Quotes & Sayings About Poetry And Writing
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Top Poetry And Writing Quotes

Literary poetry in a painter is something special, and is neither illustration nor the translation of writing by form. — Paul Gauguin

I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends; it was bad for their prose and made them write bad poetry. If you are going to be a great patriot i.e. loyal to any existing order of government (not one who wishes to destroy the existing for something better) you want to be killed early if your life and works won't stink. — Ernest Hemingway,

What I would say is this: writing poems doesn't make you a poet. ... It is only with poetry, for some reason, that everyone wants to believe they can try their hand at it once in a while and be considered, can call themselves a poet. ... . It's a craft. It's an art. It's a skill. It is not therapy, and it is not compensation for terrible things in one's life. It is a thing in itself. You devote yourself to being an instrument of it, or you wander forever in the belief that it is a form of "self-expression." ... And I explained very clearly my opinion of what I think a poet, an artist is. Someone who puts this thing first. — Franz Wright

When people talk about poetry as a project, they suggest that the road through a poem is a single line. When really the road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exist. I can't suggest to you that going through a line that is more like a constellation than a road is easy - or that the blurring of the self and the universal doesn't shred a poet a little bit in the process. The terrain of a poem is unmapped (including the shapes of the trees along the constellation-road). A great poet knows never to expect sun or rain or cold or wind in the process of creating a poem. In a great poem all can come to the fore at once. It would be worse yet, if none are there at all. — Dorothea Lasky

Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after the holocaust is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation. — Theodor Adorno

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

The statement 'There is nothing more American than an Indian' happens to be a multidimensional paradox. Try and not say too many of those. That might open your mind to ideas that could cause sanity point loss. — Charles Slagle

As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable. — Rosanne Cash

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry. — Gilbert K. Chesterton

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

I don't think I've ever dared to write down what I see in the ruins of me, or tell in any detail the scars and all their secrets. — Ashly Lorenzana

Reading haiku is as much an art as writing it. The reader needs to pause and listen to the silences, to feel the spaces between the words, and to journey into the depths of many multi-colored worlds. — Harley King

Read the lines as if they were unknown to you, and you will feel in your inmost self how very much they are yours. — Rainer Maria Rilke

Re: Robert Montgomery's Poems His writing bears the same relation to poetry which a Turkey carpet bears to a picture. There are colours in the Turkey carpet out of which a picture might be made. There are words in Mr. Montgomery's writing which, when disposed in certain orders and combinations,have made, and will make again, good poetry. But, as they now stand, they seem to be put together on principle in such a manner as to give no image of anything in the heavens above, or in the earth beneath, or in the waters under the earth. — Thomas B. Macaulay

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Good God, Enrique was writing poetry to her? Yes, and why hadn't he thought of poetry? Besides the obvious reason of his absence of talent in that direction. He wondered if she'd like to read a really clever combat-drop mission plan, instead. Sonnets, damn. All he'd ever come up with in that line were limericks. He — Lois McMaster Bujold

Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit. — Damon Galgut

We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write. — R.M. Engelhardt

I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I'm not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature - all art really - is either talking to people about God, or talking to God about people. — Paul Quarrington

I began the way nearly everybody I ever heard of - I began writing poetry. And I find that to be quite usual with writers, their trying their hand at poetry. — Shelby Foote

How....will I ever truly depict you?
You're perfect, my writing isn't. — Sanober Khan

Poetry died as a commercial form and then it died as a serious art form. No one serious touches it. It used to be that somebody like F. Scott Fitzgerald could make a high middle-class income from working as a short story writer for the Saturday Evening Post and other outlets. That doesn't happen anymore. It used to be that a legitimate playwright could make a living on Broadway from writing decent plays. — William Monahan

A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices. — Alasdair Gray

I started writing poetry because language was how I understood the world. It was a paradigm that made everything matter and in forms that were safe to hold what I felt. — Grace Cavalieri

I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing. — Maya Angelou

Imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic. — Ted Hughes

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia
a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. — Elizabeth Hardwick

I am an ordinary human being who is impelled to write poetry ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them. — Gwendolyn Brooks

Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them. — A.S. Byatt

Poetry is more than a form of art. It's a vibration and a pulsing heart. Whether it's sour or whether it's sweet. It can give you strength no one can defeat — Stanley Victor Paskavich

Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared. — Madeleine L'Engle

I, I'll type. And that will be enough.
Then there are the other days, when nothing is enough. The poem grins. It grins because it knows it is a terrible poem. It grins in embarrassment. It grins in pity. It grins in superiority. I may be a terrible poem, it grins, but at least I have one comfort. At least I'm not a terrible poet. At least I'm not the guy who sat in front of a typewriter for two hours coming up with the likes of me. — Lynn Coady

My father died and left me his blessing and his business. His blessing brought no money into my pocket, and as to his business, it soon deserted me, for I was busy writing poetry, and could not attend to law, and my clients, though they had great respect for my talents, had no faith in a poetical attorney. — Washington Irving

Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the product's something that, though it may not be for everybody, is about everybody. — Richard Wilbur

The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry. — W.S. Merwin

While I was in school, trying to figure out how to write an essay that could both satisfy my nonfiction workshops and still pass as something hybrid-y enough for my poetry workshops, I was looking for models, for forebears. — John D'Agata

Poetry never makes any money, and so there's no pressure to appeal to an audience. That makes a lot of things about being a poet difficult, but it also means freedom to write whatever you want to write, however you want to write it. — Garth Greenwell

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

Keep your whole being on the thing you are turning into words. The minute you flinch, and take your mind off this thing, and begin to look at the words and worry about them... Then your worry goes into them and they set about killing each other. So you keep going as long as you can, then look back and see what you have written. After a bit of practice and after telling yourself you are going to use any old word that comes into your head so long as it seems right, you will surprise yourself. You will read back through what you have written and you will get a shock. You will have captured a spirit, a creature. — Ted Hughes

Even the people who have had success and made money writing these books of fiction seem to feel the need to pretend it's no big deal, or part of a natural progression from poetry to fiction, but often it's really just about the money, the perceived prestige. — George Murray

Don't say that poetry, my friend, is beautiful
or powerful
for there is no powerful or beautiful poetry
There is poetry that strikes you, secretly
with the diseases of writing and schizophrenia, and you rave
and your self leaves you for another — Mahmoud Darwish

I'm not a writer. I think I can write short stories and poetry, but film writing, brilliant film writing, is a talent - you can't just do it like that. — Samantha Morton

By(e) pen, I've tried my hand at poetry; only to see how boring it is to me. That is, unless I get a chance to destroy each and every piece while doing it as I please. — Criss Jami

When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was. — Elizabeth McCracken

Do not write a poetry of rarity, or of rarification, but of *never again*.
Do not even write this poetry but find it, come across it, and step over it. The helpless ant that in the end can lift more than ten times its weight: that is a poetry. — Kevin Young

I think that the dark side of MFA programs is that they're generating more poets than the culture can absorb and there are more people writing poetry than possibly read it or can certainly earn a living around it. — Edward Hirsch

When the plot is discovered no one suspects him and he remains close to Rosas for a while, then decides to flee, even though his life is not really in danger; he takes refuge in the house of his cousin Amparo Escalada. He lives hidden in the cellar of her house for some six months. The woman will have a son by him, a child Ossorio will never know. In 1842 he crosses to Montevideo. The exiles are fearful; they think he is a double agent. Isolated and disillusioned with politics, he goes to Brazil, where he settles in Rio Grande do Sul, lives with a black woman slave, and devotes himself to writing poetry and contracting syphilis. — Ricardo Piglia

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

Our analytical faculties allow us to look critically at our writing and interpret it. Sometimes we make bold, impulsive edits to our poems, but most forms of precision and economy in poetry, it seems to me, are signatures of the analytical mind. — James Arthur

I need about one hundred fifty drafts of a poem to get it right, and fifty more to make it sound spontaneous. — James Dickey

Although my road to writing seems like it may have come easily, there were a few bumps in that road. I didn't get a lot of encouragement from friends, although my family were great supporters. I also had many ... what you would call "mind-boggling" moments, when I would doubt myself and what I was writing. It has been said that we, ourselves, are our own worst critics.
All the hard work had payed off though, and I created a children's book that I am proud of, and an unforgettable little girl that will touch the hearts of many."-Nina Jean Slack — Nina Jean Slack

I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff. — Dreezy

The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading. — Edward Hirsch

I really enjoy English and poetry and writing classes. — Taylor Momsen

there's no way I can sleep in any position with so much still unwritten about the glory of basements, where,
with all the promise in crock pot boxes, small animals go to die, piles of laundry hide the machines, rusted tools fall into other rusted tools giving way to unsung sculpture, soiled playing cards and unmatched socks strewn atop a punched-out screen door make a shaggy parquet; and a famished, leggy fluorescent tube barely winks on the entire scene. — Kristen Henderson

Once I started writing all the time and interacting with poets, I made a conscious decision to identify myself as a poet. It's funny how much a single word can provide focus and direction. As soon as I claimed that identity, I started clearing more and more space for poetry in my life and applying poetic tools to other areas of my life. The world became a different place, and I witnessed it through different kinds of eyes. — Tracy K. Smith

As human beings we've certainly suffered the loss of awe, the loss of sacredness, and the loss of the fact that we're not here - we're not put on earth - to shape it anyway we want...
You want something to happen with poetry, but it doesn't make anything happen. So then somebody says, "What's the use of poetry?" Then you say, "Well, what's the use of a cloud? What's the use of a river? What's the use of a tree?" They don't make anything happen. — Derek Walcott

In a notable family called Stein
There were Gertrude, and Ep, and then Ein.
Gert's writing was hazy,
Ep's statues were crazy,
And nobody understood Ein. — Bennett Cerf

After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there? — Frank O'Hara

With fiction, I tend to get to my desk and start writing. Poetry I write in my head, often while walking, so that my poems have an organic quality, hopefully. — John Burnside

It starts off like climbing a tree or solving a puzzle - poetry, if nothing else, is just fun to write. But deeper into each and every piece, you no longer hesitate to call it work. It's passion. A poet's sense of lyrical accomplishment is then his food and water, his means of survival. — Criss Jami

I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter. And then I had to discover exactly what that meant. — Aberjhani

To sum up: all nature-spirits are not the same as fairies; nor are all fairies nature-spirits. The same applies to the relationship of nature-spirits and the dead. But we may safely say that a large proportion of nature-spirits became fairies, while quite a number of the dead in some areas seem to take on the character of nature-spirits. We cannot expect any fixity of rule in dealing with barbaric thought. We must take it as it comes. It bears the same relationship to "civilized" or folk-lore theory as does the growth of the jungle to a carefully designed and meticulously labelled botanical garden. As Victor Hugo once exclaimed when writing of the barbaric confusion which underlies the creative function in poetry: 'What do you expect? You are among savages! — Lewis Spence

The real you is still a little child who never grew up. Sometimes that little child comes out when you are having fun or playing, when you feel happy, when you are painting, or writing poetry, or playing the piano, or expressing yourself in some way. These are the happiest moments of your life - when the real you comes out, when you don't care about the past and you don't worry about the future. You are childlike. — Miguel Ruiz

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate. — Stephen Burt

If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat. — Annie Dillard

You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is. — David McCullough

And the poet who fears to take the risk that what he writes may turn out not to be poetry at all, is a man who has surely failed, who ought to have adopted a less adventurous vocation — T. S. Eliot

I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry. — Hannah Kent

Sometimes it's great, and sometimes it's shit.
These are the things all the great philosophers
just won't tell you flat out about life.
You keep moving, keep living, keep breathing
And you keep writing-creating because that's what you do
And that's who you are. There are no magical voices to guide
You except your own. Make it count.
~ R.M. ENGELHARDT — R.M. Engelhardt

When I was in college, I used to write little ditties and short stories and poetry for my friends. Writing a book is another thing. It is so much different from my traditional day of dirty fingernails and greasy hair and hot pans. — Mario Batali

If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre
the poems, the poems!
in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco. — Sarah Vowell

My mother - my stepmother, really, she herself have been what they call an elocutionist. And she was the one who first encouraged me to write poetry, because she used to read it to us. And then when I began to write when I was nine years old, my first poem was published in the Amsterdam News. I called it "The Graveyard." — Ruby Dee

The mysterious thing about writing poetry is that when you're - when things are going poorly, when you're not thinking well, even making two sentences together is extremely hard and I just can't make the connections. — Edward Hirsch

I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer. — Joe Haldeman

She knew the intensity of adolescence, and knew no cure for it except growing up. And then one has age and experience, and mourns the loss of intensity. Maybe it's why musicians and mathmaticians are said to peak young-poetry needs the fire of an unbounded universe. — Sara Paretsky

The inkstand is full of ink, and the paper lies white and unspotted, in the round of light thrown by a candle. Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair. The air is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night. — Amy Lowell

All artists' work is autobiographical. Any writer's work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them. — Kim Addonizio

I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even ... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff. — Ladyhawke

i am infinitely yearning
brimming
and overflowing
in words
i discover
it's another way
for me
to be in tears. — Sanober Khan

But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry. — W. H. Auden

She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky. — Millard Kaufman

Daemonic compulsiveness can kill as easily as it can save.
The true novelist must be at once driven and indifferent. Van
Gogh never sold a painting in his life. Poe came close with
poetry and fiction, selling very little. Drivenness only helps if
it forces the writer not to suicide but to the making of splendid
works of art, allowing him indifference to whether or not the
novel sells, whether or not it's appreciated. Drivenness is trouble
for both the novelist and his friends; but no novelist, I
think, can succeed without it. Along with the peasant in the
novelist, there must be a man with a whip. — John Gardner

There's more substance in my prose and my poetry than in all my films together. Writing is a more direct way of expressing yourself because, in cinema, you always have finances, organization, actors, technical apparatus and all that stuff coming in between. — Werner Herzog

Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural. — Melissa Febos

I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness. — Ben Lerner

The useless days will add up to something. The shitty waitressing jobs. The hours writing in your journal. The long meandering walks. The hours reading poetry and story collections and novels and dead people's diaries and wondering about sex and God and whether you should shave under your arms or not. These things are your becoming. — Cheryl Strayed

Emma, you and your poetry, me and my acting--what are we trying to do? We can't top this city. We poor would-be artists can't compete with or improve on the rich density of human experience on any random, average, slow summer night in New York--who are we trying to kid? In the overheard conversation in the elevator, in the five minutes of talk the panhandler gives you before hitting you for the handout, in the brief give-and-take when you are going out and the cleaning lady is coming in--there are the real stories, incredible, heartbreaking and ridiculous, there are the command performances, the Great American Novels but forever unwritten, untoppable, and so beautifully unaware. — Wilton Barnhardt

Just getting something to work usually means writing reams of code fast, like a Stephen King novel, but making it maintainable and high-quality code that really expresses the ideas well, is like writing poetry. Art is taking away. — Erik Naggum

There is some reason to believe that when a man does not write his poetry it escapes by other vents through him, instead of the one vent of writing; clings to his form and manners, whilst poets have often nothing poetical about them except their verses. — Ralph Waldo Emerson

I had hoped to be a poet, and for a long time I tried to write poetry. My first published pieces were poems. — Norman Lock

Something about the turbulence of adolescence makes you want to do something creative ... I thought as I got older I would stop writing about it, but I find adolescence, and popular depictions of it, very interesting. I like to see where my own life intersects or diverges from notions of what a teenager is supposed to be, or what a black person is supposed to be, or a woman. — Allison Joseph

After you have pumped your brains for thoughts and verses, there is a better poetry hinted in whistling a tune on your walk. — Ralph Waldo Emerson

One of my greatest joys is poetry. I read it almost every day, and I've even taken a stab at writing some of my own. A poem I wrote for my mother when she was dying really helped me get through that hard time. — Maria Shriver

Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me. — David Foster Wallace

I think I'm no different to my friends who are doctors or businessmen or architects - we all started watching films of the golden age together. But whether I'm making films or writing poetry or doing photography, it's very much rooted in my sense of unease. And that's really where everything goes back to. — Abbas Kiarostami