Rather Say Nothing Quotes & Sayings

You count the days and watch the years go by. You tell yourself, and you believe it, that you'd rather just die. You'd rather stare death boldly in the face and say you're ready because whatever is waiting on the other side has to be better than growing old in a six-by-ten cage with no one to talk to. You consider yourself half-dead at best. Please take the other half.
You've watched dozens leave and not return, and you accept the fact that one day they'll come for you. You're nothing but a rat in their lab, a disposable body to be used as proof that their experiment is working. An eye for an eye, each killing must be avenged. You kill enough and you're convinced that killing is good.
You count the days, and then there are none left. You ask yourself on your last morning if you are really ready. You search for courage, but the bravery is fading. When it's over, no one really wants to die. — John Grisham

America could carry on a two years' war by the confiscation of the property of disaffected persons, and be made happy by their expulsion. Say not that this is revenge, call it rather the soft resentment of a suffering people, who, having no object in view but the good of all, have staked their own all upon a seemingly doubtful event. Yet it is folly to argue against determined hardness; eloquence may strike the ear, and the language of sorrow draw forth the tear of compassion, but nothing can reach the heart that is steeled with prejudice. — Thomas Paine

The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It's a miracle, they'll say with an expectant look, as if you've been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater.
That's what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you're supposed to be excited to wear, day after day, even when you'd rather stay in bed and do nothing.
The truth is this: it doesn't take any skill to almost-die, or to almost-live, either. — Lauren Oliver

I don't think success is harmful, as so many people say. Rather, I believe it indispensable to talent, if for nothing else than to increase the talent. — Jeanne Moreau

But who are they that for no other reason but that they were weary of life have hastened their own fate? Were they not the next neighbors to wisdom? among whom, to say nothing of Diogenes, Xenocrates, Cato, Cassius, Brutus, that wise man Chiron, being offered immortality, chose rather to die than be troubled with the same thing always. — Erasmus

Writer's block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something. Why? If you have something to say, then say it. If not, enjoy the silence while it lasts. The noise will return soon enough. — Hugh MacLeod

I never thought people actually woke up the way I did that morning. I always figured it was hyperbole and massive overcompensation to say that you woke up grinning, woke up in a state of contentment and excitement for the smallest things. Even while I was in love formerly, it seemed more like a comfortable thing rather than a giddy, overwhelming happiness. Realize, then, that I had never been joined in a mutual state of infatuation with someone else. My infatuations tended to be unrequited, accompanied by a sense of muted sadness. I sat up at 7:00a.m. without even waiting for the alarm, and kept still there, smiling, looking at nothing and going over yesterday's conversations, the fevered symphony of emotion ringing forever in my ears.
I fell back and actually laughed to myself, reaching for my glasses to slide them on as I stretched out my back comfortably in a lazy, half-waking state.
You are in love. — Vee Hoffman

Rather than street crime, I argue that a better analogy is to voting. Having a high opportunity cost of time - resulting, say, from a high-paying job and a good education - should discourage people from voting, yet it is precisely those with a high opportunity cost of time who tend to vote. Why? Because they care about influencing the outcome and consider themselves sufficiently well informed to want to express their opinions. Terrorists also care about influencing political outcomes. Instead of asking who has a low salary and few opportunities, to understand what makes a terrorist we should ask: Who holds strong political views and is confident enough to try to impose their extremist vision by violent means? Most terrorists are not so desperately poor that they have nothing to live for. Instead they are people who care so deeply and fervently about a cause that they are willing to die for it. — Alan B. Krueger

This is the Manifesto of Little Monster
There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future.
When you are lonely,
I will be lonely too.
And this is the fame. — Lady Gaga

I gave people who didn't know what to say the best advice I could muster, which was that it was better to say anything rather than pretend that nothing was wrong. My hunch was that Mom would simply appreciate knowing that people were thinking of her. — Will Schwalbe

Actually, I think you have to know that whatever advice you give, they may not take it. The priority should be on keeping the friendship rather than giving the best advice. Your best advice is usually, 'Walk away from him! Tell him you never want to see him again!' But if you are dealing with someone still in love, nothing you say can change their feelings. All you can do is be there for them and pick them up every time they get hurt. Until, that is, they are ready to move on for themselves. — Taylor Swift

Write until you have nothing left to say and then stop writing. Focus on content and quality rather than word count. — Gudjon Bergmann

The disorders that psychology associates with the dissonance between what parents say to children and what children know to be reality - from deep insecurities to chronic anxiety to depression - are not to be found among the hunter-gatherers I have known. This is not to claim that they are people who know nothing of mental illness. Rather, it is to look at the absence of a particular kind of illness, one that in my own society is somewhere between common and the norm. The apparent sturdiness of the hunter-gatherer personality, the virtual universality of self-confidence and equanimity, the absence of anxiety disorders and most depressive illnesses - these may well be the benefits of using words to tell the truth. — Hugh Brody

This is shaping up even worse than you anticipated. Still, you feel a measure of detachment, as if you had suffered everything already and this were just a flashback. You wish that you had paid more attention when a woman you met at Heartbreak told you about Zen meditation. Think of all of this as an illusion. She can't hurt you. Nothing can hurt the samurai wh enters combat fully resolved to die. You have already accepted the inevitability of termination, as they say. Still, you'd rather not have to sit through this. — Jay McInerney

I just asked her if she'd seen anything odd, and she started to say-"
"Oh - that - that's nothing to do with the Chamber of Secrets," said Percy at once.
"How do you know?" said Ron, his eyebrows raised.
"Well, er, if you must know, Ginny, er, walked in on me the other day when I was - well, never mind - the point is, she spotted me doing something and I, um, I asked her not to mention it to anybody. I must say, I did think she'd keep her word. It's nothing, really, I'd just rather
"
Harry had never seen Percy look so uncomfortable. — J.K. Rowling

Look, I'd said, say you tell everyone when it is and nothing happens. It's kind of a slap in the face. Or suppose they throw you a party, Chelsea had replied. Then you don't know whether they're doing it sincerely, or if your earlier interaction just guilted them into observing an occasion they'd rather have ignored. But if you don't tell anyone, and nobody commemorates the event, there's no reason to feel badly because after all, nobody knew. And — Peter Watts

He stopped and took my hand. "If we die, or if I die ... "
He was speaking of dying, and I couldn't stop smiling.
In the dark he must not have noticed, because he said in a rush, "I must tell you that I love you, and if I live I will ask for your hand, but you needn't say anything now if it distresses you, and I might rather die without knowing that you don't love me if that's how you feel."
I tried to speak, but nothing came. I had gained courage during my adventures, but not for this.
"Addie?"
Too soft to hear, I whispered, "I do love you."
But he heard. He cupped his hand under my chin and tilted my face up so I had to meet his eyes. He was smiling too, with a smile as happy as mine. "Oh, Addie!" He leaned down to kiss me ... — Gail Carson Levine

Don't be tedious, Lavay. If it's so necessary for you to know," he said ungraciously. "She won a contest."
There was a short stunned silence.
"You ... played a game?" Lavay said this slow, flat incredulity, hilarity suppressed, clearly trying to picture it. "And you lost to a ... girl. What manner of contest was this? Ribbon-tying?"
Flint felt ridiculous now, in retrospect, which was doing nothing to settle his temper. "I challenged her to aim a dart ... let's just say it landed rather serendipitously in the right spot,"
he finished curtly. "She was lucky."
"You speak metaphorically, Captain? She aimed a dart as in the vein of Cupid? — Julie Anne Long

An intelligent enemy,' he would say, stroking his beard as if it were a bristly pet, 'rather than a foolish friend.' Or, 'He learnt the language of pigeons, and forgot his own.' Or, the favourite of Jan Fishan Khan: 'Nothing is what it seems. — Tahir Shah

I have worn my heart on my sleeve because it is too painful to carry it inside my chest.
When I carry it on my sleeve, it has the freedom to exist, to beat in rhythm with the Universe.
I feel like I'm more alive and yes, there are those who out of curiosity will say or do things that can cause its delicate existence to feel pain and sorrow.
I would rather deal with that, than to put it back in its little cage where it knows nothing else but the rhythm of my body and my Ego.
My heart was never meant to be part of my Ego.
My heart was meant to experience the Soul. — C.C. Campbell

Why?' he asked. 'Why should I praise her if she doesn't deserve it? I say exactly what I have often admired Sterne for saying in one of his letters - that neither reason nor Scripture asks us to speak nothing but good of the dead. And now, madam,' he continued, after a short interval of thought, 'I may, perhaps, hope that you will assist me, or rather not thwart me, in endeavouring to win the love of a young lady living about you, one in whom I am much interested already. — Thomas Hardy

Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which
or, rather, all the more because
here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here.
Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself. — Haruki Murakami

We should not say that one man's hour is worth another man's hour, but rather that one man during an hour is worth just as much as another man during an hour. Time is everything, man is nothing: he is at the most time's carcass. — Karl Marx

The problem is no longer getting people to express themselves, but providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don't stop people from expressing themselves, but rather, force them to express themselves. What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, or ever rarer, the thing that might be worth saying. — Gilles Deleuze

As I am sure you know, when people say 'It's my pleasure,' they usually mean something along the lines of, 'There's nothing on Earth I would rather do less.' [ ... ] — Lemony Snicket

Humans are strange things. They have sex with each other; but are too ashamed to say sorry to one another, they see what they have when they've lost what they have; but not while they have it, they are the most proud on the outside during the times they are the most insecure on the inside, and they would rather die manipulating others than be brave enough to be honest. They can't even look in the mirror properly. All they see are their shells in the mirror; nothing else. — C. JoyBell C.

How differently would the world view Christians if we focused on our own failings rather than on society's? As I read the New Testament I am struck by how little attention it gives to the faults of the surrounding culture. Jesus and Paul say nothing about violent gladiator games or infanticide, both common practices among the Romans. In a telling passage, the apostle Paul responds fiercely to a report of incest in the Corinthian church. He urges strong action against those involved but quickly clarifies, "not at all meaning the people of this world. . . . What business is it of mine to judge those outside the church? Are you not to judge those inside? God will judge those outside. — Philip Yancey

Some of the subjects of Puppies and Babies may not identify as queer, but it doesn't matter: the installation queers them. By which I mean to say that it partakes in a long history of queers constructing their own families - be they composed of peers or mentors or lovers or ex-lovers or children or non-human animals - and that it presents queer family making as an umbrella category under which baby making might be a subset, rather than the other way around. It reminds us that any bodily experience can be made new and strange, that nothing we do in this life need have a lid crammed on it, that no one set of practices or relations has the monopoly on the so-called radical, or the so-called normative. — Maggie Nelson

Kiss her. Slowly, take your time, there's no place you'd rather be. Kiss her but not like you're waiting for something else, like your hands beneath her shirt or her skirt or tangled up in her bra straps. Nothing like that. Kiss her like you've forgotten any other mouth that your mouth has ever touched. Kiss her with a curious childish delight. Laugh into her mouth, inhale her sighs. Kiss her until she moans. Kiss her with her face in your hands. Or your hands in her hair. Or pulling her closer at the waist. Kiss her like you want to take her dancing. Like you want to spin her into an open arena and watch her look at you like you're the brightest thing she's ever seen. Kiss her like she's the brightest thing you've ever seen. Take your time. Kiss her like the first and only piece of chocolate you're ever going to taste. Kiss her until she forgets how to count. Kiss her stupid. Kiss her silent. Come away, ask her what 2+2 is and listen to her say your name in answer. — Azra Tabassum

This is what it
means to create: not to make something out of nothing, but to make order out of chaos. A creative scientist or historian does not make
up facts but orders facts; he sees connections between them rather than seeing them as random data. A creative writer does not
make up new words but arranges familiar words in patterns which say something fresh to us. — Harold S. Kushner

Every man waits his destined hour; even the cities are doomed to their fate. Let us spend our leisure with our books, which will take our minds off these troubles, and will teach us to despise what many people desire....sometimes I am free for reading, free from all care about public affairs...I live free as much as I can

-Freedom here has nothing to do with political libertyir a notion of rights or the licence to say whatever [Poggio] wished or the ability to go wherever [Poggio] chose. It is rather the experience of withdrawing inwardly from the press of the world - and ensphering himself in a space apart. — Poggio Bracciolini

There were times when an apology was best, she thought, even when one really had nothing to apologise for. If only people would say sorry sooner rather than later, Mma Ramotswe believed, much discord and unhappiness could be avoided. But that was not the way people were. So often pride stood in the way of apology, and then, when somebody was ready to say sorry, it was already too late. — Alexander McCall Smith

To kill deliberately is very wrong," said Chen Gong. "I would rather betray the world than let the world betray me," was Cao Cao's reply. Chen Gong could say nothing. — Luo Guanzhong

A moving wall of oxen advanced, and our mighty elephant himself was brought to a standstill. There was nothing to regret in this enforced halt, however, for a most curious spectacle was presented to our observations. A drove of four or five thousand oxen encumbered the road, and, as our guide had supposed, they belonged to a caravan of Brinjarees. "These people," said Banks, "are the Zingaris of Hindostan. They are a people rather than a tribe, and have no fixed abode, dwelling under tents in summer, in huts during the winter or rainy season. They are the porters and carriers of India, and I saw how they worked during the insurrection of 1857. By a sort of tacit agreement between the belligerents, their convoys were permitted to pass through the disturbed provinces. In fact, they kept up the supply of provisions to both armies. If these Brinjarees belong to one part of India more than to another, I should say it was Rajpootana, and perhaps more particularly the kingdom of Milwar. — Jules Verne

She felt something similar, but worse in a way, about hundreds and hundreds of books she'd read, novels, biographies, occasional books, about music and art - she could remember nothing about them at all, so that it seemed rather pointless even to say that she had read them; such claims were things people set great store by but she hardly supposed they recalled any more than she did. Sometimes a book persisted as a coloured shadow at the edge of sight, as vague and unrecapturable as something seen in the rain from a passing vehicle; looked at directly it vanished altogether. Sometimes there were atmospheres, even the rudiments of a scene; a man in an office looking over Regent's Park, rain in the street outside - a little blurred etching of a situation she would never, could never, trace back to its source in a novel she had read some time, she thought, in the past thirty years. — Alan Hollinghurst

The Resistance needs you. I need you. What do you say?" Jacob suddenly stood. He did not answer but rather cleared their dishes and washed them in the sink. "Your father doesn't see what we see," Avi said after a long silence, as if he knew exactly what Jacob was thinking. "You know that. You've heard us arguing. You've heard what he's said. He doesn't see it. That breaks my heart. But there's nothing more I can do about it. If he won't save himself, we're going to have to take matters into our own hands." "But if I join you, what will happen to them?" "I can't give you answers, Jacob," Avi replied. "I can't promise you they'll be safe. I hope they will be. But I don't really know. All I can do is tell you the truth, which is this: the moment of reckoning is at hand. I've made my choice. Now you must make yours. — Joel C. Rosenberg

So far you've spent your life striving to please others," she heard him say. "With a rather poor rate of success. Why don't you try pleasing yourself for a change? Why not live by your own rules? What has obeying the conventions ever gotten you?" Evie pondered the questions, and her breath hissed in pleasure as he found a particularly sore spot. "I like the conventions," she said after a moment. "There is nothing wrong with being an ordinary person, is there?" "No. But you're not ordinary - or you never would have come to me instead of marrying cousin Eustace." "I was desperate." "That wasn't the entire reason." His low voice sounded like a purr. "You also had a taste for the devil. — Lisa Kleypas

Max would rather say nothing to everyone than something to one person — Matthew Dicks

There was nothing ugly in the small, unprepossessing figure of this emancipated woman, but the expression on her face made a bad impression on the viewer. One felt inclined to ask: "What's the matter? Are you hungry? Bored? Afraid? Why so tense?" Just like Sitnikov, she was always anxious. She spoke and moved in a rather casual, though awkward,manner: she obviously considered herself a good-natured, simple creature; at the same time, no matter what she did, it always seemed that she didn't want to be doing that. Everything she did appeared to be done on purpose, as children say, that is, neither simply nor naturally. — Ivan Turgenev

But just understand the difference between a man like Reardon and a man like me. He is the old type of unpractical artist; I am the literary man of 1882. He won't make concessions, or rather, he can't make them; he can't supply the market. I
well, you may say that at present, I do nothing; but that's a great mistake, I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell, he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits. — George Gissing

Lacking strength beauty hates the understanding for asking of her what it cannot do but the life of spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself. It is this power, not as something positive, which closes its eyes to the negative as when we say of something that it is nothing or is false, and then having done with it, turn away and pass on to something else; on the contrary, spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. — Georg Wilhelm Friedrich Hegel

Mr. Langton one day asked him [Samuel Johnson] how he had acquired so accurate a knowledge of Latin, in which, I believe, he was exceeded by no man of his time; he said, 'My master whipt me very well. Without that, Sir, I should have done nothing.' He told Mr. Langton, that while Hunter was flogging his boys unmercifully, he used to say, 'And this I do to save you from the gallows.' Johnson, upon all occasions, expressed his approbation of enforcing instruction by means of the rod. 'I would rather (said he) have the rod to be the general terrour to all, to make them learn, than tell a child, if you do thus, or thus, you will be more esteemed than your brothers or sisters. The rod produces an effect which terminates in itself. A child is afraid of being whipped, and gets his task, and there's an end on't; whereas, by exciting emulation and comparisons of superiority, you lay the foundation of lasting mischief; you make brothers and sisters hate each other. — James Boswell

Don't say bad words; don't interrupt people; don't shove; don't steal; don't lie. To the child, all these prohibitions appear identical ("It's not nice"). The distinction between the ethical and the aesthetic will come only later, and gradually. Politeness thus precedes morality, or rather, morality at first is nothing more than politeness: a compliance with usage and its established rules, with the normative play of appearances - a compliance with the world and the ways of the world. — Andre Comte-Sponville

Malicious acts are performed by people for personal gain ... Sorcerers, though, have an ulterior purpose for their acts, which has nothing to do with personal gain. The fact that they enjoy their acts does not count as gain. Rather, it is a condition of their character. The average man acts only if there is a chance for profit. Warriors say they act not for profit but for the spirit. — Carlos Castaneda

Vedanta is the teaching of the Upanishads, a collection of dialogues, stories, and poems, some of which go back to at least 800 B.C. Sophisticated Hindus do not think of God as a special and separate super-person who rules the world from above, like a monarch. Their God is "underneath" rather than "above" everything, and he (or it) plays the world from inside. One might say that if religion is the opium of the people, the Hindus have the inside dope. What is more, no Hindu can realize that he is God in disguise without seeing at the same time that this is true of everyone and everything else. In the Vedanta philosophy, nothing exists except God. There seem to be other things than God, but only because he is dreaming them up and making them his disguises to play hide-and-seek with himself. — Alan W. Watts

Alaric waited. It's a good enough trick. Say nothing and men feel compelled to fill the silence, even if it's with things they would rather have kept secret. It's a good enough trick, but I know it and I said nothing. — Mark Lawrence

It's now very common to hear people say, 'I'm rather offended by that.' As if that gives them certain rights. It's actually nothing more ... than a whine. 'I find that offensive.' It has no meaning; it has no purpose; it has no reason to be respected as a phrase. 'I am offended by that.' Well, so fucking what.
[I saw hate in a graveyard
Stephen Fry, The Guardian, 5 June 2005] — Stephen Fry

As an atheist, I see nothing "wrong" in believing in a God. I don't think there is a God, but belief in him does no harm. If it helps you in any way, then that's fine with me. It's when belief starts infringing on other people's rights when it worries me. I would never deny your right to believe in a God. I would just rather you didn't kill people who believe in a different God, say. Or stone someone to death because your rulebook says their sexuality is immoral. It's strange that anyone who believes that an all-powerful all-knowing, omniscient power responsible for everything that happens, would also want to judge and punish people for what they are. — Ricky Gervais

What should we do?, I asked, and I had a pained feeling I thought was the beginning of love.
In those early months we clung to each other with a rather silly desperation, because, in spite of everything my mother or Mrs Jordan could say, there was nothing that really prevented us from seeing each other. With imagined tragedy hovering over us, we became inseparable, two halves creating the whole: yin and yang. I was victim to his hero. I was always in danger and he was always rescuing me. I would fall and he would lift me up. It was exhilarating and draining. The emotional effect of saving and being saved was addicting to both of us. And that, as much as anything we ever did in bed, was how we made love to each other: conjoined where my weaknesses needed protection. — Amy Tan

Francis began the actual illumination of the lambskin. The intricacies of scrollwork and the excruciating delicacy of the gold-inlay work would, because of the brevity of his spare-project time, make it a labor of many years; but in a dark sea of centuries wherein nothing seemed to flow, a lifetime was only brief eddy, even for the man who lived it. There was a tedium of repeated days and repeated seasons; then there were aches and pains, finally Extreme Unction, and a moment of blackness at the end-or at the beginning, rather. For then the small shivering soul who had endured the tedium, endured it badly or well, would find itself in a place of light, find itself absorbed in the burning gaze of infinitely compassionate eyes as it stood before the Just One. And then the King would say: "Come," or the King would say: "Go," and only for that moment had the tedium of years existed. It would be hard to believe differently during such an age as Francis knew. — Walter M. Miller Jr.

She is still a bundle of engaging possibilities rather than a finished picture. Of the mother there is nothing to say, for that excellent lady evidently requires familiar surroundings to bring out such small individuality as she possesses. In the unfamiliar she becomes invisible; and Longlands and she will never be visible to each other. — Edith Wharton

All too often people say to artists, 'To be an artist is fine if your art can be used for evangelism.' And art has often become a tool for evangelism. But let's be precise. As such there is nothing against this. But we must be aware that art cannot be used to show the validity of Christianity; it should rather be the reverse. Christianity is true; things and actions and human endeavor only get their meaning from their relationship to God; if Christ came to make us human, the humanity and the reality of art find their foundation in him. So art should not be used to preach even if it can help. Yet there is another way that art can be or is meaningful. — H.R. Rookmaaker

If we present a man with a concept of man which is not true, we may well corrupt him. When we present man as an automaton of reflexes, as a mind-machine, as a bundle of instincts, as a pawn of drives and reactions, as a mere product of instinct, heredity and environment, we feed the nihilism to which modern man is, in any case, prone.
I became acquainted with the last stage of that corruption in my second concentration camp, Auschwitz. The gas chambers of Auschwitz were the ultimate consequence of the theory that man is nothing but the product of heredity and environment; or as the Nazi liked to say, 'of Blood and Soil.' I am absolutely convinced that the gas chambers of Auschwitz, Treblinka, and Maidanek were ultimately prepared not in some Ministry or other in Berlin, but rather at the desks and lecture halls of nihilistic scientists and philosophers. — Viktor E. Frankl

I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories. — Jamie Bell

How does one know if she has forgiven? You tend to feel sorrow over the circumstance instead of rage, you tend to feel sorry for the person rather than angry with him. You tend to have nothing left to say about it all. — Clarissa Pinkola Estes

Over and over and with the least provocation, they pulled from their stock of stories tales about the old folks, their grands and great-grands; their fathers and mothers. Dangerous confrontations, clever manoeuvres. Testimonies to endurance, wit, skill and strength. Tales of luck and outrage. But why were there no stories to tell of themselves? About their own lives they shut up. Had nothing to say, pass on. As though past heroism was enough of a future to live by. As though, rather than children, they wanted duplicates. — Toni Morrison

Sentimental Humanitarianism: A Dangerous Temptation Gregg argues that sentimental humanitarianism: Reduces most debates to exchanges of feelings. Common responses to disagreements are "you can't say that" or "that's hurtful" or "that offends me." But in quoting British novelist Ian McEwan, Gregg says there is nothing virtuous about being offended. Is naive of human nature. It assumes everyone is of good will. Rather, Gregg says we have to acknowledge that there are some groups of people in which rational conversation is not possible. Doesn't take free choice seriously. It claims all evil emanates from bad education and unjust structures, but this is hardly the full story. Evil is a free choice of each individual, and Gregg says it's not something that can be explained away by the fact that someone is wealthier than — Anonymous

There is a hole in the universe.
It is not like a hole in a wall where a mouse slips through, solid and crisp and leading from somewhere to someplace. It is rather like a hole in the heart, an amorphous and edgeless void. It is a heartfelt absence, a blank space where something is missing, a large and obvious blind spot in our understanding of the universe.
That missing something, strange to say, is a grasp of nothing itself. Understanding nothing matters, because nothing is the all-important background upon which everything else happens. — K.C. Cole

For my own part, I have never ceased to rejoice that God has appointed me to such an office. People talk of the sacrifice I have made in spending so much of my life in Africa. Is that a sacrifice which brings its own blest reward in healthful activity, the consciousness of doing good, peace of mind, and a bright hope of a glorious destiny hereafter? Away with the word sacrifice. Say rather it is a privilege. Anxiety, sickness, suffering, or danger, now and then, with a foregoing of the common conveniences and charities of this life, may make us pause, and cause the spirit to waver, and the soul to sink; but let this only be for a moment. All these are nothing when compared with the glory which shall be revealed in and for us. I never made a sacrifice. — David Livingstone

Isn't it worth taking a chance? I never thought so in the past, but i can honestly say now that i'd rather have a few minutes of extraordinary with you than a lifetime of nothing special without you. — Kimberly Raye

He's quite a bit of a snob, you know, and when he hears I'm going to marry the daughter of an earl - "
"I say, old man," I couldn't help saying, "aren't you looking ahead rather far?"
"Oh, that's all right. It's true nothing's actually settled yet, but she practically told me the other day she was fond of me."
"What!"
"Well, she said that the sort of man she liked was the self-reliant, manly man with strength, good looks, character, ambition, and initiative."
"Leave me, laddie," I said. "Leave me to my fried egg. — P.G. Wodehouse

Left and Right are monolithic ideas - colossal, abstract, and, as their religious origins suggest, cosmic. They are part of the darker side of humanity that replaces the specific with the general, the personal with the impersonal. If you wanted to find a way of making certain that people would have as little as possible in common, there would be no better way than to divide them, not into ten or three or four, but into two. Dual division turns the largest possible sections of humanity against one another, often causing neighbors and compatriots to have nothing to say to one another. No regeneration of community can begin without a careful demolition of Left and Right; nor can this tearing down be relinquished to academic abstraction, technical philosophy, government, corporations, or ideology. Nothing can be built without a new politics - least of all with a politics that refers outward to ideas of Heaven and Hell rather than inward to the experience of daily life. — Hugh Graham

In going where you have to go, and doing what you have to do, and seeing what you have to see, you'll dull and blunt the instrument you write with. But I would rather have it bent and dull and know I had to put it to the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well-oiled in the closet, but unused. — Ernest Hemingway,

Oh yes," said Randolph stretching his legs , lighting a mentholated cigarette, "do not take it seriously, what you see here: it's only a joke played on myself by myself ... it amuses and horrifies ... a rather gaudy grave, you might say. There is no daytime in this room, or night, the seasons are changeless here, and the years, and when I die, if indeed I haven't already, then let me be dead drunk and curled, as in my mother's womb, in the warm blood of darkness. Wouldn't that be an ironic finale for one who, deep in his goddamned soul, sought sweetly the clean-limbed life? bread and water, a simple roof to share with some beloved, nothing more. — Truman Capote

At this juncture it is important to say something about Exodus 12:7. This verse implies that we are dealing with a ritual that did not involve atoning for sin, but rather was a rite of protection for God's people, a different though not unrelated matter. It involved a blood ritual to avoid God's last blow against the firstborn. Thus Passover and atonement were not originally associated, though apparently by Jesus' day there were some such associations. Notice that nothing at all is said or suggested here about Israel's sin, or about forgiveness. This ceremony is more like an insurance policy. Yes, the blood is to avert divine wrath, but it is not wrath against Israel's particular sins. In this case they simply happened to be too close to the danger zone, or in the line of fire. We must assume that this blood ritual arose before there even was a fully formed priesthood, for it is highly unusual to have such a ritual without any mention of involvement of priests. — Ben Witherington III

If you're looking at a blank piece of paper and nothing comes to you, then go do something else. Writer's block is just a symptom of feeling like you have nothing to say, combined with the rather weird idea that you should feel the need to say something. — Hugh MacLeod

The question about the page is: what is beneath it? It seems to have only two dimensions, you can pick it up and turn it over and the back is the same as the front. Nothing, you say, disappointed.
But you were looking in the wrong place, you were looking on the back instead of beneath. Beneath the page is another story. Beneath the page is a story. Beneath the page is everything that has ever happened, most of which you would rather not hear about.
The page is not a pool but a skin, a skin is there to hold in and it can feel you touching it. Did you really think it would just lie there and do nothing?
Touch the page at your peril: it is you who are blank and innocent, not the page. Nevertheless you want to know, nothing will stop you. You touch the page, it's as if you've drawn a knife across it, the page has been hurt now, a sinuous wound opens, a thin incision. Darkness wells through. — Margaret Atwood

It's like a 'Fragile' sticker's on my forehead, and instead of taking a chance and saying something that might break me, they'd rather say nothing at all. But the silence is worst. — Angie Thomas

She opened her eyes and looked into his rather intensely.
"What?" Alex asked.
"This cannot be."
"What can't be?" Alex asked her, more bafflement in his voice this time.
"I have been reading people all my life. I can even read cats and dogs. I've been doing it all my life and i've been here longer than the two of you put together."
"And?" Alex wanted to get to the point. Whatever the truth may be, he just wanted to hear it, wanted it on the table before them so he could get this over with and they can go home.
"AND ... you are the first person that has nothing for me to see."
"And here I was hoping you'd say I'd win the lottery or get married to a supermodel or something." Alex said, starting to laugh.
"You don't understand. I don't see anything, anything at all. There is nothing to you, nothing but what I see before me."
"So ... what does that mean?"
"It means you don't exist. — J.C. Joranco

They say there's nothing inside but emptiness,' Maureen told me later. I made no comment, but filled in by kissing her hair or something of the kind. Maureen had at that time rather droopy hair, possibly owing to lack of vitamins during the war, which she kept off her brow with a big tortoiseshell slide. Her brow was really beautiful, and so were her eyes. They had that gentle look of being unequal to life, which, as I later realised, always attracts me in a woman. — Robert Aickman

Naturalism is the view that the physical world is a self-contained system that works by blind, unbroken natural laws. Naturalism doesn't come right out and say there's nothing beyond nature. Rather, it says that nothing beyond nature could have any conceivable relevance to what happens in nature. Naturalism's answer to theism is not atheism but benign neglect. People are welcome to believe in God, though not a God who makes a difference in the natural order. — William A. Dembski

Let's say (since in writing a book one has to say something) that reality or existence is a multidimensional and interwoven system of varying spectra of vibrations, and that man's five senses are attuned only to very small bands of these spectra. That sounds very profound and may mean nothing at all, but in reading it one should attend to the sound of the words rather than their meaning. Then you will get my point. — Alan W. Watts

No human investigation can be called real knowledge if it does not pass through mathematical demonstrations; and if you say that the kinds of knowledge that begin and end in the mind have any value as truth, this cannot be conceded, but rather must be denied for many reasons, and first of all because in such mental discussions there is no experimentation, without which nothing provides certainty of itself. — Leonardo Da Vinci