Reader For Quotes & Sayings

There are two tests that we [writers] have for all of our writing: So What? and Who Cares? There is an answer to both. The answer to Who Cares is that a reader cares, if the writing is good. The answer to So What is that these ideas give us completely new understanding, change our sense of who we [people] are and why we're here [on this planet]. — Richard Bach

For me, dear reader, that place was purgatory incarnate; neither good nor bad, but a gateway to great rewards or even greater punishments. — Joss Sheldon

The thing that got Daley mad," one of the delegates said later, "was that Ribicoff had been ass-kissing him just a day or two before. He came over and pushed for McGovern to our delegation and made a big speech about what a great guy Daley was. Then he got up there and played the hero for the TV cameras."
Daley was on his feet, his arms waiving, his mouth working. The words were lost in the uproar, but it was later asserted by Mayday, an almost-underground Washington paper, that a lip-reader had determined that he said: "Fuck you, you Jew son of a bitch, you lousy motherfucker, go home. — Mike Royko

The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble
many great works have done just this
the source is the same dissatisfaction, a yearning to escape. — Daphne Du Maurier

Punctuation is a fabulous tool for controlling your reader - you even get to control where they breathe. That's what I call power! — Nicola Morgan

It was in the attempt to ascertain the interrelationships between species that experiments n genetics were first made. The words "evolution" and "origin of species" are now so intimately associated with the name of Darwin that we are apt to forger that the idea of common descent had been prominent in the mnds of naturalists before he wrote, and that, for more than half a century, zealous investigators had been devoting themselves to the experimental study of that possibility. Prominent among this group of experimenters may be mentioned Koelreauter, John Hunter, Herbert Knight, Gartner, Jordan. Naudin, Godron, Lecoq, Wichura
men whose names are familiar to every reader of Animals and Plants unders Domestication. — William Bateson

It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible. — Paul Auster

If you want to master the art of the sentence, you must first accept a somewhat unpleasant truth--something a lot of writers would rather deny: The Reader is king. You are his servant. You serve the Reader information. You serve the Reader entertainment. You serve the Reader details of your company's recent merger or details of your experiences in drug rehab. In each case, as a writer you're working for the man (or the woman). Only by knowing your place can you do your job well. — June Casagrande

I have the advantage of knowing your habits, my dear Watson," said he. "When your round is a short one you walk, and when it is a long one you use a hansom. As I perceive that your boots, although used, are by no means dirty, I cannot doubt that you are at present busy enough to justify the hansom."
"Excellent!" I cried.
"Elementary," said he. "It is one of those instances where the reasoner can produce an effect which seems remarkable to his neighbour, because the latter has missed the one little point which is the basis of the deduction. The same may be said, my dear fellow, for the effect of some of these little sketches of yours, which is entirely meretricious, depending as it does upon your retaining in your own hands some factors in the problem which are never imparted to the reader. — Arthur Conan Doyle

I designed Ender's Game to be as clear and accessible as any story of mine could possibly be. My goal was that the reader wouldn't
have to be trained in literature or even in science fiction to receive the tale in its simplest, purest form.
If everybody came to agree that stories should be told this clearly, the professors of literature would be out of a job, and the writers of obscure, encoded fiction would be, not honored, but pitied for their impenetrability. — Orson Scott Card

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density. — Sergio Chejfec

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

For you. The reader. Smile.
Be yourself.
Don't try to be someone else, because you are awesome and beautiful just the way you are.
Be yourself, and strive to be the best you can be. Everything will be alright. — Maya Starling

No reader can fail to agree that the number of books she needs to read far exceeds her capacities, but when the passion for rereading kicks in, the faint guilt that therefore attends the indulgence only serves to intensify its sweetness. — Patricia Meyer Spacks

While the goal of a book is to create a positive emotional experience for the reader, the goal of the opening is to set the stage, to pull the reader in. — Darynda Jones

The Light in the Labyrinth is a beautifully written book, a gem. I savoured every word; words written with so much 'colour'. Even though I know the story of Queen Anne Boleyn, Dunn's perspective on her last days is missing in so many other books of the genre. Dunn gives grace to the history and an honest, and very compassionate look at Anne's last days. I cried in the end, shedding tears for the young Kate, Anne and her little Bess. I have not yet read a Tudor book that has moved me to tears, as this wonderful journey does. Dunn's dedication and research shines through in this unforgettable book, a book not just for young readers, but also for all." - Lara Salzano, avid Tudor reader. — Wendy J. Dunn

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it. — Wislawa Szymborska

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

Regret for the things you have done can be tempered with time, It's regret for the things you have not doen that is inconsolable. — Reader's Digest Association

if you do not know, reader, what a Fisher Hobbs is, you know nothing about pigs, and deserve no bacon for breakfast. — Charles Kingsley

It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there ... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it. — Martin Amis

I had experiences along the way that helped me to realize that letting go was the way that worked for me to find something that I, personally, as a reader, love to read. — Richard Bach

I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud. — Stephen King

Well, for people who want to write best sellers, the best advice I can give is to say that the novel has to engage the reader emotionally. — Ken Follett

For decades I've had an intense interest in the history and mythology of the Silk Road, I think in part because an aspect of me loves the resonance of long distance travel as a theme or anchor, if you will, for narrative. The ways that cultures rise and fade across centuries, the ways cultures connect and conflict, absorb and reject, transform or remain static: As a writer this is thematic content that never gets old for me. A million million stories rise out of the endless back and forth of cultural contact in all its best and worst aspects, and everything in between. Weave that within a story of adventure or empire or a journey into unknown spaces and I'm in writer and reader hog heaven. — Kate Elliott

He who combines the useful and the pleasing wins out by both instructing and delighting the reader. That is the sort of book that will make money for the publisher, cross the seas, and extend the fame of the author. — Horace

Millions of dollars' worth of advertising shows such little respect for the reader's intelligence that it amounts almost to outright insult. — James Randolph Adams

The rich are all alike, to revise Tolstoy's famous words, but the poor are poor in their own particular ways.

Any reasonably intelligent reader could blow that generalization apart in the time it takes to write it. But as with most generalizations, a truth lies behind it. Ultimately, what binds the rich together is that they have more money, lots more. For one reason or another, the poor don't have enough of it. But poverty doesn't bind the poor together as much as wealth and the need to protect it bind the rich. If it did, we would hear the rattle of tumbrels in the streets. One hears mutterings, but the chains have not yet been shed. — William McPherson

I put ordinary people in jeopardy and give them the opportunity to be heroic. Then there's a great payoff for the reader at the end, when the heroic character gets what he or she deserves. Readers will come back again and again if they feel satisfied at the end. — Terri Blackstock

It is important to remember that, as Ken Auletta wrote in his definitive Greed and Glory on Wall Street, "no reporter can with 100 percent accuracy re-create events that occurred some time before. Memories play tricks on participants, the more so when the outcome has become clear. A reporter tries to guard against inaccuracies by checking with a variety of sources, but it is useful for a reader - and an author - to be humbled by this journalistic limitation. — Bryan Burrough

Perhaps that is nearly the perfection of good writing which is original, but whose truth alone prevents the reader from suspecting that it is so; and which effects that for knowledge which the lens effects for the sunbeam, when it condenses its brightness in order to increase its force. — Charles Caleb Colton

I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too. — Anne Enright

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

Should the reader exclaim, I was not conscious of the heinousness of sin nor bowed down with a sense of my guilt when Christ saved me. Then we unhesitatingly reply, Either you have never been saved at all, or you were not saved as early as you supposed. True, as the Christian grows in grace he has a clearer realization of what sin is - rebellion against God - and a deeper hatred and sorrow for it; but to think that one may be saved by Christ whose conscience has never been smitten by the Spirit and whose heart has not been made contrite before God, is to imagine something which has no existence whatever in the realm of fact. — Arthur W. Pink

I've never been a fast reader. I'm fickle; I don't finish books I start; I put a book aside for five, ten years and then take it up again. — Nicholson Baker

The unchanging Man of history is wonderfully adaptable cloth by his power of endurance and in his capacity for detachment. The fact seems to be that the play of his destiny is too great for his fears and too mysterious for his understanding. Were the trump of the Last Judgement to sound suddenly on a working day the musician at his piano would go on with his performance of Beethoven's Sonata and the cobbler at his stall stick to his last in undisturbed confidence in the virtues of the leather. And with perfect propriety. For what are we to let ourselves be disturbed by an angel's vengeful music too mighty for our ears and too awful for our terrors ? Thus it happens to us to be struck suddenly by the lightning of wrath. The reader will go on reading if the book pleases him and the critic will go on criticizing with that faculty of detachment born perhaps from a sense of infinite littleness and wich is yet the only faculty that seems to assimilate man to the immortal gods. — Joseph Conrad

The bond between a book reader and a book writer has always been a symbiotic one, a means of intellectual and artistic cross-fertilization. The words of the writer act as a catalyst in the mind of the reader, inspiring new insights, associations, and perceptions, sometimes, even epiphanies. And the very existence of the attentive, critical reader provides the spur for the writer's work. It gives the author the confidence to explore new forms of expression, to blaze difficult and demanding paths of thought, to venture into uncharted and sometimes hazardous territory. — Nicholas Carr

The biggest experiment there - and I was convinced for a really long time that it was going to fail horribly - had to do with this weird thing I do every now and then. Like everyone else, as a reader there are certain things that really rub me the wrong way in fiction - pet bugbears, let's call them. — Roy Kesey

A real reader creates her own canon, for it consists precisely of those books that she has used to create herself. — William Deresiewicz

I've made some things for you, Constant Reader; you see them laid out before you in the moonlight. But before you look at the little handcrafted treasures I have for sale, let's talk about them for a bit, shall we? It won't take long. Here, sit down beside me. And do come a little closer. I don't bite. Except . . . we've known each other for a very long time, and I suspect you know that's not entirely true. Is it? — Stephen King

The chronology was for the convenience of the reader who may be unfamiliar with some of the names and events mentioned. My publisher persuaded me to cut it, on account of the wartime paper shortage. — William T. Vollmann

The current leading candidates for dark matter are particles predicted to exist from supersymmetric theories, extensions of current particle physics that include a new symmetry of Nature. The reader may recognize the "super" in supersymmetry from superstring theory, a candidate theory for unifying general relativity and quantum mechanics. As of the winter of 2014, no evidence for supersymmetry had been found, despite decades of intense search and the enthusiastic support of many physicists. At this point, it is unclear and somewhat doubtful that supersymmetry is realized in Nature. — Marcelo Gleiser

She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it. — Jeffrey Eugenides

There are good books, indifferent books, and bad books. Amongst the good books some are honest, inspiring, moving, prophetic and improving. But in my language there is another category: there are Ah! Books. This is one of them. Ah! Books are those which induce a fundamental change in the reader's consciousness. They widen his sensibility in such a way that he is able to look upon familiar things as though he is seeing and understanding them for the first time. Ah! Books are galvanic. They touch the nerve centre of the whole being so that the reader receives an almost palpable physical shock. A tremor of excited perception ripples through the person. — Vernon Sproxton

I have been a voracious reader for years. — Jacob Tomsky

But good writers have a reason for doing things the way they do them, and if you tinker with their work, taking it upon yourself to neutralize a slightly eccentric usage or zap a comma or sharpen the emphasis of something that the writer was deliberately keeping obscure, you are not helping. In my experience, the really great writers enjoy the editorial process. They weigh queries, and they accept or reject them for good reasons. They are not defensive. The whole point of having things read before publication is to test their effect on a general reader. You want to make sure when you go out there that the tag on the back of your collar isn't poking up - unless, of course, you are deliberately wearing your clothes inside out. — Mary Norris

Honestly, my entire childhood could be summed up with one word: Reader. I was always hunched over a book; in fact, I was the only kid in the world who got paler in the summer, because I'd sneak down into our cool, dank cellar and sit alone with a book for hours. — Kristan Higgins

Typos are very important to all written form. It gives the reader something to look for so they aren't distracted by the total lack of content in your writing. — R. K. Milholland

You must convince your readers that your characters are flesh and blood rather than words on dead skin, that their loves and hatreds and passions are as deep and present as the readers' own. Your task is to delight, to pleasure, to lift your reader to another sphere of being and then strand him there, floating above the earth and panting for more lines. — Bruce Holsinger

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. — George Eliot

The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it. — Flannery O'Connor

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts - eighteenth-century Reader's Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for "delicious morsels," one that spits out "every thing which is plain." Good books, in contrast, require good readers: "In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. — Karen Swallow Prior

Never look for the story in the 'lede.' Reporters are required to put what's happened up top, but the practiced pundit places a nugget of news, even a startling insight, halfway down the column, directed at the politiscenti. When pressed for time, the savvy reader starts there. — William Safire

The Library is an open sanctuary. It is devoted to individual intellectual inquiry and contemplation. Its function is to provide free access to ideas and information. It is a haven of privacy, a source of both cultural and intellectual sustenance for the individual reader. Since it is thus committed to free and open inquiry on a personal basis, the Library must remain open, with access to it always guaranteed. — Robert G. Vosper

I met death for the last time realizing that he, the creature I called, it because I did not want to believe came for me... Collecting. — Jessica Reader

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

Men cannot be nice and kind to a woman and have no affection for them. — S.A. Tawks

When I say that someone is being treated like a criminal, I mean that person is being treated like he broke the law or otherwise did something wrong. (When I want to say someone is being treated as less than human, I say that person is being treated like an animal, not a criminal.) Her chattel slavery and Jim Crow analogies are similarly tortured and yet another effort to explain away stark racial differences in criminality. But unlike prisons, those institutions punished people for being black, not for misbehaving. (A slave who never broke the law remained a slave.) Yet Alexander insists that we blame police and prosecutors and drug laws and societal failures - anything except individual behavior - and even urges the reader to reject the notion of black free will. — Jason L. Riley

No novel is anything, for the purposes either of comedy or tragedy, unless the reader can sympathise with the characters whose names he finds upon the pages. Let an author so tell his tale as to touch his reader's heart and draw his tears, and he has, so far, done his work well. Truth let there be, --truth of description, truth of character, human truth as to men and women. If there be such truth, I do not know that a novel can be too sensational. — Anthony Trollope

Don't let the covers fool you. Books, like lives, are wiggling, evolving, living things. They're not bound by pages or authors or schools of thought. They're not born when they're printed; in fact, they only start to live once they're read. So first of all, we thank you, reader. You dignify this work we do, and we're sincerely grateful for your time and attention. — Kelly G. Wilson

I've been writing for as long as I can remember, and reading even before that. My mom still has stories that I wrote when I was in kindergarten. I was a reader and a re-reader. That's the main reason I became a writer. — Linda Sue Park

Nonetheless, a question remains before us all the same: what is a novelist to do with ordinary, completely "usual" people, and how can he present them to the reader so as to make them at least somewhat interesting? To bypass them altogether in a story is quite impossible, because ordinary people are constantly and for the most part the necessary links in the chain of everyday events; in bypassing them we would thus violate plausibility. To fill novels with nothing but types or even simply, for the sake of interest, with strange and nonexistent people, would be implausible
and perhaps uninteresting as well. — Fyodor Dostoyevsky

A writer's ambition should be to trade a hundred contemporary readers for ten readers in ten years' time and for one reader in a hundred years' time. — Arthur Koestler

A strange age of the world this, when empires, kingdoms, and republics come a-begging to a private man's door, and utter their complaints at his elbow! I cannot take up a newspaper but I find that some wretched government or other, hard pushed and on its last legs, is interceding with me, the reader, to vote for it. — Henry David Thoreau

The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay
the text furnishing the hints, the clue, the start, the framework. — Walt Whitman

Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find. — Otto Penzler

What is the purpose of my writing about the various experiences of my life? It is not for publicity, but with the hope that the reader, especially my descendants, may plan a career to which they are naturally best adapted. Most children are born with a gift or talent which can be noticed in early childhood and should be encouraged and directed in the right way. Solomon said, 'Train up a child in the way he should go; and when he is old, he will not depart from it.' Train does not mean compel, or to compare him with other children, but to encourage him in that for which he has a natural tendency. The boy who will become proficient in a lawful trade or profession, other things being favorable, will be a value to society and remunerative to himself and others. — Ernest Albert Law

There's plenty of room for strangeness, mystery, originality, wildness, etc. in poems that also invite the reader into the human and alive center about which the poem circles. — Thomas Lux

Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus. — Jorge Luis Borges

For it is said, you know, that a letter will always seek a reader; that sooner or later, like it or not, words have a way of finding the light, of making their secrets known. — Kate Morton

A writer draws a road map where readers walks with their love, joy, anger, tears, and dismay. Every story, every poem, has different meanings for every reader. — Debasish Mridha

Poems, for me, begin as a social engagement. I want to establish a kind of sociability or even hospitality at the beginning of a poem. The title and the first few lines are a kind of welcome mat where I am inviting the reader inside. — Billy Collins

We determine whether a book is for boys or girls long before the reader gets a chance to decide: we package them with soldiers and ballet slippers on their covers, war machines and glittering gowns. — Marie Lu

A rare objectivity and insight can be imparted regarding this world's struggle for spiritual integrity. In the land of Faerie, the reader may see his small battles writ large in the wars of titans or elves and understand for the first time, his own worth. — Michael D. O'Brien

The Reader may here observe the Force of Numbers, which can be successfully applied, even to those things, which one would imagine are subject to no Rules. There are very few things which we know, which are not capable of being reduc'd to a Mathematical Reasoning, and when they cannot, it's a sign our Knowledge of them is very small and confus'd; and where a mathematical reasoning can be had, it's as great folly to make use of any other, as to grope for a thing in the dark when you have a Candle standing by you. — John Arbuthnot

I would be a liar, a hypocrite, or a fool - and I'm not any of those - to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues. — Maya Angelou

Anyone buying this book is going to be out a tidy sum if he is sucked in by the title. I wish I could write a real sexy book that would be barred from the mails. Apparently nothing whets a reader's appetite for literature more than the news that the author has been thrown into a federal pokey for disturbing the libido of millions of Americans. — Groucho Marx

If you can do this you are beginning to get what you are trying for, which is to make something that will become a part of the reader's experience and a part of his memory. — Ernest Hemingway,

I've written for those who want to learn, truly learn, about a community with which they aren't familiar. Or for those who have preconceptions but can admit they may not be entirely accurate (and, in some cases, that they are completely wrong). This means my reader must possess an open mind and a certain level of curiosity. If that's you, proceed to checkout. An uncensored glimpse behind the curtain, hairy backs and all, awaits. — Daniel Stern

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

I'm also looking for gems that the average reader might have missed. — Terri Windling

You gonna deal with Mr. Hot and Moody?"
"Not sure. I may just pull out my e-reader."
He nodded. "Probably safer for your sanity. — Sylvia Day

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel ... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book. — Alan Bradley

I hope for what I always hope for as a writer: a critical but kind reader. I think that is what we all hope for. — Christos Tsiolkas

I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives. — Linda Sue Park

I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people. — Michael Chabon

The novelistic attribute of my work is very much like the Russian way of creating novels. Tolstoy, Dostoyevsky - their work has so many gaps. But for the reader, you cannot erase those gaps because they are important. They contextualize the whole struggle. My cinema is like that. — Lav Diaz

Whatever reader desires to have a thorough comprehension of an author's thoughts cannot take a better method than by putting himself into the circumstances and postures of life that the author was in upon every important passage as it flowed from his pen; for this will introduce a parity and strict correspondence of ideas between the reader and the author. Now, to assist the diligent reader in so delicate an affair, as far as brevity will permit, I have recollected that the shrewdest pieces of this treatise were conceived in bed in a garret; at other times (for a reason best known to myself) I thought fit to sharpen my invention with hunger; and in general, the whole work was begun, continued, and ended under a long course of physic and great want of money. — Jonathan Swift

In fiction, it's a big challenge to keep the reader in one place for so long. — Victor LaValle

Aesthetics - rather than reason - shapes our thought processes. First comes aesthetics, then logic. 'Thinking in Numbers' is not about an attempt to impress the reader but to include the reader, draw the reader in, by explaining my experiences - the beauty I feel in a prime number, for example. — Daniel Tammet

Leon reads aloud from an article in the Reader's Digest about voting to select a national flower. Leon votes for dandelions. Joseph and Clyde vote for grass. — Milton Rokeach

It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature. — William Strunk Jr.

What I've learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head. First there's the vinegar-lipped Reader Lady, who says primly, "Well, that's not very interesting, is it?" And there's the emaciated German male who writes these Orwellian memos detailing your thought crimes. And there are your parents, agonizing over your lack of loyalty and discretion; and there's William Burroughs, dozing off or shooting up because he finds you as bold and articulate as a houseplant; and so on. And there are also the dogs: let's not forget the dogs, the dogs in their pen who will surely hurtle and snarl their way out if you ever stop writing, because writing is, for some of us, the latch that keeps the door of the pen closed, keeps those crazy ravenous dogs contained. — Anne Lamott

As the voices fall silent, the individuals who make up the amorphous and always changing community must decide for themselves, as they always have. I can't write a coda because I can't speak for others. I can only and ever speak for myself. — G.R. Reader

Kessen groaned, then silently wondered if she should download the e-reader application for her phone she could pretend to be texting but be reading instead. It might look odd for her to be staring at her phone for long periods of time. — Rachel Van Dyken

And you, too, youthful reader, will realize the Vision (not the idle wish) of your heart, be it base or beautiful, or a mixture of both, for you will always gravitate toward that which you, secretly, most love. — James Allen

DEAR MISS MANNERS:
When does a gentleman offer his arm to a lady as they are walking down the street together?
GENTLE READER:
Strictly speaking, only when he can be practical assisstance to her. That is, when the way is steep, dark, crowded, or puddle-y. However, it is rather a cozy juxtapostion, less comprising than walking hand in hand, and rather enjoyable for people who are fond of each other, so Miss Manners allows some leeway in interpreting what is of practical assisstance. One wouldn't want a lady to feel unloved walking down the street, any more than one would want her to fall of the curb. — Judith Martin

No two things could be more the Reverse of each other than were the Brother and Sister, in most instances; particularly in this, That as the Brother never foresaw any Thing at a Distance, but was most sagacious in immediately seeing every Thing the Moment it happened; so the Sister eternally foresaw at a Distance, but was not so quick-sighted to Objects before her Eyes. Of both these the Reader may have observed Examples: And, indeed, both their several Talents were excessive: For as the Sister often foresaw what never came to pass, so the Brother often saw much more than was actually the Truth. — Henry Fielding

Think before you speak. Read before you think. — Fran Lebowitz

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark. — Wallace Stegner