Proust Death Quotes & Sayings

It has been said that the world of Proust was a world without a god. If that is true, it is not because God is
never spoken of, but because the ambition of this world is to be absolute perfection and to give to eternity
the aspect of man. Time Regained, at least in its aspirations, is eternity without God. Proust's work, in this
regard, appears to be one of the most ambitious and most significant of man's enterprises against his
mortal condition. He has demonstrated that the art of the novel can reconstruct creation itself, in the form
that it is imposed on us and in the form in which we reject it. In one of its aspects, at least, this art consists
in choosing the creature in preference to his creator. But still more profoundly, it is allied
to the beauty of the world or of its inhabitants against the powers of death and oblivion. It is in this way
that his rebellion is creative — Albert Camus

No doubt, having developed the habit, out of idleness, of each day putting off my work until the day after, I thought that death could be dealt with in the same way. — Marcel Proust

This malady which Swann's love had become had so proliferated, was so closely interwoven with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he hoped for after his death, was so utterly inseparable from him, that it would have been impossible to eradicate it without almost entirely destroying him; as surgeons say, his love was no longer operable. — Marcel Proust

What we feel is the only thing that exists for us, and we project it into the past, into the future, without letting ourselves be stopped by the fictitious barriers of death. — Marcel Proust

Within five minutes of leaving the reunion, I'd undone the double wrapping and eaten all six rugelach, each a snail of sugar-dusted pastry dough, the cinnamon-lined chambers microscopically studded with midget raisins and chopped walnuts. By rapidly devouring mouthful after mouthful of these crumbs whose floury richness - blended of butter and sour cream and vanilla and cream cheese and egg yolk and sugar - I'd loved since childhood, perhaps I'd find vanishing from Nathan what, according to Proust, vanished from Marcel the instant he recognized "the savour of the little madeleine": the apprehensiveness of death. "A mere taste," Proust writes, and "the word 'death' ... [has] ... no meaning for him." So, greedily I ate, gluttonously, refusing to curtail for a moment this wolfish intake of saturated fat, but, in the end, having nothing like Marcel's luck. — Philip Roth

To think that I have wasted years of my life, that I have longed for death, that the greatest love that I have ever known has been for a woman who did not please me, who was not in my style! PLACE-NAMES: — Marcel Proust

Ever since the days when such formidable mediocrities as Galsworthy, Dreiser, Tagore, Maxim Gorky, Romain Rolland and Thomas Mann were being accepted as geniuses, I have been perplexed and amused by fabricated notions about so-called "great books." That, for instance, Mann's asinine "Death in Venice," or Pasternak's melodramatic, vilely written "Dr. Zhivago," or Faulkner's corn-cobby chronicles can be considered "masterpieces" or at least what journalists term "great books," is to me the sort of absurd delusion as when a hypnotized person makes love to a chair. My greatest masterpieces of twentieth century prose are, in this order: Joyce's "Ulysses"; Kafka's "Transformation"; Bely's "St. Petersburg," and the first half of Proust's fairy tale, "In Search of Lost Time. — Vladimir Nabokov

With ardent sadness he contemplated the scene of his death for a long time, endlessly revising it like a work of art and surrounding it with images of this world, images that still imbued his thoughts, but that, already slipping away from him in his gradual departure, became vague and beautiful. — Marcel Proust

Our love of life is only an old liaison of which we do not know how to rid ourselves. Its strength lies in its permanence. But death which severs it will cure us of the desire for immortality. — Marcel Proust

When a belief vanishes, there survives it
more and more vigorously so as to cloak the absence of the power, now lost to us, of imparting reality to new things
a fetishistic attachment to the old things which it did once animate, as if it was in them and not in ourselves that the divine spark resided, and as if our present incredulity had a contingent cause
the death of the gods. — Marcel Proust

The suppression of suffering? Can I really have believed it, have believed that death merely strikes out what exists, and leaves everything else in its place, that it removes the pain from the heart of him for whom the other's existence has ceased to be anything but a source of pain, that it removes the pain and puts nothing in its place? The suppression of pain! — Marcel Proust

He now looked death in the face and no longer beheld the scenes that would surround his death. He wanted to remain like that until the end, no longer prey to his lies, which, by trying to bring him a beautiful and wonderful agony, would have added the last straw to his profanations by soiling the mysteries of his death just as it had concealed from him the mysteries of his life. — Marcel Proust

The Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object and so effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognized their voices the spell is broken. We have delivered them: they have overcome death and return to share our life. — Marcel Proust

Alix bore the blow without flinching. A block of marble. Her gaze was piercing and blank, her nose nobly arched. But one cheek was flaking. A hint of strange green and pink vegetation was invading her chin. Another winter perhaps would lay her low. — Marcel Proust

We enjoy lovely music, beautiful paintings, a thousand intellectual delicacies, but we have no idea of their cost, to those who invented them, in sleepless nights, tears, spasmodic laughter, rashes, asthmas, epilepsies, and the fear of death, which is worse than all the rest. — Marcel Proust

I was so much in the habit of having Albertine with me, and now I suddenly saw a new aspect of Habit. Hitherto I had regarded it chiefly as an annihilating force which suppresses the originality and even the awareness of one's perceptions; now I saw it as a dread deity, so riveted to one's being, its insignificant face so incrusted in one's heart, that if it detaches itself, if it turns away from one, this deity that one had barely distinguished inflicts on one sufferings more terrible than any other and is then as cruel as death itself. — Marcel Proust

And the others too were beginning to remark in Swann that abnormal, excessive, shameful and deserved senescence of bachelors, of all those for whom it seems that the great day which knows no morrow must be longer than for other men, since for them it is a void of promise, and from its dawn the moments steadily accumulate without any subsequent partition among offspring. — Marcel Proust

For women who do not love us, as for the "disappeared", knowing that we no longer have any hope does not prevent us form continuing to wait. We live on our guard, on watch; women whose son has gone asea on a dangerous exploration imagine at any minute, although it has long been certain that he has perished, that he will enter, miraculously saved, and healthy. — Marcel Proust

I feel that there is much to be said for the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object, and thus effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognised them the spell is broken. Delivered by us, they have overcome death and return to share our life.
And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die. — Marcel Proust

Swann's father, an excellent but an eccentric man in whom the least little thing would, it seemed, often check the flow of his spirits and divert the current of his thoughts. Several times in the course of a year I would hear my grandfather tell at table the story, which never varied, of the behaviour of M. Swann the elder upon the death of his wife, by whose bedside he had watched day and night. My grandfather, who had not seen him for a long time, hastened to join him at the Swanns' family property on the outskirts of Combray, and managed to entice him for a moment, weeping profusely, out of the death-chamber, so that he should not be present when the body was laid in its coffin. They took a turn or two in the park, where there was a little sunshine. Suddenly M. Swann seized my grandfather — Marcel Proust

But, when nothing subsists of an old past, after the death of people, after the destruction of things, alone, frailer but more enduring, more immaterial, more persistent, more faithful, smell and taste still remain for a long time, like souls, remembering, waiting, hoping, on the ruin of all the rest, bearing without giving way, on their almost impalpable droplet, the immense edifice of memory. — Marcel Proust

They locked gazes, showing their souls on the edge of their pupils, their melancholy and passionate souls, which death was unable to unite. — Marcel Proust

Suddenly the memory of his wife came back to him and, no doubt feeling it would be too complicated to try to understand how he could have yielded to an impulse of happiness at such a time, he confined himself, in a habitual gesture of his whenever a difficult question came to his mind, to passing his hand over his forehead, wiping his eyes and the lenses of his lorgnon. Yet he could not be consoled for the death of his wife, but, during the two years he survived her, would say to my grandfather: It's odd, I think of my poor wife often, but I can't think of her for a long time. — Marcel Proust

Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. And death in their company is somehow less bitter, less inglorious, perhaps even less probable. — Marcel Proust

It was that evening, when my mother abdicated her authority, that marked the beginning, along with the slow death of my grandmother, of the decline of my will and of my health. Everything had been decided at the moment when, unable to bear the idea of waiting until the next day to set my lips on my mother's face, I had made my resolution, jumped out of bed, and gone, in my nightshirt, to stay by the window through which the moonlight came, until I heard M. Swann go. My parents having gone with him, I heard the garden gate open, the bell ring, the gate close again ... — Marcel Proust

People do not die for us immediately, but remain bathed in a sort of aura of
life which bears no relation to true immortality but through which they
continue to occupy our thoughts in the same way as when they were alive. It
is as though they were traveling abroad. — Marcel Proust

Attachment to an object always brings death to the possessor. — Marcel Proust

The process which had begun in her - and in he a little earlier only than it must come to all of us - was the great renunciation of old age as it prepared for death, wraps itself up in its chrysalis, which may be observed at the end of lives that are at all prolonged, even in old lovers who have lived for one another, in old friends bound by the closest ties of mutual sympathy, who, after a certain year, cease to make the necessary journey or even to cross the street to see one another, cease to correspond, and know that they will communicate no more in this world. — Marcel Proust

I felt that I did not really remember her except through the pain, and I longed for the nails that riveted her to my consciousness to be driven yet deeper. — Marcel Proust

The moment in which the narrator, reaching for his boots, becomes vividly and lastingly aware of the finality of his grandmother's death is another such moment. It would be interesting to explore Proust's great novel from the perspective of seeing how stable synthetic complexes are formed and modified. — Philip Kitcher

How can we have the courage to wish to live, how can we make a movement to preserve ourselves from death, in a world where love is provoked by a lie and consists solely in the need of having our sufferings appeased by whatever being has made us suffer? — Marcel Proust

Maybe it is nothingness that is real and our entire dream is nonexistent, but in that case we feel that these phrases of music, and these notions that exist in relation to our dream, must also be nothing. We will perish, but we have for hostages these divine captives who will follow us and share our fate. And death in their company is less bitter, less inglorious, perhaps less probable. — Marcel Proust

Death is in truth an illness from which we recover — Marcel Proust

And so it is with our own past. It is a labour in vain to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) which we do not suspect. And as for that object, it depends on chance whether we come upon it or not before we ourselves must die. — Marcel Proust

But old age, to begin with, has something in common with death. Some face it with indifference, not because they have more courage than others, but because they have less imagination. — Marcel Proust

An inverse operation multiplies to such a degree what concerns our welfare and divides by such a formidable figure what does not concern it, that the death of millions of unknown people hardly affects us more unpleasantly than a draught. — Marcel Proust

Now, in one of those utterly physical moments, when the soul takes a backseat to the digesting stomach, the skin enjoying a recent ablution and some fine linen, the mouth smoking, the eyes reveling in bare shoulders and bright lights, he repeated his prayer more indolently, doubting a miracle that would upset the psychological law of his fickleness, which was as impossible to flout as the physical laws of weight or death. — Marcel Proust

I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, aplant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us. — Marcel Proust

And indeed when we are no longer in love with women whom we meet after many years, is there not the abyss of death between them and ourselves, just as much as if they were no longer of this world, since the fact that we are no longer in love makes the people that they were or the person that we were then as good as dead? — Marcel Proust

For every death is a simplification of existence for the others, removes the necessity to show gratitude, the obligation to pay visits. — Marcel Proust

She insisted, but he would not receive her. He was not even acting out of necessity: she meant nothing to him anymore. Death had rapidly broken the bonds whose enslavement he had been dreading for several weeks. When he tried to think of Oliviane, nothing presented itself to his mind's eye: the eyes of his imagination and of his vanity had closed. — Marcel Proust

In that way Vinteuil's phrase, like some theme, say, in Tristan, which represents to us also a certain acquisition of sentiment, has espoused our mortal state, had endued a vesture of humanity that was affecting enough. Its destiny was linked, for the future, with that of the human soul, of which it was one of the special, the most distinctive ornaments. Perhaps it is not-being that is the true state, and all our dream of life is without existence; but, if so, we feel that it must be that these phrases of music, these conceptions which exist in relation to our dream, are nothing either. We shall perish, but we have for our hostages these divine captives who shall follow and share our fate. And death in their company is something less bitter, less inglorious, perhaps even less certain. — Marcel Proust

Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom now. When you still had your mother you often thought of the days when you would have her no longer. Now you will often think of days past when you had her. When you are used to this horrible thing that they will forever be cast into the past, then you will gently feel her revive, returning to take her place, her entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power ... that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know that you will never love less, that you will never be consoled, that you will constantly remember more and more. — Marcel Proust

They say that Death embellishes its victims and exaggerates their virtues, but in general it is actually life that wronged them. Death, that pious and irreproachable witness, teaches us, in both truth and charity, that in each man there is usually more good than evil. — Marcel Proust

He had so long since ceased to direct his life toward any ideal goal, and had confined himself to the pursuit of quotidian satisfactions, that he had come to believe, though without ever formally stating his belief even to himself that he would remain all his life in that condition, which only death could alter. — Marcel Proust

Let an illness, a duel, a runaway horse make us see death face to face, and how richly we should have enjoyed the life of pleasure, the travels in unknown lands, which are about to be snatched from us! And no sooner is the danger past than we resume once more the same dull life in which none of those delights existed for us. — Marcel Proust

The being that I shall be after death has no more reason to remember the man I have been since my birth than the latter to remember what I was before it. — Marcel Proust

No doubt my books too, like my mortal being, would eventually die, one day. But one has to resign oneself to dying. One accepts the thought that in ten years oneself, in a hundred years one's books, will not exist. Eternal duration is no more promised to books than it is to men. — Marcel Proust

When our mistress is alive, a great part of the thoughts which form what we call our loves come to us during the hours when she is not by our side. Thus we acquire the habit of having as the object of our meditation an absent person, and one who, even if she remains absent for a few hours only, during those hours is no more than a memory. And so death does not make any great difference. — Marcel Proust

It is not because other people are dead that our affection for them grows faint, it is because we ourselves are dying. — Marcel Proust

We say that the hour of death cannot be forecast, but when we say this we imagine that hour as placed in an obscure and distant future. It never occurs to us that it has any connection with the day already begun or that death could arrive this same afternoon, this afternoon which is so certain and which has every hour filled in advance. — Marcel Proust

What do you regard as the lowest depth of misery? (Just to give you an idea, Proust's reply was 'To be separated from Mama.') I think that the lowest depth of misery ought to be distinguished from the highest pitch of anguish. In the lower depths come enforced idleness, sexual boredom, and/or impotence. At the highest pitch, the death of a friend or even the fear of the death of a child. — Christopher Hitchens

Because he knew that for other people their own social obligations took precedence of the death of a
friend, and could put himself in her place by dint of his instinctive
politeness. — Marcel Proust

We passionately long for there to be another life in which we shall be similar to what we are here below. But we do not pause to reflect that, even without waiting for that other life, in this life, after a few years, we are unfaithful to what we once were, to what we wished to remain immortally. Even without supposing that death is to alter us more completely than the changes that occur in the course of our lives, if in that other life we were to encounter the self that we have been, we should turn away from ourselves as from those people with whom we were once on friendly terms but whom we have not seen for years ... We dream much of a paradise, or rather of a number of successive paradises, but each of them is, long before we die, a paradise lost, in which we should feel ourselves lost too. — Marcel Proust

What do you most value in your friends?
Their continued existence. — Christopher Hitchens

We accept so many commitments in regard to life that a time comes when, despairing of ever managing to fulfill them all, we face the graves, we call upon death, "death, which brings help to destinies that have trouble coming true." But while death may exempt us from commitments we have made in regard to life, it cannot exempt us from our commitments to ourselves, especially the most important one: namely, the commitment to live in order to be worthy and deserving. — Marcel Proust

That's it then. This is how it ends. I haven't even read Proust. — James Turner

From that evening, Swann understood that the feeling which Odette had once had for him would never revive, that his hopes of happiness would not be realised now. And the days on which, by a lucky chance, she had once more shewn herself kind and loving to him, or if she had paid him any attention, he recorded those apparent and misleading signs of a slight movement on her part towards him with the same tender and sceptical solicitude, the desperate joy that people reveal who, when they are nursing a friend in the last days of an incurable malady, relate, as significant facts of infinite value: "Yesterday he went through his accounts himself, and actually corrected a mistake that we had made in adding them up; he ate an egg to-day and seemed quite to enjoy it, if he digests it properly we shall try him with a cutlet to-morrow,"
although they themselves know that these things are meaningless on the eve of an inevitable death. — Marcel Proust

We shall see later on that the diversity of the forms of death that circulate invisibly is the cause of the peculiar unexpectedness of obituary notices in the newspapers. — Marcel Proust

And in the same way, again, are not the thoughts of men and women in the agony of death often turned towards the practical, painful, obscure, internal, intestinal aspect, towards that 'seamy side' of death which is, as it happens, the side that death actually presents to them and forces them to feel, a side which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death? — Marcel Proust

Like so many of his sitters, you had to die an early death, and in your eyes as in theirs, one could see the gloom of forebodings alternating with the soft light of resignation. — Marcel Proust

If the idea of death during this period had, as we have seen, cast a gloom over love, the memory of love had for a long time now helped me not to be afraid of death. For I understood that dying was not something new but quite the reverse, that since my childhood I had already died a number of times. — Marcel Proust

This compulsion to an activity without respite, without variety, without result was so cruel that one day, noticing a swelling over his stomach, he felt an actual joy in the idea that he had, perhaps, a tumor that would prove fatal, that he need not concern himself with anything further, since it was this malady that was going to govern his life, to make a plaything of him, until the not-distant end. If indeed, at his period, it often happened that, though without admitting it even to himself, he longed for death, it was in order to escape not so much from the keenness of his sufferings as from the monotony of his struggle. — Marcel Proust

The resurrection at our awakening-after that beneficent attack of mental alienation which is sleep-must after all be similar to what occurs when we recall a name, a line, a refrain that we had forgotten. And perhaps the resurrection of the soul after death is to be conceived as a phenomenon of memory. — Marcel Proust

And it is because they contain thus within themselves the hours of the past that human bodies have the power to hurt so terribly those who love them, because they contain the memories of so many joys and desires already effaced for them, but still cruel for the lover who contemplates and prolongs in the dimension of Time the beloved body of which he is jealous, so jealous that he may even wish for its destruction. For after death Time withdraws from the body, and the memories, so indifferent, grown so pale, are effaced in her who no longer exists, as they soon will be in the lover whom for a while they continue to torment but in whom before long they will perish, once the desire that owed their inspiration to a living body is no longer there to sustain them. Profound Albertine, whom I at once saw sleeping, and who was dead. — Marcel Proust

You will close your eyes. And listen carefully . . . . You must learn to listen carefully when people talk to you about their death. We each carry our own death within us, and we feel when it is there. — Celeste Albaret