Poem Because Quotes & Sayings

Every poem holds the unspeakable inside it. The unsayable ... The thing that you can't really say because it's too complicated. It's too complex for us. Every poem has that silence deep in the center of it. — Marie Howe

I think people are often quite unaware of their inner selves, their other selves, their imaginative selves, the selves that aren't on show in the world. It's something you grow out of from childhood onwards, losing possession of yourself, really. I think literature is one of the best ways back into that. You are hypnotized as soon as you get into a book that particularly works for you, whether it's fiction or a poem. You find that your defenses drop, and as soon as that happens, an imaginative reality can take over because you are no longer censoring your own perceptions, your own awareness of the world. — Jeanette Winterson

I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know who understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother.
I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don't need days, or weeks, or months to think about why I love you. It's an easy answer for me. I love you because of you. Because of every single thing about you. — Colleen Hoover

Ring around the rosie.
A pocket full of posie.
Ashes ashes, we all fall down.
Some people say that this poem is about the Black Death, the fourteenth-century plague that killed 100-million people ...
Sadly, though, most experts think this is nonsense ...
How can I be so sure about this rhyme when all the experts disagree?
Because I ate the kid who made it up. — Scott Westerfeld

He found himself wanting to write poetry about how her blue eyes were like starlight and her hair like night, because "night" and "starlight" rhymed, but he had a feeling the poem wouldn't turn out that well ... — Cassandra Clare

i knew his heart
was yours
but i wanted
to become
an alchemist
to make gold
of the pieces
i received
because
all i ever felt
was the dark side
of his leaded heart. — K.Y. Robinson

Every day, a piece of music, a short story, or a poem dies because its existence is no longer justified in our time. And things that were once considered immortal have become mortal again, no one knows them anymore. Even though they deserve to survive. — Elfriede Jelinek

The inextinguishable lesbian spark. You've surely heard about it? The one that was first ignited at Lesbos, because Sappho was so sad every time a young woman left the academy that she wrote her a poem. Fancy being sad because someone leaves! Perverted, that's what I call it. Don't you? — Gerd Brantenberg

She is dying because she said.
She is dying for the sake of the word.
It is her body, silent
and fingerless, writing this poem. — Margaret Atwood

I think can sit here for hours,
Arguing with the world as to why I can't give up,
Tell everyone around me what a blessing you are,
Laugh at all the times that you've brought sun into my life,
I can tell everyone how passionate you are and how much you bring into this world,
But right now I'm sitting here for hours,
Trying to keep myself together because I'm trying to figure out how to tell the world that the man I love,
Is the reason why I'm so broken. — Tanzy Sayadi

I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems. — Anna Journey

I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose. — Matthew Zapruder

I once broke up with a boy because he wrote me an awful poem. — Karen Joy Fowler

People need people and the happiest people are
surrounded with friendly flesh.
If you have ten kids they'll be so sweet
ten really sweet kids! Have twelve!
What if there were 48 pro baseball teams,
you could see a damn lot more games!
And in this fashion we get away
from tragedy. Because tragedy comes when someone
gets too special. — Mark Halliday

This morning when I looked out the roof window
before dawn and a few stars were still caught
in the fragile weft of ebony night
I was overwhelmed. I sang the song Louis taught me:
a song to call the deer in Creek, when hunting,
and I am certainly hunting something as magic as deer
in this city far from the hammock of my mother's belly.
It works, of course, and deer came into this room
and wondered at finding themselves
in a house near downtown Denver.
Now the deer and I are trying to figure out a song
to get them back, to get all of us back,
because if it works I'm going with them.
And it's too early to call Louis
and nearly too late to go home.
[from poem, "Song for the Deer and Myself to Return On"] — Joy Harjo

I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains. — Erica Jong

Land sakes, I can't make a speech," she said. "Tell you what: I'll recite a poem I composed while in jail." And she began. "Although in jail in Centerboro, I do not fret or stew or worro. And confidently I confront The judge, because I'm innosunt. Tho I'm a cow, I am no coward I have not flinched when thunder rowered. When lightning flashed I've merely giggled Like one whose funnybone is tiggled. And I shall never give up hoping That soon the jail front door will oping And I'll once more enjoy my freedom On Bean's green fields. When last I seed 'em They were a fair and lovely vision And so for my return I'm wishun. I hope that Bismuth will get his'n And spend a good long time in prison. — Walter R. Brooks

We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write. — R.M. Engelhardt

Keep me up till five because all your stars are out, and for no other reason ... Oh dare to do it Buddy! Trust your heart. You're a deserving craftsman. It would never betray you. Good night. I'm feeling very much over-excited now, and a little dramatic, but I think I'd give almost anything on earth to see you writing a something, an anything, a poem, a tree, that was really and truly after your own heart. — J.D. Salinger

A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do. — Leonard Cohen

I hear talk of that slippery slope, and my heart catches for a beat. But there is the musky truth I'm standing in that I can't deny, and it tastes of so much holy. That old way, the narrow line, I see now that was a slippery, saccharine surface where my soul could gain no purchase. For the first time, my feet feel sure beneath me, and that sense is twining its way up from my ankles, racing toward my knees, my thighs, my secret places, my heart. It's in my blood now, and I can't deny it. I can't deny it.

I open my eyes, because I could see even through my clutched-closed lids that the darkness is light, that the blindness has given way to searing vision.

I can't deny it. — Beth Morey

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being. — Jane Hirshfield

Every poem is shadowed by desire, but it is also shadowed by the problem of rendering desire in language. There is a place where similitude seems to break down because experience itself seems beyond compare. — Edward Hirsch

Our contempt for any particular poem must be perfect, be total, because only a ruthless reading that allows us to measure the gap between the actual and the virtual will enable to to experience, if not a genuine poem - no such thing - a place for the genuine, whatever that might mean. — Ben Lerner

In the days of Prismatic Color
not in the days of Adam and Eve, but when Adam
was alone; when there was no smoke and color was
fine, not with the refinement
of early civilization art, but because
of its originality; with nothing to modify it but the
mist that went up, obliqueness was a variation
of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue-red-yellow band
of incandescence that was color keep its stripe — Marianne Moore

The mercy bullet
I envy horses: if they break a leg and feel humiliated because they can no longer charge back and forth in the wind, they are cured by a mercy bullet. So if something in me gets broken, physically or spiritually, I would do well to look for a proficient killer, even if he is one of my enemies. I will pay him a fee and the price of the bullet, kiss his hand and his revolver, and if I am able to write, extol him in a poem of rare beauty, for which he can choose the metre and rhyme. — Mahmoud Darwish

Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood. — Miller Williams

My mother - my stepmother, really, she herself have been what they call an elocutionist. And she was the one who first encouraged me to write poetry, because she used to read it to us. And then when I began to write when I was nine years old, my first poem was published in the Amsterdam News. I called it "The Graveyard." — Ruby Dee

How does a poet know when a poem is ended? Because it lies flat, taut; nothing can be added or subtracted. How does a woman know when a marriage is over? Because of the way her life suddenly shears off in just two directions: past and future. — Carol Shields

The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing. — Billy Collins

Like one who, on a lonely road,
Doth walk in fear and dread,
And, having once turned round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread. -
Coleridge's Ancient Mariner. — Mary Shelley

It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love. — James Arthur

What I saw there explained everything
the reason he had stayed away, why he had come to say good-bye. I can only describe what I saw by its effect on me. Every woman should be looked at in such a way, at least once her life. With a longing that cannot be contained
with love that goes beyond mere feeling because it transforms and-like the verse of the poem he had read
it dissolves, as an offering, a gift. I felt my face flush and waves of knowing suffused every pore, every cell of my being. I was loved. And in that love, I felt beauty
my own, unrealized until that moment, suddenly rising to consciousness in a way that made everything in me come alive to the beauty all around me. Nothing more needed to be said. — Nafisa Haji

And what I said was I'll miss you,
What I meant to say was that I love you,
What I wanted to say was that I meant what I said
I miss you like I miss my own bed
after too many nights of sleeping on couches
or hardwood floors
Or sitting silently behind the doors
Of hotel rooms became wounds
Breathing life in to this loneliness
I miss you
Like a burn victim must miss their own skin
I miss you like a sad ending
Must miss someplace new to begin
Because some say that the highway becomes a flat line
if you travel it for too long
I can't tell if that's true or false,
But I'm racing down it towards you trying to find my
Pulse. — Shane Koyczan

At the end of all things, why do lovers break up?

Because love is magic. You have to believe, for it to exist. — Timothy Joshua

So what rhyming poems do is they take all these nearby sound curves and remind you that they first existed that way in your brain. Before they meant something specific, they had a shape and a way of being said. And now, yes, gloom and broom are floating fifty miles away from each other in you mind because they refer to different notions, but they're cheek-by-jowl as far as your tongue is concerned. And that's what a poem does. Poems match sounds up the way you matched them when you were a tiny kid, using that detachable front phoneme. — Nicholson Baker

By clarity I don't mean that we're always in kind of a simple area where everything is clear and comforting and understood. Clarity is certainly a way toward disorientation because if you don't start out - if the reader isn't grounded, if the reader is disoriented in the beginning of the poem, then the reader can't be led astray or disoriented later. — Billy Collins

I try not to observe myself in the process of composing a poem because I don't want to come up with a formula, which I would then be unscrupulous in using. — Thom Gunn

The Old Man at the Wheel
Measured against the immeasurable
universe, no word you have spoken
brought light. Brought
light to what, as a child, you thought
too dark to be survived. By exorcism
you survived. By submission, then making.
You let all the parts of that thing you would
cut out of you enter your poem because
enacting there all its parts allowed you
the illusion you could cut it from your soul.
Dilemmas of choice given what cannot
change alone roused you to words.
As you grip the things that were young when
you were young, they crumble in your hand.
Now you must drive west, which in November
means driving directly into the sun. — Frank Bidart

In the past I have declined to comment on my own work: because, it seems to me, a poem is what it is; because a poem is itself a definition, and to try to redefine it is to be apt to falsify it; and because the author is the person least able to consider his work objectively. — James Schuyler

The poem is sad because it wants to be yours, and cannot be. — John Ashbery

One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain. — Sam Hamill

Many years before, she had read, and recognized as true, the words of W. B. Yeats: 'A Pity beyond all telling is hit at the heart of love'. She had smiled over the poem, and stroked the page, because she had known both that she loved Colin, and that compassion formed a huge part of her love. — J.K. Rowling

Just because you've had enough
doesn't mean you wanted too much. — Dean Young

Rhythm, repetition, making patterns
these are not only important devices for shaping the strange and abstract instrument/object we call a poem or a story, but they are craved as well because of our primordial need for reassurance, the sense of security we get from moving over the known. A mystery doesn't lose power in revisiting. Writing is not just to know, it is also to console. We need to be reminded that we are part of the obscure rhythm of birth and decade. It is the humming that matters. — Breyten Breytenbach

Dreams like a podcast,
Downloading truth in my ears.
They tell me cool stuff."
"Apollo?" I guess, because I figured nobody else could make a haiku that bad.
He put his finger to his lips. "I'm incognito. Call me Fred."
"A god named Fred? — Rick Riordan

The great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself recreates them. — Jacob Bronowski

I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me. — Margaret Atwood

On occasions, after drinking a pint of beer at luncheon, there would be a flow into my mind with sudden and unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza, accompanied, not preceded by a vague notion of the poem which they were destined to form a part of ... I say bubble up because, so far as I could make out, the source of the suggestions thus proffered to the brain was the pit of the stomach. — A.E. Housman

our foundation is rocky
because we made a home
in each other's skin.
the damage is beginning
to show. — K.Y. Robinson

This poem is one of a series, all of them elegiac in intention, and subject to the strange forces of mourning that let loose illogical developments, into impossible configurations of thought. The poem is built of non-sequiturs, because that's what's left in the wake of the death. We cannot follow the dead, whether they are persons or ideas. Instead we remain, but in a situation that, in their absence, makes no sense. — Lyn Hejinian

This is for you, all the women of the world
Those who lived, all who ever will
this is for your love, mine is yours
Love is fate, I am here
Because you know the meaning of life
That begins and ends with a kiss
We are knights in shining ardor, who toil for you
And our children, it's a circle
So they will know this truth
Love is the sacred gospel, all we need to know
As your son and lover, my spirit lives imbued
With, from and by your wisdom and beauty
I am here to pay honor and homage to your soul
This is and will always be my devotion
This I dedicate, because through you I become whole — Trevor McShane

Fred Moten is a poet I really love because he changes who is telling the poem all the time. — Eileen Myles

Bhagat Singh revered Lajpat Rai as a leader. But he would not spare even Lajpat Rai, when, during the last years of his life, Lajpat Rai turned to communal politics. He then launched a political-ideological campaign against him. Because Lajpat Rai was a respected leader, he would not publicly use harsh words of criticism against him. And so he printed as a pamphlet Robert Browning's famous poem, 'The Lost Leader,' in which Browning criticizes Wordsworth for turning against liberty. The poem begins with the line 'Just for a handful of silver he left us.' A few more of the poem's lines were:
'We shall march prospering, not thro' his presence;
Songs may inspirit us, not from his lyre,' and
'Blot out his name, then, record one lost soul more.'

There was not one word of criticism of Lajpat Rai. Only, on the front cover, he printed Lajpat Rai's photograph! — Bipan Chandra

In the forest, I thought I'd made the wrong choice. I thought she had the Tennyson poem because it was a Rising poem, and I'd missed my chance to be in the rebellion with her. — Ally Condie

Solitary writers come out of nowhere and do not belong anywhere. They are not domesticated or socialized, not as writers. Their subject is not the world about them but the one within them. From story to story or poem to poem, they repeat themselves because all they have to work with are themselves and their dreams, which are strange dreams and often bad dreams. As anyone knows, nothing is more troublesome to communicate than yourself and your dreams, the feelings and visions that have molded you into what you are. — Thomas Ligotti

Then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance.
from The Chronicles of Abby Normal — Christopher Moore

I heard of a man
who says words so beautifully
that if he only speaks their name
women give themselves to him.
If I am dumb beside your body
while silence blossoms like tumors on our lips
it is because I hear a man climb stairs
and clear his throat outside our door. — Leonard Cohen

Theology is
or should be
a species of poetry,which read quickly or encountered in a hubbub of noise makes no sense. You have to open yourself to a poem with a quiet, receptive mind, in the same way you might listen to a difficult piece of music ... If you seize upon a poem and try to extort its meaning before you are ready, it remains opaque. If you bring your own personal agenda to bear upon it, the poem will close upon itself like a clam, because you have denied its unique and separate identity, its inviolate holiness. — Karen Armstrong

For me,the Bild-Dichtung [image-poem] is the ideal form,because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing,the effort has a balancing effect. Drawing and writing are wonderful complements. — Gunter Brus

A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead. — Lemony Snicket

Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem? — Paul Gauguin

Because
you rubbed
my shoulder
last night
a poem
traveled down
my arm. — Alice Walker

I, I'll type. And that will be enough.
Then there are the other days, when nothing is enough. The poem grins. It grins because it knows it is a terrible poem. It grins in embarrassment. It grins in pity. It grins in superiority. I may be a terrible poem, it grins, but at least I have one comfort. At least I'm not a terrible poet. At least I'm not the guy who sat in front of a typewriter for two hours coming up with the likes of me. — Lynn Coady

The major problem of life is learning how to handle the costly interruptions. The door that slams shut, the plan that got sidetracked, the marriage that failed. Or that lovely poem that didn't get written because someone knocked on the door. — Martin Luther King Jr.

I care for you, darling, I love you,
the only reason I fucked L. is because you fucked
Z. and then I fucked R. and you fucked N.
and because you fucked N. I had to fuck
Y. But I think of you constantly, I feel you
here in my belly like a baby, love I'd call it,
no matter what happens I'd call it love, and so
you fucked C. and then before I could move
you fucked W., so I had to fuck D. But
I want you to know that I love you, I think of you
constantly, I don't think I've ever loved anybody
like I love you. — Charles Bukowski

And how unfair it would be to torture your heart in never feeling again, because of a feeling you haven't even tried to understand yet. — Nikki Rowe

April is the cruelest month.' So begins T.S. Eliot's 1922 masterpiece, a 434-line poem titled 'The Waste Land.' Until my employment as a trail maintenance worker, this had simply been a line on a page, albeit a line fraught with metaphorical import and potential. Now I saw it for what it was - a big fat lie - because Eliot grew up in St. Louis and no one forgets what a Missouri summer is like. If the Nobel laureate had been truthful with himself, the opening verse would start out, 'June's a bitch. — Michael Gurnow

When a poet writes a poem, meaning arises - because the poet is not alone; he has created something. When a dancer dances, meaning arises. When a mother gives birth to a child, meaning arises. Left alone, cut off from everything else, isolated like an island, you are meaningless. Joined together you are meaningful. The bigger the whole, the bigger is the meaning. — Rajneesh

Tonight, I won't dream, because nobody
has held me and no hands have strayed and even
though I'm drunk with love, my arms are empty. — Melissa Lee-Houghton

A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices. — Alasdair Gray

I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. — Jeanette Winterson

Love leads us to write poetry because love improves our hearing; like prayer, poetry is every bit as much about listening as it is about speaking. To 'get' the poem is to hear the eloquence of the silence that it calls forth through its manifestation of love. — David Patterson

Tonight I see no spheres, but project myself
and gaze back, an important trick
because the goal is to be on both sides of the poem,
shuttling between the you and I. — Ben Lerner

The first time I ever got up on a stage, I did a comedy poem. I don't know how I got there in the first place because I was very, very shy. — Lesley Nicol

Accepting a religion may be more like enjoying a poem, or following the football. It might be a matter of immersion in a set of practices. Perhaps the practices have only an emotional point, or a social point. Perhaps religious rituals only serve necessary psychological and social ends. The rituals of birth, coming of age, or funerals do this. It is silly to ask whether a marriage ceremony is true or false. People do not go to a funeral service to hear something true, but to mourn, or to begin to stop mourning, or to meditate on departed life. It can be as inappropriate to ask whether what is said is true as to ask whether Keats's ode to a Grecian urn is true. The poem is successful or not in quite a different dimension, and so is Chartres cathedral, or a statue of the Buddha. They may be magnificent, and moving, and awe-inspiring, but not because they make statements that are true or false. — Simon Blackburn

Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business. — Peter S. Beagle

Sidney remembered how strikingly original the poem was. For George Herbert, the time we spend on earth is not all too brief and transient but too long: because it detains human beings from a life outside time and with God. — James Runcie

As to whether a poem has been written by a great poet or not, this is important only to historians of literature. Let us suppose, for the sake of argument, that I have written a beautiful line; let us take this as a working hypothesis. Once I have written it, that line
does me no good, because, as I've already said, that line came to me from the Holy Ghost, from the subliminal self, or perhaps from some other writer. I often find I am merely quoting something I read some time ago, and then that becomes a rediscovering. Perhaps it is better that a poet should be nameless. — Jorge Luis Borges

I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way. — Stephen Malkmus

Someone who accepts that in the world as currently divided war can become inevitable, and even just, might reply that the photographs supply no evidence, none at all, for renouncing war - except to those form whom the notions of valor and sacrifice have been emptied of meaning and credibility. The destructiveness of war - short of total destruction, which is not war but suicide - is not in itself an argument against waging war unless one thinks (as few people actually do think) that violence is always unjustifiable, that force is always and in all circumstances wrong - wrong because, as Simone Weil affirms in her sublime essay on war, "The Iliad, or The Poem of Force" (1940), violence turns anybody subjected to it into a thing. No, retort those who in a given situation see no alternative to armed struggle, violence can exalt someone subjected to it into a martyr or hero. — Susan Sontag

Chesterton never achieves a great poem because his poems are compilations of statements not intensely felt but only intensely meant. — Hugh Kenner

This poem by Russell Kelfer sums it up: You are who you are for a reason. You're part of an intricate plan. You're a precious and perfect unique design, Called God's special woman or man. You look like you look for a reason. Our God made no mistake. He knit you together within the womb, You're just what he wanted to make. The parents you had were the ones he chose, And no matter how you may feel, They were custom-designed with God's plan in mind, And they bear the Master's seal. No, that trauma you faced was not easy. And God wept that it hurt you so; But it was allowed to shape your heart So that into his likeness you'd grow. You are who you are for a reason, You've been formed by the Master's rod. You are who you are, beloved, Because there is a God! — Rick Warren

I write slowly, and I write many, many drafts. I probably have to work as hard as anyone, and maybe harder, to finish a poem. I often write a poem over years, because it takes me a long time to figure out what to say and how best to say it. — Philip Schultz

I seem to grow more acutely conscious of the swift passage of time as I grow older. When I was small, days and hours were long and spacious, and there was play and acres of leisure, and many children's books to read. I remember that as I was writing a poem on "Snow" when I was eight. I said aloud, "I wish I could have the ability to write down the feelings I have now while I'm still little, because when I grow up I will know how to write, but I will have forgotten what being little feels like." And so it is that childlike sensitivity to new experiences and sensations seems to diminish in an inverse proportion to growth of technical ability. As we become polished, so do we become hardened and guilty of accepting eating, sleeping, seeing, and hearing too easily and lazily, without question. We become blunt and callous and blissfully passive as each day adds another drop to the stagnant well of our years. — Sylvia Plath

Love Poem Sharing one umbrella We have to hold each other Round the waist to keep together. You ask me why I'm smiling - It's because I'm thinking I want it to rain for ever. Vicki Feaver — Daisy Goodwin

Fire burns blue and hot.
Its fair light blinds me not.
Smell of smoke is satisfying, tastes nourishing to my tongue.
I think fire ageless, never old, and yet no longer young.
Morning coals are cool: daylight leaves me blind.
I love the fire most because of what it leaves behind. — Penny Reid

Every story you've read, play you've seen, every movie and every television show, every poem you've heard and every song...

All came to live because someone had a story in their mind and had enough courage to put it on paper and share it with the world.

Be brave. Tell your story.

-DS. — D.S. Kenn

A foolish man question: "what is love?" A madman answer: "Love is an omnipresent attribute of human life. Our appetite will always be unfulfilled for love. It is better for us because without it, earth will not rotate, seasons will not change, birds will not sing and life will not exit." What do you think? — Santosh Kalwar

Most poets are young simply because they have not been caught up. Show me an old poet, and I'll show you, more often than not, either a madman or a master ... it's when you begin to lie to yourself in a poem in order simply to make a poem that you fail. That is why I do not rework poems. — Charles Bukowski

It is the form that allows a writer the greatest opportunity to explore human experience ... For that reason, reading a novel is potentially a significant act. Because there are so many varieties of human experience, so many kinds of interaction between humans, and so many ways of creating patterns in the novel that can't be created in a short story, a play, a poem or a movie. The novel, simply, offers more opportunities for a reader to understand the world better, including the world of artistic creation. That sounds pretty grand, but I think it's true. — Don DeLillo

Although I had intended to consider the impossibility of returning to those places we've come from - not because the places are gone or substantially different but because we are - by August of 2005, the poem had become quite literal: so much of what I'd known of my home was either gone or forever changed.

Trethewey, Natasha (2010-09-15). Beyond Katrina: A Meditation on the Mississippi Gulf Coast (Sarah Mills Hodge Fund Publication) (Kindle Locations 79-81). University of Georgia Press. Kindle Edition. — Natasha Trethewey

When I awake, I suddenly understood this propensity for self-destruction was not an abomination, not something to be ashamed of or abhorred; it was our greatest strength. We turn the gun on ourselves not because we are more indifferent and less cultured...on the contrary. We are prepared to destroy that which we have created because we believe more than any of them in the power of the picture, the poem, the prayer, or the person. — Amor Towles

It seems important to me that beginning writers ponder this - that since 1964, I have never had a book, story or poem rejected that was not later published. If you know what you are doing, eventually you will run into an editor who knows what he/she is doing. It may take years, but never give up. Writing is a lonely business not just because you have to sit alone in a room with your machinery for hours and hours every day, month after month, year after year, but because after all the blood, sweat, toil and tears you still have to find somebody who respects what you have written enough to leave it alone and print it. And, believe me, this remains true, whether the book is your first novel or your thirty-first. — Joseph Hansen

Isabel never despaired, even though I think she knew everything that was going to happen, right from the beginning. There was a Walt Whitman poem she liked, especially the part that went - 'All goes onward and outward,/Nothing collapses/And to die is different from/What anyone supposes/And Luckier.' She tried to believe that, and it gave her some comfort, I know. She was very brave. Always. She hid her anguish and sadness, although I know she felt them. Because she wasn't losing only one person she loved - as we have. She was losing all of them. — Patricia Gaffney

I'm not an expert in the deck at all. My interest lies somewhere near a sense that words are like tarot cards, and that a poem manipulates unpredictable depths with its words ... I like the tarot because it works like poetry and because you don't really have to 'believe in' anything. It's there to be used. The symbols are remarkably durable and beautiful; they float out to encompass all kinds of meanings. — Alice Notley

The paintings may communicate even better because people are lazy and they can look at a painting with less effort than they can read a poem. — Lawrence Ferlinghetti

If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most.
Unlike the scientist, the artist has reentry problems that are frequent and catastrophic. — Walker Percy

You do not need a boyfriend or a girlfriend to write an emotional poet; because poetry is beyond hooks and holes. — M.F. Moonzajer

Thus we come to the problem of determining what the poem is 'about.' Charles Altieri notes that '[a]n expression of the self can be one that is intended, the self's act, or one that is symptomatic, the act of a self not in control of what it manifests'(24) In 'Yankee Doodle,' and to a lesser extent in '$$$$$$," the interesting aspects of the poem are not 'the intended expression of the self.' The lack of explicitness is not suggestive in any positive sense because we feel that were things to be spelled out, this would weaken, not strengthen, the narrator's case by revealing the unacknowledged irrationality at the root of it. — Russell Harrison