Reader Problems Quotes & Sayings

Every novel deals with social problems. It can't help it because the protagonist must come in conflict with his group. So the author has to offer an analysis of how the group and the protagonist fit. Otherwise, the reader will just say, "This makes no sense," and will put it away. — Jane Smiley

This time once again it has been my chief aim to make no sacrifice to an appearance of being simple, complete or rounded off, not to disguise problems and not to deny the existence of gaps and uncertainties. In no other scientific field would it be necessary to boast of such modest intentions. They are universally regarded as self-evident; the public expects nothing else. No reader of an account of astronomy will feel disappointed and contemptuous of the science if he is shown the frontiers at which our knowledge of the universe melts into haziness. Only in psychology is it otherwise. There mankind's constitutional unfitness for scientific research comes fully into the open. What people seem to demand of psychology is not progress in knowledge, but satisfactions of some other sort; every unsolved problem, every admitted uncertainty is made into a reproach against it.
Whoever cares for the science of mental life must accept these injustices along with it. — Sigmund Freud

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into
if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. — Charles De Lint

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

To pay compliments to the one we love is the first method of caressing, a demi-audacity venturing. A compliment is something like a kiss through a veil. — Victor Hugo

You can solve most of your writing problems if you stop after every sentence and ask: what does the reader need to know next? — William Zinsser

With my sort of book there's no resolution, because there's no solution. The problems aren't answered in the end because there is no answer. They're problems that are handed on to the reader, not solved for him so that he can go away thinking he lives in a beautiful world. It's not a beautiful world. — Malcolm Bradbury

Philosophy treats of physics where a more careful knowledge is required because the problems which come under this head are numerous ... So the reader of Ctesibius or Archimedes and the other writers of treatises of the same class will not be able to appreciate them unless he has been trained in these subjects by the philosophers. — Marcus Vitruvius Pollio

The very concept of history implies the scholar and the reader. Without a generation of civilized people to study history, to preserve its records, to absorb its lessons and relate them to its own problems, history, too, would lose its meaning. — George F. Kennan

I thought it would be great to do superheroes that have the same kind of life problems that any reader - that anybody could have. — Stan Lee

Even after several hospitalizations for alcohol and drug-related nervous breakdowns, poet Edna St. Vincent Millay defined sobriety as restricting her daily intake of liquor to a liter and a half of wine. — Judith Thurman

There is massive evidence that self-selected reading, or reading what you want to read, is responsible for most of our literacy development. Readers have better reading ability, know more vocabulary, write better, spell better, and have better control of complex grammatical constructions. In fact, it is impossible to develop high levels of literacy without being a dedicated reader, and dedicated readers rarely have serious problems in reading and writing. — Stephen D. Krashen

I had just killed a teacher. With my shoe. — Rachel Hawkins

Each kind of story has its own problems in writing, but my main concern really is to keep the reader on his toes, or to keep the strip unpredictable. I try to achieve some sort of balance between the two that keeps the reader wondering what's going to happen next and be surprised. — Bill Watterson

When it's too good, you do it over again. Too good is too easy. If it's too easy you have to worry. If you're not lying awake at night worrying about it, the reader isn't going to, either. I always know that when I get a good night's sleep, the next day I'm not going to get any work done. Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational. — James M. Cain

Our eyes are not only the windows to our soul; they guide us through a life that should not be travelled blindly. Open them. — K.M. Golland

There is a very simple statement to be made about all these stories: they do not really come off intellectually as problems, and they do not come off artistically as fiction. They are too contrived, and too little aware of what goes on in the world. They try to be honest, but honesty is an art. The poor writer is dishonest without knowing it, and the fairly good one can be dishonest because he doesn't know what to be honest about. He thinks a complicated murder scheme which baffled the lazy reader, who won't be bothered itemizing the details, will also baffle the police, whose business is with details. — Raymond Chandler

Works of art are not so much finished as abandoned. Perhaps poems can be perfect. A short-short story might even be perfectible, as effective and enjoyable for one reader as the next. But novels and other book-length narratives are great rambling things that always contain some flaws. For works of any length, there comes a point when your continued tinkering won't improve the whole, but will just trade one set of problems for another. — Bruce Holland Rogers

In any event, whether a supernatural tale remains altogether fantastic or eventually modulates to the uncanny or the marvelous, the reader is faced with disconcerting ontological and perceptual problems.
Indeed, the disorienting effect of the supernatural encounter in fiction seems to reflect some deeper disorientations in the culture at large. — Howard Kerr

I can't go as far as Barthes in killing off the author, but I'm with him on the importance of the reader. We are the ones, after all, who exist long after the author (the real, physical being) is in the grave, choosing to read the book, deciding if it still has meaning, deciding what it means for us, feeling sympathy or contempt or amusement for its people and their problems. Take just the opening paragraph. If, having read that, we decide the book isn't worth our time, then the book ceases to exist in any meaningful fashion. Someone else may cause it to live again another day in another reading, but for now, dead as Jacob Marley. Did you have any idea you held so much power? — Thomas C. Foster

Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. — Billy Collins

Although Travels with Charley is replete with whimsical vignettes, charming dialogue, and lyrical descriptions of the natural landscape that often rise to the level of poetry, there is beneath its surface a sense of disenchantment that turns, eventually, into barely suppressed anger. Steinbeck seems never quite able to bring himself to say that he was truly and often disgusted by what he saw on his journey, but the reader is left with that impression. One puts down this book aware of how remarkably prophetic it really was, and how America continues to wrestle with the problems raised in its pages. — John Steinbeck

If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most.
Unlike the scientist, the artist has reentry problems that are frequent and catastrophic. — Walker Percy

In all summaries, the problems seem simpler than they actually are. In the following conclusions, anxiety may sound again like an abnormal condition affecting only unfortunate individuals. I would like to emphasize again that anxiety is a life-long challenge. The tradegy of Brown is that his anxiety, which was severe enough at times to remove almost all possibilities from his existence, is mainly destructive and paralyzingly rather than challenging and enlivening. I hope the reader will keep in mind the essential humanness of anxiety. — Rollo May

He had become a settled effect in her spirit, a state permanently established, not continuous, but always recurring. — D.H. Lawrence

He joined Jude in the kitchen and began making a salad, and JB slumped to the dining-room table and started flipping through a novel Jude had left there. "I read this," he called over to him. "Do you want to know what happens in the end?"
"No, JB," said Jude. "I'm only halfway through."
"The minister character dies after all."
"JB!"
After that, JB's mood seemed to improve. — Hanya Yanagihara