laughing white faces pressed against the bus windows. Little — Mildred D. Taylor

She told him ... how her heart had fairly skipped a beat when she'd seen him standing in the middle of the road dressed as a true Highland warrior.
"If I hadna been in love wi' you already, I'd have fallen in love wi' you then."
He grinned, his whiskery face unbearably bonnie even with its cuts and bruises. "So you like the sight of me in a pladdie, aye?"
"Aye
and wi' braids in your hair." She leaned down and kissed him. "But I think red paint looks silly. — Pamela Clare

I drove out of Dartmouth and after a while Start Bay emerged out of the brightening gloom like the end of a set of parentheses in a book about the natural world. Inside the parentheses was a story about the sea. Outside them, the land: green, red and brown fields, and hills curling over the landscape. I saw small, delicate clumps of snowdrops, big rough patches of gorse, and along the thin road, houses with yellow roses and mimosa growing in their gardens. — Scarlett Thomas

You know you're in the Lowcountry when the steering wheel in your old red pick up is slippery from humidity, the news on the radio is all about the projected path of the latest Atlantic hurricane and the road kill you narrowly miss smearing further is a five foot long alligator. — Natasha Boyd

And still on a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a gypsy's ribbon looping the purple moor,
The highwayman comes riding
Riding
riding
The highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard,
He taps with his whip on the shutters, but all is locked and barred,
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter
Bess, the landlord's daughter
Plaiting a dark red love-knot into her long black hair. — Alfred Noyes

THE ROSE OF THE WORLD
WHO dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.
We and the labouring world are passing by:
Amid men's souls, that waver and give place
Like the pale waters in their wintry race,
Under the passing stars, foam of the sky,
Lives on this lonely face.
Bow down, archangels, in your dim abode:
Before you were, or any hearts to beat,
Weary and kind one lingered by His seat;
He made the world to be a grassy road
Before her wandering feet. — W.B.Yeats

Murtaugh Allsbrook and his riders spread the news like wildfire. Down every road, over every river, to the north and south and west, through snow and rain and mist, their hooves churning up the dust of each kingdom.
And for every town they told, every tavern and secret meeting, more riders went out.
More and more, until there was not a road they had not covered, until there was not one soul who did not know that Aelin Galathynius was alive - and willing to stand against Adarlan.
Across the White Fangs and the Ruhnns, all the way to the Western Wastes and the red-haired queen who ruled from a crumbling castle. To the Deserted Peninsula and the oasis-fortress of the Silent Assassins. Hooves, hooves, hooves, echoing through the continent, sparking against the cobblestones, all the way to Banjali and the river-front palace of the King and Queen of Eyllwe, still in their midnight mourning clothes.
Hold on, the riders told the world.
Hold on. — Sarah J. Maas

The road to healing is a rocky one, and you need to know that. There are times when every fibre in your body will scream out to give up. In these moments, God is right there with you, holding your head up, and carrying you when you cannot walk anymore. Even if you are holding on with your teeth, and your knuckles are red and bleeding, it is crucial that you still hold on. Don't give up! You have too much to lose! — Corallie Buchanan

I was walking down the road with two friends when the sun set; suddenly, the sky turned as red as blood. I stopped and leaned against the fence, feeling unspeakably tired. Tongues of fire and blood stretched over the bluish black fjord. My friends went on walking, while I lagged behind, shivering with fear. Then I heard the enormous infinite scream of nature. — Edvard Munch

What I remember most clearly is how it felt. I'd just finished painting a red fire engine-like the one I often walked past near my grandparents' house. Suddenly the teachers, whose names I've long forgotten, closed in on my desk. They seemed unusually impressed, and my still dripping fire engine was immediately and ceremoniously pinned up. I don't know what they might have said, but their unexpected attention and having something I'd made given a place of honor on the wall created an overwhelming and totally unfamiliar sense of pride inside me. I loved that feeling, and I wanted to feel it again and again. That desire, I suppose, was the beginning of my career.
I have no idea where my fire engine painting ended up, but I never forgot the basic layout. Several decades later, it served as the inspiration for this sketch for an illustration in a book called Why the chicken crossed the Road. — David Macaulay

and the city fireworked alive all around us: flashing with neon signs and flaring with red and gold lights, buzzing with motorbikes and pumping with stereos, streaming warm wind through the open windows. The road unrolled in front of us, it sent its deep pulse up into the hearts of our bones, it flowed on long and strong enough to last us forever. — Tana French

I pick up the list of Benji's five favorite books because we've got work to do:

"Gravity's Rainbow" by Thomas Pynchon. He's a pretentious fuck and a liar.

"Underworld" by Don DeLillo. He's a snob.

"On the Road" by Jack Kerouac. He's a spoiled passport-carrying fuck stunted in eighth grade.

"Brief Interviews with Hideous Men" by David Foster Wallace. Enough already.

"The Red Badge of Courage" by Stephen Crane. He's got Mayflowers in his blood. — Caroline Kepnes

When there is this simple, clear watching and listening, then there is an awareness - awareness of the colour of those flowers, red, yellow, white, of the spring leaves, the stems, so tender, so delicate, awareness of the heavens, the earth and those people who are passing by. They have been chattering along that long road, never looking at the trees, at the flowers, at the skies and the marvellous hills. They are not even aware of what is going on around them. They talk a great deal about the environment, how we must protect nature and so on, but it seems they are not aware of the beauty and the silence of the hills and the dignity of a marvellous old tree. They are not even aware of their own thoughts, their own reactions, nor are they aware of the way they walk, of their clothes. It does not mean that they are to be selfcentred in their watching, in their awareness, but just be aware. — Jiddu Krishnamurti

It was early evening twilight when we came around a corner ... and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close ... so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time ... with this lovely, cold strange world of water and stone, sharp light and deep shadows.
And I would never be the same again. — Michelle Frost

The word itself has another color. It's not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn't the sly turn which crimson takes halfway through, yellow's deceptive jelly, or the rolled-down sound in brown. It hasn't violet's rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green. — William H Gass

Ever heard of the rule of three? he shouts as we run.
No!
If you save somebody's life three times, their life belongs to you. You saved my life today, that makes once. Save it twice more an I'm all yers. — Moira Young

Flipping to the front, I caught Aiden's gaze and offered a sympathetic smile.
"Skittles?"
"Please."
I dumped some into his open palm, then picked out the green ones. Aiden grinned at me.
"You know I don't like the green ones?"
Shrugging, I popped them in my mouth.
"The few times I've seen you eat them, you leave the green ones behind."
Deacon popped his head between our seats.
"That's true love right there."
"That it is."
Aiden's gaze flicked to the road. I flushed like a little schoolgirl and focused on the remaining pieces of candy until Deacon drifted back into his seat. I handed all the red ones to Aiden. — Jennifer L. Armentrout

Trying to cope with the balance between home life and road life has been a theme in my music since early Red House Painters records. — Mark Kozelek

Lugh goes first always first an I follow on behind.
An that's fine.
That's right.
That's how it's meant to be. — Moira Young

Where typically the cops are generally the good guys, 'The Red Road' blurs the lines intelligently and shows corruption from all sides of the law. It provides unpredictable drama where the audience is kept guessing about how these characters will each choose to act. — Martin Henderson

I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun - curved over the dip of the horizon like a solid gold archway - lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous - one of the best I've ever seen. — Lauren Oliver

Perhaps Dexter's dutiful but uninspired brain pictured him as Sherlock Holmes, able to examine the wheel ruts and deduce that a left-handed hunchback with red hair and a limp had gone down the road carrying a Cuban cigar and a ukulele. I would find no clues, not that it mattered. — Jeff Lindsay

I ain't never seen a creature like that before, she says. He's so smart, he's-
More, like a person than a bird? I says.
Yeah, she says. That's it.
Whatever you do, I says, don't tell him that. I'll never hear the end of it. — Moira Young

If Mitt Romney is vanilla, Chris Christie is three hefty scoops of Rocky Road topped with whipped cream, Red Bull, and gravel. — Ron Fournier

Along the open road on winter nights, homeless, cold, and hungry, one voice gripped my frozen heart: 'Weakness or strength: you exist, that is strength. You don't know where you are going or why you are going, go in everywhere, answer everyone. No one will kill you, any more than if you were a corpse.' In the morning my eyes were so vacant and my face so dead, that the people I met may not even have seen me.

In cities, mud went suddenly red and black, like a mirror when a lamp in the next room moves, like treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke rise to heaven; and left and right, all wealth exploded like a billion thunderbolts. — Arthur Rimbaud

Before London swallowed it whole, Camden Town was the fork in the road best known for a coaching inn called the Mother Red Cap. It served as a last-chance stop for beer, highway robbery and gonorrhoea before heading north into the wilds of Middlesex. — Ben Aaronovitch

She was fifteen years old, going on thirty-five, Doc, and she told me she was eighteen, she was very willing, I practically had to take to sewing my pants shut. Between you and me, uh, she might have been fifteen, but when you get that little red beaver right up there in front of you, I don't think it's crazy at all and I don't think you do either. No man alive could resist that, and that's why I got into jail to begin with. And now they're telling me I'm crazy over here because I don't sit there like a goddamn vegetable. Don't make a bit of sense to me. If that's what being crazy is, then I'm senseless, out of it, gone-down-the-road, wacko. But no more, no less, that's it. — Ken Kesey

I want to go home,' he muttered as he totered down the road beside me.
'Me, too,' I told him. And yet it was not Buckkeep that came to my mind, but a meadow overlooking the sea, and a girl in bright red skirts who beckoned me. A time, rather than a place. No road led there anymore. — Robin Hobb

Cars are all jammed up all along the road and a light turns red and someone honks. In every one of those cars there is a story or a hundred stories. For every light on in al of those huge city buildings there is a story. No one knows what I am about to face and no one knows my story and neither do I right then. — Deb Caletti

Somewhere, on the long road that wound through those four years, the girl with her sachet & dancing slippers had slipped away & there was left a woman with sharp green eyes, who counted pennies & turned her hands to many menial tasks, a woman to whom nothing was left from the wreckage except the indestructible red earth on which she stood. — Margaret Mitchell

They drove on, through pretty Schwabisch villages. Every one of them had its Christbaum, a tall evergreen in the center of town, with candles lit as darkness fell, and a star on top. There were also candles in every window, and red-berried holly weaths hung on the doors. By the side of the road, at the entry to each village, stood a sign attacking the Jews. This was, Mercier thought, a kind of competition, for none of the signs were the same. Juden dirfen nicht bleiben - 'Jews must not stay here' - was followed by Wer die Juden unterstuzt fordert den Kommunissmus, 'Who helps the Jews helps communism,' then the dramatic 'This flat-footed stranger, with kinky hair and hooked nose, he shall not our land enjoy, he must leave, he must leave. — Alan Furst

A man comes walking north. He carries a sack, the first sack, containing provisions for the road and some implements. The man is strong and rough-hewn, with a red lion beard and little scars on face and hands, sites of old wounds
were they gotten at work or in a fight? Maybe he has been in jail and wants to go into hiding, or perhaps he is a philosopher looking for peace; in any case, here he comes, a human being in the midst of this immense solitude. He walks and walks, in a silence broken by neither bird nor beast. — Knut Hamsun

Take courage! Royal feet have left a blood-red track upon the road, and consecrated the thorny path for ever. — Charles Haddon Spurgeon

Excerpted From Chapter Eighteen
Pacific Coast Highway ends with a sharp right turn onto Sepulveda. Approaching that intersection, I saw several cars pulled to the shoulder of the road and two fresh, black skid marks leading straight to the edge of the beach beyond Sepulveda. Halfway between the road and the water, a big red Caddy convertible lay upside down on the sand.
I parked and jogged to the wreckage. The windshield and the cloth top had collapsed, so the car was resting on its hood and trunk lid. A young man in swimming trunks and an older fellow in a suit were pulling at the driver's side door, trying to get it open. The twisted metal was resisting their efforts, but the door finally came loose just as I got there. Through the opening I could see Diana Dean sprawled across the shredded remains of her convertible top. From where I stood, she looked to be in about the same shape as her mangled red Caddy. Maybe worse. — H.P. Oliver

Once on the road again, she found her center and determination to see this through. Let Perdue come for her. The vicious monster who'd made a living buying and selling people was going to feel her wrath.
As the light turned green, she steered right onto Flagler Street. A second after she pulled onto the main road, her heart jumped in her throat. A tow truck barreled down on her as it ran a red light. — Katie Reus

It's a child's world, full of separate places. Give me a paper and pencil now and ask me to draw a map of the fields I roamed when I was small, and I cannot do it. But change the question, and ask me to list what was there and I can fill pages. The wood ant's nest. The newt pond. The oak covered in marble galls. The birches by the motorway fence with fly agarics at their feet. These things were the waypoints of my world. And other places became magic through happenstance. When I found a huge red underwing moth behind the electricity junction box at the end of my road, that box became a magic place. I needed to check behind it every time I walked past, though nothing was ever there. I'd run to check the place where once I'd caught a grass snake, look up at the tree that one afternoon had held a roosting owl. These places had a magical importance, a pull on me that other places did not, however devoid of life they were in all the visits since. — Helen Macdonald

They rode out on the north road as would parties bound for El Paso but before they were even quite out of sight of the city they had turned their tragic mounts to the west and they rode infatuate and half fond toward the red demise of that day, toward the evening lands and the distant pandemonium of the sun. — Cormac McCarthy

I miss family and friends, and I'd like to get back to work more in Scotland, and do more things like theatre and 'Red Road.' But over here you have the beach and the mountains and the climate. A lot of people diss L.A. as being all tinsel town, fake this and fake that, but a place is only as good as the people you know. — Tony Curran

When the filly, the maiden, the boy and the warrior are ready to take up their Destinies, each will know it. The filly will become a mare, the maiden a woman, the boy a man. The Warrior, however, will pick up a stick and walk from his mother, his people, and his land, and never once remove his eyes from the true red road that lies beneath his feet. And yet, he will never know that he is on his Path. (From Brothers of Light) — Stan Sudan

She woke up in time to see the sun sending up spies ahead of him to mark out the road through the dark. He peeped up over the door sill of the world and made a little foolishness with red. — Zora Neale Hurston

I thought about the cast of The Wizard of Oz on the yellow brick road and wondered which character I was. Perhaps the Tin Man, in search of a red, pulsating heart. Or at least someone to give it to. — Kate Rockland

As we're leaving the King's Arms Hotel after Sunday lunch, I watch a beautiful white dove walking down the wet road. A car approaches and the bird accidentally turns into the wheel rather than away from it. A gentle crunch. The car passes. A shape like a discarded napkin left in the road. Still perfectly white, no red stains, but bearing no relation anymore to the shape of a bird. A trail of white feathers flutter down the road after the car. The suddeness is very upsetting. That gentle crunch. — Antony Sher

At paces that might stun and dismay the religious jogger, the runners easily kept up all manner of chatter and horseplay. When they occasionally blew by a huffing fatty or an aging road runner, they automatically toned down the banter to avoid overwhelming, to preclude the appearance of show boating (not that they slowed in the slightest). They in fact respected these distant cousins of the spirit, who, among all people, had some modicum of insight into their own days and ways. But the runners resembled them only in the sense that a puma resembles a pussy cat. It is the difference between stretching lazily on the carpet and prowling the jungle for fresh red meat. — John L. Parker Jr.

In the Third World, honk your horn only under the following circumstances: 1. When anything blocks the road. 2. When anything doesn't. 3. When anything might. 4. At red lights. 5. At green lights. 6. At all other times. — P. J. O'Rourke

In the entire circle of the year there are no days so delightful as those of a fine October, when the trees are bare to the mild heavens, and the red leaves bestrew the road, and you can feel the breath of winter, morning and evening - no days so calm, so tenderly solemn, and with such a reverent meekness in the air. — Alexander Smith

Eleanor Mondale and Monica Lewinsky could not satiate the president's horndog sexual desires. There were many others. I saw plenty of awkward run-ins and drama with other officers and staff. President Clinton had difficulty managing where he saw his many mistresses, whether it was at the White House or on the road. It baffled the Uniformed Division as to how he could manage all these women without any of them realizing there were so many others. We wondered how he got any work done and joked that he would have been better at running a brothel in a red-light district than the White House. — Gary J. Byrne

We drove out along the coast road. There was the green of the headlands, the white, red-roofed villas, patches of forest, and the ocean very blue with the tide out and the water curling far out along the beach. We drove through Saint Jean de Luz and passed through villages farther down the coast. Back of the rolling country we were going through we saw the mountains we had come over from Pamplona. The road went on ahead. Bill looked at his watch. It was time for us to go back. He knocked on the glass and told the driver to turn around. The driver backed the car out into the grass to turn it. In back of us were the woods, below a stretch of meadow, then the sea. — Ernest Hemingway,

What do you think it is to be normal?'
Why in the world would you want to be?' she says.
I don't know. I guess that's the problem.'
I don't think normal is that great.'
But so many people choose it,' I reply.
I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.'
Well, why do we choose the hard road? — Patrick Jones

A long suburb of red brick houses -some with patches of garden-ground, where coal-dust and factory smoke darkened the shrinking leaves, and coarse rank flowers, and where the struggling vegetation sickened and sank under the hot breath of kiln and furnace.
On mounds of ashes by the wayside, sheltered only by a few rough boards, or rotten pent-house roofs, strange engines spun and writhed like tortured creatures; clanking their iron chains, shrieking in their rapid whirl from time to time as though in torment unendurable, and making the ground tremble with their agonies.
Dismantled houses here and there appeared, tottering to the earth, propped up by fragments of others that had fallen down, unroofed, windowless, blackened, desolate, but yet inhabited. Men, women, children, wan in their looks and ragged in attire, tended the engines, fed their tributary fire, begged upon the road, or scowled half-naked from the doorless houses. — Charles Dickens

There was a fierce jam on the road to Gurgaon. Every five minutes the traffic would tremble - we'd move a foot - hope would rise - then the red lights would flash on the cars ahead of me, and we'd be stuck again. Eveyone honked. Every now and then, the various horns, each with its own pitch, blended into one continuous wail that sounded like a calf taken from its mother. Fumes filled the air. Wisps of blue exhaust glowed in front of every headlight; the exhaust grew so fat and thick it could not rise or escape, but spread horizontally, sluggish and glossy, making a kind of fog around us. Matches were continually being struck - the drivers of autorickshaws lit cigarettes, adding tobacco pollution to petrol pollution. — Aravind Adiga

An image began to form in her mind. There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, red, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. Were these streets of Kowloon that she was seeing it her head? — B.L. Sauder

I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling red in the taillights and the entire span of my life yawning out ahead of me. It's the beautiful thing about youth. There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential. I — Blake Crouch

Brake lights, brake lights, brake lights; a domino topple of red stop lights ripples back from some non-event up ahead. Some idiot blew his nose too abruptly and a Mexican wave of mini traffic lights all went red in neat little pairs.

There are no green lights on a motorway to tell you that you can go. You just go when you can. Another short burst of hemmed in freedom until the next tsunami of 'stop' floods the road. — Christian Cook

... but now, along this high, rocky road, it was the leaves of cherry trees that predominated. From the bridge on, these lay like fallen red flowers. Some wet leaves, already decaying, had faded to a pink that was the color of the dawn. Why should decay take the color of the dawn? — Yukio Mishima

There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in Western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling red in the taillights and the entire span of my life yawning out ahead of me.

It's the beautiful thing about youth.

There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential. — Blake Crouch

I don't want to just play the same thing. But with The Red Road, no one has ever seen me like that. No one really even knows that I smile, have a personality and have a sense of humor. — Jason Momoa

There are map people whose joy is to lavish more attention on the sheets of colored paper than on the colored land rolling by. I have listened to accounts by such travelers in which every road number was remembered, every mileage recalled, and every little countryside discovered. Another kind of traveler requires to know in terms of maps exactly where he is pin-pointed at every moment, as though there were some kind of safety in black and red lines, in dotted indications and squirming blue of lakes and the shadings that indicate mountains. It is not so with me. I was born lost and take no pleasure in being found, nor much identification from shapes which symbolize continents and states. — John Steinbeck

He walked by instinct along one white road, on which early birds hopped and sang, and found himself outside a fenced garden. There he saw the sister of Gregory, the girl with the gold-red hair, cutting lilac before breakfast, with the great unconscious gravity of a girl. — G.K. Chesterton

He crossed the road when the signal was red, that's his problem! — Takehiko Inoue

The prose poem Walk The Red Road is great stuff and deserves to be read aloud. It compares quite favorably to The Walls Of Emerald by Li Chiang Yen, a Chinese poet of the late Tang period. — Brian Aldiss

Red Hook Road made me happy, and happy to be alive. It took me out of my home on the coast of South Carolina, placed me in the town along Red hook Road, and changed me the way good books always do. — Pat Conroy

The sunrise was the colour of bad blood. It leaked out of the east and stained the dark sky red, marked the scraps of the cloud with stolen gold. Underneath it the road twisted up the mountainside towards the fortress of Fontezarmo - a cluster of sharp towers, ash-black again the wounded heavens. The sunrise was red, black and gold.
The colours of their profession. — Joe Abercrombie

Several Terminal Policy readers got together to tell Raker jokes:
- Raker CAN piss into the wind.
- Raker donates a lot of blood to the Red Cross
just never his own.
- Superman wears Raker pajamas.
- When Raker jumps into the pool, he doesn't get wet
the pool gets Raker.
- Why did the chicken cross the road? Because Raker THREW her there!!
- Raker's daughter lost her virginity ... he got it back.
- Raker doesn't cheat death, he wins fair and square.
- Raker turns on a light at night ... not because he's afraid of the dark but because the dark is afraid of him.
- When the boogy man goes to bed he checks under his bed for Raker.
- Don't tread on Raker's cape! — Liam McCurry

Sonya wasn't listening. Her gaze was totally fixated on the road we'd pulled off onto. We came to a red light, where I caught sight of a cheery sign: WELCOME TO ANN ARBOR, MICHIGAN. — Richelle Mead

I remember the rules, rules that were never spelled out but every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night.
I think about laundromats. What I wore to them: shorts, jeans, jogging pants. What I put into them: my own clothes, my own soap, my own money, money I had earned myself. I think about having such control.
Now we walk along the same street, in red pairs, and not man shouts obscenities at us, speaks to us, touches us. No one whistles.
There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. — Margaret Atwood

My new novel 'Red Hook Road' began many years ago as a short article in the newspaper. — Ayelet Waldman

I came out for exercise, gentle exercise, and to notice the scenery and to botanise. And no sooner do I get on that accursed machine than off I go hammer and tongs; I never look to right or left, never notice a flower, never see a view - get hot, juicy, red - like a grilled chop. Get me on that machine and I have to go. I go scorching along the road, and cursing aloud at myself for doing it. — H.G.Wells

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre
the poems, the poems!
in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco. — Sarah Vowell

Or she may find out what is at the end of the harbor road ... that wandering, twisting road like a nice red snake, that leads, so Elizabeth thinks, to the end of the world. Perhaps the Island of Happiness is there. — L.M. Montgomery

Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.

Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.

And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.

Don't leave now that you're here -
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine. — Faiz Ahmad Faiz

The Wellbriety path does not compete with A.A. or any other pathway of personal recovery, but instead enriches those pathways by embracing them within the web of Native American tribal histories and cultures. In these pages, you will meet people who have committed themselves to live their lives on the Red Road. Here you will meet Native people whose stories embody the living history of Native American recovery. You will hear the details of their addiction and recovery journeys and feel the life and hope in — White Bison

You've been smoking again, haven't you? Your eyes look like road maps and you're in full bastard mode. — Wayne Gerard Trotman

A million flashes of Avery went through my mind. His mouth, his hair, his hand now in mine and then a vision of the future played out behind my eyes. Avery covered in blood, an older version of himself, splayed out on the side of the road. He was next to a red pickup truck with its driver's side smashed in. I was there too, older, screaming, holding my pregnant belly, kneeling down beside him. "Hey, are you okay?" Avery asked. I blinked hard and the vision disappeared. He was still holding my hand. How long had I spaced out for? It couldn't have been long. — Stacey Wallace Benefiel

It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and, close below, Arno, gurgling against the embankment of the road. — E. M. Forster

It doesn't do a lot of good for your health to move from red meat to white meat, but it gets you further down the road towards making more substantial changes later. — Neal Barnard

I was walking along the road with two friends. The sun set. I felt a tinge of melancholy. Suddenly the sky became a bloody red ... I stood there, trembling with fright. And I felt a loud, unending scream piercing nature. — Edvard Munch

With his dripping basket and flip-flapped up the hill. Then a car turned into Cannery Row and Doc drove up to the front of the laboratory. His eyes were red rimmed with fatigue. He moved slowly with tiredness. When the car had stopped, he sat still for a moment to let the road jumps get out of his nerves. Then he climbed out of the car. At his step on the stairs, the rattlesnakes ran out their tongues and listened with their waving forked tongues. The rats scampered madly about the cages. Doc climbed the stairs. He looked in wonder at the sagging door and at the broken window. The weariness seemed to go out of him. He stepped quickly inside. Then he went quickly from room to room, stepping around the broken glass. He bent down — John Steinbeck

How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together. — Kiran Desai

As the darkness deepened, the sky was streaked with veins of red, the last low beats of a dying sun. Against this scarlet canopy the hulk of the Rust Road's twin peaks stood tall, mountains of metal, unnaturally jagged. Their sharp pinnacles pierced the sky, and Jacob could not help but wonder if that explained the blood there. — Dean F. Wilson

This is the most beautiful place on earth.
There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome - there's no limit to the human capacity for the homing sentiment. — Edward Abbey