Question Your Character Quotes & Sayings

Men of energy of character must have enemies; because there are two sides to every question, and taking one with decision, and acting on it with effect, those who take the other will of course be hostile in proportion as they feel that effect. — Thomas Jefferson

People who don't pay attention to the question of justification are often rather uninteresting, in my opinion. I am most fascinated by characters who struggle with the demands of justification. — Martin Walser

Suddenly, another set of words appeared. What is your character's name? Rob stared at the question. Character? What character? Annoyed, he swiped at the words, but they only wiggled a little and stayed in place. He did this several times to no avail. The question remained. "What the hell?" he said. The prompt changed. Your character's name is What The Hell. Keep this name? "No," Rob said with frustration. He just wanted to move, not answer moronic floating questions. The — Adam Drake

The question now is: Can we understand our stupidity? This is a test of intellect, not of character. — John K. Fairbank

A failing grade does not denounce a child to fail in life. An IQ is what I would call an 'inadequate question', it may state our brain capacity or tell us how smart we are, but it does not predict our future. Happy Character Traits and positive Reinforcements will help a child succeed better than a number that means nothing — Davis Carlson

Discussing the character of Elizabeth Bennet in Pride and Prejudice is a matter of content (of 'what?'), whereas examining Jane Austen's techniques of characterisation is a question of form (or 'how?'). Some may find these fine distinctions scholastic, but then some find any fine distinctions scholastic. — Terry Eagleton

I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all, I want people to question the old standard practices of, 'This is how the structure of something should work,' or, 'This is how a character must behave.' — Tim Heidecker

Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative. — Romola Garai

If the great American people will only keep their temper, on both sides of the line, the troubles will come to an end, and the question which now distracts the country will be settled just as surely as all other difficulties of like character which have originated in this government have been adjusted. — Abraham Lincoln

... Mrs. Warren allowed her book to fall closed upon her lap, and her attractive face awakened to an expression of agreeable expectation, in itself denoting the existence of interesting and desirable qualities in the husband at the moment inserting his latch-key in the front door preparatory to mounting the stairs and joining her. The man who, after twenty-five years of marriage, can call, by his return to her side, this expression to the countenance of an intelligent woman is, without question or argument, an individual whose life and occupations are as interesting as his character and points of view. — Frances Hodgson Burnett

Some have said that the power of a Redeemer would depend upon two things: first, upon the richness of the self that was given; and second, upon the depths of the giving. Friend and foe alike are agreed on the question of the character of Jesus Christ. — E. Stanley Jones

The arbitrary character of patriarchal ascriptions of temperament and role has little effect upon their power over us. Nor do the mutually exclusive, contradictory, and polar qualities of the categories "masculine" and "feminine" imposed upon human personality give rise to sufficiently serious question among us. Under their aegis each personality becomes little more, and often less than half, of its human potential. Politically, the fact that each group exhibits a circumscribed but complementary personality and range of activity is of secondary importance to the fact that each represents a status or power division. In the matter of conformity patriarchy is a governing ideology without peer; it is probably that no other system has ever exercised such a complete control over its subjects. — Kate Millett

The best single question for testing an organization's character is: What happens when people make mistakes? — Robert I. Sutton

My writing isn't actually guided by issues. I know it seems that way, but I don't sit down and think, Oh, there's this issue I'm bothered about. I only write about things that directly impact my life. When I write, there's a pain that I have to reach, and a release I have to work toward for myself. So it's really a question of the particular emotional circumstance that I want to express, a character that appears, a moment in time, and then I write the play backwards. — Paula Vogel

If in some cases a bit of a nautical Murat in setting forth his person ashore, the Handsome Sailor of the period in question evinced nothing of the dandified Billy-be-Dam, an amusing character all but extinct now, but occasionally to be encountered, and in a form yet more amusing than the original, at the tiller of the boats on the tempestuous Erie Canal or, more likely, vaporing in the groggeries along the towpath. — Herman Melville

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do. — Bruce Miller

One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story. — Roger Zelazny

Remarks on My Character
Waving a flag I retreat a long way beyond
any denial, all the way over the scorched earth,
and come into an arching grove of evasions,
onto those easy paths, one leading to another
and covered ever deeper with shade: I'll never
dare the sun again, that I can promise.
It is time to practice the shrug: "Don't count on
me." Or practice the question that drags its broken
wing over the ground and leads into the swamp
where vines trip anyone in a hurry, and a final
dark pool waits for you to stare at yourself
while shadows move closer over your shoulder.
That's my natural place; I can live where the blurred
faces peer back at me. I like the way
they blend, and no one is ever sure itself
or likely to settle in unless you scare off
the others. Afraid but so deep no one can follow,
I steal away there, holding my arms like a tree. — William Stafford

Americanism is a question of principle, of idealism, of character. It is not a matter of birthplace, or creed, or line of descent. — Theodore Roosevelt

Science fiction, as a genre is fundamentally about ideas. It's about asking an impossible question, "What if...?" and building a story out of the answer.

Romance on the other hand, is fundamentally about relationships. The hypothetical romance transposed to the past could be rewritten without the futuristic elements and still work as a story, which is something that can't happen with SF. It works in romance, because the story is the relationship and that depends on character, not setting.

Lots of books take elements from multiple genres, and there are elements that put them into one genre or another, but setting isn't a key determinant. — Dave Robinson

I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question. — Robert Wyatt

There's no question how strong you are." Gabe rested his fingers on her shoulders and pressed into the tight muscles. She didn't push him away. "But being strong doesn't mean you have to be alone. — Kishan Paul

the exploiter asks of a piece of land only how much and how quickly it can be made to produce, the nurturer asks a question that is much more complex and difficult: What is its carrying capacity? (That is: How much can be taken from it without diminishing it? What can it produce dependably for an indefinite time?) The exploiter wishes to earn as much as possible by as little work as possible; the nurturer expects, certainly, to have a decent living from his work, but his characteristic wish is to work as well as possible. The competence of the exploiter is in organization; that of the nurturer is in order - a human order, that is, that accommodates itself both to other order and to mystery. The exploiter typically serves an institution or organization; the nurturer serves land, household, community, place. The exploiter thinks in terms of numbers, quantities, "hard facts"; the nurturer in terms of character, condition, quality, kind. — Gregory Pence

It's not our place to question God's will, and it is clearly God's will that the two of us become man and wife." It's a testament to my fine character that I don't smash that Bible right into his nose. "You wouldn't know God's will if it tipped its hat and said howdy. — Rae Carson

Once upon a time, our problem was guilt: the feeling that you have made a mistake, with reference to something forbidden. This was felt as a stain on one's character. Ehrenberg suggests the dichotomy of the forbidden and the allowed has been replaced with an axis of the possible and the impossible. The question that hovers over your character is no longer that of how good you are, but of how capable you are, where capacity is measured in something like kilowatt hours - the raw capacity to make things happen. With this shift comes a new pathology. The affliction of guilt has given way to weariness - weariness with the vague and unending project of having to become one's fullest self. We call this depression. — Matthew B. Crawford

I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out. — Hugh Laurie

If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask. — Charlie Cox

Remember ...
Keystrokes are hammer taps. Get words on paper. Don't worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don't make up your mind or your heart ahead of time. Understand you don't know what you're doing. That's why you're here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don't stop. Don't question. Don't quit. Don't stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer's block is merely the cold marble waiting for the chisel to heat up. — Bob Thurber

There is no better rule to try a doctrine by than the question, Is it merciful, or is it unmerciful? If its character is that of mercy, it has the image of Jesus, who is the way, the truth, and the life. — Hosea Ballou

When I was dancing, whether it was the music or the story, the question was 'Why am I doing this piece, and why am I dancing?' It is exactly the same when you are acting. You have a very close relationship with your body movement. You have to find the physicality of your character. — Sofia Boutella

What is meditation? It is not your character, it is not what you do. It is what you are. It is not the character, it is the consciousness that you bring to whatsoever you do. The doing is irrelevant. Whether you are doing it consciously or not is the question, whether moral or immoral. Are you alert? If you are alert, meditation happens. If you are not alert, you live in sleep. — Rajneesh

If you are inclined to leave your character solitary for any considerable length of time, better question yourself. Fiction is association, not withdrawal. — Alfred Bertram Guthrie

On the question - which is more important for a story-plot or character. "It's a bit like asking whether your need your left or right leg. Maybe you have a preference, maybe one is stronger (for you) but really, you need both." (on Facebook) — Jeanette O'Hagan

Your responsibility is to not question God's actions or what looks like a lack of action. Your obligation is to count on God's character. — Jim George

It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it ... and making it seem like everything is limitless. That usually helps a lot. — Emma Roberts

When a plane crashes and some die while others live, a skeptic calls into question God's moral character, saying that he has chosen some to live and others to die on a whim; yet you say it is your moral right to choose whether the child within you should live or die. Does that not sound odd to you? When God decides who should live or die, he is immoral. When you decide who should live or die, it's your moral right. — Ravi Zacharias

Persuasion is achieved by the speaker's personal character when the speech is so spoken as to make us think him credible. We believe good men more fully and more readily than others: this is true generally whatever the question is, and absolutely true where exact certainty is impossible and opinions are divided. — Aristotle.

From what deep springs of character our personal philosophies issue, we cannot be sure. In philosophers themselves we seem always able to notice some deep internal correspondence between the man and his philosophy. Are our philosophies, then, merely the inevitable outcome of the body of fate and personal circumstance that is thrust upon each of us? Or are these beliefs the means by which we freely create ourselves as the persons we become? Here, at the very outset, the question of freedom already hovers in the background. — William Barrett

To fit in with the change of events, words, too, had to change their usual meanings. What used to be described as a thoughtless act of aggression was now regarded as the courage one would expect to find in a party member; to think of the future and wait was merely another way of saying one was a coward; any idea of moderation was just an attempt to disguise one's unmanly character; ability to understand a question from all sides meant that one was totally unfitted for action. Fanatical enthusiasm was the mark of a real man, and to plot against an enemy behind his back was perfectly legitimate self-defence. Anyone who held violent opinions could always be trusted, and anyone who objected to them became a suspect. — Thucydides

So do I wish I was to be king? That is not a question I ask myself. I ask myself, Would I be a good king? Would I be quick witted and generous of spirit and full of that boundless energy? Or would I be clumsy and stupid and dulled by my own prejudices? I try to be a good man, since I am alive at all, and hope that that teaches me what I would need to know if I was ever faced with a higher challenge. — Sharon Shinn

An increased power of reflection like an increased knowledge only adds to man's affliction, and above all it is certain that for the individual as for the generation no task is more difficult than to escape from the temptations of reflection, simply because they are so dialectical and the result of one clever discovery may give the whole question a new turn, because at any moment reflection is capable of explaining everything quite differently and allowing one some way of escape; because at the last moment of a reflective decision reflection is capable of changing everything
after one has made far greater exertions than are necessary to get a man of character into the midst of things. — Soren Kierkegaard

These two qualities of leadership [Integrity and Sincerity] were part of God's law's for the Israelites (Deuteronomy 18:13). God wants His people to show a transparent character, open and innocent of guile.
A prominent businessman once replied to a question: "If I had to name the one most important quality of a top manager, I would say personal integrity." Surely the spiritual leader must be sincere in promise, faithful in discharge of duty, upright in finances, loyal in service, and honest in speech. — J. Oswald Sanders

The habit of doubt; of distrusting his own judgment and of totally rejecting the judgment of the world; the tendency to regard every question as open; the hesitation to act except as a choice of evils; the shirking of responsibility; the love of line, form, quality; the horror of ennui; the passion for companionship and the antipathy to society
all these are well-known qualities of New England character in no way peculiar to individuals but in this instance they seemed to be stimulated by the fever, and Henry Adams could never make up his mind whether, on the whole, the change of character was morbid or healthy, good or bad for his purpose. — Henry Adams

Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away. — J. Maarten Troost

Did you notice that trials do not test our character, they test our faith? Faith is fundamentally a relational term - it is not first a matter of what you believe, but of whom you trust. The battle for our trust is as old as Adam and Eve. In the midst of battle, it can seem so complex, but when the dust settles and the smoke clears, the real war is always over the same question - whom will we believe? Whom will we listen to, God or the devil? — Kris Vallotton

That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don't meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn't be dictated by whether we want to be friends or lovers with those about whom we read. — Roxane Gay

One salutary development in recent ethical theorizing is the widespread recognition that no short argument will serve to eliminate any of the major metaethical positions. Such theories have to weave together views in semantics, epistemology, moral psychology and metaphysics. The comprehensive, holistic character of much recent theorizing suggests the futility of fastening on just a single sort of argument to refute a developed version of realism or antirealism. No one any longer thinks that ethical naturalism can be undermined in a single stroke by the open question argument, or that appeal to the descriptive semantics of moral discourse is sufficient to refute noncognitivism. — Russ Shafer-Landau

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

The barometer for judging the character of people, in regard human rights, is now those who consider themselves gay, homosexual, lesbian. The judgment as to whether you can trust the future, the social advancement - depending on people - will be judged on where they come out on that question. — Bayard Rustin

I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs. — Mel Brooks

Your character is your destiny. Building character is a task for the brave and dedicated. There are no shortcuts when it comes to building character. If you wish to cure minimalism in your own life, to develop a complete commitment to excellence and an absolute rejection of mediocrity, the question you need to start asking yourself is, "What is the most I can do?" — Matthew Kelly

Experience serves to prove that the worth and strength of a state depend far less upon the form of its institutions than upon the character of its men; for the nation is only the aggregate of individual conditions, and civilization itself is but a question of personal, improvement. — Samuel Smiles

Take things more easily. Don't ask yourself so much whether this or that is good for you. Don't question your conscience so much - it will get out of tune, like a strummed piano. Keep it for great occasions. Don't try so much to form your character - it's like trying to pull open a rosebud. Live as you like best, and your character will form itself. — Henry James

The question you'll need to ask yourself as your heart is filled with fear is: "Do you know God's heart?" Do you know Him that intimately? Do you trust Him with all of your heart, instead of leaning unto your own understanding? Most of us don't, especially when life is falling apart at the seams. If you want to know God's heart, if you want to trust Him and have the kind of peace that comes with that, you're going to have to read His word. The Bible is His voice and it reveals His character. — Cherie Hill

As one digs deeper into the national character of the Americans, one sees that they have sought the value of everything in this world only in the answer to this single question: how much money will it bring in? — Alexis De Tocqueville

All these boundaries - Africa, Asia, Malaysia, America - are set by men. But you don't have to look at boundaries when you are looking at a man - at the character of a man. The question is: What do you stand for? Are you a follower, or are you a leader? — Hakeem Olajuwon

I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character. — Guy Ritchie

Character has more effect than anything else. Let a number of loud-talking men take up a particular question, and one man of character, of known integrity and beauty of soul, will outweigh them all in his influence. — Edwin Hubbel Chapin

What used to be described as a thoughtless act of aggression was now regarded as the courage one would expect to find in a party member; to think of the future and wait was merely another way of saying one was a coward; any idea of moderation was just an attempt to disguise one's unmanly character; ability to understand a question from all sides meant that one was totally unfitted for action. — Thucydides

TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?. — Hal Hartley

I looked down at my phone and saw another text from John.
-Disney character you would sleep with?
I smiled at that one. It was a silly question, but I answered it truthfully.
-Peter Pan. I've always had a thing for the boys that never wanted to grow up.
-Ouch. I hope that wasn't aimed at me. Because I'm a fan of Belle from Beauty and the Beast.Brunette and doesn't mind a guy that's an animal? Hell yeah.
wait for you — J. Lynn