Proust And Even More Proust Quotes & Sayings

Built up by the contiguity of the memories that followed one another, the black tunnel, in which my thoughts had been straying so long that they had even ceased to be aware of it, was suddenly broken by an interval of sunlight, allowing me to see in the distance a blue and smiling universe in which Albertine was no more than a memory, unimportant and full of charm. Is it this, I asked myself, that is the true Albertine, or is it indeed the person who, in the darkness through which I have so long been rolling, seemed to me the sole reality? — Marcel Proust

All I could remember was her smile. Unable to picture the loved face, however strenuously I tried to make myself remember it, I was for ever irritated to find that my memory had retained exact replicas of the striking and futile faces of the roundabout man and the barley-sugar woman, just as the bereaved, who each night search their dreams in vain for the lost beloved, will find their sleep is peopled by all manner of exasperating and unbearable intruders, whom they have always found, even in the waking world, more than dislikable. Faced with the impossibility of seeing clearly the object of their grief, they come close to accusing themselves of not grieving, just as I was tempted to believe that my inability to remember the features of Gilberte's face meant that I had forgotten her and had stopped loving her. — Marcel Proust

Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile. — Marcel Proust

The idea that one will die is more painful than dying, but less painful than the idea that another person is dead, that, becoming once more a still, plane surface after having engulfed a person, a reality extends, without even a ripple at the point of disappearance from which that person is excluded, in which there no longer exists any will, any knowledge, and from which it is as difficult to reascend to the idea that that person has lived as, from the still recent memory of his life, it is to think that he is comparable with the insubstantial images, the memories, left us by the characters in a novel we have been reading. — Marcel Proust

The truth has no need to be uttered to be made apparent, and ... one may perhaps gather it with more certainty, without waiting for words and without even taking any account of them, from countless outward signs, even from certain invisible phenomena, analogous in the sphere of human character to what atmospheric changes are in the physical world. — Marcel Proust

Then from those profound slumbers we awake in a dawn, not knowing who we are, being nobody, newly born, ready for anything, the brain emptied of that past which was life until then. And perhaps it is more wonderful still when our landing at the waking-point is abrupt and the thoughts of our sleep, hidden by a cloak of oblivion, have no time to return to us gradually, before sleep ceases. Then, from the black storm through which we seem to have passed (but we do not even say we), we emerge prostrate, without a thought, a we that is void of content. — Marcel Proust

But then, even in the most significant details of our daily life, none of us can be said to constitute a material whole, which is the same for everyone, and need only be turned up like a page in an account-book or the record of a will; our social personality is a creation of the thoughts of other people. Even the simple act which we describe as "seeing someone we know" is to some extent an intellectual process. We pack the physical outline of the person we see with all the notions we have already formed about him, and in the total picture of him which we compose in our minds those notions have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice as if it were no more than a transparent envelope, that each time we see the face or hear the voice it us these notions which we recognise and to which we listen. — Marcel Proust

But it was enough if, in my own bed, my sleep was deep and allowed my mind to relax entirely; then it would let go of the map of the place where I had fallen asleep and, when I woke in the middle of the night, since I did not know where I was, I did not even understand in the first moment who I was; all I had, in its original simplicity, was the sense of existence as it may quiver in the depths of an animal; I was more bereft than a caveman; but then the memory - not yet of the place where I was, but of several of those where I had lived and where I might have been - would come to me like help from on high to pull me out of the void from which I could not have got out on my own; I passed over centuries of civilization in one second, and the image confusedly glimpsed of oil lamps, then of wing-collar shirts, gradually recomposed my self's original features. — Marcel Proust

But to return to my own case, I thought more modestly of my book and it would be inaccurate even to say that I thought of those who would read it as "my" readers. For it seemed to me that they would not be "my" readers but the readers of their own selves, my book being merely a sort of magnifying glass like those which the optician at Combray used to offer his customers - it would be my book, but with its help I would furnish them with the means of reading what lay inside themselves. So that I should not ask them to praise me or to censure me, but simply to tell me whether "it really is like that," I should ask them whether the words that they read within themselves are the same as those which I have written (though a discrepancy in this respect need not always be the consequence of an error on my part, since the explanation could also be that the reader had eyes for which my book was not a suitable instrument). — Marcel Proust

At such moments Gilberte's plaits used to brush my cheek. They seemed to me, in the fineness of their grain, at once natural and supernatural, and in the strength of their constructed tracery, a matchless work of art, in the composition of which had been used the very grass of Paradise. To a section of them, even infinitely minute, what celestial herbary would I not have given as a reliquary. But since I never hoped to obtain an actual fragment of those plaits, if at least I had been able to have their photograph, how far more precious than one of a sheet of flowers traced by Vinci's pencil! To acquire one of these, I stooped - with friends of the Swanns, and even with photographers - to servilities which did not procure for me what I wanted, but tied me for life to a number of extremely tiresome people. — Marcel Proust

And more even than the painter, the writer, in order to achieve volume and substance, in order to attain to generality and, so far as literature can, to reality, needs to have seen many churches in order to paint one church and for the portrayal of a single sentiment requires many individuals. For if art is long and life is short, we may on the other hand say that, if inspiration is short, the sentiments which it has to portray are not of much longer duration. It is our passions which draw the outline of our books, the ensuing intervals of repose which write them. — Marcel Proust

The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest. Even those women who claim to judge a man by his looks alone, see in those looks the emanation of a special way of life. That is why they fall in love with soldiers or with firemen; the uniform makes them less particular about the face; they feel they are embracing beneath the gleaming breastplate a heart different from the rest, more gallant, more adventurous, more tender; and so it is that a young king or a crown prince may make the most gratifying conquests in the countries that he visits, and yet lack entirely that regular and classic profile which would be indispensable, I dare say, for a stockbroker. — Marcel Proust

and was perhaps even more affecting when it appeared thus without the church. And, indeed, there are many others which look best when seen in this way, — Marcel Proust

I was so much in the habit of having Albertine with me, and now I suddenly saw a new aspect of Habit. Hitherto I had regarded it chiefly as an annihilating force which suppresses the originality and even the awareness of one's perceptions; now I saw it as a dread deity, so riveted to one's being, its insignificant face so incrusted in one's heart, that if it detaches itself, if it turns away from one, this deity that one had barely distinguished inflicts on one sufferings more terrible than any other and is then as cruel as death itself. — Marcel Proust

The truth, even more, is that life is perpetually weaving fresh threads which link one individual and one event to another, and that these threads are crossed and recrossed, doubled and redoubled to thicken the web, so that between any slightest point of our past and all the others a rich network of memories gives us an almost infinite variety of communicating paths to choose from. — Marcel Proust

even when a political truth is enshrined in written documents, it is seldom that these have any more value than a radiographic plate on which the layman imagines that the patient's disease is inscribed in so many words, whereas in fact the plate furnishes simply one piece of material for study, to be combined with a number of others on which the doctor's reasoning powers will be brought to bear and on which he will base his diagnosis. — Marcel Proust

After a certain age, and even if we develop in quite different ways, the more we become ourselves, the more our family traits are accentuated. — Marcel Proust

The process which had begun in her - and in he a little earlier only than it must come to all of us - was the great renunciation of old age as it prepared for death, wraps itself up in its chrysalis, which may be observed at the end of lives that are at all prolonged, even in old lovers who have lived for one another, in old friends bound by the closest ties of mutual sympathy, who, after a certain year, cease to make the necessary journey or even to cross the street to see one another, cease to correspond, and know that they will communicate no more in this world. — Marcel Proust

He suffered greatly from being shut up among all these people whose stupidity and absurdities wounded him all the more cruelly since, being ignorant of his love, incapable, had they known of it, of taking any interest, or of doing more than smile at it as at some childish joke, or deplore it as an act of insanity, they made it appear to him in the aspect of a subjective state which existed for himself alone, whose reality there was nothing external to confirm; he suffered overwhelmingly, to the point at which even the sound of the instruments made him want to cry, from having to prolong his exile in this place to which Odette would never come, in which no one, nothing was aware of her existence, from which she was entirely absent. — Marcel Proust

Among all the modes by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as this gust of feverish agitation that sweeps over us from time to time. For then the die is cast, the person whose company we enjoy at that moment is the person we shall henceforward love. It is not even necessary for that person to have attracted us, up till then, more than or even as much as others. All that was needed was that our predilection should become exclusive. And that condition is fulfilled when - in this moment of deprivation - the quest for the pleasures we enjoyed in his or her company is suddenly replaced by an anxious, torturing need, whose object is the person alone, an absurd, irrational need which the laws of this world make it impossible to satisfy and difficult to assuage - the insensate, agonising need to possess exclusively. — Marcel Proust

Disconsolate, she lowered her head, and her eyes fell upon her bodice, upon the even more languishing eyes of the wilted blossoms, which seemed ready to weep under their withered eyelids. The thought of the brevity of her unconscious dream about him, of the brevity of their happiness if ever it materialized, was associated for her with the sadness of those flowers, which, before dying, languished on the heart that they had felt beating with her first love, her first humiliation, and her first sorrow. — Marcel Proust

When we are in love with a woman we simply project on to her a state of our own soul; that consequently the important thing is not the worth of the women but the profundity of the state; and that the emotions which a perfectly ordinary girl arouses in us can enable us to bring to the surface of our consciousness some of the innermost parts of our being, more personal, more remote, more quintessential that any that might might be evoked by the pleasure we derive from the conversation of a great man or even from the admiring contemplation of his work. — Marcel Proust

Memory, personal and historical, is often accompanied by moralistic sentiment. Nostalgia is an act of escapism and self-indulgence, but to forget the past is an even graver sin. Proust presents a more complicated paradigm. Looking back provides us with a reflection of ourselves, but also with an awareness of the mirror - grounds for our ideas as well as a means for their correction — Ezra Glinter

And at each hour it would seem to me only a few moments since the preceding hour had rung; the most recent would come and inscribe itself close to the other in the sky, and I would not be able to believe that sixty minutes were held in that little blue arc comprised between their two marks of gold. Sometimes, even, this premature hour would ring two strokes more than the last; there was therefore one that I had not heard, something had taken place that had not taken place for me. — Marcel Proust

More than anything else the viscount's sad, sweet gaze made the boy feel like crying. Alexis knew that those eyes had always been sad and, even in the happiest moments, they seemed to implore a consolation for sufferings that he did not appear to experience. But at this moment Alexis believed that his uncle's sadness, courageously banished from his conversation, had taken refuge in his eyes, which, along with his sunken cheeks, were the only sincere things about his entire person. — Marcel Proust

Sometimes it would even happen that this precocious hour would sound two strokes more than the last; there must then have been an hour which I had not heard strike; something which had taken place had not taken place for me; the fascination of my book, a magic as potent as the deepest slumber, had stopped my enchanted ears and had obliterated the sound of that golden bell from the azure surface of the enveloping silence. — Marcel Proust

What we love is too much in the past, consists too much in the time that we have spent together for us to require the whole woman; we wish only to be sure that it is she, not to be mistaken as to her identity, a thing far more important than beauty to those who are in love; her cheeks may grow hollow, her body thin, even to those who were originally most proud, in the eyes of the world, of their domination over beauty, that little tip of a nose, that sign in which is summed up the permanent personality of a woman, that algebraical formula, that constant, is sufficient to prevent a man who is courted in the highest society and is in love with her from being free upon a single evening because he is spending his evenings in brushing and entangling, until it is time to go to bed, the hair of the woman whom he loves, or simply in staying by her side, so that he may be with her or she with him, or merely that she may not be with other people. — Marcel Proust

Certainly, it is more reasonable to devote one's life to women than to postage stamps, old snuff-boxes, or even to paintings and statues. — Marcel Proust

High up on the branches, like so many of those tiny rose-trees, their pots concealed in jackets of paper lace, whose slender stems rise in a forest from the altar on the greater festivals, a thousand buds were swelling and opening, paler in colour, but each disclosing as it burst, as at the bottom of a cup of pink marble, its blood-red stain, and suggesting even more strongly than the full-blown flowers the special, irresistible quality of the hawthorn-tree, which, wherever it budded, wherever it was about to blossom, could bud and blossom in pink flowers alone. Taking — Marcel Proust

He made what apology he could and hurried home, overjoyed that the satisfaction of his curiosity had preserved their love intact, and that, having feigned for so long, when in Odette's company, a sort of indifference, he had not now, by a demonstration of jealousy, given her that proof of the excess of his own passion which, in a pair of lovers, fully and finally dispenses the recipient from the obligation to love the other enough. He never spoke to her of this misadventure, he cased even to think of it himself. But now and then his thoughts in their wandering course would come upon this memory where it lay unobserved, would startle it into life, thrust it more deeply down into his consciousness, and leave him aching with a sharp, far-rooted pain. — Marcel Proust

I would be astonished to find myself in a state of darkness, pleasant and restful enough for the eyes, and even more, perhaps, for my mind, to which it appeared incomprehensible, without a cause, a matter dark indeed. — Marcel Proust

When our mistress is alive, a great part of the thoughts which form what we call our loves come to us during the hours when she is not by our side. Thus we acquire the habit of having as the object of our meditation an absent person, and one who, even if she remains absent for a few hours only, during those hours is no more than a memory. And so death does not make any great difference. — Marcel Proust

Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen. — Marcel Proust