Popular And Folk Quotes & Sayings

Gershwin's melodic gift was phenomenal. His songs contain the essence of New York in the 1920s and have deservedly become classics of their kind, part of the 20th-century folk-song tradition in the sense that they are popular music which has been spread by oral tradition (for many must have sung a Gershwin song without having any idea who wrote it). — George Gershwin

If the day and the night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal- that is your success. All nature is your congratulation, and you have cause momentarily to bless yourself. The greatest gains and values are farthest from being appreciated. We easily come to doubt if they exist. We soon forget them. They are the highest reality. Perhaps the facts most astounding and most real are never communicated by man to man. The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening. It is a little star-dust caught, a segment of the rainbow which I have clutched. — Henry David Thoreau

I'm parodied as being some right-wing fundamentalist extremist, it just isn't true. The parody doesn't reflect reality. — Pat Robertson

I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football. — Tom Lehrer

It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater ... it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content. — Kurt Weill

Anyone have some mints or some gum?" Bonnie asked. No one did, and she turned to Joe Hill Conley. She scrutinized him a moment, then, using her fingers, combed his part over to the left side. "That looks better," she said. Nearly two decades later, the little hair he has left remains parted by Bonnie's invisible hand. — Jeffrey Eugenides

Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music. — Benjamin Booker

From a young age, I was encouraged to sing, dance and learn folk and popular songs in Spanish. — Ailyn Perez

We had various kinds of tape-recorded concerts and popular music. But by the end of the flight what we listened to most was Russian folk songs. We also had recordings of nature sounds: thunder, rain, the singing of birds. We switched them on most frequently of all, and we never grew tired of them. It was as if they returned us to Earth. — Anatoly Berezovoy

The most popular man under a democracy is not the most democratic man, but the most despotic man. The common folk delight in the exactions of such a man. They like him to boss them. Their natural gait is the goose step. — H.L. Mencken

The mayfly lives only one day. And sometimes it rains. — George Carlin

reality has too many heads — Bob Dylan

The way popular music is categorized and formatted cuts down on everyone's options. And although people don't talk about it, there are a lot of issues of race determining musical categories of what's rock, R&B, or even folk. It ends up restricting creativity. — Tracy Chapman

In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything. — Paul Stookey

In spite of their obvious differences, folk art and popular art have much in common; they are easy to understand, they are romantic, patriotic, conventionally moral, and they are held in deep affection by those who are suspicious of the great arts. Popular artists can be serious, like Frederick Remington, or trivial, like Charles Dana Gibson; they can be men of genius like Chaplin or men of talent like Harold Lloyd; they can be as uni versal as Dickens or as parochial as E.P. Roe; one thing common to all of them is the power to communicate directly with everyone. — Gilbert Seldes

That conduct often seems ridiculous the secret reasons of which are wise and solid. — Francois De La Rochefoucauld

We hang out, we help one another, we tell one another our worst fears and biggest secrets, and then just like real sisters, we listen and don't judge. — Adriana Trigiani

Work was like cats were supposed to be: if you disliked and feared it and tried to keep out if its way, it knew at once and sought you out and jumped on your lap and climbed all over you to show how much it loved you. Please God, he thought, don't let me die in harness. — Kingsley Amis

A most obstinate misconception associated with the gospel of Jesus Christ is that the gospel is welcome in this world. The conviction endemic among church folk persists that, if problems of misapprehension and misrepresentation are overcome and the gospel can be heard in its own integrity, the gospel will be found attractive by people, become popular and even be a success of some sort.
This idea is curious and ironical because it is bluntly contradicted in Scripture, and in the experience of the continuing biblical witness in history from the event of Pentecost unto the present moment. During Jesus' earthly ministry, no one in His family and not a single one of the disciples accepted Him, believed His vocation or loved the gospel He bespoke and embodies.
Since the rubrics of success, power, or gain are impertinent to the gospel, the witness of the saints looks foolish where it is most exemplary. — William Stringfellow

The term 'popular culture' always used to mean what the people do - pop songs, folk songs, music in general used to live because people would sing these songs and tell these stories together. Then all of these new technologies came out and it became the work of professionals. — Joseph Gordon-Levitt

Real popular culture is folk art - coalminers' songs and so forth. — Noam Chomsky

I admit at the beginning that 'popular religion,' 'demotic religion,' the pieties of the common folk, tends to sink to the lowest common denominator, be it in syncretizing saints with old, half-forgotten pagan godlings, or in preferring the nasal whine and the revivalist shoutin' to solid sense and learning, regarding intellect as positively inimical to the workings of the Holy Ghost. But it is in American religious life, especially Protestant American religious life, that things bottom out completely. — Markham Shaw Pyle

It's been my experience that most folk who ride trains could care less where they're going. For them it's the journey itself and the people they meet along the way. You see, at every stop this train makes, a little bit of America, a little bit of your country, gets on and says hello. That's why trains are so popular at Christmas. People get on to meet their country over the holidays. They're looking for some friendship, a warm body to talk to. People don't rush on a train, because that's not what trains are for. How do you put a dollar value on that? What accounting line does that go on? — David Baldacci

Popular culture would never have achieved such a high degree of influence had it not been for the disappearance of family culture and Folk culture. With our social revolution, there would have been no cultural revolution. Without age0segregated high schools and the disappearance of the family economy, there would have been no Elvis Presley, Michael Jackson, or Katy Perry. — Kevin Swanson

Chap in the cagoule." "What's a cagoule?" "Eleven? Do I hear eleven? Big fat man with the shameless wig? No? Still with the chap in the lightweight, knee-length anorak of French origin, very popular with bearded prannies who wear ethnic shoes, get off on Olde English folk music and have girlfriends called Ros who run encounter groups where you can find your true self and be at one with the cosmos. Eleven still with you, sir." "Well!" said the chap in the cagoule. "I don't know if I want it now." "Oh go on," said Ros, his girlfriend. "Twelve," said a new voice. — Anonymous

It was very successful, but it fell on the wrong planet. — Wernher Von Braun

The truths we conceal don't disappear Raheen, they appear in different forms — Kamila Shamsie

Irwin Silber, the editor of the folk magazine Sing Out! was there, too. In a few years' time he would castigate me publicly in his magazine for turning my back on the folk community. It was an angry letter. I liked Irwin, but I couldn't relate to it. Miles Davis would be accused of something similar when he made the album Bitches Brew, a piece of music that didn't follow the rules of modern jazz, which had been on the verge of breaking into the popular marketplace, until Miles's record came along and killed its chances. Miles was put down by the jazz community. I couldn't imagine Miles being too upset. — Bob Dylan

Now losers have this advantage, that though their own folk disapprove of them they are generally popular with everyone else. Having no work to chain them, they became public property. Just — Rabindranath Tagore

I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels. — Kenneth Branagh

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music. — Pete Seeger