Poetry That Moves Quotes & Sayings
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Top Poetry That Moves Quotes

The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy. — Anton Yelchin

The problem is that people have tried to look away from space and from the meaning of the moon landing. I remember seeing a picture of an astronaut standing on the moon. It was up at Yale and someone has scrawled on it, 'So what?' That is the arrogance of the kind of academic narrowness one too often sees; it is trapped in its own predictable prejudices, its own stale categories. It is the mind dulled to the poetry of existence. It's fashionable now to demand some economic payoff from space, some reward to prove it was all worthwhile. Those who say this resemble the apelike creatures in 2001. They are fighting for food among themselves, while one separates himself from them and moves to the slab, motivated by awe. That is the point they are missing. He is the one who evolves into a human being; he is the one who understands the future. — Joseph Campbell

Celebrate one soul, touch one heart, light one lamp; and the whole universe moves. — Heather K. O'Hara

Poetry is a river; many voices travel in it; poem after poem moves along in the exciting crests and falls of the river waves. None is timeless; each arrives in an historical context; almost everything, in the end, passes. But the desire to make a poem, and the world's willingness to receive it
indeed the world's need of it
these never pass. — Mary Oliver

Be the man who has the spirit of a ruthless tiger, ravaging every dusty corner of my soul.
Be the man for whom I will tame myself voluntarily..
Be the man who can make me forget my birth date in moments of utter dellusion.
Be the man whose arms are my harbor, whose lips are my shore, and whose name is my only salvation.
Be the man who erases my past and draws my future with trails of roses and kisses.
Be the man who makes me sigh behind the windows of Poetry, longing to be written.
Be the man whose cigarette's ashes are confounded with mine.
Be the man whose voice moves mountains inside me.
Be the man whose eyes devour the innocence within me with every piercing glance.
Be the man for whom I will transform exceptions into rules.
Be the man who will dare to tear this poem from my hands.
The man who will rewrite with the uncertainty of the futur every single one of my verses. — Malak El Halabi

In poetry, I have, since very young, loved poetry in translation. The Chinese, the French, the Russians, Italians, Indians and early Celts: the formality of the translator's voice, their measured breath and anxiety moves me as it lingers over the original. — Fanny Howe

The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it. — Omar Khayyam

She moves as water moves, and comes to me,
Stayed by what was, and pulled by what would be. — Theodore Roethke

Waldo nodded and waved goodbye pathetically, like a young father going off to war.
As soon as the door was closed and he was gone, Jeanne squelched her own apprehensions, opened the paper and read the poem Waldo had written for her:
One taste of Jeanne and out I flew
Wildly, madly, in no direction
But hers, and yet so straight and true
I fly towards her with no protection
It feels so strange to move this way
Though I should land, desire it seems
Moves in strange circles and so I stay
Disoriented beyond my wildest dreams. — Donald Jeffries

Darkness moves like a pack of wild dogs.
The wind moves like a wounded animal.
The ground must be full of teeth by now. — Cecilia Llompart

He moves in darkness as it seems to me
Not of woods only and the shade of trees. — Robert Frost

Matt Mason must be declared the poet laureate of the Midwest! No other native son celebrates the overlooked America, its unsung citizens (from the anonymous poets to the part-time English teachers), and its expansive indigenous landscape, as well as he does. Mason's poetry is humorous when he wants to be quirky, heartbreaking when he wants to be eloquent, and though he moves effortlessly into other moods and geographies, he always returns to his first and most enduring love (and to what he knows best)-his homeland. — Rigoberto Gonzalez

The Sun moves. And I am with you. — Gwen Calvo

There is nothing out here...
it is all inside;
it is all in my head.
The things that happen do not exist
unless I give them meaning.
To be able to define everything
is where my greatest weakness lies.
To be able to feel
is the madness I need to make sense
of the things that strike me.
People strike me,
love strikes me
and everything else moves me
in such a way
that I could barely understand.
I feel,
and everything I feel is nothing;
nothing but an extension
of the mind
and
of the heart I was born with. — Robert M. Drake

My duty moves along with my song:
I am I am not: that is my destiny.
I exist not if I do not attend to the pain
of those who suffer: they are my pains.
For I cannot be without existing for all,
for all who are silent and oppressed,
I come from the people and I sing for them:
my poetry is song and punnishment. — Pablo Neruda

As often as we made love I remembered what my poet told me, that this man was born of a goddess, the force that moves the stars and the waves of the sea and couples the animals in the fields in spring, the power of passion, the light of the evening star. — Ursula K. Le Guin

I love contemporary poetry because it moves between what we call poetry and what we call philosophy. It joins these fields and makes writing more natural, as in how it is lived in the person. We don't separate thinking from feeling in real life, so why should we separate it in writing? — Etel Adnan

The poems in Katherine Soniat's new collection, The Swing Girl, weave emotion's 'spray going farther than thought' with the 'bedrock things' of the trod-upon world. These poems eddy and pool in unpredictable and often surprising ways, much as the mind moves in its twilight state between waking and sleep. The fluidity of their cadence and the luminosity of their imagery carry the reader to the wellspring of poetry itself, that deep delight of which Robert Penn Warren spoke, whose source is, in Soniat's words, 'beauty on its way to being mystery.' — Kathryn Stripling Byer

proceeding to the multitude of Gods is twofold, one of which converts and the other moves the Gods to the providence of inferior natures, poetry alfo defcribes twofold fpeeches* of Jupiter to the God^. According to the firft of thefe, the one and whole demiurgus of the univerfe is reprefented as communicating aa unmingled purity to the multitude of the Gods, and imparting to them powers feparate from all divifion about the world. Hence he orders all the Gods to defift from the war and the contrariety of mundane affairs* But, according to the fecond of thefe fpeeches, he excites them to the providence of fubordinate natures, and permits their divided progreflions into the univerfe, that they may not only be contained in one demiurgic intelleft, which, as the poet fays. — Anonymous

Poetry is a pure meritocracy. There's no room for ambiguity: either a poem moves you and opens up new vistas in life, or it doesn't. It's completely objective, and the best always rise to the top. — Jim Goetz

Each word, as someone once wrote, contains the universe.
The visible carries all the invisible on its back.
Tonight, in the unconditional, what moves in the long-limbed grasses,
what touches me
As though I didn't exist?
What is it that keeps on moving,
a tiny pillar of smoke
Erect on its hind legs,
loose in the hollow grasses?
A word I don't know yet, a little word, containing infinity,
Noiseless and unrepentant, in sift through the dry grass. — Charles Wright

Clothed in facts truth feels oppressed. In the garb of poetry it moves easy and free. — Rabindranath Tagore

The language of logical argument, of proofs,is the language of the limited self we know and can manipulate. But the language of parable and poetry, of storytelling,moves from the imprisoned language of the provable into the free language of what I must, for lack of another word, continue to call faith. — Madeleine L'Engle

We know
The wheel of time moves on
New bonds, new ties ignite
Moments fleet, memories drift, shadows glide
There is always a hope
At the horizon we seek. — Balroop Singh

Language is the element of definition, the defining and descriptive incantation. It puts the coin between our teeth. It whistles the boat up. It shows us the city of light across the water. Without language there is no poetry, without poetry there's just talk. Talk is cheap and proves nothing. Poetry is dear and difficult to come by. But it poles us across the river and puts a music in our ears. It moves us to contemplation. And what we contemplate, what we sing our hymns to and offer our prayers to, is what will reincarnate us in the natural world, and what will be our one hope for salvation in the What'sToCome. — Charles Wright

Laser technology has fulfilled our people's ancient dream of a blade so fine that the person it cuts remains standing and alive until he moves and cleaves. Until we move, none of us can be sure that we have not already been cut in half, or in many pieces, by a blade of light. It is safest to assume that our throats have already been slit, that the slightest alteration in our postures will cause the painless severance of our heads. — Ben Lerner

God moves in mysterious ways
His wonders to performs — William Cowper

Sometimes when I'm alone
I Cry,
Cause I am on my own.
The tears I cry are bitter and warm.
They flow with life but take no form
I Cry because my heart is torn.
I find it difficult to carry on.
If I had an ear to confide in,
I would cry among my treasured friend,
but who do you know that stops that long,
to help another carry on.
The world moves fast and it would rather pass by.
Then to stop and see what makes one cry,
so painful and sad.
And sometimes...
I Cry
and no one cares about why. — Tupac Shakur

Poor land, poor land, what do you mean
to the heart that moves in me?
Poor love, poor love, poor wife of mine,
why do you weep so bitterly?
(from Retribution book 2, I) — Alexander Blok

The songs of Japan take the human heart as their seed and flourish as myriad leaves of words. As long as they are alive to this world, the cares and deeds of men and women are endless, so they speak of things they hear and see, giving words to the feelings in their hearts. Hearing the cries of the warbler among the blossoms or the calls of the frog that lives in the waters, how can we doubt that every living creature sing its song? Not using force, it moves heaven and earth, makes even the unseen spirits and gods feel pity, smoothes the bonds between man and woman, and consoles the hearts of fierce warriors-such a thing is poetry. — Ki No Tsurayuki

Sleeping Wrestler
You are a murderer
No you are not, but really a wrestler
Either way it's just the same
For from the ring of your entangled body
Clean as leather, lustful as a lily
Will nail me down
On your stout neck like a column, like a pillar of tendons
The thoughtful forehead
(In fact, it's thinking nothing)
When the forehead slowly moves and closes the heavy eyelids
Inside, a dark forest awakens
A forest of red parrots
Seven almonds and grape leaves
At the end of the forest a vine
Covers the house where two boys
Lie in each others arms: I'm one of them, you the other
In the house, melancholy and terrible anxiety
Outside the keyhole, a sunset
Dyed with the blood of the beautiful bullfighter Escamillo
Scorched by the sunset, headlong, headfirst
Falling, falling, a gymnast
If you're going to open your eyes, nows the time, wrestler — Mutsuo Takahashi

So live, that when thy summons comes to join The innumerable caravan which moves
To that mysterious realm where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night,Scourged by his dungeon; but, sustain'd and soothed
By an unfaltering trust, approach thy grave,Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Thanatopsis — William Cullen Bryant

In paintings, music, poetry, architecture, we feel the elusive energy that moves through us and the air and the ground all the time, that usually disperses and turns chaotic in our busy-ness and distractedness and moodiness. Artists channel it, corral it, make it visible to the rest of us. The best works of art are like semaphores of our experience, signaling what we didn't know was true but do now. — Anne Lamott

The erotic drive is the great energy that moves through all evolution.
What about love? Where does that fit in?
Love's simply the handmaiden of the great energy, and an excuse to write suspect poetry. — Peter Milligan

I developed a definition - which I think becomes less and less accurate as poetry moves into the world - that poetry was a way of speaking to the world, but fiction was a way to get the world to speak to me. — Grace Paley

That is the secret of poetry. We burn in the woman we adore, we burn in the thought we espouse, we burn in the landscape that moves us — Milan Kundera

Prophetic utterance, like poetic utterance, transforms experience and moves the receiver to new attitudes. The kinds of experience
the recognitions or revelations
out of which both prophecy and poetry emerge, are such as to stir the prophet or poet to speech that may exceed their own known capacities; they are "inspired," they breathe in revelation and breathe out new words; and by so doing they transfer over to the listener or reader a parallel experience, a parallel intensity, which impels that person into new attitudes and new actions. — Denise Levertov

All night your moth-breath
Flickers among the flat pink roses. I wake to listen.
A far sea moves in my ear. — Sylvia Plath

The sky is a girl who speaks in thunder, moves in lightning, hides her sorrow with clouds, cries in raindrops,and apologises with rainbows. — Jenim Dibie

Always I find when I begin to write there is one character who obstinately will not come alive ... He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps, he only hinders. And yet one cannot do without him. I can imagine a God feeling in just that way about some of us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word. The stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of non-existence. We are inextricably bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, perhaps the saints with the opportunities for their free will. — Graham Greene

Hardy's astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also moves easily between the amplitude of dramatic monologue and the compression of imagism. He experiments continually with an ingenious variety of stanza forms and rhyme schemes, rejecting the fluidity of contemporary poetry for his own idiosyncratic style, based on a real understanding of the variety of speech rhythms and registers. Each individual poem is designed to express in its language and form, and with utter honesty, Hardy's impressions of life. — Geoffrey Harvey

I don't understand
how everything moves so quickly.
They say time flies when you're having fun,
but I wasn't always having fun.
Even when I was mad or sad,
time was always on the run. — Amanda Leigh

Poetry and code - and mathematics - make us read differently from other forms of writing. Written poetry makes the silent reader read three kinds of pattern at once; code moves the reader from a static to an active, interactive and looped domain; while algebraic topology allows us to read qualitative forms and their transformations. — Stephanie Strickland

i took a night drive.
i needed to get away.
i needed to know
it's okay to go
and have no destination,
where time moves slow
or doesn't exist.
that life can be like this,
aimless wandering,
just breathing,
living,
driving forever underneath the stars. — AVA.

Poems, even when narrative, do not resemble stories. All stories are about battles, of one kind or another, which end in victory or defeat. Everything moves towards the end, when the outcome will be known.
Poems, regardless of any outcome, cross the battlefields, tending the wounded, listening to the wild monologues of the triumphant or the fearful. They bring a kind of peace. Not by anaesthesia or easy reassurance, but by recognition and the promise that what has been experienced cannot disappear as if it had never been. Yet the promise is not of a monument. (Who, still on a battlefield, wants monuments?) The promise is that language has acknowledged, has given shelter, to the experience which demanded, which cried out. — John Berger