Present Theme Quotes & Sayings

I was detained a couple of times but that was for not handing in homework because I was playing golf or not present because I was playing golf. There was a theme evolving. — Rory McIlroy

Psychoanalysis is a new version of the ancient theme shared by all the great religions. The loss of illusion, the giving up of attachment to a false reality, the inevitability of suffering and expiation are all present in psychoanalysis. Every person who seeks analysis is on a personal pilgrimage. — Margaret Arden

Don't be afraid to distance yourself from everyone + everything and recoup. sort out your thoughts. listen to your heart. breathe. read a book. write about how much your life has sucked - then write about how much you can't wait to see the positive changes. relearn yourself. accept all the hurt you've been through. forgive anyone and everyone who's hurt you. even if that means doing it within, and never physically or verbally reaching out. let go. & rejuvenate. take a step away from the chaos, and find peace. within. — Reyna Biddy

At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky. — Vincent Van Gogh

My mother and I parting company at four years old is a recurring theme; although it's not symbolically necessarily present, it's present in all my relationships. — Billy Corgan

Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives. — Pedro Almodovar

Energy was the ruling theme of Victorian science, as machines increasingly harnessed the forces of nature to do man's work. The concept is also present in the art and literature of the age, notably in the poems of William Blake. The Romantic movement was much interested in energy and its various transformations. — Jeremy Campbell

I believe that the emergence of postmodernism is closely related to the emergence of this new moment of late, consumer or multinational capitalism. I believe also that its formal features in many ways express the deeper logic of that particular social system. I will only be able, however, to show this for one major theme: namely the disappearance of a sense of history, the way in which our entire contemporary social system has little by little begun to lose its capacity to retain its own past, has begun to live in a perpetual present and in a perpetual change that obliterates traditions of the kind which all earlier social formations have had in one way or another to preserve. Think only of the media exhaustion of news: of how Nixon and, even more so, Kennedy are figures from a now distant past. One is tempted to say that the very function of the news media is to relegate such recent historical experiences as rapidly as possible into the past. — Fredric Jameson

If my work has a theme, I suspect it is a simple one: that most human beings are inescapably alone, and therein lies their tragedy. — Richard Yates

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor's quill! Give me Vesuvius' crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their out-reaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it. — Herman Melville

Subplot is not one of the twenty-two steps because it's not usually present and because it is really a plot of its own with its own structure. But it's a great technique. It improves the character, theme, and texture of your story. On the other hand, it slows the desire line - the narrative drive. So you have to decide what is most important to you. — John Truby

Sometimes I wish I could sleep forever, but that would mean dreaming forever ... and I just can't risk that. — AnnaLisa Grant

There is no doubt that the issue of race is always present in American politics and in the politics of any multiracial society. There is also no doubt that for some people it is an element in the manifested hostility to Obama. But I don't think it is the major theme at all. Obama is right when he reminds people: By the way, I was black before the election. — Al Gore

According to my present theme the writer of imagination would attain closest to the conditions of music not when his words are dissassociated from natural objects and specified meanings but when they are liberated from the usual quality of that meaning by transportation into another medium, the imagination. — William Carlos Williams

F. An F? She gulped air. An F! Failure. Failurino. Failurocity. Failtacular. Failpendous. Epic ... fail. — Olivia Cunning

Marching and quick-marching are much easier to God's warriors than standing still. — Charles Haddon Spurgeon

They were upon their great theme: "When I get to be a man!" Being human, though boys, they considered their present estate too commonplace to be dwelt upon. So, when the old men gather, they say: "When I was a boy!" It really is the land of nowadays that we never discover. — Booth Tarkington

My life, I resolved, ought to be a perpetual transcending, a progression from stage to stage; I wanted it to pass through one area after the next, leaving each behind, as music moves on from theme to theme, from tempo to tempo, playing each out to the end, completing each and leaving it behind, never tiring, never sleeping, forever wakeful, forever in the present. In connection with the experiences of awakening, I had noticed that such stages and such areas exist, and that each successive period in one's life bears within itself, as it is approaching its end, a note of fading and eagerness for death. That in turn leads to a shifting to a new area, to awakening and new beginnings. — Hermann Hesse

Thou wouldst be loved? - then let thy heart From its present pathway part not; Being everything which now thou art, Be nothing which thou art not. So with the world thy gentle ways, Thy grace, thy more than beauty, Shall be an endless theme of praise. And love a simple duty. — Edgar Allan Poe

From the beginning, Fassbinder's films showed that with the help of art it is possible to defend oneself against the destructive forces of the present, and that in the artistic process there is some kind of labour of resistance and a possibility of survival. It gradually also became a fundamental theme of his films. — Christian Braad Thomsen

Siphonophores do not convey the message a favorite theme of unthinking romanticism that nature is but one gigantic whole, all its parts intimately connected and interacting in some higher, ineffable harmony. Nature revels in boundaries and distinctions; we inhabit a universe of structure. But since our universe of structure has evolved historically, it must present us with fuzzy boundaries, where one kind of thing grades into another. — Stephen Jay Gould

There's no linear narrative - the structure is more like a series of variations on a theme (how identity is shaped by language), with the past constantly bleeding into the present, dreams into reality. And the language, while incredibly lyrical in places, also has this underlying dissonance, the sense of it having itself been translated. — Deborah Smith

I'm not saying it's a bad thing to do, but when you try to deal with prescient themes in the present, that is what you're doing. — Quentin Tarantino

I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind. — Malgorzata Szumowska

All the themes of incipient fascism are present, to some degree, in our present-day political culture: the fear of the Other, the need for a (powerless) scapegoat, including the theme of expansionism. — Justin Raimondo

1. "Mistress Jamieson" tells Mary when they meet: "My mother likes to say some people choose the path of danger on their own, for it is how the Lord did make them, and they never will be changed." Do you agree? Was it more true in the past than today? Did Mary purposely choose a path of danger? Who else? 2. The author has people in her own life with Asperger's syndrome who helped her with Sara's character. What was it like to be in the point of view of a person with Asperger's syndrome? Did you have any preconceived ideas about Asperger's? Did they change? 3. Journeys (physical and otherwise) are a prevalent theme in many of Susanna Kearsley's books. What journeys can you identify in this book, past and present? How do they differ for female and male characters? 4. Mary takes "Mistress Jamieson" as a role model. "She — Susanna Kearsley

Literature must rest always on a principle, and temporal considerations are no principle at all. For, to the poet, all times and places are one; the stuff he deals with is eternal and eternally the same: no theme is inept, no past or present preferable. — Oscar Wilde

All human suffering is a variation on this theme - trying to control the waves, trying to control our present-moment experience so it conforms to our ideas and concepts of how it should be. If you want to suffer, compare this moment with your image of how it should be! I — Jeff Foster

Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control. — Terry Pratchett

Before 'Coronation Street,' I was a jobbing actor, and after it, I'm a jobbing actor again. — Rob James-Collier

I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content ... A literary creation can appeal to us in all sorts of ways - by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art ... You can call it an idea, a statement about life, so all-embracing that it can't be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work. — Boris Pasternak

There is another difference between my grandfather and James B. Duke that may finally be more important than any other, and this was a difference of kinds of pleasure. We may assume that, as a boomer, moving from one chance of wealth to another, James B. Duke wanted only what he did not yet have. If it is true that he was in this way typical of his kind, then his great pleasure was only in prospect, which excludes affection as a motive. My grandfather, on the contrary, and despite his life's persistent theme of hardship, took a great and present delight in the modest good that was at hand: in his place and his affection for it, in its pastures, animals, and crops. — Wendell Berry

The witnesses of Hester Prynne's disgrace had not yet passed beyond their simplicity. They were stern enough to look upon her death, had that been the sentence, without a murmur at its severity, but had none of the heartlessness of another social state, which would find only a theme for jest in an exhibition like the present. — Nathaniel Hawthorne