Quotes & Sayings About Poetry Famous

These are all direct quotes, except every time they use a curse word, I'm going to use the name of a famous American poet:
'You Walt Whitman-ing, Edna St. Vincent Millay! Go Emily Dickinson your mom!'
'Thanks for the advice, you pathetic piece of E.E. Cummings, but I think I'm gonna pass.'
'You Robert Frost-ing Nikki Giovanni! Get a life, nerd. You're a virgin.'
'Hey bro, you need to go outside and get some fresh air into you. Or a girlfriend.'
I need to get a girlfriend into me? I think that shows a fundamental lack of comprehension about how babies are made. — John Green

Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives. — Aberjhani

My anthology continues to sell & the critics get more & more angry. When I excluded Wilfred Owen, whom I consider unworthy of the poets' corner of a country newspaper, I did not know I was excluding a revered sandwich-board Man of the revolution & that some body has put his worst & most famous poem in a glass-case in the British Museum
however if I had known it I would have excluded him just the same. He is all blood, dirt & sucked sugar stick (look at the selection in Faber's Anthology
he calls poets 'bards,' a girl a 'maid,' & talks about 'Titanic wars'). There is every excuse for him but none for those who like him ... (from a letter of December 26, 1936, in Letters on Poetry from W. B. Yeats to Dorothy Wellesley, p. 124). — W.B.Yeats

Aegean Islands 1940-41

Where white stares, smokes or breaks,
Thread white, white of plaster and of foam,
Where sea like a wall falls;
Ribbed, lionish coast,
The stony islands which blow into my mind
More often than I imagine my grassy home;

To sun one's bones beside the
Explosive, crushed-blue, nostril-opening sea
(The weaving sea, splintered with sails and foam,
Familiar of famous and deserted harbours,
Of coins with dolphins on and fallen pillars.)

To know the gear and skill of sailing,
The drenching race for home and the sail-white houses,
Stories of Turks and smoky ikons,
Cry of the bagpipe, treading
Of the peasant dancers;

The dark bread
The island wine and the sweet dishes;
All these were elements in a happiness
More distant now than any date like '40,
A. D. or B. C., ever can express. — Bernard Spencer

I let them [Kanye and Pharrell] be them; they let me be me. I'm just a little boy that does poetry whose friends got famous, and I like it that way. I like to be found. I don't want to be overexposed. I love when people discover me and discover my music. — Malik Yusef

A world without poetry and art would be too much like one without birds or flowers: bearable but a lot less enjoyable. — Aberjhani

Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values, some of the same techniques. — Robert Morgan

This fire that we call Loving is too strong for human minds. But just right for human souls. — Aberjhani

Time (again, Time) like the soul, wears many faces, many bodies and climates and attitudes. The past is one face, the present a second and the future yet another. — Aberjhani

There's two ways to become a famous Poet, find that one person that knows somebody, that knows somebody, that knows somebody.
Or die trying — Stanley Victor Paskavich

I've been told by many the art of poetry's dead, I believe it's alive on pages they haven't read — Stanley Victor Paskavich

Photography is painting with light! The blurs, the spots, those are errors! But the errors are part of it, they give it poetry and turn it into painting. And for that you need as bad a camera as possible! If you want to be famous, you have to do whatever you're doing worse than anyone else in the whole world. — Miroslav Tichy

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. — Henry James

In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace. — Aberjhani

Who's more interesting: A famous scientist, or the famous who plays the cello and whittles marionettes in a lighthouse at the edge of the world where he sometimes writes poetry by the light of passing ships? Exactly. Follow your weird impulses and do all sorts of things. Getting sidetracked can lead you to exactly where you belong. — Jessica Hagy

Byron published the first two cantos of his epic poem Childe Harold's Pilgrimage, a romanticized account of his wanderings through Portugal, Malta, and Greece, and, as he later remarked, "awoke one morning and found myself famous." Beautiful, seductive, troubled, brooding, and sexually adventurous, he was living the life of a Byronic hero while creating the archetype in his poetry. He became the toast of literary London and was feted at three parties each day, most memorably a lavish morning dance hosted by Lady Caroline Lamb. Lady Caroline, though married to a politically powerful aristocrat who was later prime minister, fell madly in love with Byron. He thought she was "too thin," yet she had an unconventional sexual ambiguity (she liked to dress as a page boy) that he found enticing. They had a turbulent affair, and after it ended she stalked him obsessively. She famously declared him to be "mad, bad, and dangerous to know," which he was. So was she. — Walter Isaacson

I'm Noah, and you are the ship coasting along the banks and as long as you are my valentine I will sail between your eyes.. — Adel Abouhana

hat was then Now Johannes Cabal and Joey Granite stood before Billy Butler and said nothing. The smell of smoke said it all for them. Butler smiled nastily. "Oh. It's - " As famous last words go, they lacked a certain something. "Uppercut, Joey," said Cabal. Joey Granite delivered an uppercut of surpassing science and pugilistic artistry. It was a thing of beauty and kinetic poetry that might be long admired among people who enjoy watching other people beat the living daylights out of one another. It was also powerful enough to lift a small building off its foundations. Anything up to a branch library would have tottered and fallen. Billy Butler, despite a bit of a gut, simply wasn't in the same league weight-wise. By some miracle, his head stayed on his body, but there was little doubt that the police would be making enquiries long before he hit the ground again. "Let us leave, Joey," said Cabal as Butler vanished through the cloud base. — Jonathan L. Howard

I'd rather be thin than famous
but I'm fat
paste that in your broadway show — Jack Kerouac

I nudged myself closer to the ledge and closed my eyes and thought 'Oh what a life this is, why do we have to be born in the first place, and only so we can have our poor gentle flesh laid out to such impossible horrors as huge mountains and rock and empty space,' and with horror I remembered the famous Zen saying, 'When you get to the top of a mountain, keep climbing.' The saying made my hair stand on end; it had been such cute poetry sitting on Alvah's straw mats. — Jack Kerouac

HIS chosen comrades thought at school
He must grow a famous man;
He thought the same and lived by rule,
All his twenties crammed with toil;
'What then?' sang Plato's ghost. 'What then?'
Everything he wrote was read,
After certain years he won
Sufficient money for his need,
Friends that have been friends indeed;
'What then?' sang Plato's ghost. ' What then?'
All his happier dreams came true
A small old house, wife, daughter, son,
Grounds where plum and cabbage grew,
poets and Wits about him drew;
'What then.?' sang Plato's ghost. 'What then?'
The work is done,' grown old he thought,
'According to my boyish plan;
Let the fools rage, I swerved in naught,
Something to perfection brought';
But louder sang that ghost, 'What then? — W.B.Yeats

Forty years ago, at the dawn of molecular biology, the French biologist Jacques Monod wrote his famous book Chance and Necessity, which argues bleakly that the origin of life on earth was a freak accident, and that we are alone in an empty universe. The final lines of his book are close to poetry, an amalgam of science and metaphysics: The ancient covenant is in pieces; man knows at last that he is alone in the universe's unfeeling immensity, out of which he emerged only by chance. His destiny is nowhere spelled out, nor is his duty. The kingdom above or the darkness below: it is for him to choose. Since — Nick Lane

We have already shown by references to the contemporary drama that the plea of custom is not sufficient to explain Shakespeare's attitude to the lower classes, but if we widen our survey to the entire field of English letters in his day, we shall see that he was running counter to all the best traditions of our literature. From the time of Piers Plowman down, the peasant had stood high with the great writers of poetry and prose alike. Chaucer's famous circle of story-tellers at the Tabard Inn in Southwark was eminently democratic. — William Shakespeare

I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling. — Peter Robinson

The ecstatic beauty and soulful grace of Rumi's poetry inspires human hearts to believe in possibilities beyond the predictably fatal. — Aberjhani

Time is a watchful adversary, who waits enduringly for that merciless hour, hurrying to work the hands of separation. — Kelly Vang

I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter. And then I had to discover exactly what that meant. — Aberjhani

If I say your voice is an amber waterfall in which I yearn to burn each day, if you eat my mouth like a mystical rose with powers of healing and damnation, If I confess that your body is the only civilization I long to experience ... would it mean that we are close to knowing something about love? — Aberjhani

What is this slow blue dream of living,
and this fevered death by dreaming? — Aberjhani

As far as me and fame, from my creations I'll be dead and famous long before I know it. — Stanley Victor Paskavich

Dylan [Thomas] I knew before and after he became famous. He was splendid, rapacious, demanding as a young man. To much has been written about him for me to add to the legend. As that legend began to grow in his lifetime I learned to separate him from his poetry, to find him in person increasingly tedious and his poems increasingly exciting, both in print and when he was reading them. — John Pudney

Poetry and art nourish the soul of the world with the flavor-filled substances of beauty, wisdom and truth. — Aberjhani

I used to say to my auntie, 'You throw my fu*kin' poetry out, and you'll regret it when I'm famous,' and she threw the bast*rd stuff out. I never forgave her for not treating me like a fu*kin' genius or whatever I was when I was a child. — John Lennon