Power Of Metaphor Quotes & Sayings

But karma is not in fact a material accumulation, and does not depend on externals; rather its power to condition us depends on the obstacles that impede our knowledge. If we compare our karma and the ignorance that creates it to a dark room, knowledge of the primordial state would be like a lamp, which, when lit in the room, at once causes the darkness to disappear, enlightening everything. In the same way, if one has the presence of the primordial state, one can overcome all hindrances in an instant. — Namkhai Norbu

Our conceptual maps tend to lack a way to conceive the immanence of violence and power in the ideals and practices that have become dominant in the Western tradition. Mass death has tended to be conceived as something accidental, something outside the ordinary run of events. I think the difficulty in coming to terms with the peculiarities of the Western will to power has to do with the absence of a central metaphor capable of describing the link between consumption and death. The consumptive mentality has in many respects been normalized, as has the violence that underpins and is the effect of systems of universal judgment. Certainly the aestheticization of difference is coextensive with the romance with violence that has become so characteristic of contemporary Western society. — Deborah Root

At the core of an analytical edge is an ability to systematically distinguish between fundamentals and expectations. Fundamentals are a well thought out distribution of outcomes, and expectations are what's priced into an asset. A power metaphor is the [pari-mutuel] racetrack. The fundamentals are how fast a given horse will run and the expectations are the odds on the tote board. As any serious handicapper knows, you make money only by finding a mispricing between the performance of the horse and the odds. There are no 'good' or 'bad' horses, just correctly or incorrectly priced ones. — Michael Mauboussin

No more light answers. Let our officers
Have note what we purpose. I shall break
The cause of our expedience to the Queen
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us, but the letters too
Of many our contriving friends in Rome
Petition us at home. Sextus Pompeius
Hath given the dare to Caesar and commands
The empire of the sea. Our slippery people,
Whose love is never linked to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
Upon his son, who - high in name and power,
Higher than both in blood and life - stands up
For the main soldier; whose quality, going on,
The sides o' th' world may danger. Much is breeding
Which, like the courser's hair, hath yet but life
And not a serpent's poison. — William Shakespeare

Pharaoh is clearly a metaphor. He embodies and represents raw, absolute, worldly power. He is, like Pilate after him, a stand-in for the whole of the empire. As the agent of the "empire of force," he reappears in many different personae.9 — Walter Brueggemann

Very deep things in our nature, some dim sense of the dependence of great things upon small, some dark suggestion that the things nearest to us stretch far beyond our power, some sacramental feeling of the magic in material substances, and many more emotions past fading out, are in an idea like that of the external soul. The power even in the myths of savages is like the power in the metaphors of poets. The soul of such a metaphor is often very emphatically an external soul. — G.K. Chesterton

The movie is a metaphor for the power of delusional hype
a metaphor for itself. — David Edelstein

The image of life forces diluted and diseased by contact with the intruders revealed a telling insecurity. How confident were these men in the power of their idealized country or in themselves as its protectors? Where was the tradition of resilience and absorbing strength that their florid rhetoric celebrated at other times? In the very metaphor of infection, the nativists uncovered their fears that "America" was but a fragile essence. Like latter-day "defenders" who saw other alien dangers in communism, they attributed enormous influence to the enemy. Their angry words betrayed the desperation of those who half fear the battle is already lost. — David H. Bennett

Now the power of the imagination is a unifying power, hence the force of metaphor; and the poet is the supreme manipulator of metaphor ... the world needs the unifying power of the imagination. The two things that give it best are poetry and religion. — R.S. Thomas

Why do the X-Men need another girl telepath?" she asked. "This one has purple hair." "It's all so sexist." Park's eyes got wide. Well, sort of wide. Sometimes she wondered if the shape of his eyes affected how he saw things. That was probably the most racist question of all time. "The X-Men aren't sexist," he said, shaking his head. "They're a metaphor for acceptance; they've sworn to protect a world that hates and fears them." "Yeah," she said, "but - " "There's no but," he said, laughing. "But," Eleanor insisted, "the girls are all so stereotypically girly and passive. Half of them just think really hard. Like that's their superpower, thinking. And Shadowcat's power is even worse - she disappears. — Rainbow Rowell

The widespread abuse of prisoners is a virtually foolproof indication that politicians are trying to impose a system
whether political, religious or economic
that is rejected by large numbers of the people they are ruling. Just as ecologists define ecosystems by the presence of certain "indicator species" of plants and birds, torture is an indicator species of a regime that is engaged in a deeply anti-democratic project, even if that regime happens to have come to power through elections. — Naomi Klein

Burning Woman is a powerful image. A role model. A metaphor. A warning. A source of power. She is Feminine power incarnate. — Lucy H. Pearce

We are a people captivated by the power and romance of metaphor, forever seeking the invisible through the image of the visible. — Lewis H. Lapham

There stands the parable; there stands the sacred metaphor of belonging, one heart to another. WIthout the metaphor of memory and history, we cannot imagine the life of the Other. We cannot imagine what it is to be someone else. Metaphor is the reciprocal agent, the universalizing force: it makes possible the power to envision the stranger's heart. — Cynthia Ozick

I remember the language of the people I grew up with. Language was so important to them. All that power was in it. And grace and metaphor. Some of it was very formal and Biblical, because the habit is that when you have something important to say you go into parable, if you're from Africa, or you go into another level of language. I wanted to use language that way, because my feeling was that a black novel was not black because I wrote it, or because there were black people in it, or because it was about black things. It was the style. It had a certain style. It was inevitable. I couldn't describe it, but I could produce it. — William Zinsser

It's like how science fiction in the '50s was a way of talking about war without actually having to risk any political capital. The obvious metaphor is power and powerlessness, but I also think it's a way of experimenting with dangerous feelings in a safe arena and trying things out. — Margaret Stohl

Food is a great metaphor for the consolidation of corporate power in the hands of very few, who are mostly interested in their own profits and not the wellbeing of the animals they're slaughtering, or the land and the water they're using or abusing, or the workforce they're exploiting or even the people eating it. — Robert Kenner

The goal of argumentation is to make a case so forceful (note the metaphor) that skeptics are coerced into believing it - they are powerless to deny it while still claiming to be rational. In principle, it is the ideas themselves that are, as we say, compelling, but their champions are not always averse to helping the ideas along with tactics of verbal dominance, among them intimidation ("Clearly . . ."), threat ("It would be unscientific to . . ."), authority ("As Popper showed . . ."), insult ("This work lacks the necessary rigor for . . ."), and belittling ("Few people today seriously believe that . . ."). Perhaps this is why H. L. Mencken wrote that "college football would be more interesting if the faculty played instead of the students. — Steven Pinker

But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless - a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches' tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. — Kim Stanley Robinson

I knew I had no lyrical quality, a small vocabulary, little gift of metaphor. The original and striking simile never occurred to me. Poetic flights ... were beyond my powers. On the other hand, I had an acute power of observation, and it seemed to me that I could see a great many things that other people missed. I could put down in clear terms what I saw ... I knew that I should never write as well as I could wish, but I thought, with pains, that I could arrive at writing as well as my natural defects allowed. — W. Somerset Maugham

As the second decade of the twenty-first century has worn on, politicians of all stripes, aware of the political power of the unmarried woman yet seemingly incapable of understanding female life outside of a marital context, have come to rely on a metaphor in which American women, no longer bound to men, are binding themselves to government. — Rebecca Traister

The metaphor is perhaps the most fruitful power of man. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. — Jose Ortega Y Gasset

The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it. — Elizabeth Edwards

Words are too awful an instrument for good and evil to be trifled with: they hold above all other external powers a dominion over thoughts. If words be not (recurring to a metaphor before used) an incarnation of the thought but only a clothing for it, then surely will they prove an ill gift; such a one as those poisoned vestments, read of in the stories of superstitious times, which had power to consume and to alienate from his right mind the victim who put them on. Language, if it do not uphold, and feed, and leave in quiet, like the power of gravitation or the air we breathe, is a counter-spirit, unremittingly and noiselessly at work to derange, to subvert, to lay waste, to vitiate, and to dissolve. — William Wordsworth

I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body
flesh and bone
and from the Earth's body
stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices. — Gloria E. Anzaldua

He has always had a dread of crossing borders, he doesn't like to leave what's known and safe for the blank space beyond in which anything can happen. Everything at times of transition takes on a symbolic weight and power. But this too is why he travels. The world you're moving through flows into another one inside, nothing stays divided any more, this stands for that, weather for mood, landscape for feeling, for every object there is a corresponding inner gesture, everything turns into metaphor. The border line on a map, but also drawn inside himself somewhere. — Damon Galgut

I was tied down in that chair for 10 minutes and experienced what it was like to be completely powerless while someone else has complete dominance. It's sadistic, even though I find Richard to be a really lovely human being. That's what the whole film [Tickled] is about. It's not a film about tickling, but I think tickling offers a really good visual metaphor for the much bigger ideas that we were trying to get at about power and control - by people who have a lot of money - over people without money and who have no power in the relationship. — David Farrier

The rhythm of the heart...beats twice. Thump, thump. Once, first for itself and then once again for the rest of the body. It's a true metaphor for us. Like the heart we must pump life giving love and care for ourselves first, before extending that gift out to others. The heartbeat of every worthwhile relationship begins with a healthy, humble understanding and appreciation of our own personal self worth. When we do this the power to truly love and appreciate others pulsates fluidly and freely into all those we warmly choose to share our lives with. — Jason Versey

Soft hearts provide poor harbor; tin hearts can better stand against time and bad weather, thin and hollow as they are. So you pray to change from flesh to metal, and the dying Author of the world hears your plea and performs his final miracle. He lays His hand on you and then He vanishes. And what mortal man can undo that? What human on this earth has the power to change a tin man back to flesh? — Dexter Palmer

The Road is not a record of fatherly fidelity; it is a testament to the abyss of a parent's greatest fears. The fear of leaving your child alone, of dying before your child has reached adulthood and learned to work the mechanisms and face the dangers of the world, or found a new partner to face them with. The fear of one day being obliged for your child's own good, for his peace and comfort, to do violence to him or even end his life. And, above all, the fear of knowing - as every parent fears - that you have left your children a world more damaged, more poisoned, more base and violent and cheerless and toxic, more doomed, than the one you inherited. It is in the audacity and single-mindedness with which The Road extends the metaphor of a father's guilt and heartbreak over abandoning his son to shift for himself in a ruined, friendless world that The Road finds its great power to move and horrify the reader. — Michael Chabon

A system of metaphor (pointing to a higher power) that one takes inside oneself as the truth and through its rules one aligns ones inner and outer behavior, submitting ones ego or will to the will of a higher power. — Mason Jennings

Bill Clinton sitting on Air Force One getting his hair cut while people around the country cooled their heels and waited for him, became a metaphor for a populist president who had gotten drunk with the perks of his own power and was sort of, you know, not sensitive to what people wanted. — Dee Dee Myers

Everything was a metaphor; all things were something other than themselves. The pain, for example, was an ocean, and he was adrift on it. His body was a city and his mind a citadel. All communications between the two seemed to have been cut, but within the keep that was his mind he still had power. The part of his consciousness that was telling him the pain did not hurt, and that all things were like other things, was like ... like ... he found it hard to think of a comparison. A magic mirror, maybe. — Iain M. Banks

He just tells him to "descend" from his power position, "go away and get rid of all your possessions." Money is only the metaphor here; the real possession he has to get rid of is his ego. — Richard Rohr

I think that metaphor really is a key to explaining thought and language. The human mind comes equipped with an ability to penetrate the cladding of sensory appearance and discern the abstract construction underneath - not always on demand, and not infallibly, but often enough and insightfully enough to shape the human condition. Our powers of analogy allow us to apply ancient neural structures to newfound subject matter, to discover hidden laws and systems in nature, and not least, to amplify the expressive power of language itself. — Steven Pinker

I believe in God, which means I am open to some absurd possibilities. But I understand the power of that faith, and I understand the metaphor of that belief. — Reza Aslan

Until the thirst for power parched his throat, he was a fearless and noble lord. — Lloyd Alexander

The power of the metaphor is that in a single flash the entire idea is revealed. — G.R. Gopinath