Present To Color Quotes & Sayings

I really like the "two is better than three" line. People ask me is this drama or comedy? I just think the more colors you have to a film the better. The more genres, the more people will like it. I like relating to the whole general speaking public. The script itself is 99 pages but the novel it is based on is 600. I had to leave a lot of stuff out of the script. I had a limitation of what I could present on the big screen. — Tommy Wiseau

Practice being fully present with something. Perhaps you may find something of God there. Go outside and look at the stars. Not for just a few seconds - lay a blanket in the yard, lie on your back and really look at the stars. Try to let your heart feel the incomprehensible size and grandeur of the universe. Take the time to really attend to a meal, a good book, a piece of music, or a sunrise. The point is to be fully present, to not be swept up into the distraction of a thousand voices, but to learn how to simply and fully attend to one. Then, when one enters back into the noisy world that we live in, even the million colors together are more vibrant because you have learned to better see color in its essence. To truly see is to find hope. — Michael Gungor

Without memories to cloud it, the mind perceives with absolute clarity. Each observation stands out in stark relief. In the beginning, when there's not yet a smudge, the slate still blank, there is only the present moment: each vital detail, shocked color, the fall of light. Like film stills. The mind relentlessly open to the world, deeply impressed, even hurt by it: not yet gauzed by memory. — Nicole Krauss

Nature offers us a thousand simple pleasers- Plays of light and color, fragrance in the air, the sun's warmth on skin and muscle, the audible rhythm of life's stir and push- for the price of merely paying attention. What joy! But how unwilling or unable many of us are to pay this price in an age when manufactured sources of stimulation and pleasure are everywhere at hand. For me, enjoying nature's pleasures takes conscious choice, a choice to slow down to seed time or rock time, to still the clamoring ego, to set aside plans and busyness, and to simply to be present in my body, to offer myself up.
Respond to the above quote. Pay special attention to each of your five senses as you describe your surroundings. Also, you need to incorporate at least one metaphor and smile in your descriptions. — Lorraine Anderson

Writing, too, is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you wrote, it pours out of you. If you can capture that reality around you, your writing needs nothing else. You don't only listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck.
Listening is receptivity. The deeper you can listen, the better you can write. You can take in the way things are without judgment, and the next day you can write the truth about the way things are."
...If you can capture the way things are that's all the poetry you ever need. — Natalie Goldberg

Let us call this quality the Original Mind. This mind looked at the world more directly - not through words and received ideas. It was flexible and receptive to new information. Retaining a memory of this Original Mind, we cannot help but feel nostalgia for the intensity with which we used to experience the world. As the years pass, this intensity inevitably diminishes. We come to see the world through a screen of words and opinions; our prior experiences, layered over the present, color what we see. We no longer look at things as they are, noticing their details, or wonder why they exist. Our minds gradually tighten up. We become defensive about the world we now take for granted, and we become upset if our beliefs or assumptions are attacked. — Robert Greene

Holding on to painful images of the past in order to avoid painful experiences in the future serves only to color the present with pain. — Bill Crawford

When I present the Charlie Parker book, I do a call and response that works quite well. With the Thelonious Monk book, I play the music and work with kids in a group to create a color wheel and show how the wheel can be mapped on a 12-tone chromatic scale. — Chris Raschka

A wisdom as constant as the North Star shines within all of us. It is always present. waiting to be tapped, waiting to guide us, to advise us. We need only use it to prevent its atrophy. No matter what our background, profession, color, or religion, employing this universal compass, this innate sense of what we know to be true, will help us establish a lifelong foundation - a place we go to recover our sanity and to regain our balance. — Nancy Cobb

Great Literature is help for humans. It is medicine of the highest order. In a more aware culture, writers would be considered priests. And, in fact, I have approached writing in a distinctly priestess frame of mind. I know what The Color Purple can mean to people, women and men, who have no voice. Who believe they have few choices in life. It can open to them, to their view, the full abundance of this amazing journey we are all on. It can lift them into a new realization of their own power, beauty, love, courage. It is a book that unites the present with the past, therefore giving people a sense of history and of timelessness they might never achieve otherwise. And even were it not 'great' literature, it has the best interests of all of us humans at heart. That we grow, change, challenge, encourage, love fiercely in the awareness that real love can never be incorrect. — Alice Walker

Because of dissociation, many victims are able to remember the abuse only when a certain object, smell, color, scene, or experience triggers a sudden, severe reaction. During a flashback one seems to see, feel, hear, smell, or taste something from the past as if it were actually happening in the present. In a visual flashback, you actually see the scene of your abuse, or you may see an object or image that reminds you or is symbolic of your abuse. — Beverly Engel

The color of his pallor, however, was a curiously basic white - unmixed, that is, with the greens and yellows of guilt or abject contrition. It was very like the standard bloodlessness in the face of a small boy who loves animals to distraction, all animals, and who has just seen his favourite, bunny-loving sister's expression as she opened the box containing his birthday present to her - a freshly caught young cobra, with a red ribbon tied in an awkward bow around its neck. — J.D. Salinger

When memory fails to contain us we must love the past more than ever, to hold it to us - or else the present becomes a meaningless blaze of color and sound, in which no two humans, great elongate beings, will be able to do more than touch at their very lips, their spatial selves - no one will ever truly understand another. To love the past is to become fully human. — Kim Stanley Robinson

The form of my painting is the content. My work is made of single or multiple panels: rectangle, curved, or square. I am less interested in marks on the panels than the 'presence' of the panels themselves. In Red Yellow Blue III the square panels present color. It was made to exist forever in the present; it is an idea and can be repeated anytime in the future. — Ellsworth Kelly

What if the police couldn't tell a loyal person just by color? What if there were enough people around who looked white but were really enemies of official society so that the cops couldn't tell whom to beat and whom to let off? What would they do then? They would begin to "enforce the law impartially," as the liberals say, beating only those who "deserve" it. But, as Anatole France noted, the law, in its majestic equality, forbids both rich and poor to sleep under bridges, to beg in the streets, and to steal bread. The standard that normally governs police behavior is wealth and its external manifestations - dress, speech, etc. At the present time, the class bias of the law is partially repressed by racial considerations; the removal of those considerations would give it free rein. Whites who are poor would find themselves on the receiving end of police justice as black people now do. — Anonymous

YOUR GENES ARE RUNNING THE SHOW If you're anything like me, I know you're champing at the bit to get going on Diet Evolution, but hold your horses. I've found that most of us can stick to a program only if we understand how and why we got to our present state of affairs. The next four chapters will do just that. You can thank Mom and Dad for your beautiful baby blues, as well as your hair color, height, and build. All these traits were encoded in copies of their genes - half of them her's, the other half his - that now reside in your body. Any children you have will in turn have copies of half of your genes and half of your partner's, and so on through generations to come. Determining — Steven R. Gundry

Old & New put their stamp to everything in Nature. The snowflake that is now falling is marked by both. The present moment gives the motion & the color of the flake: Antiquity, its form & properties. All things wear a luster which is the gift of the present & a tarnish of time. — Ralph Waldo Emerson

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. — Marcel Proust

When we create out of our experiences, as feminists of color, women of color, we have to develop those structures that will present and circulate our culture. — Audre Lorde

Now here is an oddity. A question for the zombie philosophers. What does it mean that my past is a fog but my present is brilliant, bursting with sound and color? Since I became Dead I've recorded new memories with the fidelity of an old cassette deck, faint and muffled and ultimately forgettable. But I can recall every hour of the last few days in vivid detail, and the thought of losing a single one horrifies me. Where am I getting this focus? This clarity? I can trace a solid line from the moment I met Julie all the way to now, lying next to her in this sepulchral bedroom, and despite the millions of past moments I've lost or tossed away like highway trash, I know with a lockjawed certainty I'll remember this one for the rest of my life. — Isaac Marion

The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and color in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes.
The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment.
No moment of charm without long roots in the past, no moment of charm is born on bare soil, a careless accident of beauty, but is the sum of great sorrows, growths, and efforts.
But love, the great narcotic, was the hothouse in which all the selves burst into their fullest bloom ... — Anais Nin

The sea, as much as the light, gives this curve of coast it's flavor. The light takes it's color from the sea, sometimes seems to be emerging from it. And the sea here is ever-present. On clear days it coats the air with a transparent tinge of palest blue that salts and sharpens every detail. — James D. Houston

Can people of color be racist?" I reply, "The answer depends on your definition of racism." If one defines racism as racial prejudice, the answer is yes. People of color can and do have racial prejudices. However, if one defines racism as a system of advantage based on race, the answer is no. People of color are not racist because they do not systematically benefit from racism. And equally important, there is no systematic cultural and institutional support or sanction for the racial bigotry of people of color. In my view, reserving the term racist only for behaviors committed by whites in the context of a white-dominated society is a way of acknowledging the ever-present power differential afforded whites by the culture and institutions that make up the system of advantage and continue to reinforce notions of white superiority. (Using the same logic, I reserve the word sexist for men. Though women can and do have gender-based prejudices, only men systematically benefit from sexism.) — Paula S. Rothenberg

After all, the butt of Fashion's dirtiest jokes is the public. The present American boast, that all women can be beautifully dressed if they choose, has been so clearly stated in so many ways for so long a time, that a large number of American women believe themselves to be beautifully dressed who are actually horrors to behold. Take those $10.75 copies of the dresses worn by the Duchess of Windsor in the summer of 1937. You could tell by the look on the faces of the American girls who wore them that they really felt beguiling enough to snatch off a Duke because they had a modified silhouette corresponding to that of a Duchess. The actual dress, stinted on material, cheaply imitated as to print design, bad in color and ill-fitting, was a horror to behold. You may say, if the girl feels like a Duchess, what more do you ask? I say, she looks to me like the worst mass-pro- duced imitation of a Duchess I can imagine, and it just isn't pretty. — Elizabeth Hawes

In vain do they talk of happiness who never subdued an impulse in obedience to a principle. He who never sacrificed a present to a future good, or a personal to a general one, can speak of happiness only as the blind speak of color. — Horace Mann

And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white ... Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this!
Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven. — Anne Rice

It's not possible to present an accurate picture of our culture without all the voices of the people in the culture. So at the emerging level, you can't have a good survey art show without women and artists of color. — Frida Kahlo

Once again you are wrong sir, darkness does not exist either. Darkness is in reality the absence of light. Light we can study, but not darkness. In fact we can use Newton's prism to break white light into many colors and study the various wavelengths of each color. You cannot measure darkness. A simple ray of light can break into a world of darkness and illuminate it. How can you know how dark a certain space is? You measure the amount of light present. Isn't this correct? Darkness is a term used by man to describe what happens when there is no light present. — Albert Einstein

We go on in her room, where we like to set. I get up in the big chair and she get up on me and smile, bounce a little. "Tell me bout the brown wrapping. And the present." She so excited, she squirming. She has to jump off my lap, squirm a little to get it out. Then she crawl back up.
That's her favorite story cause when I tell it, she get two presents. I take the brown wrapping from my Piggly Wiggly grocery bag and wrap up a little something, like piece a candy, inside. Then I use the white paper from my Cole's Drug Store bag and wrap another one just like it. She take it real serious, the unwrapping, letting me tell the story bout how it ain't the color a the wrapping that count, it's what we is inside. — Kathryn Stockett

Badly drawn, badly written and badly printed - a strain on young eyes and young nervous systems - the effect of these pulp-paper nightmares is that of a violent stimulant. Their crude blacks and reds spoil the child's natural sense of color; their hypodermic injection of sex and murder makes the child impatient with better, though quieter, stories. Unless we want a coming generation even more ferocious than the present one, parents and teachers throughout America must band together to break the 'comic' magazines.

But the antidote to the 'comic' magazine poison can be found in any library or good bookstore. The parent who does not acquire that antidote for his child is guilty of criminal negligence. — Sterling North

Position, - for the Negro to realize more deeply than he does at present the need of uplifting the masses of his people, for the white people to realize more vividly than they have yet done the deadening and disastrous effect of a color-prejudice that classes Phillis Wheatley — W.E.B. Du Bois

If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. If we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don't deserve to survive, and probably won t. — William Faulkner

In 1954 the gulag at Kengir witnessed an uprising by Christian and Muslim prisoners. The guards were driven out, and for forty days worship was freely practiced in the camp. Solzhenitsyn later documented the atmosphere of elation and idealism which prevailed in this doomed island of faith: the Muslims put on turbans and robes again, and 'the grey-black camp was a blaze of color'. The Chechens made kites from which they showered the neighboring villages with messages about the evils of the atheist system. Many marriages were celebrated. Survivors recall the forty days as a testimony to a possible way of living which had been suffocated by dreary unbelief. Delight in the present, and the knowledge of heaven outweighed the awareness of Khrushchev's inevitable revenge. The rebels were crushed under the attacks of tanks, but in the long term, this same spiritual outweighing insured the atheist dystopia's downfall. — Abdal Hakim Murad

Writing ... is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you write, it pours out of you ... You don't only listen to the person speaking to you across the table, but simultaneously listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. — Natalie Goldberg

I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country. — Douglas Coupland

In Haydn's oratorios, the notes present to the imagination not only motions, as, of the snake, the stag, and the elephant, but colors also; as the green grass. — Ralph Waldo Emerson