Quotes & Sayings About Red Gown

I like to be creative with my red carpet outfits, but equally, sometimes I am just in the mood to go all out with a ball gown and heels - but only If you get me on the right day! — Kiesza

She was beautiful, only hers was the dark beauty of night, just as Sherry's was the bright beauty of daytime. Her hair was raven-black, ending in a sort of widow's peak low on her forehead, and her face and arms were alabaster- white. Her gown was a clinging thing of swirling black, almost like smoke, and two peculiar shoulder-draperies she wore, hanging down loosely and caught at the wrists, almost suggested great triangular wings when her arms were in motion.
Her lips were a red gash in the pallor of her face, and they glistened as though she had daubed them with fresh blood instead of rouge.
"What's your name?" I asked.
"Call me Faustine," she said low. I saw her staring fixedly at me, with a sort of half-smile on her face, but her gaze rested a little lower than my own face. I fingered my neck uneasily. "Is there something on my collar?"
("Vampire's Honeymoon") — Cornell Woolrich

It was Lillian Bowman-now Lady Westcliff- dashing and radiant in a wine-red gown. Her fair complexion was lightly glazed with color from the southern Italian sun, and her black hair was caught fashionably at the nape of her neck with a beaded silk-cord net. Lillian was tall and slender, the kind of raffish girl one could envision as captaining her own pirate ship... a girl clearly made for dangerous and unconventional pursuits. Though not as romantically beautiful as Annabelle Hunt, Lillian possessed a striking, clean-featured appeal that proclaimed her Americanness even before one heard her distinctly New York accent.
Of their circle of friends, Lillian was the one that Evie felt the least close to. Lillian did not possess Annabelle's maternal softness, or Daisy's sparkling optimism... she had always intimidated Evie with her sharp tongue and prickly impatience. However, Lillian could always be counted on in times of trouble. — Lisa Kleypas

It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb ... Robb ... please, Ned, please, make it stop, make it stop hurting ... The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. "Mad," someone said, "she's lost her wits," and someone else said, "Make an end," and a hand grabbed her scalp just as she'd done with Jinglebell, and she thought, No, don't, don't cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold. - Catelyn Stark — George R R Martin

He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man's face was savage; the woman's head thrown back in surrender.
Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover.
He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed.
He flipped to the inside cover.
Hot damn. — Diana Holquist

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring. — Lisa Kleypas

She wore a loose-fitting purple velvet Pre-Raphaelite gown, and her abundant dark-brown hair flowed down her back and shoulders to her waist. As she drew near, I noticed her warm brown eyes peeping at me beneath lush, un-plucked brows, her smiling red lips and smooth, un-powdered cheeks almost begging for kisses. She possessed a beauty much different from Daisy, more like a wildflower in the unspoiled earth than a prize-winning rose in a formal garden. However, her Pre-Raphaelite fashion might have been an affectation of a different kind, a bit closer to nature but a stylish imitation just the same. — Gary Inbinder

Afraid she and I had a summer romance?" That insufferable grin was still there.
"I hope you did. I certainly enjoyed myself this summer."
The smile faded at that. "What do you mean?"
She brushed an invisible fleck of dust off her red gown. "Let's just say that the son of the Mute Master was far more welcoming than the other Silent Assassins. — Sarah J. Maas

Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead. — Julie Kagawa

Violet
232 books | 49 friends
see comment history Black for hunting through the night

For death and mourning the color's white

Gold for a bride in her wedding gown

And red to call enchantment down.

White silk when our bodies burn,

Blue banners when the lost return.

Flame for the birth of a Nephilim,

And to wash away our sins.

Gray for knowledge best untold,

Bone for those who don't grow old.

Saffron lights the victory march,

Green will mend our broken hearts.

Silver for the demon towers,

And bronze to summon wicked powers. — Cassandra Clare

Celaena." She looked back at him, her red gown sweeping around her. His eyes shone as he flashed her a crooked grin. "I missed you this summer."
She met his stare unflinchingly, returning the smile as she said, "I hate to admit it, Sam Cortland, but I missed your sorry ass, too. — Sarah J. Maas

Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme — Cassandra Clare

The elements that create glamour are not specific styles - bias-cut gowns or lacquered furniture - but more general qualities: grace, mystery, transcendence. To the right audience, Halle Berry is more glamorous commanding the elements as Storm in the X-Men movies than she is walking the red carpet in a designer gown. — Virginia Postrel

Everyone in my grade is turning 13, so there are bunches of bar and bat mitzvahs. They're very dressy. It's fun picking out outfits. One girl, for her bat mitzvah, wore a huge red ball gown! — Elle Fanning

You see de white gown she wears, richly embroidered, showing de family's wealth and influence," said Daphne authoritatively. "De red rose in her hair symbolizes her Spanish ancestry. De prayer book in her left hand to display de Catholic allegiance."
"What does the dog symbolize?" Sarah asked. Daphne blinked at her for a moment.
"De dog is just a dog," she said, finally. — Magnus Flyte

She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love. — Sarah Addison Allen

A girl who never smiles has such power - what men will do to turn up but one corner of her mouth! She already wears her red war-gown and her circlet of cinnabar poppies. They bring out the color in her grimace. — Catherynne M Valente

Leslie Ann was now agonizing over a full-length Flame gown that actually appeared to be burning fire covering her lush body: cool blue flames hugging her neck, red-hot flames usually covering her breasts, fluttering orange and yellow fire hips, all down along her white-hot legs to her Bunsen burner tipped high-heel shoes. — @hg47

There is also the fact that red and gold are my colors," he went on. "They are the colors on my family's banners and devices, worn by all Chiavari males when they ride into battle, and worn by their ladies at tournaments or other important occasions. You can imagine my surprise when a lady wearing Chiavari colors fell into my arms inside a drafty castle in England."
"I doubt the color of my gown was the first thing you noticed," she teased.
"No, that was not the first thing I noticed." His voice had gone soft with the memory. The first thing he had noticed was how right she had felt in his arms, the realization that his arms had been empty until that moment when he found what belonged there, who belonged there. — Elizabeth Elliott

The door of the jail being flung open, the young woman stood fully revealed before the crowd. It seemed to be her first impulse to clasp the infant closely to her bosom that she might conceal a certain token which was wrought or fastened to her dress. In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and, with a burning blush and yet a haughty smile, looked around at her townspeople and neighbors. On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter A. — Nathaniel Hawthorne

My dreams were always the same I could see myself laughing . I was standing somewhere in a forest a raindrop rolled down a branch and fell on my nose . My hair was a sparkling red color and I was wearing a white flowing ball gown made from silk. I could feel him the one I loved staring at me intensely . His eyes as gold as the sun . I could hear him saying my love Fleur .. you are everything to me. His fingertips lightly shivering as he touched my face beckoning for me to come closer. I don't know what I would do if I lost you . "Are you sure you want to be with me?" My body protested as I fought for him to stay but he never did. As soon as I woke up his presence was gone. — Isabella Kruger

All, Pyle? Wait until you're afraid of living ten years alone with no companion and a nursing home at the end of it. THen you'll start running in any direction, even away from that girl in the red dressing-gown, to find someone, anyone, who last until you are through. — Graham Greene

Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons. — Frederick Weisel

Theo shook out the half square of heavy silk. "It will make all the difference to this insipid gown." With one sharp wrench she pulled out the lace fichu tucked into her bodice and replaced it with the scarf. It flashed raspberry red against the almond-colored muslin of her gown. — Eloisa James

And then he began to laugh in a peculiar way of his own which was both violent and soundless. His heavy reclining body, draped in its black gown, heaved to and fro. His knees drew themselves up to his chin. His arms dangled over the sides of the chair and were helpless. His head rolled from side to side. It was as though he were in the last stages of strychnine poisoning. But no sound came, nor did his mouth even open. Gradually the spasm grew weaker, and when the natural sand colour of his face had returned (for his corked-up laughter had turned it dark red) he began his smoking again in earnest. — Mervyn Peake

I took a couple steps away from him and stopped in front of a framed colored poster of Vivien Leigh and Clark Gable from the movie Gone with the Wind. I studied the pair, Gable with his mysterious mustache and Leigh in her red ball gown. I'd become a fan of the classic, partially because of my mother's suggestion that I looked a lot like a younger Vivien Leigh, with my dark wavy hair and sea green eyes. And as usual, I'd believed her for a little while. — J.C. Patrick

Is that not ridiculous that people thought that Justin Bieber and I were on a vacation together, on a romantic vacation, in the Bahamas, and I just happened to wear a gown as my swimsuit and red lips and he's dressed in a suit in the ocean? Seriously who would walk to the beach like that? — Kim Kardashian