Poem Made From Quotes & Sayings

A Poem for a Trick



Roses are red,

Violets are blue

Dumb ass nigguh I was never in love with U

I peeped your game from the start

That's why I never let you inside my heart

couldn't let you tear it apart

dumb bitch easy trick you made the mistake when you fell in love

Then you had nerves to go around behind my back callin' me a trick

While I went around your small dick

Roses are red

Violets are blue

Dumb punk ass nigguh I used U — Pamela M. Johnson

For there was now a wall of trees blocking any progress-
-and Inigo would not stop bleeding-
-and Westley would not start breathing-
-and Buttercup would not stop staring at him, her face lit with the hope that of all the creatures left stomping the earth, he, Fezzik, was the only one that could save her beloved and thereby stop her heart from shredding.
Fezzik at this heroic moment knew what he wanted most to do: suck his thumb forever. But since that was out of the question, he did the next best thing. He made a poem.
Fezzik's — William Goldman

I couldn't figure out which of these ideas, if any, was at the core of the poem. But thinking about the grass and all the different ways you could se it made me think about all the ways I'd seen and mis-seen Margo. There was no shortage of ways to see her. I'd been focused on what had become of her, but now with my head trying to understand the multiplicity of grass and her smell from the blanket still in my throat, I realized that the most important question was who I was looking for. If "What is the grass?" has such a complicated answer, I thought, so, too, must "Who is Margo Roth Spiegelman?" Like a metaphor rendered incomprehensible by its ubiquity, there was room enough in what she had left me for endless imaginings, for an infinite set of Margos. — John Green

imagine the desert
mothers, with hair tangled
tighter than their theology
and breasts that flowed milk
and mystic wisdom. they
knew how to draw the singing
sigils in the sand, how to dig
rough and bitten fingers
into desiccated dirt for water
to wet the lips of their young.

women of hips and heft, who
learned how to burn
beneath the wild and searing
sun, who made loud love
against the star-flecked threat
of night, who knew that strength
is not always a matter of muscle.

imagine your ancestresses,
the prophetesses of the arid
lands, before these starched
traditions and pews too hard
to pray from, who bled true
ritual and birthed their own fierce
souls at creation's crowning -- — Beth Morey

-The Wonderer's Dream-

Upon one lucky night I had a vision
A vision of a tree whose roots grew
Wide
Deep
and Long
And I followed it down until it lead me to another world
And in this world I learned there were worlds upon worlds
A world in which there was no slave or free
As there was nothing to be free from
This world was made of pure light
A light that radiates
In you
In me
And on the rare occasion it finds itself travelled and distant
and somehow, as luck may have it, in our world.

A poem for the Nalia Books — Queenbe Monyei

In it, he pushed the metric of typewriter spaces, and quoted from a poem, "The Catholic Bells," to show us Williams's "mature style at fifty"! This was a memorable phrase, and one that made maturity seem possible, but a long way off. I more or less memorized "The Catholic Bells," and spent months trying to console myself by detecting immaturities in whatever Williams had written before he was fifty. — Robert Lowell

You do know, right,
that between the no-

longer & the still-
to-come

you are being continually
tattooed, inked

with the skulls of
everyone

you've ever loved - the you
& the you

& the you & the you - you don't
sit in a chair, thumb

through a binder, pick a
design, it simply

happens each time you
bring your fingers to your face

to inhale him back into you . . .
tiny skulls, some of us are

covered. You, love, could

simply tattoo an open
door, light

pouring in from somewhere
outside, you

could make your body a door
so it appears you

(let her fill you) are made
of light. — Nick Flynn

It pleases him how Spell is how the word is made but also, in the hands of the magician, how the world is changed. One letter separates Word from World, and that letter is like the number one, or an 'I', or a shaft of light between almost closed curtains. There is an old letter called a thorn, which jags and tears at the throat as it's uttered. Later he learns that Grammar and Glamour share the same deeper root, which is further magic, and there can be neither magic without that root, nor plant. He's lost in it like Chid in Child, or God reversed into Dog. Somewhere inside him is a colon. A sentence can last for life. — Charles Lambert

Shall the dire day break when life
finds us merely husband and wife
with passion not so much denied
as neatly laundered and put aside
and the old joyous insistence
trimmed to placid coexistence?

Shall we sometime arise from bed
with not a carnal thought in our head
look at each other without surprise
out of wide awake uncandid eyes
touch and know no immediate urge
where all mysteries converge?

Speak for the sake of something to say
and now and then put on a display
of elaborate mimicry of the past to prove
that ritual reigns where once ruled love
and calmly observe those bleak rites
that once made splendour of our nights?

Dear, when we stop being outrageous
and no longer find contagious
the innumerable ecstasies we find
in rise of hand or leap of mind -
not now or then, love, need we fear thus;
those two sad people will not be us. — Christy Brown

The idea was women on boats. Lifeline Cruises pitched itself to women seeking adventure, whether a daylong adventure in the waters of the San Francisco Bay or a twelve-day adventure from San Francisco to Alaska and back. Passengers did not have to be survivors of breast cancer or domestic abuse, nor was any of the profit of Lifeline Cruises given to such causes, but the language of its radio ads, slippery and clear, managed to convey that this might be so. 'Empowerment' was one of the words. It's daylong cruise boat was named The Wild Lady, from a poem by Emily Dickinson that Lifeline Cruises had made up. Tote bags sold on board broadcast the words of the ad
The wild lady may seem
adrift to those who cannot dream
but within her uncharted wand'ring eyes
a heart beats healthy, strong and wise!
- and below this were the words 'Emily Dickinson. — Daniel Handler

How old are you, son?' Whitman asked.

'Going on seventeen.'

'So young,' he said, stroking the back of my hand with his poem-stained fingers. 'How did you come to lose your eye?'

I told him the story of my heroism, with embellishments--told it so well, I was nearly persuaded of my exceptional character.

'You sacrificed what little you had to call your own for democracy, freedom, and human dignity. You gave an eye, half of man's greatest blessing, when rich men up north paid a small price to keep themselves and their sons from harm.'

With those few words, accompanied by a glance that seemed to measure the dimensions of my meager existence, Whitman made me see myself as a sacrifice on the altar of wealth, but a hero notwithstanding. — Norman Lock

As we joined the line of people getting off at the last stop before Sofia, I looked once more at the little boy, whom I felt I would never forget, though maybe it wasn't exactly him I would remember, I thought, but the use I would make of him. I had my notes, I knew I would write a poem about him, and then it would be the poem I remembered, which would be both true and false at once, the image I made replacing the real image. Making poems was a way of loving things, I had always thought, of preserving them, of living moments twice; or more than that, it was a way of living more fully, of bestowing on experience a richer meaning. But that wasn't what it felt like when I looked back at the boy, wanting a last glimpse of him; it felt like a loss. Whatever I could make of him would diminish him, and I wondered whether I wasn't really turning my back on things in making them into poems, whether instead of preserving the world I was taking refuge from it. — Garth Greenwell

A poem exists only in the relation between poet and reader. And I'm in need of my readers, except that they never cease to write me as they would wish, turning their reading into another writing that almost rubs out my features. I don't know why my poetry has to be killed on the altar of misunderstanding or the fallacy of ready-made intent. I am not solely a citizen of Palestine, though I am proud of this affiliation and ready to sacrifice my life in defending the radiance of the Palestinian fact, but I also want to take up the history of my people and their struggle from an aesthetic angle that differs from the prevalent and repeatable meanings readily available from an unmediated political reading. — Mahmoud Darwish

About novel Imperfect Birds by Anne Lamott.
Q: What does the title "Imperfect Birds" mean?
It's a line from a poem by Rumi. The line is "Each must enter the nest made by the other imperfect birds", and it's really about how these kind of scraggly, raggedy nests that are our lives are the sanctuary for other people to step into, and that if you want to see the divine, you really step into the absolute ordinary. When you're at your absolutely most lost and dejected ... where do you go? You go to the nests left by other imperfect birds, you find other people who've gone through it. You find the few people you can talk to about it.
from Writer's Digest May/June 2010 — Anne Lamott

The whole thing starts with a single knot
and needles. A word and pen. Tie a loop
in nothing. Look at it. Cast on, repeat
the procedure till you have a line
that you can work with.
It's a pattern made of relation alone,
my patience, my rhythm, till empty bights
create a fabric that can be worn,
if you're lucky and practised. It's never
too late
to pick up dropped stitches ...
(from "How to Knit a Poem") — Gwyneth Lewis

But here we call it Spring, when a young man's fancy turns,
fitfully, lightly, to idling in the sun,
to touching in the dark. And the old man's?
To worms in their garden box; stepping aside
a moment in a poem that will remember,
fitfully, who made it and the discord
and stammer, and change of heart and catch of breath
it sprang from. A bending down
lightly to touch the earth. — David Malouf

September 2001. A sunny day in New York. Many of us who are writers were at work on the transformation of life into a poem, story, a chapter of a novel, when terror pounced from the sky, and the world made witness to it. — Nadine Gordimer

Love poem to a stripper 50 years ago I watched the girls shake it and strip at The Burbank and The Follies and it was very sad and very dramatic as the light turned from green to purple to pink and the music was loud and vibrant, now I sit here tonight smoking and listening to classical music but I still remember some of their names: Darlene, Candy, Jeanette and Rosalie. Rosalie was the best, she knew how, and we twisted in our seats and made sounds as Rosalie brought magic to the lonely so long ago. now Rosalie either so very old or so quiet under the earth, this is the pimple-faced kid who lied about his age just to watch you. you were good, Rosalie in 1935, good enough to remember now when the light is yellow and the nights are slow. — Charles Bukowski

I
Like
The Way
That when you
Tilt
Poems
On their side
They
Look like
Miniature
Cities
From
A long way
Away.
Skyscrapers
Made out
Of
Words. — Matt Haig

In spite of all the progress we seem to have made, human emotions stay the same. Deep inside our hearts, we don't change very much. This poem was written two thousand years ago or more. It's from a time long before the quatrains and other formal styles you've learned in school were established. And yet, even today, we can understand the feelings of people from that time. You don't need education or scholarship for that. These feelings can be understood by anybody, I think. — Kyoichi Katayama

I did put on the record player, the love symphony of Beethoven wafted in the air. You and I made love,
last February on that amazing Sunday afternoon. And the neighbor's dog barked madly every time our bed creaked from all the gyrations that you and I could outmaneuver in our frenzy of wanting each other's body and soul! — Avijeet Das

It is unwise to equate scientific activity with what we call reason, poetic activity with what we call imagination. Without the imaginative leap from facts to generalisation, no theoretic discovery in science is made. The poet, on the other hand, must not imagine but reason
that is to say, he must exercise a great deal of consciously directed thought in the selection and rejection of his data: there is a technical logic, a poetic reasoning in his choice of the words, rhythms and images by which a poem's coherence is achieved. — Cecil Day-Lewis

The commentaries on the Commedia also began stacking up at my bedside and on the bookshelf next to my chair in the den. There was Charles Williams's The Face of Beatrice, Harriet Rubin's Dante in Love, Yale scholar Giuseppe Mazzotta's Reading Dante, and later the galleys for English Dantist Prue Shaw's Reading Dante: From Here to Eternity. Most important of all, I began listening to the Great Courses audio lectures by Bill Cook and Ron Herzman, which made the poem come alive like nothing else. — Rod Dreher

Lucretius wants to write the poem of matter, but he warns us from the start that the reality of matter is that it's made of invisible particles. He — Italo Calvino

What is to prevent a daily newspaper from being made the greatest organ of social life? Books have had their day-the theaters have had their day-the temple of religion has had its day. A newspaper can be made to take the lead of all these in the great heaven , and save more from Hell, than all the churches and chapels in New York-besides making money at the same time" "Shakespeare is the great genius of the drama, Scott of the novel, Milton and Byron of the poem, and I mean to be the genius of the newspaper press." James Gordon Bennett, editor ot he New York Herald in 1841 — Daniel Stashower

I Made a Jacket Out of a poem But it was cold like me Dropping colors and phrase from its sleeve Shivering and useless Until I hemmed in the warmth of your name — Jamie Zerndt

There is no scientific discoverer, no poet, no painter, no musician, who will not tell you that he found ready made his discovery or poem or picture - that it came to him from outside, and that he did not consciously create it from within. — William Kingdon Clifford

One day in Auschwitz, the writer Primo Levi recited a canto of Dante's Inferno to a companion, and the poem about hell reached out from six hundred years before to roll back Levi's despair and his dehumanization. It was the canto about Ulysses, and though it ends tragically, it contains the lines You were not made to live like animals But to pursue virtue and know the world which he recited and translated to the man walking with him. — Rebecca Solnit

He wrote you a poem?" Evelyn looped her hand around Georgiana's arm and led the way to the chairs lining one side of the room.
"He did." Grateful to see Luxley select one of the debutantes as his next victim, Georgiana accepted a glass of Madeira from one of the footman. After three hours of quadrilles, waltzes, and country dances, her feet ached. "And you know what rhymes with Georgiana, don't you?"
Evelyn wrinkled her brow, her gray eyes twinkling. "No, what?"
"Nothing. He just put 'iana' after every ending word. In iambic trimeter, yet. 'Oh, Georgiana, your beauty is my sunlightiana, your hair is finer than goldiana, your - ' "
Lucinda made a choking sound. — Suzanne Enoch

He fell in love with a skinny stray cat that would skulk around the dining hall during meals. Every day, Jake would offer it sausage or egg from breakfast and pepperoni or hamburger from lunch. Every day, it ran away from him. But Jake didn't give up. Even when he had the stomach flu, he snuck out of the infirmary to try to feed it. He was not going to let it down. He would watch it from classroom windows. He even made up a poem about it that he sent home to his mother in a letter. Three months later, the little cat was finally hungry enough to trust him. It never occurred to Jake that the cat ... — Sarah Addison Allen

From the shadow of domes in the city of domes,
A snowflake, a blizzard of one, weightless, entered your room
And made its way to the arm of the chair where you, looking up
From your book, saw it the moment it landed. That's all
There was to it. — Mark Strand

My memories are not books. They are only stories that I have been over so many times in my head that I don't know from one day to the next what's remembered and what's made up. Like when you memorize a poem, and for one small unimportant part you supply your own words. The meaning's the same, the meter's identical. When you read the actual version you can never get it into your head that it's right and you're wrong. — Elizabeth McCracken