Quotes & Sayings About Red Nails

When I arrived in America, I had these very dark red nails which some people objected to, but then some people object to absolutely everything. — Diana Vreeland

He might be mortal, but he was a skilled adversary, a dangerous foe with espionage skills that far surpassed even Denae's.
As an ally, Henry was clever, shrewd, cunning, and brilliant. A perfect partner for the Kings.
"I'll take him to safety if he's such a danger here," Rhi told Usaeil.
The queen lifted a black brow. "You surprise me again."
"It's my new thing." Rhi looked down at her black nails with two small hearts painted in red - Big Apple Red - on each ring finger. — Donna Grant

She can outstare anyone, and I am almost as good. We're impervious, we scintillate, we are thirteen. We wear long wool coats with tie belts, the collars turned up to look like those of movie stars, and rubber boots with the tops folded down and men's work socks inside. In our pockets are stuffed the kerchiefs our mothers make us wear but that we take off as soon as we're out of their sight. We scorn head coverings. Our mouths are tough, crayon-red, shiny as nails. We think we are friends. — Margaret Atwood

The red sole was born from red nail polish. I am giving back to beauty what the shoes took from the nails many years ago. — Christian Louboutin

I had been playing beach volleyball all day, painted my nails red, and threw on a green dress. I thought I looked great at the time, but looking back, I realize that my debut into Monaco society should have been better executed! — Charlene, Princess Of Monaco

But all my love ever came to was a bad end. Red-hot shoes, barrels studded with nails. That's what it feels like, unrequited love. — Margaret Atwood

where did these people their food? i'm hungry. — Robert E. Howard

Here in the city she had gilded her nails. They shone. And she had put on a velvet dress, this soft red one, which was heavy. The buttons were in the form of seashells. — Saul Bellow

He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny. — Carolyn Lee Adams

blocks away. And Selfridge's department store will have anything you need." "I do need a dress for the weekend." She claps her well-manicured hands, nails painted in fire engine red. "Ooh, shopping. I'll go with you if you want." "It'll have to be tonight after work." "No — Magda Alexander

Rebecca saw red.The urge she had to fly at Elizabeth with her nails bared was too compelling. She couldn't resist it. That Elizabeth immediately stomped off wasn't going to stop her. She was going to cause the worst scandal London had seen in decades,and she didn't care! — Johanna Lindsey

You don't have to lie to me to be nice, Jake. You can just say, 'Wow, your nails look crappy.'" I did my best boy voice.
"Well, I will tell you that's a crappy imitation of my voice." He smiled so wide I could see his eyetooth from across the table. "But you've got to know you're totally hot, chipped nails and all." He burned beet red all the way to the roots of his hair. "Man, you get me to say some embarrassing stuff, Brenna." He rubbed his hand on the back of his neck.
"Hey, don't blame me when you feel moved to make strange declarations. — Liz Reinhardt

Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone. — Diane Setterfield

Landsman and Bina were married to each other for twelve years and together for five before that. Each was the other's first lover, first betrayer, first refuge, first roommate, first audience, first person to turn to when something
even the marriage itself
went wrong. For half their lives they tangled their histories, bodies, phobias, theories, recipes, libraries, record collections. They mounted spectacular arguments, nose-to-nose, hands flying, spittle flying, throwing things, kicking things, breaking things, rolling around on the ground grabbing up fistfuls of each other's hair. The next day he would bear the red moons of Bina's nails in his cheeks and on the meat of his chest, and she wore his purple fingerprints like an armlet. — Michael Chabon

I let my hands fall to the bed. Her mouth crafts a warm path to mine. There we share the taste of my tears as her top lip slides between my own and her tongue warms the inside of my mouth. Her hand slides up my neck, nails grazing the skin, till she finds purchase in my hair, tugging slightly at the tangle. Shivers lance my body.
Gone is any semblance of resistance. All the guilt that kept me from betraying Eo with Mustang is swept away in the chaos inside me. All the guilt I have for knowing she is a Gold and I am a Red vanishes. I'm a man, and she's the woman I want. — Pierce Brown

Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons. — Frederick Weisel

It was like the sun had appeared again in my life, Sophia, You. You changed everything when you stepped into that room. You have a freshness, a strength, an allure, I've never seen before. The way you walk, talk, hold yourself. The way you move your hands, these long red nails. You've become the light of my life. — Cristiane Serruya

When I get home, I'm not the boss like I am at work - I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I'll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark. — Miranda Kerr

Call for the robin-red-breast and the wren,
Since o'er shady groves they hover,
And with leaves and flow'rs do cover
The friendless bodies of unburied men.
Call unto his funeral dole
The ant, the field-mouse and the mole,
To rear him hillocks that shall keep him warm,
And (when gay tombs are robbed) sustain no harm,
But keep the wolf far thence, that's foe to men,
For with his nails he'll dig them up again.
Let holy Church receive him duly,
Since he paid the church-tithes truly. — John Webster

Apply extreme caution when wearing red in the workplace. Even a simple demure red outfit -- a cashmere twinset -- can turn you into the office lightning rod. If you are crafty, you can use this to your advantage. To gain the upper hand in an upcoming negotiation, try wearing a flaming red silk blouse and painting your nails red. — Simon Doonan

I always have red nail polish on my nails, so if they ever discontinue the red polish I wear from OPI, I'd be really upset. — Emma Roberts

They want time to move fast so they can paint their nails a provocative red and wear high heels that crack walnuts and make people jump. He wants time to slow down so he can prolong the enjoyment of walking among them, of being next to this self-contained beauty. — Mahmoud Darwish

One of the things I liked about her [Dorothy] was that she had long fingernails that she would carefully manicure and paint to fit her mood. If she were in a happy mood, her nails would be bright red. If she were feeling like she wanted to eviscerate her mother she would paint her nails burgundy. — Augusten Burroughs

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love's dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don't know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why? — Karen Green