Quotes & Sayings About Power Of Literature

If I were to look over the whole world to find out the country most richly endowed with all the wealth, power, and beauty that nature can bestow - in some parts a very paradise on earth - I should point to India. If I were asked under what sky the human mind has most full developed some of its choicest gifts, has most deeply pondered on the greatest problems of life, and has found solutions of some of them which well deserve the attention even of those who have studied Plato and Kant - I should point to India. And if I were to ask myself from what literature we, here in Europe, we who have been nurtured almost exclusively on the thoughts of Greeks and Romans, and of one Semitic race, the Jewish, may draw that corrective which is most wanted in order to make our inner life more perfect, more comprehensive, more universal, in fact more truly human, a life, not for this life only, but a transfigured and eternal life - again I should point to India. — Friedrich Max Muller

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

I realised the amazing power of literature and of the human imagination generally: to make the dead live and to stop the living from dying. — Ivan Klima

We are slaves, deprived of every right, exposed to every insult, condemned to certain death, but we still possess one power, and we must defend it with all our strength for it is the last - the power to refuse our consent. So we must certainly wash our faces without soap in dirty water and dry ourselves on our jackets. We must polish our shoes, not because the regulation states it, but for dignity and propriety. We must walk erect, without dragging our feet, not in homage to Prussian discipline but to remain alive, not to begin to die. — Primo Levi

Instead of educating the I.Q., we need to educate the H.Q., the heart quotient, the matters of truth, love, justice, and compassion. There are two ways to do this. One is through the read life experiences and the other is through literature. Literature has the power to take us outside ourselves and returns to ourselves a changed self. — Jim Trelease

I don't know if I ended up siding with the academics just because I happened to end up in graduate school, or if I ended up in graduate school because I already secretly sided with the academics. In any case, I stopped believing that "theory" had the power to ruin literature for anyone, or that it was possible to compromise something you loved by studying it. Was love really such a tenuous thing? Wasn't the point of love that it made you want to learn more, to immerse yourself, to become possessed? — Elif Batuman

I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it. — Eleanor Catton

The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power. — Friedrich Nietzsche

Will grinned. "Some of these books are dangerous," he said. "It's wise to be careful.""One must always be careful of books," said Tessa, "and what is inside them, for words have the power to change us.""I'm not sure a book has ever changed me," said Will. "Well, there is one volume that promises to teach one how to turn oneself into an entire flock of sheep - ""Only the very weak-minded refuse to be influenced by literature and poetry," said Tessa — Cassandra Clare

in his view, literature's worth lies in its power of mystification, in mystification it has its truth; therefore a fake, as the mystification of a mystification, is tantamount to a truth squared. He — Italo Calvino

Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line - that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen - that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. — Charlotte Bronte

Literature for me ... tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader. — Geoff Ryman

I'm going to go out on a limb here. I've thought a lot about this one, as a feminist, and as an author. How should traditional roles be portrayed? In fantasy literature there is a school of thought that holds that women must be treated precisely like men. Only the traditional male sphere of power and means of wielding power count. If a woman is shown in a traditionally female role, then she must be being shown as inferior.
After a lot of thought, and some real-life stabs at those traditional roles, I've come to firmly disagree with this idea. For an author to show that only traditional male power and place matter is to discount and belittle the hard and complex lives of our peers and our ancestresses. — Sarah Zettel

Actually, the true story of a person's life can never be written. It is beyond the power of literature. The full tale of any life would be both utterly boring and utterly unbelievable. — Isaac Bashevis Singer

The defense of the great works of Western literature can no longer be undertaken by central institutional power though it is hard to see how the normal operation of learned institutions, including recruitment can manage without them. — Harold Bloom

Addiction is a very compelling subject for literature - especially now that it's nearly impossible to come out of adult experience without some addiction - to substances, sure, but also to love, sex, success, failure, power. — Porochista Khakpour

This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. — Susan Sontag

Human communication and literature are all made of words; thus, it's hard to overestimate their unbelievable power. — Sahara Sanders

How does Chekhov's artistic "programme" comment on the message of The Duel, and vice versa? I should like to be a free artist and nothing more, and I regret that God has not given me the power to be one. I hate lying and violence in all their forms ... Pharisaism, stupidity and despotism reign not in merchants' houses and prisons alone. I see them in science, in literature, in the younger generation ... That is why I have no preference either for gendarmes, or for butchers, or for scientists, or for writers, or for the younger generation. I regard trade-marks and labels as a superstition. My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom - freedom from violence and lying, whatever forms they may take. This is the programme I would follow if I were a great artist.* — Anton Chekhov

It came to my mind that in the Yoga Sutras of Patanjali, in Indian spiritual literature, and in the Bhagavad Gita, and when I started reading about outstanding yogis and people of exceeding spiritual power such as Ramana Maharshi, or Yogananda, they all had the ability to do what we would call - I don't know what you would even call it - psychic phenomenon, magic, transform objects, be able to perceive the future, the past and the present simultaneously. — Fred Alan Wolf

Omnipotence and omniscience are the end of power and knowledge. — Dejan Stojanovic

Literature is, to my mind, the great teaching power of the world, the ultimate creator of all values, and it is this, not only in the sacred books whose power everybody acknowledges, but by every movement of imagination in song or story or drama that height of intensity and sincerity has made literature at all. Literature must take the responsibility of its power, and keep all its freedom: it must be like the spirit and like the wind that blows where it listeth; it must claim its right to pierce through every crevice of human nature, and to descrive the relation of the soul and the heart to the facts of life and of law, and to describe that relation as it is, not as we would have it be ... — W.B.Yeats

Don't be afraid of books, even the most dissident, seemingly 'immoral' ones. Culture is a sure bet in life, whether high, low, eclectic, pop, ancient or modern. And I am convinced that reading is one of the most important tools of liberation that any human being, and a contemporary Arab woman in particular, can exploit. I am not saying it is the ONLY tool, especially with all the new alternative - more visual, interactive and hasty - ways of knowledge, learning and growth. But how could I not be convinced of literature's power, when it has been my original emancipator? — Joumana Haddad

Great Literature is help for humans. It is medicine of the highest order. In a more aware culture, writers would be considered priests. And, in fact, I have approached writing in a distinctly priestess frame of mind. I know what The Color Purple can mean to people, women and men, who have no voice. Who believe they have few choices in life. It can open to them, to their view, the full abundance of this amazing journey we are all on. It can lift them into a new realization of their own power, beauty, love, courage. It is a book that unites the present with the past, therefore giving people a sense of history and of timelessness they might never achieve otherwise. And even were it not 'great' literature, it has the best interests of all of us humans at heart. That we grow, change, challenge, encourage, love fiercely in the awareness that real love can never be incorrect. — Alice Walker

I stress the expansion and elaboration of language. In simplifying it, reducing it, we reduce the power of our expression and our power to communicate. Standardization, the use of worn-out formulas, impedes communication because it does not match the subtlety of our minds or emotions, the multimedia of our unconscious life. — Anais Nin

I should like to see any power of the world destroy this race, this small tribe of unimportant people, whose wars have all been fought and lost, whose structures have crumbled, literature is unread, music is unheard, and prayers are no more answered. Go ahead, destroy Armenia . See if you can do it. Send them into the desert without bread or water. Burn their homes and churches. Then see if they will not laugh, sing and pray again. For when two of them meet anywhere in the world, see if they will not create a New Armenia. — William, Saroyan

Once I got into college, I discovered literature - in particular, multicultural literature. I just started to understand the power of story and narrative, and you know, like anyone else, I kind of wanted to do it, too. — Matt De La Pena

Literature is not at the service of the government; on the contrary, governments should do everything in their power to create a favourable climate for literature. — Murong Xuecun

The mind can also be kind and does blot out those episodes of our existence that we can't erase in our consciousness. — F. Sionil Jose

There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always - do not forget this, Winston - always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. — George Orwell

What a land. What power these rivers were already yielding, far beyond her sight. Even a map of this country
lines arranged in an arbitrary way on a long rectangular piece of paper
stirs the imagination beyond imagination, she thought, looking at the map, as other lines differently arranged in relation to each other have not the power to stir. Each name on the map says We reached this point, by broken trail and mountains and water; and when we reached it, thus and thus we named it. — Ethel Wilson

I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another. — Adam Rapp

The literature of the world has exerted its power by being translated. — Mark Van Doren

To describe adequately is the high power & one of the highest enjoyments of man.
She was beautiful and he fell in love with her. The thing has happened to millions, yet how few can tell the story. Try some of them, set them at the painting; each knows it all & can communicate nothing. Then comes Shakspeare [sic], & tells it point for point as it befel [sic], or better; and now we have two things, love & literature. — Ralph Waldo Emerson

The book was in her lap; she had read no further. The power to change one's life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others? — James Salter

Only that type of story deserves to be called moral that shows us that one has the power within oneself to act, out of the conviction that there is something better, even against one's own inclination. — Johann Wolfgang Von Goethe

Honey, de white man is de ruler of everything as fur as Ah been able tuh find out. Maybe it's some place way off in de ocean where de black man is in power, but we don't know nothin' but what we see. — Zora Neale Hurston

We rely upon the poets, the philosophers, and the playwrights to articulate what most of us can only feel, in joy or sorrow. They illuminate the thoughts for which we only grope; they give us the strength and balm we cannot find in ourselves. Whenever I feel my courage wavering, I rush to them. They give me the wisdom of acceptance, the will and resiliance to push on. — Helen Hayes

Further expanding the already large class of Foucauldian apparatuses, I shall cal an apparatus literally anything that has in some way the capacity to capture, determine, intercept, model, control , or secure the gestures, behaviors, opinions, or discourses of living beings. Not only, therefore, prisons, madhouses, the panopticon, schools, confession, factories, disciplines, juridical measures, and so forth (whose connection with power is in a certain sense evident), but also the pen, writing, literature, philosophy, agriculture, cigarettes, navigation, computers, cellular telephones and - why not - language itself, which is perhaps the most ancient of apparatuses - one in which thousands and thousands of years ago a primitive inadvertently let himself be captured, probably without realizing the consequences that he was about to face. — Giorgio Agamben

There was much that was endearing in this strangely Russian search for absolutes - such as the passion for big ideas that gave the literature of nineteenth-century Russia its unique character and power - and yet the underside of this idealism was a badgering didacticism, a moral dogmatism and intolerance, which in its own way was just as harmful as the censorship it opposed. — Orlando Figes

The fairy tale belongs to the poor ... I know of no fairy tale which upholds the tyrant, or takes the part of the strong against the weak. A fascist fairy tale is an absurdity. — Erik Christian Haugaard

Professor Dawkins himself stated that "Religion is about turning untested belief, into unshakable truth through the power of institutions, and the passage of time." This is exactly what is happening with his meme conjecture. He is taking an untestable idea, by scientific standards, and through media and literature and a popular cult following, creating it into a social norm of truth where others believe his idea and propagate it as an unshakeable truth. This also is occurring faster because of computer technology in time. But nonetheless, it is an occurrence within a passage of time. — Idav Kelly

When I look back, I am so impressed again with the life-giving power of literature. If I were a young person today, trying to gain a sense of myself in the world, I would do that again by reading, just as I did when I was young. — Maya Angelou

Through neglect of this rule, many men of genius and great scholars have become weak-minded and childish, or even gone quite mad, as they grew old. To take no other instances, there can be no doubt that the celebrated English poets of the early part of this century, Scott, Wordsworth, Southey, became intellectually dull and incapable towards the end of their days, nay, soon after passing their sixtieth year; and that their imbecility can be traced to the fact that, at that period of life, they were all led on? by the promise of high pay, to treat literature as a trade and to write for money. This seduced them into an unnatural abuse of their intellectual powers; and a man who puts his Pegasus into harness, and urges on his Muse with the whip, will have to pay a penalty similar to that which is exacted by the abuse of other kinds of power. And — Arthur Schopenhauer

That was originally what I had loved him for: that at a period when our native land was nude and crude and provincial, when the famous 'atmosphere' it is supposed to lack was not even missed, when literature was lonely there and art and form akmost impossible, he had found the means to live and write like one of the first; to be free and general and not at all afraid; to feel, understand, and express everything. — Henry James

But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless - a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches' tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. — Kim Stanley Robinson

The Saga of Dharmapuri is one of the great works of modern Indian literature. ( ... ) Set against Vijayan's heroic and scatological Candide
originally written in Malayalam and finely translated into English by the author
the timidity of our own English talent for political satire is embarrassingly laid bare. For this is dangerous stuff, and cut close to the bone. ( ... ) Fiercest of all is Vijayan's Voltairean recoil from Indian cringing to power. — David Selbourne

The mythic voice rising from literature and art allows us to be humane. We are not humane because of political power, or education, or even religion. We are humane because we recognize the humanity of others. The writer and the artist appeal to that humanity. For that reason, literature and art are the bones of civilization. — Jack Cady

Let fascism find not even a single passage to power or else that poisonous snake will infiltrate into the every vital corner of the country and kill the future of the nation! — Mehmet Murat Ildan

Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors besides battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fanstasy is good at thinking about those other ways. — Ursula K. Le Guin

I have no illusions that my work can rouse the masses to create change, because literature simply doesn't have that power anymore in my country, if it does anywhere. But I do hope that it can be read by those who are in positions to create change, or that it can at least be part of that dialogue. — Miguel Syjuco

To accept the story of the Arab destruction of the library of Alexandria, one must explain how it is that so dramatic an event was unmentioned and unnoticed not only in the rich historical literature of medieval Islam, but even in the literatures of the Coptic and other Christian churches, of the Byzantines, of the Jews, or anyone else who might have thought the destruction of a great library worthy of comment. That the story still survives, and is repeated, despite all these objections, is testimony to the enduring power of a myth. — Bernard Lewis

Life's so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth ... Dramabegins where there's freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That's why the inhabitants of imaginative literature have always been recruited from the pages of Who's Who. — Aldous Huxley

Words in books can remind us of truth, and help awaken us to it. But in themselves, words are just paint and writers are just painters ... Let us not overestimate the power of any form of literature. — David James Duncan

...for most men are unaware that what is in the power of magicians to accomplish, that the heart can also accomplish by dint of love and bravery. — Joseph Bedier

The course of English Literature would have been decidedly different had Mr. Wordsworth owned a power mower, she thought. — Harper Lee

Great artistic works are often based on solving several psychological problems simultaneously. In literature this is often accomplished by splitting apart the conflict and assigning each aspect to a different character. Marjie Rynearson, for instance, wrote an award-winning play, Jenny, about the meeting and reconciliation of two women: the mother of a murder victim and the mother of the murderer. Within the dialogue between the two characters she sought to resolve two sets of problems: the rage and grief of the victim's mother, and the horror, guilt, and grief of the murderer's mother. She worked on the play for several years, and only when it was finished did she realize that through it she was struggling to resolve her feelings about the suicide of her best friend. Rynearson had simultaneously been, in effect, both the friend of the victim and the friend of the perpetrator of the killing. The power of the work lay in its simultaneous resolution of conflicting problems. — Linda Austin

So things remained until one day, many years later, I happened upon a line in a poem by Heine: "Death is the cooling night." That childhood memory, lost for so long, suddenly restored itself to my quivering heart, returning freshly washed, in limpid clarity, never again to leave me. If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one's very own. Heine put into words the feeling I had as a child when I lay napping in the morgue. And that, I tell myself, is literature. — Yu Hua

We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing - by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature. — M.H. Abrams

Faith in an afterlife was important to Egyptians: they deliberately made their tombs the most permanent part of their built environment, and we find them in their literature very much concerned with what they could know about life after death, judgement and individual survival. Certainly they preserved their religion for most of the lifespan of their language, and they no more actively preached it abroad than they attempted to spread their language when they enlarged the boundaries of their power. But aspects of their faith did spread without the language none the less: their mother-goddess Isis became one of the most widely revered deities in the Roman empire, and has been seen as a root of the Christian cult of Mary as Mother of God. — Nicholas Ostler

The force of the advertising word and image dwarfs the power of other literature in the 20th century. — Daniel J. Boorstin

Music is the literature of the heart; it commences where speech ends. — Alphonse De Lamartine

A person is not a democrat thanks to his ignorance of literature and the arts, nor an elitist because he or she has cultivated them. The possession of knowledge makes for unjust power over others only if used for that very purpose: a physician or lawyer or clergyman can exploit or humiliate others, or he can be a humanitarian and a benefactor. In any case, it is absurd to conjure up behind anybody who exploits his educated status the existence of an "elite" scheming to oppress the rest of us. — Jacques Barzun

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

We are wanderers, place shifters, the cosmic homeless. This is not a modern truth, and Achilles is not some new kind of existentialist hero. It is the oldest truth of all, surviving uncomfortably into the modern world of cities and overkings, diplomacy and accommodation, the power structures and the proliferation of stuff which the Mediterranean world provides. — Adam Nicolson

He accepted the deformity which had made life so hard for him; he knew that it had warped his character, but no he saw also that by reason of it he had acquired that power of introspection which had given him so much delight. Without it he would never have had his keen appreciation of beauty, his passion for art and literature, and his interest in the varied spectacle of life. [ ... ] Then he saw that normal was the rarest thing in the world. Everyone had some defect of body or of mind [ ... ] The only reasonable thing was to accept the good of men and be patient with their faults. — W. Somerset Maugham

I declare, on my soul and conscience, that the attainment of power, or of a great name in literature, seemed to me an easier victory than a success with some young, witty, and gracious lady of high degree. — Honore De Balzac

To narrate is to give oneself: it seems obvious that literature, as an effort to communicate fully, will continue to be blocked so long as misery and illiteracy exist, and so long as the possessors of power continue to carry on with impunity their policy of collective imbecilization through the mass media. — Eduardo Galeano

We are frequently being reminded that no criticism or teaching is ever completely politically "innocent." True, but should we accept the swing to the indoctrination of an unqualifiedly negative attitude, which fosters a sense of alienation, of being a powerless victim? And should we permit a simplistic view of "power" to trigger simplistic notions of alternatives and processes of social change? — Louise M. Rosenblatt

This is peculiarly an age in which each of us may, if he do but search diligently, find the literature suited to his mental powers. — P.G. Wodehouse

In your novels do you lie deliberately or just out of ignorance?"
Laughter. A murmur of approval. The writer hesitated a few seconds. Then counter-attacked:
"I'm a liar by vocation," he shouted. "I lie with joy! Literature is the only chance for a true liar to attain any sort of social acceptance."
Then more soberly, he added - his voice lowered - that the principal difference between a dictatorship and a democracy is that in the former there exists only one truth, the truth as imposed by power, while in free countries every man has the right to defend his own version of events.
Truth, he said, is a superstition. — Jose Eduardo Agualusa

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

What the critic as a teacher of language tries to teach is not an elegant accomplishment, but the means of conscious life. Literary education should lead not merely to the admiration of great literature, but to some possession of its power of utterance. The ultimate aim is an ethical and participating aim, not an aesthetic or contemplative one, even though the latter may be the means of achieving the former. — Northrop Frye

The creation by word-power of something out of nothing
what is that but magic? And, may I add, what is that but literature? — Aldous Huxley

The exercise of imagination is dangerous to those who profit from the way things are because it has the power to show that the way things are is not permanent, not universal, not necessary. Having that real though limited power to put established institutions into question, imaginative literature has also the responsibility of power. The storyteller is the truthteller. — Ursula K. Le Guin

I am about tribal feminine power. As a leader, I may stumble but my essence lives to the future
of my people, of my literature, of my art. And when a tribesman turn against its leader, that tribe will become two. It may faulter my course, but it will not stifle my ending. I rule only among my believers. — Kristie LeVangie

I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. — Jeanette Winterson

You've sinned, I suppose, but your punishment has been out of all proportion. They have turned you into something other than a human being. You have no power of choice any longer. You are committed to socially acceptable acts, a little machine capable only of good. And I see that clearly - that business about marginal conditionings. Music and the sexual act, literature and art, all must be a source now not of pleasure but of pain. — Anthony Burgess

In Edmund Gosse, Agnes Smedley, Geoffrey Wolff, we have a set of memoirists whose work records a steadily changing idea of the emergent self. But for each of them a flash of insight illuminating that idea grew out of the struggle to clarify one's own formative experience; and in each case the strength and beauty of the writing lie in the power of concentration with which this insight is pursued, and made to become the the writer's organizing principle. That principle at work is what makes a memoir literature rather than testament. — Vivian Gornick

Jesus claimed He had the power to raise himself from the dead and His followers would be raised from the dead. That's a unique claim in the literature of religion. — Josh McDowell

It is curious to observe what different ideals of happiness people cherish, and in what singular places they look for this well-spring of their life. Many look for it in the hoarding of riches, some in the pride of power, and others in the achievements of art and literature; a few seek it in the exploration of their own minds, or in search for knowledge. — Helen Keller

If the statistics are right, the Jews constitute but one percent of the human race. It suggests a nebulous dim puff of star dust lost in the blaze of the Milky Way. Properly the Jew ought hardly to be heard of, but he is heard of, has always been heard of. He is as prominent on the planet as any other people, and his commercial importance is extravagantly out of proportion to the smallness of his bulk. His contributions to the world's list of great names in literature, science, art, music, finance, medicine, and abstruse learning are also away out of proportion to the weakness of his numbers. — Mark Twain

Figures are the most shocking things in the world. The prettiest little squiggles of black looked at in the right light and yet consider the blow they can give you upon the heart. — H.G.Wells

Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can't afford airtime in a commercialized, status-consciou s, and cynical world. — Alain De Botton

Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production. — Alex Tabarrok

When, over lunch in Philadelphia, I ask the distinguished University of Pennsylvania historian, Alan Charles Kors about Cultural Studies, he shakes his head in dismay. "Cultural Studies," he laments, "is now dominant in all departments of literature and is increasingly big in history, sociology, and cultural anthropology, though less so in political science." His own capsule definition of Cultural Studies? "It sees culture as a means of assigning roles, power, obedience, and resources - and examines the way in which culture accomplishes that. — Bruce Bawer

I believe that the power of literature is stronger than the power of tyranny. — Ma Jian

The apostles were scattered, and even the leaders of the Church in Jerusalem had neither the power nor the means to impose uniformity.In these circumstances, we must imagine the literature of Christianity as spreading gradually, irregularly, and in a manner which variations inevitable. — Frederic G. Kenyon

The Old Testament traces one complete cycle of that history, one people's rise and fall. This particular people is unique only in that they're the ones who begin to remember what man was made for. Moses' revelation at the burning bush is as profound as any religious scene in literature. There, he sees that the eternal creation and destruction of nature is not a mere process but the mask of a personal spirit, I AM THAT I AM. The centuries that follow that revelation are a spiraling semicircle of sin and shame and redemption, of freedom recovered and then surrendered in return for imperial greatness, of a striving toward righteousness through law that reveals only the impossibility of righteousness, of power and pride and fall. It's every people's history, in other words, but seen anew in the light of the fire of I AM. It — Andrew Klavan

Words are instruments, they are tools that, in their different ways, are as effective as any sharp edge or violate chemical. They are, like coins, items of great value, but they represent a currency that, well spent, returns ever greater riches. — Tim Radford

If religious books are not widely circulated among the masses in this country, I do not know what is going to become of us as a nation. If truth be not diffused, then error will be. If God and His Word are not known and received, the devil and his works will gain the ascendency. If the evangelical volume does not reach every hamlet, the pages of a corrupt and licentious literature will. If the power of the gospel is not felt throughout the length and breadth of this land, anarchy and misrule, degradation and misery, corruption and darkness will reign without mitigation or end. — Daniel Webster

Sanity
that is the great virtue of the ancient literature; the want of that is the great defect of the modern, in spite of its variety and power. — Matthew Arnold

The public will only stand genius in infintesimal doses,sprinkled with mannerisms and fashionable literature ... A fashionable genius!Doesn't that make you laugh?..what a waste of power! — Romain Rolland

There she sits in the corner of the carriage - that carriage which is travelling, not from Richmond to Waterloo, but from one age of English literature to the next, for Mrs. Brown is eternal, Mrs. Brown is human nature, Mrs. Brown changes only on the surface, it is the novelists who get in and out - there she sits and not one of the Edwardian writers has so much as looked at her. They have looked very power- fully, searchingly, and sympathetically out of the window ; at factories, at Utopias, even at the decoration and upholstery of the carriage ; but never at her, never at life, never at human nature. — Virginia Woolf

Melville brought to the task a sound knowledge of actual whaling, much curious learning in the literature of the subject, and, above all, an imagination which worked with great power upon the facts of his own experience. — Carl Clinton Van Doren

For all its celebration of markets and individual initiative, this alliance of government and finance often produces results that bear a striking resemblance to the worst excesses of bureaucratization in the former Soviet Union or former colonial backwaters of the Global South. There is a rich anthropological literature, for instance, on the cult of certificates, licenses, and diplomas in the former colonial world. Often the argument is that in countries like Bangladesh, Trinidad, or Cameroon, which hover between the stifling legacy of colonial domination and their own magical traditions, official credentials are seen as a kind of material fetish - magical objects conveying power in their own right, entirely apart from the real knowledge, experience, or training they're supposed to represent. But since the eighties, the real explosion of credentialism has been in what are supposedly the most "advanced" economies, like the United States, Great Britain, or Canada. — David Graeber

Literature is the power of fiction itself: not making a claim about what the world is, but about the imagination of a possible world. — Claire Colebrook

The study of science, dissociated from that of philosophy and literature, narrows the mind and weakens the power to love and follow the noblest ideals: for the truths which science ignores and must ignore are precisely those which have the deepest bearing on life and conduct. — John Lancaster Spalding

The power of literature, I've always thought, lies in how willful the act of making it is. As such, I've never bought into the idea that the writer requires any special ritual in order to write. If need be, I could write almost anywhere, as easily in an ashram as in a crowded cafe, or so I've always insisted when asked whether I write with a pen or a computer, at morning or night, alone or surrounded, in a saddle like Goethe, standing like Hemingway, lying down like Twain, and so on, as if there were a secret to it all that might spring the lock of the safe housing the novel, fully formed and ready for publication, apparently suspended in each of us. — Nicole Krauss

This is the paradox of the power of literature: it seems that only when it is persecuted does it show its true powers, challenging authority, whereas in our permissive society it feels that it is being used merely to create the occasional pleasing contrast to the general ballooning of verbiage. — Italo Calvino