Quotes & Sayings About Pushing Through To The End

In general, I start with an idea and a general gist of how I want the story to end, and I let the characters write through me. Research along the way informs my characters of where they must go and what they must do when they get there. Fate and Chance have roles, too, pushing the characters out of their comfort zone and into circumstances where they must either grow, or die. Well. Grow or get really uncomfortable. (My stories thus far are not THAT heavy.) — Kristi Cramer

When a body is acted upon by external forces besides its weight it tips over on one side of the base if the (so-called) weight (vector) acts along a line through the so-called center-of-mass that intersects the supporting surface outside the base of the body; in the case of a stable equilibrium, the weight vector points inside the base, in the case of an unstable equilibrium it points exactly toward the tilting edge of the base, "tilting edge of the base" underlined. We always went to far, so Roithamer, so we were always pushing toward the extreme limit. But we never thrust ourselves beyond it. Once I have thrust myself beyond it, it's all over, so Roithamer, "all" underlined. We're always set toward the predetermined moment, "predetermined moment" underlined. When that moment has come, we don't know that it has come, but it is the right moment. We can exist at the heighest degree of intensity as long as we live, so Roithamer (June 7). The end is no process. Clearing. — Thomas Bernhard

[Olive's] left foot was bleeding through a wide swath of bandages onto the tarp it was resting on. The bowl next to her was full of blood.
Olive looked a little pale. "I don't think I should move," she said.
"What are you doing?" Roger shut the door behind him and stood with his back to it.
"I decided I might try to eat my toes," Olive said, closing her eyes. "But now that I've started, I don't think I should move."
Roger pushed himself off the wall and knelt down next to her. He unbuckled her silver belt and reached with it under her dress. He looped the belt around the top of her leg and tightened it. His hands were not shaking.
"Sit on the loose end," he said, pushing it under her. "I hope that works."
"You brought flowers," she said, blinking.
"Olive," he said. "You cut off your toes."
She looked down at the bowl. "Are they still toes?" she asked. — Amelia Gray

You will be the first test subject, Tobias. Beatrice, however ... " She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting."
I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes.
"No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die."
"I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly.
Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end. — Veronica Roth

Your sense of paralysis will be intensified if your family and friends are in the habit of pushing and cajoling you. Their nagging should statements reinforce the insulting thoughts already echoing through your head. Why is their pushy approach doomed to failure? It's a basic law of physics that for every action there's an equal and opposite reaction. Any time you feel shoved, whether by someone's hand actually on your chest or by someone trying to boss you around, you will naturally tighten up and resist so as to maintain your equilibrium and balance. You will attempt to exert your self-control and preserve your dignity by refusing to do the thing that you are being pushed to do. The paradox is that you often end up hurting yourself. — David D. Burns