Power Of Photography Quotes & Sayings
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Top Power Of Photography Quotes

Light field photography unleashes the power of the light, to forever change how everyone takes and experiences pictures. — Ren Ng

There are religions in which the representation of the world is banned as an usurpation of the power of a God, creator of all things. It is very possible that photography is a trick of the devil and each shot is a sin. — Joan Fontcuberta

People believe pictures. It's a photograph that's in your passport, not a painting. Now,
George Bernard Shaw said, 'I would exchange every painting of Christ for one snapshot.' That's what the power of photography is. — Philip Jones Griffiths

You see, i f you have t rue photographic vision, you have clar i ty and i f you have
clarity, you don't need to explain or defend your images.
Clar i ty is about what emot ions or feel ings the image is t rying to evoke, not the fact s
behind the image.
Photographic clar i ty is about passion of purpose. I t 's about a single-minded desi re
to protect a memory. I t 's about story tel l ing wi th a camera that 's so power ful , no
words are necessary. — Scott Bourne

Orson Welles was a force of nature, who just came in and wiped the slate clean. And Citizen Kane is the greatest risk-taking of all time in film. I don't think anything had even seen anything quite like it. The photography was also unlike anything we'd seen. The odd coldness of the filmmaker towards the character reflects his own egomania and power, and yet a powerful empathy for all of them
it's very interesting. It still holds up, and it's still shocking. It takes storytelling and throws it up in the air. — Martin Scorsese

It is felt that there is something morally wrong with the abstract of reality offered by photography; that one has no right to experience the suffering of others at a distance, denuded of its raw power; that we pay too high a human (or moral) price for those hitherto admired qualities of vision - the standing back from the aggressiveness of the world which frees us for observation and for elective attention. — Susan Sontag

The camera, you know, will never capture you. Photography, in my experience, has the miraculous power of transferring wine into water. — Oscar Wilde

The relation of photography and language is a principal site of struggle for value and power in contemporary representations of reality; it is the place where images and words find and lose their conscience, their aesthetic and ethical identity. — William J. Mitchell

So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another ... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction. — Stanley Cavell

I think that the exactitude of the photograph has a sort of compelling nature based in its power to duplicate life. But to me the real power of photography is based in death: the fact that somehow it can enliven that which is not there in a kind of stultifying frightened way, because it seems to me that part of one's life is made up of a constant confrontation with one's own death. — Barbara Kruger

I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards paid with their lives for their willingness or even their eagerness to pose on the barricades: defeated, they were recognized by Thiers's police and shot, almost every one). — Roland Barthes

Speed, the fundamental condition of the activities of our day is the power of photography, indeed the modern art of today, the art of the split second. — Lisette Model

I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, This is real, too. — Wynn Bullock

The greatest field of photography, for the literary interpretation of life, consists, to my mind, in its latent power to create, as it were, death for a single second. Any thing or person is, at will, made to die for a moment of time so immeasurably small that the return to life is effected without consciousness of the great adventure. (1928) — Pierre Mac Orlan

[X-ray's] accidental discovery in the late 1800s fits seamlessly into modernity's fascination with, and belief in, the power of technological transparency: the desire to domesticate time (cinema), to preserve and capture the surface of the fleeting (photography), to see inside (x-ray). — Walead Beshty

She realized that the photograph had caused his reaction. It came to her almost as a revelation. Think of it: a photographer presses a button. A few hours later and half a world away, some dots of ink on a news print showed what he had seen-and had the power to touch peoples emotions, perhaps to change their way of thinking. — Soheir Khashoggi

The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. — Brooks Atkinson

I am pessimistic about a picture's power to be the emissary of just one thing. What I hope is that the picture says, "Here I am, this is what I am like," and the person seeing the picture says in return, 'You know a lot but you don't know half of what I know.' — Emmet Gowin

Photography is the power of observation, not the application of technology. — Ken Rockwell

Photography is a holding together of opposites: Light and dark, beautiful and ugly, sublime and banal, concious and unconcious. I am still struck by the power of photography to strip away the bark of the mind and reveal the visceral workings underneath. — Jack Welpott

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn't care. Super 8 had integrity, it wasn't just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life's best moments, and capturing something beautiful in only three minutes. — Rebecca McNutt

Here's a current example of the challenge we face. At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only thirteen people. Where did all those jobs disappear to? And what happened to the wealth that those middle-class jobs created? This book is built to answer questions like these, which will only become more common as digital networking hollows out every industry, from media to medicine to manufacturing. — Jaron Lanier

My passion is to open people's eyes to the sea using the power of photography as a universal language to convince the unconvinced among us that the oceans are fragile and finite. — David Doubilet

Most importantly, postmodernism comes down on the side of photography and power, not photography as power. As a consequence, photography continues to be conceived as an inconsequential vehicle or passage for real powers that always originate elsewhere. — Geoffrey Batchen

There's an idea that it's hard to be a woman artist. People assume that women have fewer opportunities, less power. But it's not any harder to be a woman artist than to be a male artist. We all take what we are given and use the parts of ourselves that feed the work. We make our way. Photographers, men and women, are particularly lucky. Photography lets you find yourself. It is a passport to people and places and to possibilities. — Annie Leibovitz

Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base. — Joan Bauer

The Gathering
According to the Kabbalah, in the beginning everything was God. When God contracted to make room for creation, spiritual energy filled the void. The energy poured into vessels which strained to hold the great power. The vessels shattered, sending countless shards, bits of the glowing matter, into the vastness of the universe.
These scattered bits of divine light must be collected. When the task is done the forces of the dark will be vanquished and the world will be healed. — Leonard Nimoy

Photography is the typical means of expression of a society founded on a civilization of technicians, conscious of the aims it has set for itself ... Its power of exactly reproducing external reality, a power inherent in its technique, lends it a documentary character and makes it appear as the most faithful and impartial process for the reproduction of social life. — Gisele Freund

I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too. — Barbara Kruger

There is something abominable about cameras, because they possess the power to invent many worlds. As an artist who has been lost in this wilderness of mechanical reproduction for many years, I do not know which world to start with. I have seen fellow artists driven to the point of frenzy by photography. — Robert Smithson