Poem Because Of You Quotes & Sayings

Every poem holds the unspeakable inside it. The unsayable ... The thing that you can't really say because it's too complicated. It's too complex for us. Every poem has that silence deep in the center of it. — Marie Howe

I think people are often quite unaware of their inner selves, their other selves, their imaginative selves, the selves that aren't on show in the world. It's something you grow out of from childhood onwards, losing possession of yourself, really. I think literature is one of the best ways back into that. You are hypnotized as soon as you get into a book that particularly works for you, whether it's fiction or a poem. You find that your defenses drop, and as soon as that happens, an imaginative reality can take over because you are no longer censoring your own perceptions, your own awareness of the world. — Jeanette Winterson

There in the mountains, close to the delights of Nature, everything you see and hear is a joy. It is a joy unspoiled by any real discomfort. Your legs may possibly ache, or you may feel the lack of something really good to eat, but that is all. I wonder why this should be? I suppose the reason is that, looking at the landscape, it is as though you were looking at a picture unrolled before you, or reading a poem on a scroll. The whole area is yours [...]. You are free from any care or worry because you accept the fact that this scenery will help neither to fill your belly, nor add a penny to your salary, and are content to enjoy it just as scenery. This is the great charm of Nature, that it can in an instant discipline men's hearts and minds, and removing all that is base, lead them into the pure unsullied world of poetry. — Soseki Natsume

Greta is great, but he's a little ... extremely ... moody. Take my birthday last year. At the stroke of midnight, he appeared at my door.
"I wrote this poem for you," he said, shoving a piece of crumpled paper into my hands.
'The world must burn.
Lava exploding into faces.
Their skeletons are screaming now.
No survivors.
- From Greta'
"Oh ... uh ... wow ... " I began.
"Don't bother thanking me," he said. "I just wanted to comfort you for being one year closer to the grave. Of course, I failed miserably, because comfort doesn't exist in this universe. — Bratniss Everclean

The simple truth is that being a creative artist takes courage; it's not a job for the faint of heart. It takes courage each and every time you put a book or poem or painting before the public, because it is, in fact, enormously revealing. — Terri Windling

I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know who understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother.
I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don't need days, or weeks, or months to think about why I love you. It's an easy answer for me. I love you because of you. Because of every single thing about you. — Colleen Hoover

Putting my hands on my hips, I sighed. "Okay, here's what we're going to do. We're going to Unseelie territory, and you're all going to protect me with whatever faerie mojo you have, because I'm pretty sure the Dark Queen will not be very excited to see me. And then I'm going to talk to them."
"Talk to them?" the Light Queen asked.
"Yes," I said, trying to compose a poem on her beauty comparing her to the light of the dawn, to the rays of sunlight piercing clouds after a thunderstorm, to ... Evelyn. I shook my head, trying to clear it. "Gosh, can't you at least try to turn it down? Anyway. We're going to talk to them. If they're anything like your court, a lot of them probably think their queen is a freaking idiot."
The Light Queen's side, white eyebrows rose like a question mark. — Kiersten White

And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying "good morning" in that poem, and well, your morals are straight and you have not said SHIT, but wouldn't it be wonderful if you could ... instead of sweating out the correct image, the precise phrase, the turn of a thought ... simply sit down and write the god damned thing, throwing on the color and sound, shaking us alive with the force, the blackbirds, the wheat fields, the ear in the hand of the whore, sun, sun, sun, SUN!; let's make poetry the way we make love; let's make poetry and leave the laws and the rules and the morals to the churches and the politicians; let's make poetry the way we tilt the head back for the good liquor; let a drunken bum make his flame, and some day, Robert, I'll think of you, pretty and difficult, measuring vowels and adverbs, making rules instead of poetry. — Charles Bukowski

A poem is a windy city, has broad shoulders
and insistent industry,
barrels into your brain, sticking
its steam-filled, swarmy head
into the delicate, empty bird cages
propped in the rooms of your imagination.
A poem can be rude, downright ignorant
of what you had been thinking about
and holding onto for too much of the day.
More than a city, a poem pushes its hemispheres
against your thoughts, knocking them out
of the windows of your ears.
Every good poem screams, 'Read me
because you're going to die someday! — B.J. Ward

I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing. — Seamus Heaney

Twas a sheep not a lamb that strayed away
In the parable Jesus told,
A grown-up sheep that strayed away
From the ninety and nine in the fold.
And why for the sheep should we seek
And earnestly hope and pray?
Because there is danger when sheep go wrong;
They lead the lambs astray.
Lambs will follow the sheep, you know,
Wherever the sheep may stray.
When sheep go wrong, it won't take long
Til the lambs are as wrong as they.
And so with the sheep we earnestly plead
For the sake of the lambs today,
For when sheep are lost, what a terrible cost
The lambs will have to pay! — C.C. Miller

We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write. — R.M. Engelhardt

A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do. — Leonard Cohen

How hard it is, to be forced to the conclusion that people should be, nine tenths of the time, left alone! - When there is that in me that longs for absolute commitment. One of the poem-ideas I had was that one could respect only the people who knew that cups had to be washed up and put away after drinking, and knew that a Monday of work follows a Sunday in the water meadows, and that old age with its distorting-mirror memories follows youth and its raw pleasures, but that it's quite impossible to love such people, for what we want in love is release from our beliefs, not confirmation in them. That is where the 'courage of love' comes in - to have the courage to commit yourself to something you don't believe, because it is what - for the moment, anyway - thrills your by its audacity. (Some of the phrasing of this is odd, but it would make a good poem if it had any words ... ) — Philip Larkin

Shall I tell you our secret? We are charming thieves who steal hearts and never fail because we are the friends of the One.
Blessed is the poem that comes through me but not of me because the sound of my own music will drown the song of Love. — Rumi

the first time the caregiver saw it on the child. they said 'no. don't you dare. you will not grow up thinking you are unwanted. because your parents. chose themselves. over you. this will not be your story because it is not the truth. the truth. is your creation is not about them. you came through them, my love, they were your vessel. the truth. is you were born for you. you were wanted by you. you came for you. you are here for you. your existence is yours. yes. you will want them. (and on odd and warm nights they will think of you and hold themselves tighter.) but. what you do not get. from them. does not make you less. does not make you unwanted. (trust that all you did not receive. all you need. will come to you. in time. the universe is infinite.') - a love poem — Nayyirah Waheed

It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do. — Sam Hamill

No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music. — Leo Ornstein

Do you know what a poem is, Esther?'
No, what?' I would say.
A piece of dust.'
Then, just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.'
And of course Buddy wouldn't have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick or couldn't sleep. — Sylvia Plath

We begin to say something that cannot be said. When you see on the front page a woman in Iraq who's just seen her husband blown up, you see her there, her mouth wide open, you know the sound coming out of her, a howl of grief and pain
that's the beginning of language.
Trying to express that, it's inexpressible, and poetry is really to say what can't be said. And that's why people turn to it in these moments. They don't know how to say this, [but] part of them feels that maybe a poem will say it. It won't say it, but it'll come closer to saying it than anything else will.
I think there are always two sides, and one of them is the unsayable. The utterly singular. Who you are; who you can never tell anybody. And on the other hand, there is what you can express. How do we know about this thing we talk about? Because we talk about it. We're using words. And the words never say it, but the words are all we have to say it. — W.S. Merwin

If the poem is so moving that even if you have no experience in that particular setting be it 1920's Harlem let's say. You still are so moved that you can put yourself in that position. That means that the writer has managed to go beyond the personal and touch the humanity in all of us and it's really a blast to read it because I realize how that this does hold true for the truly great poems. — Rita Dove

... and that's why they leave, isn't it? Because they have to see themselves in the context of something larger than just the two of them. It's like that Faiz poem, you know, mujh say pehli si muhabat, when you've seen the sorrows of the rest of the world you can't go on pretending none of it matters, you can't pretend two people can really live in isolation telling themselves their love is all that matters in the world. And that two of them, when they come back to the city, that's when they find out that their love was imperfect because it couldn't bear the knowledge of everything that lies outside ... — Kamila Shamsie

Never worry about the reader, what the reader can understand. When you are writing, glance over your shoulder, and you'll find there is no reader. Just you and the page. Feel lonely? Good! Assuming you can write clear English (or Norwegian) sentences, give up all worry about communication. If you want to communicate, use the telephone.
To write a poem you have to have a streak of arrogance ( ... ) when you are writing you must assume that the next thing you put down belongs not for reasons of logic, good sense, or narrative development, but because you put it there. You, the same person who said that, also said this. The adhesive force is your way of writing, not sensible connection. — Richard Hugo

Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer. — Eileen Myles

I love you in my very own way.
Like a stone loves the mosses around it
Like a sea loves the pebbles in it
Like a coincidence ...
Taking you as the way you are,
With all the bruises, scars and broken parts all around you and your heart.
I love you in my very own way
By throwing the stone, the mosses, the sea and the pebbles to your head
Like i want to kill you.
Just because of envying the love
That my heart spend on you. — Arzum Uzun

She saw the stubborn set of my face. "I've never felt blessed," I said. "There must be free will to choose. Do you know the poem about the two roads, and the one not taken?"
Yes. That has always amused me, because who created the two roads in the first place?"
It was a question I had never considered. — Tan Twan Eng

Pocket Poem
If this comes creased and creased again and soiled
as if I'd opened it a thousand times
to see if what I'd written here was right,
it's all because I looked too long for you
to put in your pocket. Midnight says
the little gifts of loneliness come wrapped
by nervous fingers. What I wanted this
to say was that I want to be so close
that when you find it, it is warm from me. — Ted Kooser

I do not write to you, but of you,/because the paper that we write on/is our perishable skin. — Melissa Lee-Houghton

When you begin to read a poem you are entering a foreign country whose laws and language and life are a kind of translation of your own; but to accept it because its stews taste exactly like your old mother's hash, or to reject it because the owl-headed goddess of wisdom in its temple is fatter than the Statue of Liberty, is an equal mark of that want of imagination, that inaccessibility to experience, of which each of us who dies a natural death will die. — Randall Jarrell

For me, prose is never a poem. Because with prose there are so very few tools to create the music. And one of the most important tools missing is the ability to create silences, as you can in poetry by how you fashion the lines and breaks within the lines and stanzas. — Pattiann Rogers

Poetry arises from the desire to get beyond the finite and the historical - the human world of violence and difference - and to reach the transcendent or divine. You're moved to write a poem, you feel called upon to sing, because of that transcendent impulse. But as soon as you move from that impulse to the actual poem, the song of the infinite is compromised by the finitude of its terms. — Ben Lerner

(Page 288)
If my love were an ocean,
there would be no more land.
If my love were a desert,
you would see only sand.
If my love were a star-
late at night, only light.
And if my love could grow wings,
I'd be soaring in flight.
-I love poetry so getting to read something as tiny as this was very refreshing. I think I can relate to Hannah because what she is essentially saying is that she loves a lot to the point that if her love were an object in this world.. the entire world would be consumed by it just to show the amount of love she has. It got me confused because I found it kind of selfish of Hannah writing that poem because if she loved everone as deeply as her poems depict.. why would she leave them? — Jay Asher

Abba Father! Your love for me is transparent no hidden agenda, no ulterior motives because You are the Holy God. And the only thing abides us is the covenant of your love that will never be broken. In times of need I call unto You and You answer. When I feel alone you always beside me with Your loving and caring touch. — Euginia Herlihy

do you want to know how to seduce the night?
this is not a poem about the stars or the moon
because we all know i have overused those terms and i
believe with the abundance of anything brings
with it a deadly exhaustion we all cannot afford.
if you truly want to fuck the night and i mean
fuck it hard and with purpose so that fucking
becomes making love and making love becomes
forever then i suggest you get off your lazy ass and
create art. create it with your soul and your soul
alone and do not be afraid of what
spills out of it. no matter the absurdness or the
darkness or the sadness just let yourself be free. — Christopher Poindexter

Now, lying on my back in bed, I imagined Buddy saying, 'Do you know what a poem is, Esther?'
'No, what?' I would say.
'A piece of dust.'
Then just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together.'
And of course Buddy wouldn't have any answer to that, because what I said was true. People were made of nothing so much as dust, and I couldn't see that doctoring all that dust was a bit better than writing poems people would remember and repeat to themselves when they were unhappy or sick and couldn't sleep. — Sylvia Plath

Theology is
or should be
a species of poetry,which read quickly or encountered in a hubbub of noise makes no sense. You have to open yourself to a poem with a quiet, receptive mind, in the same way you might listen to a difficult piece of music ... If you seize upon a poem and try to extort its meaning before you are ready, it remains opaque. If you bring your own personal agenda to bear upon it, the poem will close upon itself like a clam, because you have denied its unique and separate identity, its inviolate holiness. — Karen Armstrong

And what I said was I'll miss you,
What I meant to say was that I love you,
What I wanted to say was that I meant what I said
I miss you like I miss my own bed
after too many nights of sleeping on couches
or hardwood floors
Or sitting silently behind the doors
Of hotel rooms became wounds
Breathing life in to this loneliness
I miss you
Like a burn victim must miss their own skin
I miss you like a sad ending
Must miss someplace new to begin
Because some say that the highway becomes a flat line
if you travel it for too long
I can't tell if that's true or false,
But I'm racing down it towards you trying to find my
Pulse. — Shane Koyczan

Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business. — Peter S. Beagle

Tonight I see no spheres, but project myself
and gaze back, an important trick
because the goal is to be on both sides of the poem,
shuttling between the you and I. — Ben Lerner

And how unfair it would be to torture your heart in never feeling again, because of a feeling you haven't even tried to understand yet. — Nikki Rowe

I care for you, darling, I love you,
the only reason I fucked L. is because you fucked
Z. and then I fucked R. and you fucked N.
and because you fucked N. I had to fuck
Y. But I think of you constantly, I feel you
here in my belly like a baby, love I'd call it,
no matter what happens I'd call it love, and so
you fucked C. and then before I could move
you fucked W., so I had to fuck D. But
I want you to know that I love you, I think of you
constantly, I don't think I've ever loved anybody
like I love you. — Charles Bukowski

I'm not an expert in the deck at all. My interest lies somewhere near a sense that words are like tarot cards, and that a poem manipulates unpredictable depths with its words ... I like the tarot because it works like poetry and because you don't really have to 'believe in' anything. It's there to be used. The symbols are remarkably durable and beautiful; they float out to encompass all kinds of meanings. — Alice Notley

A foolish man question: "what is love?" A madman answer: "Love is an omnipresent attribute of human life. Our appetite will always be unfulfilled for love. It is better for us because without it, earth will not rotate, seasons will not change, birds will not sing and life will not exit." What do you think? — Santosh Kalwar

This poem by Russell Kelfer sums it up: You are who you are for a reason. You're part of an intricate plan. You're a precious and perfect unique design, Called God's special woman or man. You look like you look for a reason. Our God made no mistake. He knit you together within the womb, You're just what he wanted to make. The parents you had were the ones he chose, And no matter how you may feel, They were custom-designed with God's plan in mind, And they bear the Master's seal. No, that trauma you faced was not easy. And God wept that it hurt you so; But it was allowed to shape your heart So that into his likeness you'd grow. You are who you are for a reason, You've been formed by the Master's rod. You are who you are, beloved, Because there is a God! — Rick Warren

At the end of all things, why do lovers break up?

Because love is magic. You have to believe, for it to exist. — Timothy Joshua

The Old Man at the Wheel
Measured against the immeasurable
universe, no word you have spoken
brought light. Brought
light to what, as a child, you thought
too dark to be survived. By exorcism
you survived. By submission, then making.
You let all the parts of that thing you would
cut out of you enter your poem because
enacting there all its parts allowed you
the illusion you could cut it from your soul.
Dilemmas of choice given what cannot
change alone roused you to words.
As you grip the things that were young when
you were young, they crumble in your hand.
Now you must drive west, which in November
means driving directly into the sun. — Frank Bidart

By clarity I don't mean that we're always in kind of a simple area where everything is clear and comforting and understood. Clarity is certainly a way toward disorientation because if you don't start out - if the reader isn't grounded, if the reader is disoriented in the beginning of the poem, then the reader can't be led astray or disoriented later. — Billy Collins

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme. — Nicholson Baker

In an instant he forgot Joe's poem about Japan except the part about 'you are the bell, and I am the tongue of the bell, ringing you,' and a new sound entered his life, like when he was a kid and he first heard the sound of horses clip-clopping and he asked his mother in wonder, What's that sound, because I've never heard it before? — Melina Marchetta

Then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance.
from The Chronicles of Abby Normal — Christopher Moore

Solitary writers come out of nowhere and do not belong anywhere. They are not domesticated or socialized, not as writers. Their subject is not the world about them but the one within them. From story to story or poem to poem, they repeat themselves because all they have to work with are themselves and their dreams, which are strange dreams and often bad dreams. As anyone knows, nothing is more troublesome to communicate than yourself and your dreams, the feelings and visions that have molded you into what you are. — Thomas Ligotti

This is for you, all the women of the world
Those who lived, all who ever will
this is for your love, mine is yours
Love is fate, I am here
Because you know the meaning of life
That begins and ends with a kiss
We are knights in shining ardor, who toil for you
And our children, it's a circle
So they will know this truth
Love is the sacred gospel, all we need to know
As your son and lover, my spirit lives imbued
With, from and by your wisdom and beauty
I am here to pay honor and homage to your soul
This is and will always be my devotion
This I dedicate, because through you I become whole — Trevor McShane

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

A Poem
By Max
White is the color of little bunnies with pink noses.
White is the color of fluffy clouds fluffing their way across the sky.
White is the color of angel's wings and Angel's wings.
White is the color of brand-new ankle socks fresh out of the bag.
White is the color of crisp sheets in schmancy hotels.
White is the color of every last freaking, gol-danged thing you see for endless miles and miles if you happen to be in Antarctica trying to save the world, which now you aren't so sure you can do because you feel like if you see any more whiteness-Wonder Bread, someone's underwear, teeth-you will completely and totally lose your ever-lovin' mind and wind up pushing a grocery cart full of empty cans around New York City, muttering to yourself.
That was my first poem ever.
Okay, so it's not Shakespeare, but I liked it. — James Patterson

If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings
excuse the expression. Like Manlius and Esposito and all those poor men. — J.D. Salinger

Mental illness

People assume you aren't sick
unless they see the sickness on your skin
like scars forming a map of all the ways you're hurting.

My heart is a prison of Have you tried?s
Have you tried exercising? Have you tried eating better?
Have you tried not being sad, not being sick?
Have you tried being more like me?
Have you tried shutting up?

Yes, I have tried. Yes, I am still trying,
and yes, I am still sick.

Sometimes monsters are invisible, and
sometimes demons attack you from the inside.
Just because you cannot see the claws and the teeth
does not mean they aren't ripping through me.
Pain does not need to be seen to be felt.

Telling me there is no problem
won't solve the problem.

This is not how miracles are born.
This is not how sickness works. — Emm Roy

You told me I wrote that poem because I was afraid of dealing with myself. And I used my mom as an excuse, accusing her of not appreciating or accepting me, when I should have been saying those words into a mirror. — Jay Asher

We spent a long time learning the craft of songwriting, Roger Glover and I, for a few years before we joined Deep Purple. You learn about the percussive value of words, and you learn about rhyme and meter. You learn that you can't transform a poem into a song lyric, mostly because the spoken shape of words is different than the sung shape of words. You wouldn't use the vowel 'U' or the vowel sound 'ooo' for a high note for example, its very difficult. — Ian Gillan

And you're a tall drink of water because we're so fucking thirsty — Andrew Faulkner

One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain. — Sam Hamill

You can tell it's a poem because it's swimming in a little gel pack of white space. That shows it's a poem. — Nicholson Baker