Real Fear Show Quotes & Sayings

With no reason to hide these words I feel, and no reason to talk about the books I read, but still, I do. — Morrissey

Taken together, the rhythms of real time show how Twitter becomes a place to come together when everyday social bonds are strained. It serves as a fleeting town square for people to share their sorrow, fear and hopes. — Alfred Hermida

They really do have nothing in common on paper, these people and him. But yet there are so many common reference points; even some unexpected ones ... they all want to be cool. And they're all scared but no good at showing it ... [t]hey all know how to act cool. after all, life's pretty scary most of the time. And the number one skill you need out there is how to show no fear ... Stay calm. Don't let people see that you are shy or nervous. If you watch a horror film, remember to laugh. If someone else seems scared, laugh at them. In the real world, danger is either fantasy, in which case you laugh, or too real, in which case you ignore it. — Scarlett Thomas

For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence? — Javier Camara

Well, the fella I got on there is hitting pretty good and I know he can make that throw, and if he don't make it that other fella I got coming has shown me a lot, and if he can't I have my guy and I know what he can do. On the other hand, the guy's not around now. And, well, this guy may be able to do it against left-handers if my guy ain't strong enough. I know one of my guys is gonna do it. — Casey Stengel

This guy sounds like all the bad guys from the last ten years of murder movies all rolled into one. Like he might be the worst of those books you have there. If he was real, and really like that, then I should arrest him, right?" Matthew asked, hoping he could show the boy that he would protect him, and he could tell him the truth now.
"No, Deputy. Because he is real, and he is really like that, and you should run. — Dennis Sharpe

The real you. I've seen her."
"What does she look like?"
Kingsley sighed and smiled. "She's beautiful. Dangerous. All eyes are on her when she walks into a room. Men fear her but not because she's the enemy. They fear her because she alone can show them who they really are. They fear this knowledge but will pay any price for it."
"Is she happy?" Elle asked.
"She's powerful. She can make her own happiness when she wants it. — Tiffany Reisz

I'm glad you're here, Lila," he said. "I hope you feel that way, too."
Devon stared at me, a mix of emotions swirling through his eyes. I saw everything I had that first day at the Razzle Dazzle - the guilt, grief, sorrow, and all the other burdens he carried in his heart.
And then there was that hot spark, a little darker and dimmer than before, but still burning all the same.
"Me too," I said.
Devon smiled, and that spark brightened just for a moment, and I felt an answering bit of warmth stir in my own heart. I nodded at him, and we both went back to our food, things a little less tense between us. A few seconds later, we were laughing, along with Oscar, as Mo and Felix talked over each other nonstop.
Somewhere between those laughs and all the others that morning, I realized something.
My home. My friends. My Family.
Sometimes, good things come in threes. — Jennifer Estep

Do not fear adversity. Remember, a kite rises against the wind rather than with it. People are not willing to take risks when they feel afraid or threatened. But if you manage people by love-that is, if you show them respect and trust-they start to perform up to their real capabilities. — Jan Carlzon

(P)eople live their whole lives shut in by walls. Reality stands before them, yet they do not see it, because what you call real is just the image of your expectations. Your project the same images everywhere you go. They blind you; they keep you chained to the past, but your greatest fear is that one day the mirror will show you reality. — Deepak Chopra

Autistic children often show no real fears of danger despite obvious risks of harm. This may be easy to spot in a young child who bolts for the street at a moment's notice, or plunges into water with no fear of its depth without being able to swim. But what does it look like in an older child, one on the cusp of adolescence? — Jeannie Davide-Rivera

She misses him more now than when he was away — Melina Marchetta

Wilson's weakness was to be over-literal, or to assume that his opponents were. One treatise, The Uttermost Pit, demonstrated with considerable geological learning that there could not be space within the mineral bowels of the Earth for any chambers big enough to contain all the damned souls of the ages. A third, Going to Gehenna, purported to show that the biblical references to the infernal domain were in point of fact to real places of sinister repute, and not to anywhere metaphysical. Wilson lost no opportunity to argue, with any evidence he found to hand, that there could not be any hell or Hades, and so none should fear them. — Mark Valentine

I wish we had somebody here who never would be missed. Regrettably we are all friends. — Robert A. Heinlein

Show me a woman who can hold space for a man in real fear and vulnerability, and I'll show you a woman who's learned to embrace her own vulnerability and who doesn't derive her power or status from that man. Show me a man who can sit with a woman in real fear and vulnerability and just hear her struggle without trying to fix it or give advice, and I'll show you a man who's comfortable with his own vulnerability and doesn't derive his power from being Oz, the all-knowing and all-powerful. — Brene Brown

Good writers may "tell" about almost anything in fiction except the characters' feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters' feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events - action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction. — John Gardner

Such as the chain of causes we call Fate, such is the chain of wishes: one links on to another; the whole man is bound in the chain of wishing for ever. — Seneca The Younger

You know, and so, I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything. — Brene Brown

habits and qualities that the professional possesses that the amateur doesn't: 1. The professional shows up every day 2. The professional stays on the job all day 3. The professional is committed over the long haul 4. For the professional, the stakes are high and real Further: 5. The professional is patient 6. The professional seeks order 7. The professional demystifies 8. The professional acts in the face of fear 9. The professional accepts no excuses 10. The professional plays it as it lays 11. The professional is prepared 12. The professional does not show off 13. The professional dedicates himself to mastering technique 14. The professional does not hesitate to ask for help 15. The professional does not take failure or success personally 16. The professional does not identify with his or her instrument 17. The professional endures adversity 18. The professional self-validates 19. The professional reinvents herself 20. The professional is recognized by other professionals — Steven Pressfield

This is our big chance to see what people think of us. The real us. We have to show em there's nothing to be afraid of. If we don't get over our fears, they never will. — Lisi Harrison