Poem Fire Quotes & Sayings

The fly lands on the swatter.
The movie runs backwards
and catches fire in the projector.
This species apes us well
by talking only about itself — Billy Collins

When you're young
a pair of
female
high-heeled shoes
just sitting
alone
in the closet
can fire your
bones;
when you're old
it's just
a pair of shoes
without
anybody
in them
and
just as
well. — Charles Bukowski

a poem is a city burning — Charles Bukowski

And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire
clearly I'm not needed,
yet I feel myself turning
into something of inexplicable value.
-from The Buddha's Last Instruction — Mary Oliver

Afghan Girl

Ice blue eyes that look to the morning sky as I knit the pieces and remnants of my life. I have No books, no paper, no pencils, and no black boards. I look at the holes in my life as I see the hills of the Appalachians that echo. I think to myself, who will I marry? Is my life-like Pari?

These strings please come together.

Snowflakes give me hope, and my dreams dance all around me. I'll put another log on the fire. I watch the brown paper bag over the broken glass pane letting the cold wind in; I'll take some of these remnants and stuff it.

These strings are come together.

Mama told me that life would be hard. I bartered for flour the other day, and the chickens ain't laying no eggs. I struggle with life and these strings. My hands are worn and tired. Now, I have granny square hands.
I am unclean, unblemished, and finished,

Afghan girl. — Edna Stewart

The dividing line forms-fashioned from:
Dragon's tears
Missed years
Overcome fears
The fire and ice paradox
Seen with True Sight
Darkness does not always equate to evil
Light does not always bring good — P.C. Cast

I thought I was growing wings
it was a cocoon.
I thought, now is the time to step
into the fire
it was deep water.
Eschatology is a word I learned
as a child: the study of Last Things;
facing my mirror - no longer young,
the news - always of death,
the dogs - rising from sleep and clamoring
and howling, howling ...
("Seeing For a Moment") — Denise Levertov

It may also be that, quite apart from any specific references one food makes to another, it is the very allusiveness of cooked food that appeals to us, as indeed that same quality does in poetry or music or art. We gravitate towards complexity and metaphor, it seems, and putting fire to meat or fermenting fruit and grain, gives us both: more sheer sensory information and, specifically, sensory information that, like metaphor, points away from the here and now. This sensory metaphor - this stands for that - is one of the most important transformations of nature wrought by cooking. And so a piece of crisped pig skin becomes a densely allusive poem of flavors: coffee and chocolate, smoke and Scotch and overripe fruit and, too, the sweet-salty-woodsy taste of maple syrup on bacon I loved as a child. As with so many other things, we humans seem to like our food overdetermined. — Michael Pollan

He never described himself as a poet or his work as poetry. The fact that the lines do not come to the edge of the page is no guarantee. Poetry is a verdict, not an occupation. He hated to argue about the techniques of verse. The poem is a dirty, bloody, burning thing that has to be grabbed first with bare hands. Once the fire celebrated Light, the dirt Humility, the blood Sacrifice. Now the poets are professional fire-eaters, freelancing at any carnival. The fire goes down easily and honours no one in particular. — Leonard Cohen

This creative tension between wonderful and terrible is named so well by Gerard Manley Hopkins, as only poets can. Even the long title of his poem reveals his acceptance of the ever-changing flow of Heraclites and also his trust in the final outcome: "That Nature Is a Heraclitean Fire and of the Comfort of the Resurrection." Flesh fade, and mortal trash fall to the residuary worm; world's wildfire, leave but ash: In a flash, at a trumpet crash, I am all at once what Christ is, since he was what I am, and This Jack, joke, poor potsherd, patch, matchwood, immortal diamond, — Richard Rohr

In 'Colonization in Reverse'41 (a famous poem much anthologized) the speaker is presented as a more or less reliable commentator who implies that Jamaicans who come to 'settle in de motherlan' are like English people who settled in the colonies. West Indian entrepreneurs, shipping off their countrymen 'like fire', turn history upside down. Fire can destroy, but may also be a source of warmth to be welcomed in temperate England. Those people who 'immigrate an populate' the seat of the Empire seem, like many a colonizer, ready to displace previous inhabitants. 'Jamaica live fi box bread/Out a English people mout' plays on a fear that newcomers might exploit the natives; and some of the immigrants are - like some of the colonizers from 'the motherland' - lazy and inclined to put on airs. Can England, who faced war and braved the worst, cope with people from the colonies turning history upside down? Can she cope with 'Colonizin in reverse'? — Mervyn Morris

Baclli swarm within my portals
Such as ne'r conceived by mortals,
But, bred by scientists,
Wise and hoary in some Olympian laboratory.
Bacteria as large as mice
With feet of fire and heads of ice,
Who never interrupt for slumber
Their stomping, elephantine rumba.
( From the poem
" The Common Cold " ) — Ogden Nash

Give winter nothing; hold; and let the flake
Poise or dissolve along your upheld arms.
All flawless hexagons may melt and break;
While you must feel the summer's rage of fire,
Beyond this frigid season's empty storms.
Banished to bloom, and bear the birds' desire. — James Wright

After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I'd love to cook a stew for you But I have no pot. I'd love to knit a scarf for you But I have no wool. I'd love to write a poem for you But I have no pen. "It's called 'I Have Nothing,'" Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. "How did you like my song?" she asked. I answered cautiously, "It was unique and original and very expressive of your personality." "Thanks," she said. "The theme is that I have nothing." "Yeah, I kinda thought so. — Haruki Murakami

Larry's such a liar---
He tells outrageous lies.
He says he's ninety-nine years old
Instead of only five.
He says he lives up on the moon,
He says that he once flew.
He says he's really six feet four
Instead of three feet two.
He says he has a billion dollars
'Stead of just a dime.
He says he rode a dinosaur
Back in some distant time.
He says his mother is the moon
Who taught him magic spells.
He says his father is the wind
That rings the morning bells.
He says he can take stones and rocks
And turn them into gold.
He says he can take burnin' fire
And turn it freezin' cold.
He said he'd send me seven elves
To help me with my chores.
But Larry's such a liar---
He only sent me four. — Shel Silverstein

If grief could burn out
Like a sunken coal,
The heart would rest quiet,
The unrent soul
Be still as a veil;
But I have watched all night

The fire grow silent,
The grey ash soft:
And I stir the stubborn flint
The flames have left,
And grief stirs, and the deft
Heart lies impotent. — Philip Larkin

A dragon grows in leaps and bounds,
Like troubles mounting by the pound.

Its stature heightens day to day,
Imposing dread and deep dismay.

A paralyzing roar it gains
While from its snout hot fire rains.

It sees you shrink. Your fear it knows.
And by the hour the nightmare grows.

Unless you slay the dragon soon,
Your troubles may become your doom. — Richelle E. Goodrich

write a poem and spit fire. — Gwen Calvo

Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky! — Elizabeth Bishop

... though I wouldn't have admitted it, even to myself, I didn't want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn't want to be thinking of Him. I wanted to be free - like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn't want us to be swallowed up in God. I wanted holidays from the school of Christ. — Sheldon Vanauken

First, a poem must be magical, then musical as a sea-gull and it must hold fire as well. — Jose Garcia Villa

All theories
like cliches
shot to hell,
all these small faces
looking up
beautiful and believing;
I wish to weep
but sorrow is
stupid.
I wish to believe but believe is a
graveyard.
we have narrowed it down to
the butcherknife and the
mockingbird
wish us
luck. — Charles Bukowski

I'm a picture without a frame. A poem without a rhyme. A car with three wheels. A sun without fire. I am a gun without bullets. I am the truth without someone to hear it. I am a feeling without someone to feel it. This is who I am. A mess without you. Something beautiful with you. — Pleasefindthis

True story
This morning I jumped on my horse
And went for a ride,
And some wild outlaws chased me
And shot me in the side.
So I crawled into a wildcats cave
To find a place to hide
But some pirates found me sleeping there
And soon they had me tied
To a pole and built a fire
Under me---I almost cried
Till a mermaid came and cut me loose
And begged to be my bride
So I said id come back Wednesday
But I must admit I lied.
Then I ran into a jungle swamp
But I forgot my guide
And I stepped into some quicksand
And no matter how hard I tried
I couldn't get out, until I met
A watersnake named Clyde
Who pulled me to some cannibals
Who planned to have me fried
But an eagle came and swooped me up
And through the air we flied
But he dropped me in a boiling lake
A thousand miles wide
And you'll never guess what I did then---
I DIED — Shel Silverstein

While I was looking the other way your fire went out
Left me with cinders to kick into dust
What a waste of the wonder you were
In my living fire I will keep your scorn and mine
In my living fire I will keep your heartache and mine
At the disgrace of a waste of a life — Kristin Cashore

Magic existed in his eyes, his energy as he lived his daily life. I could fall into his soul and lay my worries to rest, but if by chance this happened; it wouldn't last the test.
because there's much to learn, before we can meet, I want to collide with his heart; allow our souls to fleet.
His arms will hold my fears, but he won't carry the load; as it is my lesson to love myself, and find my own sense of hope.
When we cross our paths, our knowledge will last the test; as patience fills the air and our burdens are put to rest,
I will honour my truth, and seek what I desire; ever lasting love and passion set on fire. — Nikki Rowe

A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star. — Joy Harjo

Many are poets, but without the name;
For what is Poesy but to create
From overfeeling Good or Ill; and aim
At an external life beyond our fate,
And be the new Prometheus of new men,
Bestowing fire from Heaven, and then, too late,
Finding the pleasure given repaid with pain — George Gordon Byron

I Have Loved Hours at Sea
I have loved hours at sea, gray cities,
The fragile secret of a flower,
Music, the making of a poem
That gave me heaven for an hour;
First stars above a snowy hill,
Voices of people kindly and wise,
And the great look of love, long hidden,
Found at last in meeting eyes.
I have loved much and been loved deeply
Oh when my spirit's fire burns low,
Leave me the darkness and the stillness,
I shall be tired and glad to go. — Sara Teasdale

The interplay between farmers and the elements was a poem without words, the echo which would always return to him.
The air could hold the "breeze of the rain" or the "wind of warmth" to the discerning nose.
The stone carved its memory deep into the hands that chiseled it.
Fire was life in the hearth which was the center of home.
Water introduced itself to us from its most natural source in streams and wells. — John O'Donohue

Greed and desire
Not peace, but fire
Coveting creation
Created damnation
Pulled alongside
A gate thrown too wide
Now our home calls
And darkness fall
"I rubbed my temples, feeling a headache coming on."A for effort, ladies, but F for clarity. You do realise that your wierd poem things never explain anything", — Kiersten White

I have always been a fire, and everyone I loved walked away as ashes, until I met a phoenix who was born to love flames. — Jenim Dibie

Strike, with hand of fire, O weird musician, thy harp strung with Apollo's golden hair; fill the vast cathedral aisles with symphonies sweet and dim, deft toucher of the organ keys; blow, bugler, blow, until thy silver notes do touch and kiss the moonlit waves, and charm the lovers wandering 'mid the vine-clad hills. But know, your sweetest strains are discords all, compared with childhood's happy laugh - the laugh that fills the eyes with light and every heart with joy. O rippling river of laughter, thou art the blessed boundary line between the beasts and men; and every wayward wave of thine doth drown some fretful fiend of care. O Laughter, rose-lipped daughter of Joy, there are dimples enough in thy cheeks to catch and hold and glorify all the tears of grief. — Robert G. Ingersoll

So Lightning says to Mud,
"What would happen if I struck your blood?"
And Mud says, "Brother,
It would hurt,
And make me the mother
Of every living thing.
But, Fire Boy, you ain't lifting my grass skirt
Until you burn me a ring. — Sherman Alexie

Free me as free is the forest fire, as is the thunder that laughs aloud and hurls defiance to darkness. — Rabindranath Tagore

You take my breath away
From mile away
Hair, twice as nice
Smile is your make up, angelic face
You light up the entire place
Captured my attention
Can't help but stare at your perfection
so charming,
You will set the red carpet on fire
With that amazing attire
Best dress among the rest
Pretty girls are envy in your beauty
And one of a kind personality — Patrick Cruz

I like watching
from inside, as if locked away
and stealing the distinct pleasure
of a high school marching band drum section's
pure perfection. How stoically they play
in the exhaust of a fire engine's wake. — Kristen Henderson

Choose wisely
From those who start
A fire in your heart.

Some may burn you to shreds,
While you were looking for warmth. — Saiber

Sometimes I come across a tree which seems like Buddha or Jesus: loving, compassionate, still, unambitious, enlightened, in eternal meditation, giving pleasure to a pilgrim, shade to a cow, berries to a bird, beauty to its surroundings, health to its neighbors, branches for the fire, leaves for the soil, asking nothing in return, in total harmony with the wind and the rain. How much can I learn from a tree? The tree is my church, the tree is my temple, the tree is my mantra, the tree is my poem and my prayer. — Satish Kumar

Fire burns blue and hot.
Its fair light blinds me not.
Smell of smoke is satisfying, tastes nourishing to my tongue.
I think fire ageless, never old, and yet no longer young.
Morning coals are cool: daylight leaves me blind.
I love the fire most because of what it leaves behind. — Penny Reid

Mostly writing requires massive dedication, a whole lot of time spent alone, way too much sitting, countless hours spent thinking hard, and unending and occasionally painful dedication to forming ideas and laboring over the production of sentences, paragraphs, scenes, dialogue, punctuation, and all the elements that go into writing a novel, a play, a screenplay, or a poem. When we're not writing, we're thinking, plotting, imagining, or editing, which can be far more tedious than cranking out first drafts.
--Fire Up Your Writing Brain — Susan Reynolds

I see that you are heartlessly clever.
For you know how to Love,
but not Forever.

You still return to me in flashes,
so strong it clouds my Mind.
The fire has turned to ashes,
and yet, you're not behind. — Meraaqi

In all the flames of fire fume's left the trace
Into the bluest sea the sky is drowned
The miracles of life can you embrace

From the poem 'Can You Embrace? — Munia Khan

When does real love begin?
At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity.
At what moment does the knife wound sink so deep that the flesh begins to weep with love?
At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession. — Anais Nin

One weekend it rained for 48 hours without stopping. The rain beat like bony fingers against the window panes. Tap. Tap. Tap. Tap. Tap. Fungus was growing on the walls. I polished off a bottle of gin sitting huddled over the two-bar electric fire and wrote a poem, one of the few that has lasted through the moves and the years. It is called 'Where Can I Go?'
If this is not the place where tears are understood where do I go to cry?
If this is not the place where my spirits can take wing where do I go to fly?
If this is not the place where my feelings can be heard where do I go to speak?
If this is not the place where you'll accept me as I am where can I go to be me?
If this is not the place where I can try and learn and grow where can I go to laugh and cry? — Alice Jamieson

A man listening to a story is in the company of the storyteller; even a man reading one shares this companionship. The reader of a novel, however, is isolated, more so than any other reader(For even the reader of a poem is ready to utter the words, for the benefit of the listener.) In this solitude of his, the reader of
a novel seizes upon his material more jealously than anyone else. He is ready to make it completely his own, to devour it, as it were. Indeed, he destroys, he swallows up the material as the fire devours logs in the fireplace. The suspense which permeates the novel is
very much like the draft which stimulates the flame in the fireplace and enlivens its play. — Walter Benjamin

These words are my mother's,
my father's, my brother's, my lender's, my garbage
man's - the poem runs
like oil on fire
beneath this earth where we know each other.
Witness the black smoke everywhere. — B.J. Ward

It didn't help when he told David that his mother would always be with him, even if he couldn't see her. An unseen mother couldn't go for long walks with you on summer evenings, drawing the names of trees and flowers from her seemingly infinite knowledge of nature; or help you with your homework, the familiar scent of her in your nostrils as she leaned in to correct a misspelling or puzzle over the meaning of an unfamiliar poem; or read with you on cold Sunday afternoons when the fire — David Nicholls

O Moon that rid'st the night to wake
Before the dawn is pale,
The hamadryad in the brake,
The Satyr in the vale,
Caught in thy net of shadows
What dreams hast thou to show?
Who treads the silent meadows
To worship thee below?
The patter of the rain is hushed,
The wind's wild dance is done,
Cloud-mountains ruby-red were flushed
About the setting sun:
And now beneath thy argent beam
The wildwood standeth still,
Some spirit of an ancient dream
Breathes from the silent hill.

Witch-Goddess Moon, thy spell invokes
The Ancient Ones of night,
Once more the old stone altar smokes,
The fire is glimmering bright.
Scattered and few thy children be,
Yet gather we unknown
To dance the old round merrily
About the time-worn stone.
We ask no Heaven, we fear no Hell,
Nor mourn our outcast lot,
Treading the mazes of a spell
By priests and men forgot. — Gerald Gardner