Reading That Works Quotes & Sayings

He lives hard, works hard, has but few comforts and fewer necessities. He has but little, if any, taste for reading. He enjoys a coarse practical joke or smutty story; loves danger but abhors labor of the common kind; never tires riding, never wants to walk, no matter how short the distance he desires to go. He would rather fight with pistols than pray; loves tobacco, liquor and women better than any other trinity. His life borders nearly upon that of an Indian. If he reads anything, it is in most cases a blood and thunder story of sensational style. He enjoys his pipe, and relishes a practical joke on comrades, or a corrupt tale, wherein abounds much vulgarity and animal propensity. — Joseph Mccoy

Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering. — Anne Lamott

There are not so many round pegs in square holes one might think. Most people, in spite of what they tell you choose the occupation that they secretly desire. You will hear a man say who works in an office, 'I should like to explore, to rough it in far countries.' But you will find that he likes reading the fiction that deals with that subject, but that he himself prefers the safety and moderate comfort of an office stool. — Agatha Christie

You want to avoid at all costs drawing your characters on those that already exist in other works of fiction. You must learn about people from people, not from what you read. Your reading should confirm what you've observed in the world. — Anne Lamott

What this means is that it is entirely possible these days for someone to have been raised in a religion and to have taken philosophy courses in college but still to be lacking a philosophy of life. (Indeed, this is the situation in which most of my students find themselves.) What, then, should those seeking a philosophy of life do? Perhaps their best option is to create for themselves a virtual school of philosophy by reading the works of the philosophers who ran the ancient schools. This, at any rate, is what, in the following pages, I will be encouraging readers to do. I — William B. Irvine

It is not perhaps a question of truthfulness; it is rather a natural incapacity to think for herself, to take cognizance of herself in her own brain, and not in the eyes and in the lips of others; even when the ingenuously write into little secret diaries, women think of the unknown god reading
perhaps
over their shoulders. With a similar nature, a woman, to be placed in the first ranks of men, would require even higher genius than that of the highest man; that is why, if the conspicuous works of men themselves, the finest works of women are always inferior to the worth of the women who produced them. — Remy De Gourmont

There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows ... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul. — Fernando Pessoa

This consists in not taking a book into one's hand merely because it is interesting the great public at the time - such as political or religious pamphlets, novels, poetry, and the like, which make a noise and reach perhaps several editions in their first and last years of existence. Remember rather that the man who writes for fools always finds a large public: and only read for a limited and definite time exclusively the works of great minds, those who surpass other men of all times and countries, and whom the voice of fame points to as such. These alone really educate and instruct.

One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind — Arthur Schopenhauer

But re-reading Voss also demonstrates again that although White wasn't 'a nice man', and indeed was - perhaps rightly - scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century. — Thomas Keneally

God, the bitter misery that reading works into this world! Everybody knows that - everbody who IS everybody. All the best minds have been off reading for years. Look at the swing La Rouchefoucauld took at it. He said that if nobody had ever learned to read, very few people would be in love. Good for you, La Rouchefoucauld; nice going, boy. I wish I'd never learned to read. — Dorothy Parker

Reading aloud is the best advertisement because it works. It allows a child to sample the delights of reading and conditions him to believe that reading is a pleasureful experience, not a painful or boring one. — Jim Trelease

My countrymen have the right to shake my hand and talk to me if they so wish. Don't forget that their support and their reading of my works is what brought me the Nobel prize. — Naguib Mahfouz

But I also think that once you've found stuff that works, stop reading forums, stop reading reviews and just get out there and play. — Guthrie Govan

God's answer to your guilty conscience is the death of his Son. Your answer to a guilty conscience is usually something you do, like confessing harder, praying more, reading your Bible, paying more than your tithe in the offering and so on. These actions are what the writer to the Hebrews calls "dead works," the very things your conscience needs to be cleansed from and the very things that eventually get you wrapped up in the black shadow of your own guilt. — John White

If you are dyslexic, your eyes work fine, your brain works fine, but there is a little short circuit in the wire that goes between the eye and the brain. Reading is not a fluid process. — Caitlyn Jenner

I have a weird graphic I made for myself once, and it's the "lineage tree" of everyone that has inspired me and more importantly given me the permission to be myself in my work. There's a slew of people from theater: Erwin Piscator, Chekhov, Mac Wellman, Stein; and then a whole lot of wonderful works that are called novels: everything from Tristram Shandy to Bouvard and Pecuchet, to Virginia Woolf's Three Guineas, and Finnegan's Wake and Invisible Man, and then contemporary writers I'm currently reading like Renee Gladman and Anakana Schofield. There are many more in my graphic also: there's Beckett's novels and Melancholy of Resistance, and there's Reznikoff and Dos Passos, there are contemporary poets I admire like Jena Osman, dance-writers like Michelle Ellsworth, and books I can't help read for fun like Muriel Spark. But there's Groucho Marx and Oscar Wilde. It's a huge question and the answers would likely change daily. But these I'm talking about here are in the pantheon. — Thalia Field

Despair IS the greatest sin,' Dr. Nuttham finally responded slowly. 'It involves forgetting that God is there. Forgetting that He is good and that all He is and does eXtends from and works toward this perfect goodness. That doesn't mean that He allows evil, or creates it, or perpetuates it. That's our entwinement. Rather, He uses even our evil toward His good. We all need forms of remembering this first great love ... writing, reading, creating, BEING. — Carolyn Weber

Even a quick reading of Rizal's trial will prove that those who take Constantino's works uncritically are likewise guilty of "Veneration Without Understanding." Since there is so much fiction and faction in history it is always essential to return to the sources. — Ambeth R. Ocampo

We don't exhaust the Bible even after reading it hundreds of times. Each time we read it we see it in a new light. That is the greatness of the holy scriptures. They are that way because they were created by holy prophets who experienced the truth. Each time we read these works we elevate ourselves to see a little more. (81) — Swami Satchidananda

It's very important not to talk down to kids, and to give them something which they think is quite grown-up and hardcore. Kids themselves are very good at self-censoring. If they don't like something, if they think it's too strong for them, they'll simply stop reading. That's the thing about a book, you can't force someone to read it ... I think there's a lot in my books about friendship, leadership, about society and how it works, how we learn to live with each other and what skills do we need to make a viable society. Kids don't need to know any of that, they just want someone to be eaten again. — Charlie Higson

...she knew from school that that sort of literature was boring: Gorky was correct but somehow ponderous; Mayakovsky was very correct but somehow awkward; Saltykov-Shchedrin was progressive, but you could die yawning if you tried to read him through; Turgenev was limited to his nobleman's ideals; Goncharov was associated with the beginnings of Russian capitalism; Lev Tolstoi came to favor patriarchal peasantry - and their teacher did not recommend reading Tolstoi's novels because they were very long and only confused the clear critical essays written about him. And then they reviewed a batch of writers totally unknown to anyone: Dostoyevsky, Stepnyak-Kravchinsky, and Sukhovo-Kobylin. It was true that one did not even have to remember the titles of their works. In all this long procession, only Pushkin shone like a sun. — Aleksandr Solzhenitsyn

Q: Where and when do you do your writing?
A: Any small room with no natural light will do. As for when, I have no particular schedules ... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke ... — Zadie Smith

Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable. — Jane Smiley

Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry. — Neil Gaiman

He was an atheist and it had been years since he read a book, despite the fact that he had amassed a more than decent library of works in his specialty, as well as volumes of philosophy and Mexican history and a novel or two. Sometimes he thought it was precisely because he was an atheist that he didn't read anymore. Not reading, it might be said, was the highest expression of atheism or at least of atheism as he conceived of it. If you don't believe in God, how do you believe in a fucking book? he asked himself. — Roberto Bolano

But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed]. — Rhys Ifans

I don't mind nothing happening in a book, but nothing happening in a phony way
characters saying things people never say, doing jobs that don't fit, the whole works
is simply asking too much of a reader. Something happening in a phony way must beat nothing happening in a phony way every time, right? I mean, you could prove that, mathematically, in an equation, and you can't often apply science to literature. — Nick Hornby

All this shows that, as in the case of Theophilus, so also in that of Jerome, much of the Origenist controversy of that day depended on political considerations and on contingence. Much also rested on gross misunderstandings and even the lack of direct reading of Origen's works, or, even worse, according to Origen's and Rufinus's denunciations, the deliberate alteration of these works. (658) — Ilaria Ramelli

Eva walked along the wall that held all of Michael's books. Shelves of science texts - physics, astronomy, a full set of Darwin's writings, new works in biomedical genetics - these were at the bottom, and books on philosophy and religion at the top. A row of poetry books caught her eye. Rumi, Whitman, Neruda - impossible to comprehend what he might be looking for in the poets' works he collected. Love possibly, but not love the way she understood it. She couldn't wait until she would no longer have to study, but Michael - he loved to study even when he wasn't a student. — J.J. Brown

I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much. — Louise Walters

Maybe it's true that an infinite number of monkeys typing on an infinite number of keyboards will eventually produce the complete works of Shakespeare. But you'd go mad reading all of their rough drafts, — James Browning

I view askance a book that remains undisturbed for a year. Oughtn't it to have a ticket of leave? I think I may safely say no bookin my library remains unopened a year at a time, except my own works and Tennyson's. — Carolyn Wells

Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think. — Joyce Cary

The sure mark of an unliterary man is that he considers "I've read it already" to be a conclusive argument against reading a work ... Those read great works,on the other hand will read the same work ten, twenty or thirty times during the course of there life. — C.S. Lewis

It's not even my job to educate, but what I do is try to facilitate by creating a book that works on different levels. I do want to entertain and bring some joy to the reading experience. If it holds a little kernel of knowledge that readers choose to explore, well, that's great. — Graeme Base

I have heard Shree Rajneesh and have been inspired by his talks. His works are sublimne and seek to liberate the soul of humans. Indeed his presentation is unique, his goal is great and his success in liberating each person from the mafia surrounding the soul is rewarding reading. The message that he had to deliver must reach everywhere. Ultimately salvation comes when one attains freedom from oneself. That, I believe, is the consummation which exposure to Osho may help. — V. R. Krishna Iyer

The demand that I make of my reader is that he should devote his whole life to reading my works. — James Joyce

Maybe it's working because I'm an author, and maybe it's working because Karen works like life depends on this bookstore, or because we have a particularly brilliant staff, or because Nashville is a city that is particularly sympathetic to all things independent. Maybe we just got lucky. But my luck has made me believe that changing the course of the corporate world is possible. Amazon doesn't get to make all the decisions; the people can make them by how and where they spend their money. If what a bookstore offers matters to you, then shop at a bookstore. If you feel that the experience of reading a book is valuable, then read the book. This is how we change the world: we grab hold of it. We change ourselves. — Ann Patchett

All poets who, when reading from their own works,m experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not. — E.B. White

A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor. How deep is it? Nobody knows. Going down to the first underground floor, people can write novels and music. However, I believe that such works cannot move people's hearts. — Haruki Murakami

Novels are excluded from "serious reading," so that the man who, bent on self-improvement, has been deciding to devote ninety minutes three times a week to a complete study of the works of Charles Dickens will be well advised to alter his plans. The reason is not that novels are not serious-some of the great literature of the world is in the form of prose fiction-the reason is that bad novels out not to be read, and that good novels never demand any appreciable mental application on the part of the reader. A good novel rushes you forward like a skiff down a stream, and you arrive at the end, perhaps breathless, but unexhausted. The best novels involve the least strain. Now in the cultivation of the mind one of the most important factors is precisely the feeling of strain, of difficulty, of a task which one part of you is anxious to achieve and another part of you is anxious to shirk; and that feeling cannot be got in facing a novel. — Arnold Bennett

It was reading Robert Pirsig's Zen and the Art of Motorcycle Maintenance that did it. In it, the author explains that there are two types of people: the romantics (the Zen part of the title) and the classics (the motorcycle maintenance part of the title). Romantics are interested in the pleasure of riding a bike, while classics are interested in the pleasure of understanding how the bike works. — Michele Harrison

Think about the way you go surfing on the Internet - you go from one thing to another. You can't really concentrate. I can't sit and read 10 pages on my computer. You'll read and then all of a sudden part of your brain is like, What about that? ... You're not reading the whole book. You're reading fragments. Even though I think it's bad, I think it's interesting too, because that's the way my brain works. — Ali Banisadr

I started reading the works of Swami Vivekananda. That gave me courage and a vision, it sharpened and deepened my sensitivities and gave me a new perspective and a direction in life. I decided to dedicate myself to others and till date I am continuing to follow that decision. — Narendra Modi

I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be. — Joey Comeau

I think it works if there's something online that is not in the show, or in a newspaper, if there's some added value to it - reading a newspaper on line, sometimes you can get video, which you can't get from reading a newspaper. — Edward Allen Bernero

When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly. — Neal Stephenson

Nita stood still, listening to Joanne's footsteps hurrying away, a little faster every second- and slowly began to realize that she'd gotten what she asked for too- the ability to break the cycle of anger and loneliness, not necessarily for others, but at least for herself. It wouldn't even take the Speech; plain words would do it, and the magic of reaching out. It would take a long time, much longer then something simple like breaking the walls of the worlds, and it would cost more effort than even reading the Book of Night with Moon. But it would be worth it- and eventually it would work. A spell always works. Nita went home. — Diane Duane

Poison? Drugs?"
"No chemical works that instantly. You saw the guy - it looked like he was still reading his program."
"Then what, magical fairy dust? Vulcan death grip?"
"Focus, Lex. Wake up that lonely brain cell. — Gina Damico

Those who spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. Happy in these employments, and in occasionally opening an eighteenth-century octavo, to see 'what it is all about,' and to conclude after five minutes that it deserves the seclusion it now enjoys, I had reached the middle of a wet August afternoon at Betton Court ...
-the beginning of the story A Neighbor's Landmark — M.R. James

This posture of skepticism towards the classics displays a profound misjudg- ment. For the great works of Western culture are remarkable for the dis- tance that they maintained from the norms and orthodoxies that gave birth to them. Only a very shallow reading of Chaucer or Shakespeare would see those writers as endorsing the societies in which they lived, or would over- look the far more important fact that their works hold mankind to the light of moral judgment, and examine, with all the love and all the pity that it calls for, the frailty of human nature. It is precisely the aspiration towards universal truth, towards a God's-eye perspective on the human condition, that is the hallmark of Western culture. — Theodore Dalrymple

What happens if the writer is good is usually not that the work seems derivative or trivial but just the opposite: the work actually acquires depth and resonance from the echoes and chimes it sets up with prior texts, weight from the accumulated use of certain basic patterns and tendencies. Moreover, works are actually more comforting because we can recognize elements of them from our prior reading. I suspect that a wholly original work, one that owed nothing to previous writing, would so lack familiarity as to be quite unnerving to readers. — Thomas C. Foster

Reading great works of literature, discovering poetry, and listening to the best composers are all ways that we learn to love the Creator more. — Jennifer A. Marshall

She was a great and insatiable reader, surprisingly well acquainted with the classics of literature, and unexpectedly lavish in the purchase of books. Her neighbours never forgot to mention, in describing her, the awe-inspiring fact that she 'took in the English Times and the Saturday Review, and read every word of them,' but it was hinted that the bookshelves that her own capable hands had put up in her bedroom held a large proportion of works of fiction of a startlingly advanced kind, 'and,' it was generally added in tones of mystery, 'many of them French. — Edith Somerville

All the old school Young Adult novels inspired me. I grew up reading R.L. Stine, Christopher Pike, Richie Cusick, and so on. I loved how you never really knew who the 'bad guys' were in their works, and I wanted to capture that feeling with 'Don't Look Back.' — Jennifer Armentrout

Men and women say that they will read, and think so, - those, I mean, who have acquired no habit of reading, - believing the work to be, of all works, the easiest. It may be work, they think, but of all works it must be the easiest of achievement. Given the absolute faculty of reading, the task of going through the pages of a book must be, of all tasks, the most certainly within the grasp of the man or woman who attempts it! Alas, no; - if the habit be not there, of all tasks it is the most difficult. If a man have not acquired the habit of reading till he be old, he shall sooner in his old age learn to make shoes than learn the adequate use of a book. And worse again; - under such circumstances the making of shoes shall be more pleasant to him than the reading of a book. — Anthony Trollope

There was a period when I lived on book reviews, when I had basked and drawn sustenance from what I deemed the light of their intelligence, the beneficience of their charm. But something had gone sour. Over the years I had read too much, in dim-lighted railway stations, lying on the davenports of strangers' houses, in the bleak and dismal wards of insane asylums. That reading had forced the charm to relinquish itself. Now I found that reviews were not only bland but scarcely, if ever, relevant; and that all books, whether works of imagination or the blatant frauds of literary whores, were approached by the reviewer with the same crushing sobriety. I wanted to reviewer to be fair, kind, and funny. I wanted to be made to laugh. — Frederick Exley

Lovers' reading of each other's bodies (of that concentrate of mind and body which lovers use to go to bed together) differs from the reading of written pages in that it is not linear. It starts at any point, skips, repeat itself, goes backward, insists, ramifies in simultaneous and divergent messages, converges again, has moments of irritation, turns the page, finds its place, gets lost. A direction can be recognized in it, a route to an end, since it tends toward a climax, and with this end in view it arranges rhythmic phases, metrical scansions, recurrence of motives. But is the climax really the end? Or is the race toward that end opposed by another drive which works in the opposite direction, swimming against moments, recovering time? — Italo Calvino

Writing is an expression of the writer's own peculiar personality, could not help being so. Yet in reading great works one feels that the finished piece transcends the personal. All writers great and small must sometimes have felt that they have become part of what they wrote even more than it still remains a part of them. — Eudora Welty

From a child I was fond of reading, and all the little money that came into my hands was ever laid out in books. Pleased with the 'Pilgrim's Progress,' my first collection was of John Bunyan's works in separate little volumes. — Benjamin Franklin

Printed works do not take up mental space simply by virtue of being there; attention must be paid or their content, whether simple or complex, can never be truly assimilated. The willed attention demanded by print is the antithesis of the reflexive distraction encouraged by infotainment media, whether one is talking about the tunes on an iPod, a picture flashing briefly on a home page, a text message, a video game, or the latest offering of "reality" TV. That all of these sources of information and entertainment are capable of simultaneously engendering distraction and absorption accounts for much of their snakelike charm. — Susan Jacoby

Plato is widely believed to have been a student of Socrates and to have been deeply influenced by his teacher's unjust death. Plato's brilliance as a writer and thinker can be witnessed by reading his Socratic dialogues. Some of the dialogues, letters, and other works that are ascribed to him are considered spurious — Plato

On evenings, I spent the entire study period reading....
From that time on, the world began to broaden around me, beyond any tangible limits.
The world, as portrayed in those works destined for young people, was divided in two: an ordinary, everyday world, brutal and unresponding to desires, and a spacious, logical world, about all kind, interesting and desirable.
Wasn't the very act of reading a pleasure more substantial than that of playing or eating, for instance, even when one was starved? — Joseph Zobel

After ten whole minutes of painful silence, I finally raised my hand and told Mr. O'Hara I loved Miranda Blythe's romance novels, and I decided I liked him immediately when he didn't laugh or reassure me that we'd be reading real books. Like Mrs. Andrews had last year.
He did say, 'I'm afraid Ms. Blythe is not on the curriculum this semester. We'll be starting your education with the epic poets - boring, I know, but necessary building blocks. However, an extra-credit book report is always welcome, and you're free to choose whatever topic you like.'
Then Mr. O'Hara added, 'I think Ms. Blythe's works would be a particularly interesting topic for a report. In fact, if you want an example of the archetypal hero journey - '
'Wait, wait, wait.' Fred raised his hand. 'You read romance novels?'
'My dear boy,' Mr. O'Hara replied, 'I read everything. — Caitlen Rubino-Bradway

Literature is impossible, in exactly this sense: every new generation has so much 'catching up' to do that the real choice that presents itself soon is the following one: one either spends ones entire life just reading all the classics, or one pretends to be 'contemporary and hip' and never reads any of the classics because in order to pretend to be contemporary one has to at least superficially read the works of contemporaries. Hence the dilemma: one either does not care about being fashionable, or one is fashionable and just learns to mimic some knowledge about the classics. As time develops this rift just becomes bigger, because the amount of books written grows and grows to insane proportions. Conclusion: one can only be hip in the future if one does not read at all, which is a phenomenon I am already witnessing in the media. — Martijn Benders

But if any man undertake to write a history, that has to be collected from materials gathered by observation and the reading of works not easy to be got in all places, nor written always in his own language, but many of them foreign and dispersed in other hands, for him, undoubtedly, it is in the first place and above all things most necessary, to reside in some city of good note, addicted to liberal arts, and populous; where he may have plenty of all sorts of books, and upon inquiry may hear and inform himself of such particulars as, having escaped the pens of writers, are more faithfully preserved in the memories of men, lest his work be deficient in many things, even those which it can least dispense with. — Plutarch

J. Budziszewski is perhaps the clearest and most eloquent natural lawyer writing today. When reading his works I often find myself amazed by his insights and wondering, 'Why didn't I think of that?' And then it dawns on me, 'That's what C. S. Lewis and G. K. Chesterton do to me as well.' The Line Through the Heart is another destination in J. Budziszewski's philosophical quest to lead his readers to the promised land of the good, the true, and the beautiful, to guide us to that place where we have always been but can't seem to find. — Francis J. Beckwith

Contrary to what some folks would have us believe, it is not tragic, even if undesirable, for a person to leave a liberal arts education not having read major works from this canon. Their lives are not ending. And the exciting dimension of knowledge is that we can learn a work without formally studying it. If a student graduates without reading Shakespeare and then reads or studies this work later, it does not delegitimize whatever formal course of study that was completed. — Bell Hooks

The Party justified its "dictatorship" through purity of faith. Their Scriptures were the teachings of Marxism-Leninism, regarded as a "scientific" truth. Since ideology was so important, every leader had to be - or seem to be - an expert on Marxism-Leninism, so that these ruffians spent their weary nights studying, to improve their esoteric credentials, dreary articles on dialectical materialism. It was so important that Molotov and Polina even discussed Marxism in their love letters: "Polichka my darling . . . reading Marxist classics is very necessary . . . You must read some more of Lenin's works coming out soon and then a number of Stalin's . . . I so want to see you. — Simon Sebag Montefiore

Filipinos are not a reading people, and despite the compulsory course on the life and works of Rizal today, from the elementary to the university levels, it is accepted that the 'Noli me Tangere' and 'El Filibusterismo' are highly regarded but seldom read (if not totally ignored). Therefore one asks, how can unread novels exert any influence? — Ambeth R. Ocampo

Oh, Sweetie. No one ever gets through their TBR list. For every book you finish, you'll add five more. That's just the way it works. — Leisa Rayven

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

I regarded as quite useless the reading of large treatises of pure analysis: too large a number of methods pass at once before the eyes. It is in the works of application that one must study them; one judges their utility there and appraises the manner of making use of them. — Joseph-Louis Lagrange

like to see more of Vivian and Luca and maybe other Italian bachelors follow in Rafe's footsteps, too. ;) I'd love to write a new romantic adventure for Rafe and Ari, too (but is that allowed for Kindle Worlds? Mm..). Oh, and you can also write to me directly. I love hearing from readers. You can reach me via my website, Facebook, Twitter, and Instagram, or you can also email me. A list of my works (arranged according to reading order) can be found here and you can also visit my author page on Amazon for book links. Lastly, for updates on my newest releases and exclusive excerpts for upcoming releases, please consider signing up for my newsletter. Thank you! — Marian Tee

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts - eighteenth-century Reader's Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for "delicious morsels," one that spits out "every thing which is plain." Good books, in contrast, require good readers: "In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. — Karen Swallow Prior

No one knows if something works until it actually works. That's why you must always try. — S.A. Tawks

There were adventure stories supplied with cloths for mopping your brow, thrillers containing pressed leaves of soothing valerian to be sniffed when the suspense became too great, and books with stout locks sealed by the Atlantean censorship authorities ("Sale permitted, reading prohibited!"). One shop sold nothing but 'half' works that broke off in the middle because their author had died while writing them; another specialised in novels whose protagonists were insects. I also saw a Wolperting shop that sold nothing but books on chess and another patronised exclusively by dwarfs with blond beards, all of whom wore eye-shades. — Walter Moers

My writing works best when I remember that bookish child who adored reading and gear the work toward him. — Bruce Coville

I have always regarded Paine as one of the greatest of all Americans. Never have we had a sounder intelligence in this republic ... It was my good fortune to encounter Thomas Paine's works in my boyhood ... it was, indeed, a revelation to me to read that great thinker's views on political and theological subjects. Paine educated me, then, about many matters of which I had never before thought. I remember, very vividly, the flash of enlightenment that shone from Paine's writings, and I recall thinking, at that time, 'What a pity these works are not today the schoolbooks for all children!' My interest in Paine was not satisfied by my first reading of his works. I went back to them time and again, just as I have done since my boyhood days. — Thomas A. Edison

When I am not reading Kafka I am thinking about Kafka. When I am not thinking about Kafka I miss thinking about him. Having missed thinking about him for a while, I take him out and read him again. That's how it works. — Laszlo Krasznahorkai

It's pathetic, but I don't really remember my first time reading 'The Great Gatsby.' I must have read it in high school. I'm pretty sure I remember it being assigned, and I generally did the reading. But I don't remember having a reaction to the book, even though I loved literature, and other works made a lasting impression on me at that age. — Susan Choi

There are two judgments we face as a Christian. In the first judgment we will be asked if we accepted Christ as our Lord and Savior. This judgment will allow us to enter the gates of heaven or send us directly to hell. The second judgment comes to judge our works. What did we do with our time on earth? Things done that were meaningless will burn up like wood, hay and straw when put to the fire. Things that were done of value will stand the test of fire. Gold, silver and costly stones will stand the test of fire.
I believe working with our kids and all that it entails is gold, silver and costly stones. When our works are put before us in heaven, the time that we have spent cooking meals from scratch, tutoring our children, spending our money on their needs, the struggles that it took to get them to take the supplements their bodies needed, spending sleepless nights reading and researching to help them will all stand the test of the fire that is yet to come. — Kathy Medina

Good works?"
"About the village, sir. Reading to the bedridden - chatting with the sick - that sort of thing, sir. We can but trust that good results will ensue."
"Yes, I suppose so," I said doubtfully. "But, by gosh, if I were a sick man I'd hate to have a looney like young Bingo coming and gibbering at my bedside. — P.G. Wodehouse

When one read's Kierkegaard's profound analyses of anxiety and despair or Nietzsche's amazingly acute insights into the dynamics of resentment and the guilt and hostility which accompany repressed emotional powers, one might pinch oneself to realize that one is reading works written in the last century and not some new contemporary psychological analysis. — Rollo May

I do not mean to object to a thorough knowledge of the famous works we read. I object only to the interminable comments and bewildering criticisms that teach but one thing: there are as many opinions as there are men. — Helen Keller

As for reading, I doubt whether she did much better by the sea-side than she had done in the town. Men and women say that they will read, and think so - those, I mean, who have acquired no habit of reading - believing the work to be, of all works, the easiest. It may be work, they think, but of all works it must be the easiest of achievement. Given the absolute faculty of reading, the task of going through the pages of a book must be, of all tasks, the most certainly within the grasp of the man or woman who attempts it. Alas! no; if the habit be not there, of all tasks it is the most difficult. — Anthony Trollope

No one in a productive society wants you to know there ways of looking at the world other than their ways, and among the effects drugs may have is that of switching a mind from the normal track. Reading the works of certain writers has a corresponding effect. When receptive individuals explore the writings of someone such as Lovecraft, they are majestically solaced to find articulations of existence countering those to which the heads around them have become habituated. — Thomas Ligotti

But what sets me apart from other Chinese writers is that I neither copy the narrative techniques of foreign writers nor imitate their story lines; what I am happy to do is closely explore what is embedded in their work in order to understand their observations of life and comprehend how they view the world we live in. In my mind, by reading the works of others, a writer is actually engaging in a dialogue, maybe even a romance in which, if there is a meeting of the minds, a lifelong friendship is born; if not, an amicable parting is fine, too. — Mo Yan

Read works which glorify God - not so that you can change what others think about you, but so that you may get closer to Him! — Jen Selinsky

Fiction works because a part of the mind forgets that it's fiction while we're reading it. — Lawrence Block

As Capp would remember, his paternal grandfather's early years in the store were characterized by success and expansion - until, that is, he discovered the works of Alexandre Dumas. To that point, he'd read virtually nothing but the Talmud, but he quickly determined that the swashbuckling adventures described in The Count of Monte Cristo, The Three Musketeers, and other Dumas novels were much more exciting. He was hooked. Capp recalled seeing a photograph of his grandfather, cutting quite the figure with his long, Russian-style hair and beard, seated outside his store, reading Dumas rather than waiting on customers. He went out of business, his store purchased by creditors. — Denis Kitchen

Those that spend the greater part of their time in reading or writing books are, of course, apt to take rather particular notice of accumulations of books when they come across them. They will not pass a stall, a shop, or even a bedroom-shelf without reading some title, and if they find themselves in an unfamiliar library, no host need trouble himself further about their entertainment. The putting of dispersed sets of volumes together, or the turning right way up of those which the dusting housemaid has left in an apoplectic condition, appeals to them as one of the lesser Works of Mercy. — M.R. James

For me, I was in school and I pushed myself to be a good student, just because that's the type of person I was, but I never had a connection to any of it. I don't think my brain functioned in a way that was at its height, when I was in school. I needed something like art to really value the way my mind works. I wasn't reaching my full potential by sitting in a classroom and reading from a book. My mind didn't work that way. — Misty Copeland

It is in general true that in order to create works of art one has to have leisure. On the other hand I think that one needs to experience resistance in a practical sense, and even that which is poignant to bring out what makes easy reading for others. Too much deprivation of course, means death. — Marianne Moore

He who is capable of really reading a writer will have his every question answered by the works themselves. For example, Kafka depicts the dreams & visions of his lonely, difficult life and it is these dreams & visions alone that should preoccupy us & not the interpretations that sharp-witted critics can give these writings. Their interpreting is an intellectual sport, one that is good for clever people who can read & write books on African sculpture or 12-tone music but who never get to the heart of works of art because they stand at the gate fumbling with their 100 keys, blind to the fact that the gate is not really locked. — Hermann Hesse

Enlightened people like Osho are ahead of their times. It is good that more and more young people are now reading his works. — K. R. Narayanan

My works are a direct response to the typical space opera. I grew tired of always reading about how the people with power, with agency, get involved in huge sweeping arcs of stories. I wanted stories that dealt with real people, people I could relate to. — Nathan Lowell

We do not read in order to turn great works of fiction into simplistic replicas of our own realities, we read for the pure, sensual, and unadulterated pleasure of reading. And if we do so, our reward is the discovery of the many hidden layers within these works that do not merely reflect reality but reveal a spectrum of truths, thus intrinsically going against the grain of totalitarian mindsets. — Azar Nafisi

There are so many works of the mind, so much humanity, that to disburden ourselves of ourselves is an understandable temptation. Open a book and a voice speaks. A world, more or less alien or welcoming, emerges to enrich a reader's store of hypotheses about how life is to be understood. As with scientific hypotheses, even failure is meaningful, a test of the boundaries of credibility. So many voices, so many worlds, we can weary of them. If there were only one human query to be heard in the universe, and it was only the sort of thing we were always inclined to wonder about
Where did all this come from? or, Why could we never refrain from war?
we would hear in it a beauty that would overwhelm us. So frail a sound, so brave, so deeply inflected by the burden of thought, that we would ask, Whose voice is this? We would feel a barely tolerable loneliness, hers and ours. And if there were another hearer, not one of us, how starkly that hearer would apprehend what we are and were. — Marilynne Robinson

When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners? — Elif Batuman