Rage Movie Quotes & Sayings

None of it made any sense to her - the deceit, the betrayal, the sheer chutzpah of it. Like something from a movie. Who in real life acted this way? But then she remembered this had happened in India, and India was not real life. The most heartbreaking, most desperate, most bizarre stories she had ever heard all came from India. Every story was epic; every emotion was exaggerated; every action was melodramatic. Desperate love, mad obsessions, outbursts of rage, bizarre self sacrifice, self immolation. Young women eat rat poison, jumping off buildings, or burning themselves alive. Young men throwing themselves onto railroad tracks in the path of oncoming trains. And all this self destruction over issues that in the West would be solved by a simple elopement or estrangement from one's parents or a move to a different city. — Thrity Umrigar

A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved. — Josh Radnor

You know what this is?" Lula said. "This here's plane rage."
Plane rage isn't allowed. It got taken off the allowed activities list along with eating. If you make a scene they'll hual you off in leg irons." Stephanie said.
I'm tired of being stapped in here, too," Lula said. "This seat belt's too tight and it's giving me gas."
Anything else?"
There's no movie. — Janet Evanovich

Nobody knew what he knew. The whirl of time, the true life inside him. This was his leverage, his only control. He watched his mother browning the flour, her hands rising sticky-white from the heavy-bottomed pan. He ran messages to steamship lines. He lay near sleep, falling into reverie, the powerful world of Oswald-hero, guns flashing in the dark. The reverie of control, perfection of rage, perfection of desire, the fantasy of night, rain-slick streets, the heightened shadows of men in dark coats, like men on movie posters. The dark had a power. — Don DeLillo

It's good to be able to deal with it [anger] somehow other than drinking, fighting, crashing cars, hitting your kid, your wife, your husband, your whatever. Paintbrushes, pens, movie cameras, guitars, microphones, typewriters
these are good things. Weights. These are positive ways, good ways to deal with anger, frustration, alienation, rage. 'Cause all the other ways do nothing but hurt people. — Henry Rollins

In truth, "Extremely Loud & Incredibly Close" isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage. — Manohla Dargis