Readers And Writing Quotes & Sayings

The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter. — Joanna Scott

Everytime I write, it's a catharsis. Even if I never got paid for it, I'd feel compelled to do it. And that's what makes a true writer. It's not how many readers you have or how many publishing contracts. Do you love to write? Then you're an author. No one can take that away from you. — Piper Vaughn

What is a writer?
A writer is a magician who can create a masterpiece
With a wave of a pencil
A writer has the key to a new world
Capturing readers and taking them on a roller coaster ride away from reality
But a writer can be a commanding tyrant
Or a hypnotist stealing minds
What is a writer?
A writer is a powerful being, an intelligent thinker
And an artist creating mind pictures through words.
A writer is a keeper of secrets
Or like a roomful of words waiting for a book
But a writer is also a puppet master taking control
With no strings attached
What is a writer?
A writer is a true friend
Using words to spread smiles to the world
A writer is ... ..
The voice of the hear — Carol Archer

I think I've been very lucky. The readers who write to me say they like the characters and the sense of a real world, often one they don't otherwise know about. And usually there's a funny bit in there somewhere. — Sophie Weston

One of the many lessons I hope I've learned is how much I underestimated people, their open-mindedness and their willingness to understand. I think, moreover, I underestimated the degree to which everyone has a story. So my advice, for whatever it's worth, is to trust readers, trust the truth and trust the power of storytelling. — Jeannette Walls

The poet's first rule must be never to bore his readers; and his best way of keeping this rule is never to bore himself-which, of course, means to write only when he has something urgent to say. — Robert Graves

There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing. — Edmund White

I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story. — Haruki Murakami

A writer is someone who analyses the society, people and the world around him or her. Simply a writer is someone who pays attention to the utmost simple things happening around him or her. I believe the best things about being a writer is, you are going to live forever through your work, in your books, in the hearts of your readers, in your characters. — Ama H. Vanniarachchy

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work. — Robert Frost

He [Wordsworth] invited his readers to abandon their usual perspective and to consider for a time how the world might look through other eyes, to shuttle between the human and the natural perspective. Why might this be interesting, or even inspiring? Perhaps because unhappiness can stem from only having one perspective to play with. — Alain De Botton

The critic's aim should be to interpret the work they are writing about and help readers appreciate it, by defining and analysing those qualities that make it precious and by indicating the angle of visions from which its beauties are visible. But many critics do not realize their function. They aim not to appreciate, but to judge; they seek first to draw lines about literature and then bully readers into accepting these laws. — David Cecil

Writing is not a numbers game. You should focus more on reaching the hearts of readers and building fans more than publishing a plethora of books that no one may care about. — Selena Haskins

I wasn't trying to write a corrective novel - that would just end up tasting like medicine, and I tried to stay away from polemics as best I could. I think that, if anything, Fobbit is my way of showing readers there's another side to war - the backstage of combat, if you will. If you play a word association game with Americans and say "war," what's the first thing that comes to mind? Soldiers running across a battlefield through a hail of bullets, right? Rambo, smoke, explosions. In Fobbit, I hope readers will see something a little different — Dave Abrams

The people who encouraged me weren't necessarily writers or readers themselves. They were people who were just pleased to see me devote my life to reading and writing. — Pankaj Mishra

It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me. — Jeff Abbott

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

I write at eighty-five for the same reasons that impelled me to write at forty-five; I was born with a passionate desire to communicate, to organize experience, to tell tales that dramatize the adventures which readers might have had. I have been that ancient man who sat by the campfire at night and regaled the hunters with imaginative recitations about their prowess. The job of an apple tree is to bear apples. The job of a storyteller is to tell stories, and I have concentrated on that obligation. — James A. Michener

In the right circumstances, a man can help himself by writing a book about his point, or a pamphlet, or at least a letter to the editor, thereby putting his protest on the historical record, which is marvelously comforting even if nobody reads it. Usually, however, it can be counted on to attract the attention of a few readers who assure the author that he is a new Copernicus, whereupon they introduce themselves as unrecognized Newtons. This custom of picking points out of each other's fur is widespread and a great comfort, but it is without lasting effect because the participants soon fall to quarreling and find themselves isolated again. — Robert Musil

Far from being writers - founders of their own place, heirs of the peasants of earlier ages now working on the soil of language, diggers of wells and builders of houses - readers are travellers; they move across lands belonging to someone else, like nomads poaching their way across fields they did not write, despoiling the wealth of Egypt to enjoy it themselves. — Michel De Certeau

All writers and their readers should stand up and voice their opposition to financial services companies censoring books. Authors should have the freedom to publish legal fiction, and readers should have the freedom to read what they want. — Mark Coker

I discovered that I, a writer of what is known as creative nonfiction, could do the research and bridge the gap in my books and lectures through true storytelling. This is not 'dumbing down' or writing for eighth graders. It is writing for readers across cultures, age barriers, social and political landscapes. — Lee Gutkind

An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to
and indeed cannot
capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of
from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling
and the immense majority of book-buyers out there actively decline to read them. — Thomas McCormack

Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book. — Ashwin Sanghi

What is good for you creatively is usually bad commercially. You thrive financially by sticking to a series and not fiddling about too much. You do yourself harm by moving away from the series and the genre. By trying things not based in that particular mode of writing, you will just lose readers. — John Connolly

Writing is saying to no one and to everyone the things it is not possible to say to someone. — Rebecca Solnit

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write. — Neil Gaiman

All of us are writers reading other people's writing, turning pages or clicking to the next screen with pleasure and admiration. All of us absorb other people's words, feeling like we have gotten to know the authors personally in our own ways, even if just a tiny bit. True, we may also harbor jealousy or resentment, disbelief or disappointment. We may wish we had written those words ourselves or berate ourselves for knowing we never could or sigh with relief that we didn't, but thank goodness someone else has. — Pamela Paul

I'll tell you a thing that will shock you. It will certainly shock the readers of Writer's Digest. What I often do nowadays when I have to, say, describe a room, is to take a page of a dictionary, any page at all, and see if with the words suggested by that one page in the dictionary I can build up a room, build up a scene. ... I even did it in a novel I wrote called MF. There's a description of a hotel vestibule whose properties are derived from Page 167 in R.J. Wilkinson's Malay-English Dictionary. Nobody has noticed. ... As most things in life are arbitrary anyway, you're not doing anything naughty, you're really normally doing what nature does, you're just making an entity out of the elements. I do recommend it to young writers. — Anthony Burgess

This book reminds me of James Gleick's Chaos. The ideas and stories in Loving and Hating Mathematics are timely, interesting, and sometimes even profound. The authors, writing for nonspecialists, take pains to explain technical ideas in nontechnical language, and the book should interest general readers as well as a large mathematical audience. — Steven G. Krantz

I had so much fun writing this book and I want readers to have fun also. A Passion for Prying is a feel-good, fun read. It's like eating a delicious, sinful hot fudge sundae--pure fun and indulgence. — Nancy Mangano

People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity.
Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves. — Ruskin Bond

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

The effect your readers want is for what they read to trigger in them the sights and sounds and smells of what's happening in the story. They don't want approximations, they don't want a report, they want to experience the story's reality. — Ray Rhamey

I'm probably the most loquacious author when it comes to my dedications. The reason is there is some symbolism there. I've been writing these books, bringing these stories to my readers who I love so much, and I have a greater love for my family. — Karen Kingsbury

In the book (Savvy Stories) you see some very real, very personal moments. The first week of Savvy's life was the longest week of ours. We spent five days in the NICU (Neonatal Intensive Care Unit) worrying that our newborn daughter might die. It was touch and go for a while, and it was extremely difficult to write about. Chapter two gets a lot of people crying. But because we put that honesty out there, readers said "Okay, I can trust this guy." Then they were better able to laugh with us, too. — Dan Alatorre

The inspiration for my novels comes from the depths of a creative well, based on asking myself questions over and over. I try to write something different each time I sit down to write; I try to surprise the readers. — Nicholas Sparks

My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know. — Charles De Lint

Use what you stand for and what you oppose as a foundation to write great content that resonates with readers and creates a ripple effect. — Mark Twain

One thing I like about writing is that it provides such a wonderful opportunity for confidential chats with readers. In the privacy of writing, and reading, we can discuss topics that are a little touchy, a bit embarrassing, and feel less alone in the process. Feeling consumed by memories from high school. Feeling wimpy. Feeling time-obsessed. Yearning for our fathers. Wishing we were taller, or shorter, or less average. To name just a few. — Ralph Keyes

In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen. — Dean Koontz

Good writers know that crime is an entre into telling a greater story about character. Good crime writing holds up a mirror to the readers and reflects in a darker light the world in which they live. — Karin Slaughter

Every novel has at least three stories. Of course, there's story in its pages. But then there's the story of its writing. And there's also the story of its reaching, or not reaching, the bigger world of its readers. — Ian R. MacLeod

There is only one thing that you write for yourself, and that is a shopping list. — Umberto Eco

Nora Roberts, Stephen King, Lee Child and George R. R. Martin write wildly different books. Their writing, plotting and styles have little or nothing in common. But they all write books and characters that readers find appealing. — M.J. Rose

I started out in silence, writing as quietly as I had read, and then eventually people read some of what I had written, and some of the readers entered my world or drew me into theirs. I started out in silence and traveled until I arrived at a voice that was heard far away
first the silent voice that can only be read, and then I was asked to speak aloud and to read aloud. When I began to read aloud, another voice, one I hardly recognized, emerged from my mouth. Maybe it was more relaxed, because writing is speaking to no one, and even when you're reading to a crowd, you're still in that conversation with the absent, the faraway, the not yet born, the unknown, and the long gone for whom writers write, the crowd of the absent who hover all around the desk. — Rebecca Solnit

When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear. — Don DeLillo

Don't annoy your readers by over-explaining--by telling them something they already know or can figure out. Try not to use words like "surprisingly," "predictably" and "of course," which put a value on a fact before the reader encounters the fact. Trust your material. — William Zinsser

People are reading more and writing more because of the internet. So the virtual world is a way for me to listen to my readers and interact with my readers. It is a way that they can voice their opinion. — Paulo Coelho

She was also sure that having experienced the act first hand would probably benefit her writing. If anything she should have sex for her job. Yes, she definitely owed it to her readers to go out and have sex. — R.L. Mathewson

One great difference between good writing, that readers overlook, and bad writing, that they fail to notice, has to do with the number of rewrites and revisions usually required by the former. It isn't at all easy to write clear, declarative prose - transparency evolves from ruthless cutting and trimming and is hard work - while lumpy, tangle-footed writing flows from the pen as if inspired by the Muse. — Ira Levin

Be yourself and your readers will follow you anywhere. Try to commit an act of writing and they will jump overboard to get away. — William Zinsser

All deeply good characters in imaginative literature, have to be, as it were, diluted with weakness or eccentricity; for only on such conditions are they comprehensible by readers and expressible by writers. Aldous Huxley — Nicholas Murray

Publishing a book is like planting a vegetable seed. The first day your book is out there is the same as seeing the first sprout from the ground. Is it ready for harvest? Obviously not. The fruit of your labor is still to come so long as you continue to nurture the soil by being persistent in letting readers know your book exists. If you give up on this process too early, your seed will dry up and be consumed by a most merciless sun. — Kevin Ortegel

When you write a story, don't just write it - live it;
When putting words into the mouth of a protagonist (or any character) imagine yourself saying them and while writing about the reaction of the listener, write it the way you would react.
Let the conversations not be meant merely to be read but felt as well.
If you do not feel what you write; how can you expect the readers to feel it? — Arti Honrao

J. Budziszewski is perhaps the clearest and most eloquent natural lawyer writing today. When reading his works I often find myself amazed by his insights and wondering, 'Why didn't I think of that?' And then it dawns on me, 'That's what C. S. Lewis and G. K. Chesterton do to me as well.' The Line Through the Heart is another destination in J. Budziszewski's philosophical quest to lead his readers to the promised land of the good, the true, and the beautiful, to guide us to that place where we have always been but can't seem to find. — Francis J. Beckwith

I'm always astonished when readers suggest that I must write my novels while high on pot or (God forbid!) LSD. Apparently, there are people who confuse the powers of imagination with the effects of intoxication. Not one word of my oeuvre, not one, has been written while in an artificially altered state. Unlike many authors, I don't even drink coffee when I write. No coffee, no cola, no cigarettes. There was a time when I smoked big Havana cigars while writing, not for the nicotine (I didn't inhale) but as an anchor, something to hold on to, I told myself, to keep from falling over the edge of the earth. Eventually, I began to wonder what it would be like to take that fall. So one day I threw out the cigars and just let go. Falling, I must say, has been exhilarating
though I may change my mind when I hit bottom. — Tom Robbins

The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice. — D.J. MacHale

To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers. — Charles De Lint

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Here's a writing craft tool that you can remove from your toolbox and throw away: description. It's the stuff that most readers skim. Even when deftly done using the five senses it's a lead weight. It isn't needed anymore. — Donald Maass

So here I am with this double life, one where my grammatically incorrect writing is a nice success with tens of thousands of readers, and another one where my carefully written books are read by a dozen people. — Christian A. Dumais

I have a lot of teenage readers and readers in their early twenties. My writing style appeals to them. And if they look at my picture on the back of the book, they don't see someone who looks like their mother. — Julia Quinn

I want to write books that can be read a hundred years from now, and readers wouldn't be bogged down by irrelevant details. — Jonathan Lethem

Real people, smart or otherwise, sometimes make stupid choices, and despite judgment, whether from other writers, readers, or haters, books with outwardly stupid characters making stupid choices will continue to sell, because if you dig a little deeper, you'll find a reason for a character's moment of idiocy; and more notably, this moment of idiocy amidst the chaos of life is real and relatable. — Shona Moyce

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

If writing is the ultimate act of self-pleasure, then mine certainly qualifies as masturbatory.
Still, if you gave me a box of pens and a box of tissues, and then locked me in a room with nothing else but skin mags and blank notebooks, I'd be lying if I told you I'd run out of pens before tissues.
The nice thing about writing is that you actually get to share it with other people when you're done, which usually doesn't go over so well with spent bodily fluids, but ideally you don't want readers walking away from your book with the sneaking suspicion that they've just spent hours of their precious lives watching you masturbate.
Unless of course it's that type of publication. — Arthur Graham

Since the tragedy of Marina's death, her parents have heard from strangers around the globe surprised to find themselves writing to share the impact of "meeting" Marina through her words: Jewish teenagers visiting a series of concentration camps while on "The March of the Living" and finding specific comfort and renewed purpose in her writings; college peers living more mindfully; musicians writing songs inspired by her; older readers making midlife recalibrations and career changes, whether they are returning to school or shifting to a nonprofit or finishing that manuscript; people simply rediscovering a sense of hope. These new life paths all build from Marina's own sense that it's never too late to change, that we must take action, that we are indeed "in this together. — Marina Keegan

Truth, like beauty, varies its fashions, and is best recommended by different dresses to different minds; and he that recalls the attention of mankind to any part of learning which time has left behind it, may be truly said to advance the literatures of his own age. As the manners of nations vary, new topicks of persuasion become necessary, and new combinations of imagery are produced; and he that can accommodate himself to the reigning taste, may always have readers who perhaps would not have looked upon better performances. — Samuel Johnson

Abraham Maslow became a towering figure in my life. He was the inspiration for me to look at psychology from a 180-degree-turnabout position. Rather than studying what was weak, infirm, or limited in clients and make an assessment based on overcoming ailments, I began looking for the highest qualities of self-actualization and encouraging clients - and ultimately readers and listeners - to seek their own innate greatness and aspire to these pinnacles. I reasoned that if some among us could be self-actualized, then so could I and anyone else who understood that it was possible. This became a major focus of my professional life and the compass I set for myself to live the principles that Maslow delineated in his writing. — Wayne W. Dyer

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams. — James Hampton

When my father first took me to Ennis Library I went down among the shelves and felt company, not only the company of writers, but the readers too, because they had lifted and opened and read these books. The books were worn in a way they can only get worn by hands and eyes and minds — Niall Williams

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

I have myself always been terrified of plagiarism - of being accused of it, that is. Every writer is a thief, though some of us are more clever than others at disguising our robberies. The reason writers are such slow readers is that we are ceaselessly searching for things we can steal and then pass off as our own: a natty bit of syntax, a seamless transition, a metaphor that jumps to its target like an arrow shot from an aluminum crossbow. — Joseph Epstein

The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers. — Michael Scott

If any writer in this country has collected as fine and passionate a group of readers as I have, they're fortunate and lucky beyond anyone's imagination. It remains a shock to me that I've had a successful writing career. Not someone like me; Lord, there were too many forces working against me, too many dark currents pushing against me, but it somehow worked. Though I wish I'd written a lot more, been bolder with my talent, more forgiving of my weaknesses, I've managed to draw a magic audience into my circle. They come to my signings to tell me stories, their stories. The ones that have hurt them and made their nights long and their lives harder. — Pat Conroy

Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth ... Children are game for anything. I throw them hard words and they backhand them across the net. — E.B. White

A writer is merely a reader that had the guts to be read, and, heard. — Mokokoma Mokhonoana

Those who write against vanity want the glory of having written well, and their readers the glory of reading well, and I who write this have the same desire, as perhaps those who read this have also. — Blaise Pascal

Write about small, self-contained incidents that are still vivid in your memory. If you remember them, it's because they contain a larger truth that your readers will recognize in their own lives. Think small and you'll wind up finding the big themes in your family saga. — William Zinsser

Certainly the highest posthumous praise that can be conferred upon any writer is the assertion that his or her writing permanently altered the literary landscape for the better, opening new textual doors and engaging new readers. That the author's oeuvre was essential and irreplaceable and transformative. — Paul Di Filippo

Writing, at its best and truest, can offer solace and salvation for both readers and writers. — Roxane Gay

We can create transcending stories for readers and for us. Creativity is a double edge sword, which can kill the writer. — Rossana Condoleo

The connection that I have with my readers makes me very happy, and gives meaning to the strange profession of writing — Isabel Allende

There is an audience for everything; our job as writers is to do the work and provide readers with a choice. — Elizabeth Hernandez

All prizes have a role, if they are run with integrity and with a clear focus on reading and quality writing. I don't think any of them is necessary, but they all play an incredibly important role in building a body of literature, in introducing new authors to new readers, and extending reading. — Kate Mosse

If you're a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be. — Theodora Goss

The secret to success is no secret. Be honest in your words, be trustworthy and share value. Most people won't tell the difference, but those that do are your readers. — Robin Sacredfire

Your intention is for readers to benefit from your experiences and avoid the costly and time consuming mistakes you may have made. You want to help your readers know the short cuts and what you would have avoided, and why. As you write, keep a clear sense of why writing this is important to you, but also share your why within the body of the book. Why do your readers need to take the steps you describe? Are you saving them time, money, resources? Why did you start your journey to begin with? Did you want to change the world or get from point "A" to point "B"? Why did you keep going even when it was difficult? Was there a light at the end of the tunnel, a reward at the end? Why should they hang in there? All of these things will work magically if implemented correctly and consistently. — Kytka Hilmar-Jezek

Park your ego and listen to your readers. They can be your best friend or your worst enemy. But chances are you'll learn something from them. — Eliza Green

Writing historical fiction has many common traits with writing sci-fi or fantasy books. The past is another country - a very different world - and historical readers want to see, smell and touch what it was like living there. — Sara Sheridan

Let us record the atoms as they fall upon the mind in the order in which they fall, let us trace the pattern, however disconnected and incoherent in appearance, which each sight or incident scores upon the consciousness. Let us not take it for granted that life exists more fully in what is commonly thought big than in what is commonly thought small. — Virginia Woolf

I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear ... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters. — George R R Martin

My thoughts are with you all. Forever conscious of the vast, absurd universe and writing my eternal story I shall remain dead, but dreaming. — A.P. Sweet

I write for myself and strangers. The strangers, dear Readers, are an afterthought. — Gertrude Stein

Writers are solitaries by vocation and necessity. I sometimes think the test is not so much talent, which is not as rare as people think, but purpose or vocation, which manifests in part as the ability to endure a lot of solitude and keep working. Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone. — Rebecca Solnit

I hate traveling and being away from my family. But I like meeting my readers, as what I write is actualized in them. Those encounters are exhilarating to me. — Aleksandar Hemon

My most important goal as a romance writer is to satisfy readers by creating memorable characters, offering insights on life, and, most of all, touching hearts.
I derive the greatest satisfaction when I hear from readers who have been genuinely moved by my books and/or who identify with the characters or situation. I also confess to reveling in the feeling I get when I type "The End" on a manuscript. — Laura Abbot

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

In TIME June 7, 2010
On the sustainability of the publishing industry, in the Chicago Tribune:
"I think that book publishing is about to slide into the sea. We live in a literate time, and our children are writing up a storm, often combining letters and numbers ... The future of publishing: 18 million authors in America, each with an average of 14 readers, eight of whom are blood relatives. Average annual earnings: $175." - 5/26/10 — Garrison Keillor