Propaganda Book Quotes & Sayings

When you steal a book, you steal from the world. the Library propaganda said — Rachel Caine

'The Lorax' book was intended to be propaganda. — Dr. Seuss

So then, in a pleading tone, he whispers: Why did you make me? I never wanted to be made ...
For propaganda, of course. It's all in your own book. How can we persuade others to be good, without evil we can point to? — William T. Vollmann

A local phrase book, entitled Speak in Korean, has the following handy expressions. In the section 'On the Way to the Hotel': 'Let's Mutilate US Imperialism!' In the section 'Word Order': 'Yankees are wolves in human shape - Yankees / in human shape / wolves / are.' In the section 'Farewell Talk': 'The US Imperialists are the sworn enemy of the Korean people.' Not that the book is all like this - the section 'At the Hospital' has the term solsaga ('I have loose bowels'), and the section 'Our Foreign Friends Say' contains the Korean for 'President Kim Il Sung is the sun of mankind.'
I wanted a spare copy of this phrase book to give to a friend, but found it was hard to come by. Perhaps this was a sign of a new rapprochement with the United States, or perhaps it was because, on page 46, in the section on the seasons, appear the words: haemada pungnyoni dumnida ('We have a bumper harvest every year'). — Christopher Hitchens

There's no comparison between NPR and the propaganda that you hear from Rush or from Sean Hannity, the news movement conservatives that are just laying out, slathering out the disinformation and the lies, as I discuss in my book, 'Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right.' — Al Franken

I could still feel the glare of his eyes, and the image of them was seared so firmly into my brain that it seemed like my neurotransmitters had gone and printed propaganda posters of him to hang up around the place.

Washington, Jane (2015-09-14). Charcoal Tears (Seraph Black Book 1) (Kindle Locations 130-132). . Kindle Edition. — Jane Washington

The news of the days it reaches the newspaper office is an incredible medley of fact, propaganda, rumor, suspicion, clues, hopes, and fears, and the task of selecting and ordering that news is one of the truly sacred and priestly offices in a democracy. For the newspaper is in all literalness the bible of democracy, the book out of which a people determines its conduct. — Walter Lippmann

Allowing the war-prone individuals, bent on evil, to gain power in governments must be one of the most significant reasons that wars erupt. Individuals with prowar inclinations are naturally aggressive and seek power over others. As Friedrich Hayek argued in his book The Road to Serfdom, "the worst get on top." The power seekers also convince themselves that they are superior to average people and have a moral responsibility to use force to mold the world as they see fit. The propaganda is that war is for the sake of "goodness and righteousness." Isabel Paterson described it in her book The God of the Machine as "the humanitarian with a guillotine." Those who are more prone to peace tend to be complacent and to not resist the propaganda required to mobilize otherwise peaceful people to fight and die for the lies told and the false noble goals proposed by the self-appointed moral leaders. — Ron Paul

It is the purpose of this book to explain the structure of the mechanism which controls the public mind, and to tell how it is manipulated by the special pleader who seeks to create public acceptance for a particular idea or commodity. It will attempt at the same time to find the due place in the modern democratic scheme for this new propaganda and to suggest its gradually evolving code of ethics and practice. — Edward L. Bernays

It reminded us that propaganda in some form or other lurks in every book, that every work of art has a meaning and a purpose - a political, social and religious purpose - that our aesthetic judgements are always coloured by our prejudices and beliefs — George Orwell

What I do know, is that I refused to compromise with the system and I was obsessed with preventing my work from being manipulated for their propaganda. Even stories about the Holocaust could have been promoted as anti-fascist stories, which they were in a way, but I didn't want them to be taken only as such. I remember I had a reading in Berlin in the '80s and a man in the audience, asked me: 'Sir, I read your book, I read the stories, you didn't say who the oppressors were nor who are the people who are suffering.' And I said, 'No, I didn't.' It was important to me that a Vietnamese reader reading a story about a young boy who is in a camp, can recognize himself, without me saying: the boy is a Jew, the oppressor is a Romanian, or a Nazi, and so on. I wanted to have a more universal approach. — Norman Manea

There has been a plan in effect since at least 1917 to create, an artificial Extraterrestrial threat to the planet Earth, so as to bring about a one-world, Luciferian Totalitarian socialist government. This Extraterrestrial propaganda has been promoted through movies, through books, in the newspapers; so as to create the idea in the public mind that this phenomena related to Extraterrestrials is real and that the threat is real. — Milton William Cooper

In the occupation in Afghanistan, there are tragedies as well. It's not as bad as in Iraq because there are fewer American troops. But, as I describe in the book, going out on patrol and coming into a village, the soldiers found a stash of documents and decided this was Taliban propaganda. — Yaroslav Trofimov

It is possible to argue that the really influential book is not that which converts ten millions of casual readers, but rather that which converts the very few who, at any given moment, succeed in seizing power. Marx and Sorel have been influential in the modern world, not so much because they were best-sellers (Sorel in particular was not at all a widely read author), but because among their few readers were two men, called respectively Lenin and Mussolini. — Aldous Huxley

In Russia, the person who put Sevastopol on the literary map was Leo Tolstoy, a veteran of the siege. His fictionalized memoir The Sebastopol Sketches made him a national celebrity. Already with the first installment of the work published, Tsar Alexander II saw the propaganda value of the piece and ordered it translated into French for dissemination abroad. That made the young author very happy. Compared with Tolstoy's later novels, The Sebastopol Sketches hasn't aged well, possibly because this is not a heartfelt book. As the twenty-six-year-old Tolstoy's Sevastopol diaries reveal, not heartache but ambition drove him at the time. Making a name as an author was just an alternative to two other grand plans - founding a new religion and creating a mathematical model for winning in cards (his losses during the siege were massive even for a rich person). — Constantine Pleshakov