Reader Not Quotes & Sayings

I have omitted to give a detail of his words, from a notion that they would not interest the reader as they did me, and not because I have forgotten them. — Anne Bronte

The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble
many great works have done just this
the source is the same dissatisfaction, a yearning to escape. — Daphne Du Maurier

Is it not a pity when some stylistic subtlety is lost without trace by the reader's inattention? — David Richards

It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible. — Paul Auster

I designed Ender's Game to be as clear and accessible as any story of mine could possibly be. My goal was that the reader wouldn't
have to be trained in literature or even in science fiction to receive the tale in its simplest, purest form.
If everybody came to agree that stories should be told this clearly, the professors of literature would be out of a job, and the writers of obscure, encoded fiction would be, not honored, but pitied for their impenetrability. — Orson Scott Card

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

Not every article in every magazine or newspaper is meant to be a valentine card addressed to every reader's self-esteem. — Rex Murphy

Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response ... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself. — Malcolm Forbes

If you are reading in order to become a better reader, you cannot read just any book or article. You will not improve as a reader if all you read are books that are well within your capacity. You must tackle books that are beyond you, or, as we have said, books that are over your head. Only books of that sort will make you stretch your mind. And unless you stretch, you will not learn. — Mortimer J. Adler

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Publishing is not, of course, dependent on the individual taste of the publisher," Perkins replied to one reader of Hemingway's novel. "He is under an obligation to his profession which binds him to bring out a work which in the judgment of the literary world is significant in its literary qualities and is a pertinent criticism of the civilization of the time. — A. Scott Berg

The Light in the Labyrinth is a beautifully written book, a gem. I savoured every word; words written with so much 'colour'. Even though I know the story of Queen Anne Boleyn, Dunn's perspective on her last days is missing in so many other books of the genre. Dunn gives grace to the history and an honest, and very compassionate look at Anne's last days. I cried in the end, shedding tears for the young Kate, Anne and her little Bess. I have not yet read a Tudor book that has moved me to tears, as this wonderful journey does. Dunn's dedication and research shines through in this unforgettable book, a book not just for young readers, but also for all." - Lara Salzano, avid Tudor reader. — Wendy J. Dunn

You have very short travel blogs, and I think there's a split among travel writers: the service-oriented writers will say, 'Well, the reader wants to read about his trip, not yours.' Whereas I say, the reader just wants to read a good story and to maybe learn something. — Tim Cahill

Regret for the things you have done can be tempered with time, It's regret for the things you have not doen that is inconsolable. — Reader's Digest Association

if you do not know, reader, what a Fisher Hobbs is, you know nothing about pigs, and deserve no bacon for breakfast. — Charles Kingsley

I certainly didn't mind possibly sending the reader to a dictionary once in a while, but I tried not to do it too often. — China Mieville

I speak now, of course, in the supposition that the gentle reader has not been abroad, and therefore is not already a consummate ass. If the case be otherwise, I beg his pardon and extend to him the cordial hand of fellowship and call him brother. I shall always delight to meet an ass after my own heart when I shall have finished my travels. — Mark Twain

I see myself as anybody, as everybody; I'm not just telling the story of my life to give the reader a picture of who I am. — Paul Auster

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

Reader's Bill of Rights
1. The right to not read
2. The right to skip pages
3. The right to not finish
4. The right to reread
5. The right to read anything
6. The right to escapism
7. The right to read anywhere
8. The right to browse
9. The right to read out loud
10. The right to not defend your tastes — Daniel Pennac

I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud. — Stephen King

I try not to bore my readers. — Jackie Collins

Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together. — Mary Oliver

The rich are all alike, to revise Tolstoy's famous words, but the poor are poor in their own particular ways.

Any reasonably intelligent reader could blow that generalization apart in the time it takes to write it. But as with most generalizations, a truth lies behind it. Ultimately, what binds the rich together is that they have more money, lots more. For one reason or another, the poor don't have enough of it. But poverty doesn't bind the poor together as much as wealth and the need to protect it bind the rich. If it did, we would hear the rattle of tumbrels in the streets. One hears mutterings, but the chains have not yet been shed. — William McPherson

I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor. — Will Poulter

More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader. — Billy Collins

Finally and essentially: I not only never could have, but never would have, written this book without the conversations with - and the kindness, grace, empathy, forgiveness, and wisdom of - Jared Hohlt, my first and favorite reader, secret keeper, and North Star. His beloved friendship is the greatest gift of my adulthood. — Hanya Yanagihara

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships. — Jorge Luis Borges

It's not what you've been given, it's what you do with what you've got. — Eddi Reader

I've made some things for you, Constant Reader; you see them laid out before you in the moonlight. But before you look at the little handcrafted treasures I have for sale, let's talk about them for a bit, shall we? It won't take long. Here, sit down beside me. And do come a little closer. I don't bite. Except . . . we've known each other for a very long time, and I suspect you know that's not entirely true. Is it? — Stephen King

... the American reader cannot bear a surprise. He knows that this is the greatest country on earth ... and evidence to the contrary is not admissible. That means no inconvenient facts, no new information. If you really want the reader's attention, you must flatter him. Make his prejudices your own. Tell him things he already knows. He will love your soundness. — Gore Vidal

If you don't write with the reader in mind, you are not a writer, period. — Tom Grimes

I would like to please the reader, and I think that surprise has to be an element of this, and that may necessitate a certain amount of teasing. To shock the reader is something else again. That has to be handled with great care if you're not going to alienate and hurt him, and I'm firmly against that, just as I disapprove of people who dress with that in mind
dye their hair blue and stick safety pins through their noses and so on. — John Ashbery

I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people. — Michael Chabon

I was not a big comic-book reader. — Brad Bird

The reader who thinks that rationality does not require a definition should ponder the following: I'll give you a million dollars to do something irrational. — Lakshman Krishnamurthi

Too many ads that try not to go over the reader's head end up beneath his notice. — Leo Burnett

I met death for the last time realizing that he, the creature I called, it because I did not want to believe came for me... Collecting. — Jessica Reader

In my work you often get an abrupt shift in time, a jolt. But the emotional logic will take the reader on. I hope. I trust. After all, our memories do not work with any sequential logic. — Graham Swift

Let me begin with a caveat to any and all who find these pages. Do not trust large bodies of water, and do not cross them. If you, dear reader, have an African hue and find yourself led toward water with vanishing shores, seize your freedom by any means necessary. And cultivate distrust of the colour pink. Pink is taken as the colour of innocence, the colour of childhood, but as it spills across the water in the light of the dying sun, do not fall into its pretty path. There, right underneath, lies a bottomless graveyard of children, mothers and men. I shudder to imagine all the Africans rocking in the deep. Every time I have sailed the seas, I have had the sense of gliding over the unburied.
Some people call the sunset a creation of extraordinary beauty, and proof of God's existence. But what benevolent force would bewitch the human spirit by choosing pink to light the path of a slave vessel? Do not be fooled by the pretty colour, and do not submit to its beckoning. — Lawrence Hill

But good writers have a reason for doing things the way they do them, and if you tinker with their work, taking it upon yourself to neutralize a slightly eccentric usage or zap a comma or sharpen the emphasis of something that the writer was deliberately keeping obscure, you are not helping. In my experience, the really great writers enjoy the editorial process. They weigh queries, and they accept or reject them for good reasons. They are not defensive. The whole point of having things read before publication is to test their effect on a general reader. You want to make sure when you go out there that the tag on the back of your collar isn't poking up - unless, of course, you are deliberately wearing your clothes inside out. — Mary Norris

Comics are not theatre - there's a very important difference in that the reader controls the page. You can linger on a page of comics as long as you want. You can read and go forward and then move back; you can reread, in one sitting or at your leisure. You can take as much time as you want to take in that story. — Kelly Sue DeConnick

The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it. — Flannery O'Connor

There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone. — David Foster Wallace

The reader tries to uncover the skeleton that the book conceals. The author starts with the skeleton and tries to cover it up. His aim is to conceal the skeleton artistically or, in other words, to put flesh on the bare bones. If he is a good writer, he does not bury a puny skeleton under a mass of fat; on the other hand, neither should the flesh be too thin, so that the bones show through. If the flesh is thick enough, and if the flabbiness is avoided, the joints will be detectable and the motion of the parts will reveal the articulation. — Mortimer J. Adler

A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers. — Richard Ford

The future of desegregation was not just about reaching mere numerical diversity. It was about fostering radical diversity, the wild protean sort. It was about what might flower when people could really meet across the lines. The cover of the fifth volume of the Yardbird Reader, rendered in day-bright Oakland A's yellow and green, featured the collective caught as they laughed at someone's wisecrack. They looked simultaneously hip and welcoming. In this colorized vision of American renewal, everyone could share in the joy. — Jeff Chang

It's not what happens to people on the page; it's about what happens to a reader in his heart and mind. — Gordon Lish

I'm not a writer. I like being a reader. — Brian Reynolds Myers

Should the reader exclaim, I was not conscious of the heinousness of sin nor bowed down with a sense of my guilt when Christ saved me. Then we unhesitatingly reply, Either you have never been saved at all, or you were not saved as early as you supposed. True, as the Christian grows in grace he has a clearer realization of what sin is - rebellion against God - and a deeper hatred and sorrow for it; but to think that one may be saved by Christ whose conscience has never been smitten by the Spirit and whose heart has not been made contrite before God, is to imagine something which has no existence whatever in the realm of fact. — Arthur W. Pink

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

When I say that someone is being treated like a criminal, I mean that person is being treated like he broke the law or otherwise did something wrong. (When I want to say someone is being treated as less than human, I say that person is being treated like an animal, not a criminal.) Her chattel slavery and Jim Crow analogies are similarly tortured and yet another effort to explain away stark racial differences in criminality. But unlike prisons, those institutions punished people for being black, not for misbehaving. (A slave who never broke the law remained a slave.) Yet Alexander insists that we blame police and prosecutors and drug laws and societal failures - anything except individual behavior - and even urges the reader to reject the notion of black free will. — Jason L. Riley

No novel is anything, for the purposes either of comedy or tragedy, unless the reader can sympathise with the characters whose names he finds upon the pages. Let an author so tell his tale as to touch his reader's heart and draw his tears, and he has, so far, done his work well. Truth let there be, --truth of description, truth of character, human truth as to men and women. If there be such truth, I do not know that a novel can be too sensational. — Anthony Trollope

Don't let the covers fool you. Books, like lives, are wiggling, evolving, living things. They're not bound by pages or authors or schools of thought. They're not born when they're printed; in fact, they only start to live once they're read. So first of all, we thank you, reader. You dignify this work we do, and we're sincerely grateful for your time and attention. — Kelly G. Wilson

Having a book is somewhat like having a baby, as many woman writers have observed before me: the conception, the long preparation, the wait, the growing heaviness (not of body in this case but of the spirit and the manuscript) toward the end, the initial delight at the sight of the product, fully formed and seemingly perfect, and then the usual postpartum depression. What will people whose opinion I care about, and those whose views I don't value but have weight in the world of reader, think of it? — Doris Grumbach

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts - eighteenth-century Reader's Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for "delicious morsels," one that spits out "every thing which is plain." Good books, in contrast, require good readers: "In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. — Karen Swallow Prior

I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too. — Anne Enright

As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells. — Carlos Ruiz Zafon

A presentation copy, reader,-if haply you are yet innocent of such favours-is a copy of a book which does not sell, sent you by the author. — Charles Lamb

A scientist with a poet's command of language, Cristina Eisenberg writes with precision and passion ... takes her reader on a breathtaking, sometimes heartbreaking tour of the planet from the Gulf of Maine to the Amazonian rain forests, the tropical coral reefs to old growth forests of the Northwest as well as rivers, lakes, and wetlands. I found the wealth of information not only accessible but riveting ... Eisenberg's powerful, beautifully written book ... has the potential to open many people's eyes, minds, and hearts. — Elizabeth Cunningham

A book about courage-a long string of tiny courageous steps. It is also about hope and faith and love. It is modest, careful and joyous. I do not see how any attentive reader could fail to be touched, awed and encouraged." Sara Maitland, Author — Alice Warrender

Our society accepts the book as a given, but the act of reading
once considered useful and important, as well as potentially dangerous and subversive
is now condescendingly accepted as a pastime, a slow pastime that lacks efficiency and does not contribute to the common good. — Alberto Manguel

We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity ... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit. — Paulo Freire

The mind of the experienced book reader is a calm mind, not a buzzing one. When it comes to the firing of our neurons, it's a mistake to assume that more is better. — Nicholas Carr

Whether you do stand-up comedy or write a story, you have a duty to deliver. As a comedian, you walk out on stage, and you have a minute to hook them, or they'll start booing. As a writer, it's very similar. A reader doesn't have time to say, 'I'll give him 50 pages, as it's not very good yet, but I hope it'll get better.' — Mark Billingham

Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus. — Jorge Luis Borges

You need not expect to get your book right the first time. Go to work and revamp or rewrite it. God only exhibits his thunder and lightning at intervals, and so they always command attention. These are God's adjectives. You thunder and lightning too much; the reader ceases to get under the bed, by and by. — Mark Twain

For it is said, you know, that a letter will always seek a reader; that sooner or later, like it or not, words have a way of finding the light, of making their secrets known. — Kate Morton

the difficulty of a sentence depends not just on its word count but on its geometry. Good writers often use very long sentences, and they garnish them with words that are, strictly speaking, needless. But they get away with it by arranging the words so that a reader can absorb them a phrase at a time, each phrase conveying a chunk of conceptual structure. — Steven Pinker

It is known that the Quran leaves an analytical reader the impression of disarrangement, and that it seems to be a compound of diverse elements. Nevertheless, the Quran is life, not literature. Islam is a way of living rather than a way of thinking. The only authentic comment of the Quran can be life, and as we know, it was the life of the prophet Muhammad. Islam is in its written form (the Quran) may seem disorderly, but in the life of Muhammad it proves itself to be a natural union of love and force, the sublime and the real, the divine and the human. This explosive compound of religion and politics produced enormous force in the life of the peoples who accepted it. In one moment, Islam has coincided with the very essence of life. — Alija Izetbegovic

What is the purpose of my writing about the various experiences of my life? It is not for publicity, but with the hope that the reader, especially my descendants, may plan a career to which they are naturally best adapted. Most children are born with a gift or talent which can be noticed in early childhood and should be encouraged and directed in the right way. Solomon said, 'Train up a child in the way he should go; and when he is old, he will not depart from it.' Train does not mean compel, or to compare him with other children, but to encourage him in that for which he has a natural tendency. The boy who will become proficient in a lawful trade or profession, other things being favorable, will be a value to society and remunerative to himself and others. — Ernest Albert Law

A man should begin with his own times. He should become acquainted first of all with the world in which he is living and participating. He should not be afraid of reading too much or too little. He should take his reading as he does his food or his exercise. The good reader will gravitate to the good books. He will discover from his contemporaries what is inspiring or fecundating, or merely enjoyable, in past literature. He should have the pleasure of making these discoveries on his own, in his own way. What has worth, charm, beauty, wisdom, cannot be lost or forgotten. But things can lose all value, all charm and appeal, if one is dragged to them by the scalp. — Henry Miller

Every reader's experience of every work is unique, largely because each person will emphasize various elements to differing degrees, and those differences will cause certain features of the text to become more or less pronounced. We bring an individual history to our reading, a mix of previous readings, to be sure, but also a history that includes, but is not limited to, educational attainment, gender, race, class, faith, social involvement, and philosophical inclination. These factors will inevitably influence what we understand in our reading, and nowhere is this individuality clearer than in the matter of symbolism. — Thomas C. Foster

If someone knew equally as much about the ins and outs of your home, it would not be your home. — S.A. Tawks

What lasts in the reader's mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what's it doing there? Make it do its job or cut it without mercy or remorse. — Isaac Asimov

The Reader may here observe the Force of Numbers, which can be successfully applied, even to those things, which one would imagine are subject to no Rules. There are very few things which we know, which are not capable of being reduc'd to a Mathematical Reasoning, and when they cannot, it's a sign our Knowledge of them is very small and confus'd; and where a mathematical reasoning can be had, it's as great folly to make use of any other, as to grope for a thing in the dark when you have a Candle standing by you. — John Arbuthnot

I would be a liar, a hypocrite, or a fool - and I'm not any of those - to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues. — Maya Angelou

I'm not really a good reader. What I mean is, I think I'm not one of those people who can read a story and analyze it just like that. — Donald Ray Pollock

I've written for those who want to learn, truly learn, about a community with which they aren't familiar. Or for those who have preconceptions but can admit they may not be entirely accurate (and, in some cases, that they are completely wrong). This means my reader must possess an open mind and a certain level of curiosity. If that's you, proceed to checkout. An uncensored glimpse behind the curtain, hairy backs and all, awaits. — Daniel Stern

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

I'm a reader, not a fighter. — Chloe Neill

You gonna deal with Mr. Hot and Moody?"
"Not sure. I may just pull out my e-reader."
He nodded. "Probably safer for your sanity. — Sylvia Day

What I've learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head. First there's the vinegar-lipped Reader Lady, who says primly, "Well, that's not very interesting, is it?" And there's the emaciated German male who writes these Orwellian memos detailing your thought crimes. And there are your parents, agonizing over your lack of loyalty and discretion; and there's William Burroughs, dozing off or shooting up because he finds you as bold and articulate as a houseplant; and so on. And there are also the dogs: let's not forget the dogs, the dogs in their pen who will surely hurtle and snarl their way out if you ever stop writing, because writing is, for some of us, the latch that keeps the door of the pen closed, keeps those crazy ravenous dogs contained. — Anne Lamott

Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels. — Natalie Goldberg

And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest.
Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity?
The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest"
If you are arrested, can anything else remain unshattered by this cataclysm? — Aleksandr Solzhenitsyn

I looked at the book lying on a table. Though not a great reader myself, I knew that those who were - even Nora - could grow testy when one came between them and their books. — Susan Higginbotham

At the same time, as you know, unless you are a comic book reader, Daredevil is not a known thing. — Avi Arad

The key to good worldbuilding is leaving out most of what you create. You, as the author, had damn well better know the where all that dragon food comes from, but that doesn't mean that I, as a reader, want to read a five thousand word essay about you explaining it to me. I don't need to see the math, but I can tell by the details you provide whether or not you've thought these things through to their logical conclusions. — Patrick Rothfuss

And you, too, youthful reader, will realize the Vision (not the idle wish) of your heart, be it base or beautiful, or a mixture of both, for you will always gravitate toward that which you, secretly, most love. — James Allen

No two things could be more the Reverse of each other than were the Brother and Sister, in most instances; particularly in this, That as the Brother never foresaw any Thing at a Distance, but was most sagacious in immediately seeing every Thing the Moment it happened; so the Sister eternally foresaw at a Distance, but was not so quick-sighted to Objects before her Eyes. Of both these the Reader may have observed Examples: And, indeed, both their several Talents were excessive: For as the Sister often foresaw what never came to pass, so the Brother often saw much more than was actually the Truth. — Henry Fielding

Aesthetics - rather than reason - shapes our thought processes. First comes aesthetics, then logic. 'Thinking in Numbers' is not about an attempt to impress the reader but to include the reader, draw the reader in, by explaining my experiences - the beauty I feel in a prime number, for example. — Daniel Tammet

If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling. I don't want to open up my cornflakes and find that they're full of pebbles ... You need to respect the reader enough not to call it something it isn't. — Margaret Atwood

There should be two main objectives in ordinary prose writing: to convey a message and to include in it nothing that will distract the reader's attention or check his habitual pace of reading - he should feel that he is seated at ease in a taxi, not riding a temperamental horse through traffic. — Robert Graves

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark. — Wallace Stegner

The impulse to write comes, I think, from a desire - perhaps a need - to give imaginative life to experience, to share it with the reader, not to cover up the truth but to deliver it obliquely. — Paul Theroux

I'm not a great reader of historical fiction; it's not my favourite genre. — Mal Peet

I love reading another reader's list of favorites. Even when I find I do not share their tastes or predilections, I am provoked to compare, contrast, and contradict. It is a most healthy exercise, and one altogether fruitful. — T. S. Eliot

The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay
the text furnishing the hints, the clue, the start, the framework. — Walt Whitman

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

Really good work probably comes out of a willingness to disclose yourself, open yourself up in spiritual and emotional ways that risk making you look banal or melodramatic or naive or unhip or sappy, and to ask the reader really to feel something. To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this. And the effort actually to do it, not just talk about it, requires a kind of courage I don't seem to have yet. — David Foster Wallace