Poet Black Quotes & Sayings

Paint in blue and black ... sometimes gray - the colors of night - occasionally I surprise you with a mustard yellow, but then, I am a poet ... — John Geddes

Being human, we struggle constantly to stay with the miracle of what is and not to fall constantly into the black hole of what is not. This is an ancient challenge. As the Sufi poet Ghalib said centuries ago, Every particle of creation sings its own song of what is and what is not. Hearing what is can make you wise; hearing what is not can drive you mad. — Mark Nepo

Love is a word, another kind of open.
As the diamond comes
into a knot of flame
I am Black
because I come from the earth's inside
take my word for jewel
in the open light. — Audre Lorde

Answer Professor Mandell's letter when you get a chance and the patience. Ask him not to send me any more poetry books. I already have enough for 1 year anyway. I am quite sick of it anyway. A man walks along the beach and unfortunately gets hit in the head by a cocoanut. His head unfortunately cracks open in two halves. Then his wife comes along the beach singing a song and sees the 2 halves and recognizes them and cries heart breakingly. That is exactly where I am tired of poetry. Supposing the lady just picks up the 2 halves and shouts into them very angrily "Stop that!" Do not mention this when you answer his letter, however. It is quite controversial and Mrs. Mandell is a poet besides. — J.D. Salinger

Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot.
We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now.
What if Death is a person? — Neil Gaiman

As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new ... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America. — June Jordan

After the war, Lee described Traveller in a letter:"Fine proportions, muscular figure, deep chest, short back, strong haunches, flat legs, small head, broad forehead, deliciate ears,quick eye, small feet and black mane and tail. Such a picture would inspire a poet, whose genius would then depict his worth and describe his endurance of toil,hunger,thirst,heat and cold, and the dangers and sufferings through which he passed. — Clint Johnson

How much living have you done?
From it the patterns that you weave
Are imaged:
Your own life is your totem pole,
Your yard of cloth,
Your living.

How much loving have you done?
How full and free your giving?
For living is but loving
And loving only giving. — Georgia Douglas Johnson

The Black homosexual is hard pressed to gain audience among his heterosexual brothers; even if he is more talented, he is inhibited by his silence or his admissions. This is what the race has depended on in being able to erase homosexuality from our recorded history. The "chosen" history. But the sacred constructions of silence are futile exercises in denial. We will not go away with our issues of sexuality. We are coming home. It is not enough to tell us that one was a brilliant poet, scientist, educator, or rebel. Whom did he love? It makes a difference. I can't become a whole man simply on what is fed to me: watered-down versions of Black life in America. I need the ass-splitting truth to be told, so I will have something pure to emulate, a reason to remain loyal. — Essex Hemphill

Through this tradition of face-to-face oral communication, now in danger of disappearing, black folks maintained the conviction of their own worth and saved their own souls by refusing to fall victim to fear or the hatred of their oppressors, which they recognized would have been more destructive to themselves than to their enemies. As the poet Lucille Clifton put it, "Ultimately if you fill yourself with venom you will be poisoned."3 There were incidents of individual violence, usually crimes of passion committed by someone under the influence of alcohol and over a man or a woman. But despite the unimaginable cruelty that they suffered, blacks kept their sense of humor and created the art form of the blues as a way to work through and transcend the harshness of their lives. Living under the American equivalent of Nazism, they developed an oasis of civility in the spiritual desert of "me-firstism" that characterized the rest of the country. — Grace Lee Boggs

The white fathers told us: I think, therefore I am. The black goddess within each of us - the poet - whispers in our dreams: I feel, therefore I can be free. — Audre Lorde

The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character. — Robert Morgan

There are monsters all around us
They can be so hard to see
hey don't have fangs, no blood-soaked claws
They look like you and me.

But we're not defenseless
We're no damsels in distress
Together we can fend off the attack
All we gotta do is watch our backs.

Your body is beautiful how it is
Who you love is nobody's business
We all contemplate life and death
It's the poet who gives these thoughts
breath.

The monster is strong, don't be mistaken
It thrives on fear-keeps us isolated
But together we can fend off its attack
All we gotta do is watch our backs.

In your darkest hour
When the fight's made you weary
When you think you've lost your power
When you can't see clearly
When you're ready to surrender
Give in to the black
look over your shoulder
I've got your back. — Gayle Forman

I'd spent way more years worrying about how to look like a poet
buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture
than I had learning how to assemble words in some discernible order. — Mary Karr

I am a black woman poet and I sound like one. — Lucille Clifton

Who could imagine a poet wearing anything other than black? — Ann Demeulemeester

I do not think I have ever seen a nastier-looking man ... Under the black hat, when I had first seen them, the eyes had been those of an unsuccessful rapist. [on Brit poet Percy Wyndham Lewis] — Ernest Hemingway,

In 1967, the students at San Francisco State invited the poet Amiri Baraka to the campus for a semester. He attracted other influential black writers such as Sonia Sanchez, Ed Bullins, Eldridge Cleaver. What emerged was something we called the community communications program. That's how I got involved; I got involved in a little play. — Danny Glover

Rick Black writes with the honed elegance of a poet so in command of lyric sentiment and the efficient evocative use of language that what results is indeed as urgent and vulnerable as true prayer ... There is something profoundly human and completely necessary about Star of David. — Kwame Dawes

Perhaps ... I am the face of one of your fears. Because I am a woman, because I am Black, because I am a lesbian, because I am myself
a Black woman warrior poet doing my work
come to ask you, are you doing yours? — Audre Lorde

I am a black man dedicated to expression; expression of the joy and pride of blackness. I consider myself neither poet, composer, or musician. These are merely tools used by sensitive men to carve out a piece of beauty or truth that they hope may lead to peace and salvation. — Gil Scott-Heron

I am a Black Lesbian Feminist Warrior Poet Mother, stronger for all my identities, and I am indivisible. — Audre Lorde

In my mind's eye I can still see the first night flight I made in Argentina. It was pitch-dark. Yet in the black void, I could see the lights of man shining down below on the plains, like faintly luminous earthbound stars. Each star was a beacon signaling the presence of a human mind. Here a man was meditating on human happiness, perhaps, or on justice or peace. Lost among this flock of stars was the star of some solitary shepherd. There, perhaps, a man was in communication with the heavens, as he labored over his calculations of the nebula of Andromeda. And there, a pair of lovers. These fires were burning all over the countryside, and each of them, aven the most humble, had to be fed. The fire of the poet, of the teacher, of the carpenter. But among all these living fires, how many closed windows there were, how many dead stars, fires that gave off no light for lack of nourishment. — Antoine De Saint-Exupery

Poetry contains few words but tells much. Its beauty is that by being condensed it is rich in meaning and open to various interpretations. Unlike prose, there is no boundary to poetry. There is nothing concrete or black and white. Poetry is mutable; it is transformative. Poetry is the alchemy of hearts. And what cannot be said in prose can sometimes be only said through poetry. — Salil Jha

I was at Yale and I said to the poet Elizabeth Alexander, "I'm interested in the ways in which black health seems precarious in the United States." She introduced me to the term "John Henryism." And then I went back and researched it and understood that, woah, this thing I am thinking about is actually a condition that's named. — Claudia Rankine

The more film I watch, the more John Ford looks like a giant. His politics aren't so good, and you have to learn to accept John Wayne as an actor, but he's a poet in black and white. — Jonathan Lethem

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. — Trinh T. Minh-ha

I have always believed I cd diagnose this state of being in love, which they regard as most particular, as inspired by item, one pair of black eyes or indifferent blue, item, one graceful attitude of body or mind, item, one female history of some twenty-two years from, shall we say, 1821-1844
I have always believed this in love to be something of the most abstract masking itself under the particular forms of both lover and beloved. And Poet, who assumes and informs both. I wd have told you
no, I do tell you
friendship is rarer, more idiosyncratic, more individual and in every way more durable than this Love. — A.S. Byatt

So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet. — Diane Wakoski

I have got pictures all around the rooms I sit in. I have got a very mad picture of a dog standing on a black thing on a piece of rope. It was drawn and painted by a Romanian poet who was under house arrest, and it is terrific. — Jennifer Johnston

You invented me. There is no such earthly being,
Such an earthly being there could never be.
A doctor cannot cure, a poet cannot comfort-
A shadowy apparition haunts you night and day.
We met in an unbelievable year,
When the world's strength was at an ebb,
Everything withered by adversity,
And only the graves were fresh.
Without streetlights, the Neva's waves were black as pitch,
Thick night enclosed me like a wall ...
That's when my voice called out to you!
Why it did-I still don't understand.
And you came to me, as if guided by a star
That tragic autumn, stepping
Into that irrevocably ruined house,
From whence had flown a flock of burnt verse. — Anna Akhmatova

Yet do I marvel at this curious thing: To make a poet black, and bid him sing. — Countee Cullen

Four days. And she had two gay sons, a large black mother, a demented poet for a friend and was considering getting a duck. It was not what she'd expected from this visit. — Louise Penny

Did the poet use red to symbolize blood? Anger? Lust? Or is the wheelbarrow simply red because red sounded better than black? — Jay Asher

The way a source strains toward the light, toward the air. Its laboring work, its effort, its black passageways like despair. That's the way a poet looks for words. With muscles, gestures. — Anna Kamienska

It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief. — Henry Louis Gates

'Empire of Self' is a loving portrait of a very difficult man. Jay Parini, himself a gifted novelist, poet and biographer, has gone very deep into the 'black energy' of Gore Vidal's relentless narcissism and megalomania. Parini envisions an epic battle between Vidal's angelic and demonic sides, yet there's very little of the angel in Vidal. — Jerome Charyn

Poetry by its very nature is subversive ... It turns words inside out, confounds meaning, changes black and white to ambiguous shades of gray. Never trust a poet. — Cristina Garcia

In the sense that I also try to reflect the fullness of the black experience, I'm very much a jazz poet. — Jayne Cortez

Whose starboard eye
Saw chariot 'swing low'? — James Weldon Johnson

I've read dozens of interviews and accounts that basically come down to How Poets Do It and the truth is they're all do-lally and they're all different. There's Gerard Manly Hopkins in his black Jesuit clothes lying face down on the ground to look at an individual bluebell, Robert Frost who never used a desk, was once caught short by a poem coming and wrote it on the sole of his shoe, T.S. Eliot in his I'm-not-a-Poet suit with his solid sensible available-for-poetry three hours a day, Ted Hughes folded into his tiny cubicle at the top of the stairs where there is no window, no sight or smell of earth or animal but the rain clatter on the roof bows him to the page, Pablo Neruda who grandly declared poetry should only ever be handwritten, and then added his own little bit of bonkers by saying: in green ink. Poets are their own nation. Most of them know. — Niall Williams

We part, then, for the nonce, do we?'
'I fear so, sir.'
'You take the high road, and self taking the low road, as it were?'
'Yes, sir.'
'I shall miss you, Jeeves.'
'Thank you, sir.'
'Who was that chap who was always beefing about gazelles?'
'The poet Moore, sir. He complained that he had never nursed a dear gazelle, to glad him with its soft black eye, but when it came to know him well, it was sure to die.'
'It's the same with me. I am a gazelle short. You don't mind me alluding to you as a gazelle, Jeeves?'
'Not at all, sir. — P.G. Wodehouse

Black is not sad. Bright colors are what depresses me. They're so ... empty. Black is poetic. How do you imagine a poet? In a bright yellow jacket? Probably not. — Ann Demeulemeester

Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand. — Charles De Lint

Introducing someone as a "Negro poet with a University degree" or again, quite simply, the expression, "a great black poet." These ready-made phrases, which seem in a common-sense way to fill a need-or have a hidden subtlety, a permanent rub. — Frantz Fanon

Sadly, it is within the religious domain that the phenomenon of rhetorical hysteria takes its most devastating form. I am aware that, in some minds, this tends to be regarded as a delicate subject. Let me declare very simply that I do not share such a sentiment. There is nothing in the least delicate about the slaughter of innocents. We all subscribe to the lofty notions contained in the Universal Declaration of Human Rights but, for some reason, become suddenly coy and selective when it comes to defending what is obviously the most elementary of these rights, which is the right to life. One of my all-time favourite lines comes from the black American poet Langston Hughes. It reads, simply, 'There is no lavender word for lynch'. — Wole Soyinka