Poem Titles Quotes & Sayings

Keats's odes are among my favorite poems ever. As are Neruda's. So yes, I think my poems are odes, though I really just see those titles as ways of more or less orienting the poem. I've never thought about this until now, but I guess you could say that one effect of all the titles, their pervasiveness in the book, might be to once again, as so many other things do, put into question the meaning of the word "for," which I suppose is one of the great human questions: what is all this for? Why, and for whom, are we doing whatever we are doing? — Matthew Zapruder

I think Hemingway's [book] titles should be awarded first prize in any contest. Each of them is a poem, and their mysterious power over readers contributes to Hemingway's success. His titles have a life of their own, and they have enriched the American vocabulary. — Sylvia Beach

A poem deserves its title only inasmuch as it excites, by elevating the soul. — Edgar Allan Poe

Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books. — Matthew Zapruder

That small word "Force," they make a barber's block,
Ready to put on
Meanings most strange and various, fit to shock
Pupils of Newton ...
The phrases of last century in this
Linger to play tricks
Vis viva and Vis Mortua and Vis Acceleratrix:
Those long-nebbed words that to our text books still
Cling by their titles,
And from them creep, as entozoa will,
Into our vitals.
But see! Tait writes in lucid symbols clear
One small equation;
And Force becomes of Energy a mere
Space-variation. — James Clerk Maxwell

The poem began with the title. Then I was annoyed by one of the occasional poetry-is-dead articles. Then I refute that notion. — Thomas Lux

Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate. — Anna Journey

I am intrigued and even moved by the idea of being right with the reader in the actuality that she or he is reading a poem. So the titles are an acknowledgment of the reality and value of that act in the world. — Matthew Zapruder