Poetry In Movement Quotes & Sayings

Nor is it again that the novel has killed the play, as some critics would persuade us - the romantic movement of France shows us that. The work of Balzac and of Hugo grew up side by side together; nay, more, were complementary to each other, though neither of them saw it. While all other forms of poetry may flourish in an ignoble age, the splendid individualism of the lyrist, fed by its own passion, and lit by its own power, may pass as a pillar of fire as well across the desert as across places that are pleasant. It is none the less glorious though no man follow it - nay, by the greater sublimity of its loneliness it may be quickened into loftier utterance and intensified into clearer song. — Oscar Wilde

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

I realise and finally acknowledge that at the core I am only a lover. Of life. Of beauty. Of love. Of being in love. Of kindness. Of words. Of conversations. Of dreams. Of imagination. Of ideas. Of realness. Of vulnerability. Of solitude. Of Silences. Of companionship. Of poetry. Of music. Of movement. Of stillness. Of energy. And, when the lover in me is stifled,starved, not finding resonance, is misunderstood, is dulled or ignored, I question my very existence because I do not feel alive. When the lover in me dies, everything in me dies. I realise that my inner fire is only a lover. I have no other identity of self than as a lover. — Srividya Srinivasan

How should all the apparatus of heaven and earth make poetry for a mind that had no movements of awe and tenderness, no sense of fellowship which thrills from the near to the distant, and back again from the distant to the near? — George Eliot

I call it our English Renaissance because it is indeed a sort of new birth of the spirit of man, like the great Italian Renaissance of the fifteenth century, in its desire for a more gracious and comely way of life, its passion for physical beauty, its exclusive attention to form, its seeking for new subjects for poetry, new forms of art, new intellectual and imaginative enjoyments: and I call it our romantic movement because it is our most recent expression of beauty. — Oscar Wilde

When a poem says something that could not have been said in any other way, in music, prose, sculpture, movement or paint, then it is poetry. — Sybil Marshall

Sitting on couch, lying legs apart
Dark dirty naked. Smiling at me,
Wicked lazy lusty eyes. I moaned,
When saw movement inside his silent,
The thick forest of pubic hair. — Delicious David

In a word, poetry can not exist without emotion, or, if you will, without a movement of the soul which regulates the words. — Paul Claudel

We live in a cluttered culture, a culture of information in which even our computers can't tell us what's worth knowing and what is merely cultural scrap. In such a society, we don't have the experience of contemplative space, of the time or mood to engage a book of poetry or even read a novel. Who can achieve the unconscious-conscious state of the reader when everything is stimulation, everything is movement and information? — T.C. Boyle

Years have passed, I suppose. I'm not really counting them anymore. But I think of this thing often: Perhaps there is a Golden Age someplace, a Renaissance for me sometime, a special time somewhere, somewhere but a ticket, a visa, a diary-page away. I don't know where or when. Who does? Where are all the rains of yesterday?
In the invisible city?
Inside me?
It is cold and quiet outside and the horizon is infinity. There is no sense of movement.
There is no moon, and the stars are very bright, like broken diamonds, all. — Roger Zelazny

No revolutionary movement is complete without its poetical expression. — James Connolly

Every single corner and aspect of our lives, every single choice, will be different if we take the invitation of this [Rumi's] poetry to act from the Divine Center of Silence and allow the glory of the Presence to soak our every movement. — Andrew Harvey

Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement. — Lance Henriksen

The movement
Of the body is
Where poetry
Begins — Clint Catalyst

The birth of a true poet is neither an insignificant event nor an easy delivery. Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer the intricate machinery of its blood and prayers and muscles for a gestation period much longer than nine months or even nine years. — Aberjhani

Then what is good? The obsessive interest in human affairs, plus a certain amount of compassion and moral conviction, that first made the experience of living something that must be translated into pigment or music or bodily movement or poetry or prose or anything that's dynamic and expressivee
that's what's good for you if you're at all serious in your aims. William Saroyan wrote a great play on this theme, that purity of heart is the one success worth having. "In the time of your life
live!" That time is short and it doesn't return again. It is slipping away while I write this and while you read it, the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition. — Tennessee Williams

One of the things called forth by the Imagist movement in poetry was neatness; and when we say keenness, we mean neatness. A knife that is keen is also a knife that cuts neatly; it isn't brutal. Sharpness is different from brutality. Brutality is clumsy: it is wide - it has a lot of fist and thumb and no delicate finger. — Eli Siegel

Surrealism is not a school of poetry but a movement of liberation ... A way of rediscovering the language of innocence, a renewal of the primordial pact, poetry is the basic text, the foundation of the human order. Surrealism is revolutionary because it is a return to the beginning of all beginnings. — Octavio Paz

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars, and behind the bars, no world.
As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.
Only at times, the curtain of the pupils
lifts, quietly. An image enters in,
rushes down through the tense, arrested muscles,
plunges into the heart and is gone. — Rainer Maria Rilke

Still
In the fall, I believe again in poetry
if nothing else it is
a movement of the mind.
Summers ball together
into sticky lumps,
spring evenings are glass beads from one mould
for standard-size youth,
winter a smooth heaviness, not even cold.
But the mind trembles
here, on the brink
the mind trembles
there is life, after all,
there is life, still
unbelief left. — Jaakko A. Ahokas

There's a great freedom of forms and intonations in Luigi Fontanella's poetry. He doesn't take a strong formal stand; his poetry entertains moments of nearly proselike colloquial narrative along with moments of powerful lyrical tension. There is a movement of extremes, from powerful tonality to near atonality, and I like this a great deal; it's a stance that very effectively catches the spirit that makes work in poetry possible nowadays. — Giovanni Raboni

History is about longing and belonging. It is about the need for permanence and the perception of continuity. It concerns the atavistic desire to find deep sources of identity. We live again in the twelfth or in the fifteenth century, finding echoes and resonances of our own time; we may recognise that some things, such as piety and passion, are never lost; we may also conclude that the great general drama of the human spirit is ever fresh and ever renewed. That is why some of the greatest writers have preferred to see English history as dramatic or epic poetry, which is just as capable of expressing the power and movement of history as any prose narrative; it is a form of singing around a fire. — Peter Ackroyd

On pristine parchment I draw with my skis calligraphic lines of joy, writing poems of movement. — Patricia Robin Woodruff

On Hayao Miyazaki
I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally."
Is that like the "pillow words" that separate phrases in Japanese poetry?
"I don't think it's like the "pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb. — Roger Ebert

There was a widespread rumor that there was an attempt to absorb an Arab youth movement into the kibbutz. It seemed that the attempt failed. Perhaps Muhammad and Nazmi were the remnants of that Arab youth movement. They may have belonged to the Arab youth movement pioneers. The movement succeeded in establishing a number of cores, and one of its training groups was in Shomrat. It was not talked about often in the kibbutz, but rumors always reached us, and Mohammed and Nazmi had ties to this movement. Muhammad loved to read Arabic poetry and occasionally enjoyed translating the words into Hebrew for us. It always amazed me how he sat, he never needed a chair. — Nahum Sivan

September 11, 2001: Citizens of the U.S., besieged by terror's sting,
rose up, weeping glory, as if on eagles' wings.
from the poem Angel of Remembrance: Candles for September 11, 2001 — Aberjhani

That being said, some of my favorite poets are extremely funny. The aforementioned Matt Rohrer, for instance. Mary Ruefle. James Tate might be the best example of someone who is systematically misread because he can be hilarious. In his poems, as in all great funny poems, the humor is one very appealing version of the surprise and associative movement that is at the heart of all poetry. — Matthew Zapruder

Poetry is a will to put things right, an imaginary solution, a way of avoiding a catastrophe that already happened. Poetry is an escape, perhaps intelligent, perhaps idiotic, from a senile situation. It is a dialectical movement, it keeps tearing open the wounds while trying to heal them. Here we see the only acceptable path open up towards an existence worthy of human beings. Here the seriousness is unfaltering and absolute. Where it will lead no one knows. — Aase Berg

In a world gushing blood day and night, you never stop mopping up pain. — Aberjhani

It is, I believe, the primary charm of poetry to give the lesson of mirage, that is, to show the fragile and vibrant movement of creation, in which the word is in a certain way human quintessence, prayer. — Jean-Marie G. Le Clezio

The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement. — Ezra Pound

I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me. — Margaret Atwood

There was always an outrageousness to our response to minor events. Flamboyance and exaggeration were the tail feathers, the jaunty plumage that stretched and flared whenever a Wingo found himself eclipsed in the lampshine of a hostile world. As a family, we were instinctive, not thoughtful. We could never outsmart our adversaries but we could always surprise them with the imaginativeness of our reactions. We functioned best as connoisseurs of hazard and endangerment. We were not truly happy unless we were engaged in our own private war with the rest of the world. Even in my sister's poems, one could always feel the tension of approaching risk. Her poems all sounded as though she had composed them of thin ice and falling rock. They possessed movement, weight, dazzle and craft. Her poetry moved through streams of time, wild and rambunctious, like an old man entering the boundary waters of the Savannah River, planning to water-ski forty miles to prove he was still a man. — Pat Conroy

Poetry requires deliberate movement in its direction, a filament of faith in its persistence, receptivity to its fundamental worthwhileness. Within its unanesthetized heart there is quite a racket going on. Choices have to be made with respect to every mark. Not every mistake should be erased. Nor shall the unintelligible be left out. Order is there to be wrenched from the tangles of words. Results are impossible to measure. A clearing is drawn around the perimeter as if by a stick with a nail on the end. — C.D. Wright

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions. — J.G. Ballard

What exactly is the new verse movement? The New Verse Movement of the 1910's was to make poetry relevant again by immersing it into the spaces, technologies, and social dynamics of the modern city.
And Now In The Present And Future ?
The New Verse Movement of the 21st Century follows these same beliefs. To somehow ignite the spark and to help make poetry relevant again in a new age of technologies (The Internet) and to support new & experimental as well as older poetic forms. The New Verse Movement of the 21st Century is all about change and free expression of the creative mind. — R.M. Engelhardt

You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement. — Roberto Bolano

Poetry is the rhythmic, inevitably narrative, movement from an overclothed blindness to a naked vision that depends in its intensity on the strength of the labour put into the creation of the poetry. — Dylan Thomas