Plot Of The Story Quotes & Sayings

Is it possible Hanukkah doesn't inspire folksy songs? Plot lines may be a part. The Christmas story has a lot of material to work with. There's Jesus and his birth, the wise men, their gifts and tons of frankincense. — Matisyahu

Most of the movies are working like, 'Information, cut, information, cut, information, cut' and for them the information is just the story. For me, a lot of things [are] information - I try to involve, to the movie, the time, the space, and a lot of other things - which is a part of our life but not connecting directly to the story-telling. And I'm working on the same way - 'information, cut, information, cut,' but for me the information is not only the story. — Bela Tarr

When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it. — Michael Ondaatje

Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else ... Fiction depends for its life on place. Place is the crossroads of circumstance, the proving ground of, What happened? Who's here? Who's coming? ... — Eudora Welty

While Barack Obama was making his latest pitch for a brand new, even more unsustainable entitlement at the health care 'summit,' thousands of Greeks took to the streets to riot. An enterprising cable network might have shown the two scenes on a continuous split-screen - because they're part of the same story. It's just that Greece is a little further along in the plot: They're at the point where the canoe is about to plunge over the falls. America is further upstream and can still pull for shore, but has decided, instead, that what it needs to do is catch up with the Greek canoe. — Mark Steyn

Personally, my taste is towards development of a character, as well as the resolution of a story plot. I like to find both, if I can. — Alexis Denisof

story of the Nazi plot to kidnap the Duke and Duchess of Windsor and induce the former King of England to work with Hitler for a peace settlement with Great Britain. — William L. Shirer

films like The Never-Ending Story (1984), Stranger than Fiction (2006), and The Adjustment Bureau (2011). Have you seen any of these films? Then you understand hermeneutics. In each case, the story revolves around a protagonist engaging his own life as a fictional story being written either in this world or in another, seemingly by someone else. As he reads and interprets the text of his life, however, he discovers that its story or plot changes. He discovers the circle or loop of hermeneutics. He discovers that as he engages his cultural script as text creatively and critically he is rereading and rewriting himself. He is changing the story. — Whitley Strieber

We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too. — Karl Lagerfeld

Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded. — Warren Ellis

Each of us has a sophisticated system that throws away most of our experiences, keeps only a few choice samples, mixes them up with bits from movies we've seen, novels we've read, speeches we've heard, and daydreams we've savoured, and out of all that jumble it weaves a seemingly coherent story about who I am, where I came from and where I am going. This story tells me what to love, whom to hate and what to do with myself. This story may even cause me to sacrifice my life, if that's what the plot requires. We all have our genre. Some people live a tragedy, others inhabit a never-ending religious drama, some approach life as if it were an action film, and not a few act as if in a comedy. But in the end, they are all just stories. What, — Yuval Noah Harari

I was treated once more to a novelist's valuable lesson, however - in apprehending that one's perception of plot and character are influenced entirely by one's own experience. To hear Mary tell the story of our Christmas at The Vyne, one would have thought that she was hounded by violence from first to last - perceived more than anybody of the nature of the probable murderer - and barely escaped with her life. It was a lesson in writerly humility. We are each the heroines of our own lives. — Stephanie Barron

One day I realized something obvious: In all these movies, there was a similar plot. The hero is always weak at the beginning and strong at the end, or a jerk at the beginning and kind at the end, or cowardly at the beginning and brave at the end. In other words, heroes are almost always screwups. But it hardly mattered. All the hero has to do to make the story great is struggle with doubt, face their demons, and muster enough strength to destroy the Death Star. That said, I noticed another thing. The strongest character in a story isn't the hero, it's the guide. Yoda. Haymitch. It's the guide who gets the hero back on track. The guide gives the hero a plan and enough confidence to enter the fight. The guide has walked the path of the hero and has the advice and wisdom to get the hero through their troubles so they can beat the resistance. The more I studied story, the more I realized I needed a guide. — Donald Miller

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

The redemption plot is one of the oldest story shapes. — Peter Baynham

Knowing Chris Bennett's Writing as I do, I expected Only Superhuman to have an imaginative plot and a compelling superheroine in Emry Blair. What I hadn't expected was for the backstory to make so much sense. Usually science is the first causality of superhero stories, tossed aside with the breezy rationalization: 'Hey, it's comics!' Only Superhuman is, to my knowledge, the first hard science superhero story. And the Story is the better for it. — Mike W. Barr

But Zelda was never about plot. Indeed, one's head could explode if all the games were considered one story, since Link is always meeting Zelda and villainous Gannon for the first time. Imagine trying to explain why James Bond has stayed forty years old for forty years, while changing faces and hair color. Better to accept the story as a constant retelling, and don't dwell on continuity matters. Mario has made a cottage industry of jokes about how Bowser had only one playbook - kidnap the princess - and this time it'll work! He's utterly incapable of coming up with any other plan. Aside from that one time he obtained a degree in hotel management. — Jeff Ryan

Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear. — Anne Enright

I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges. — Brian Helgeland

Your life isn't some prerecorded movie where, no matter how many times you watch it, the ending remains the same. Your life is a book in progress, and you are the author. So if you don't care for the main character or the gloomy scenery or how the twisted plot is unfolding, then do something to change it. You write your own story. — Richelle E. Goodrich

And even though she could remember most of the sentences and every plot point, the story would never be what it had been. She would never again be who she'd been. — Meljean Brook

I'm just giving you some spiel, the ludicrous plot of a novel, a story I invented to touch your heart - one-third bullshit, one-third booze, and one-third genuine tenderness, you know the kind of thing. — Antonio Lobo Antunes

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different. — Michael Robotham

Each of us needs an adequate biography: How do I put together into a coherent image the pieces of my life? How do I find the basic plot of my story? — James Hillman

Mockumentary formats are great for a couple of things. One of them is delivering the toughest part of any sitcom episode, what writers call "pipe" - the nuts and bolts of the story where you explain what's happening, the boring plot stuff. — Michael Schur

Alafair Burke's first standalone is a must read! You'll lose yourself in this riveting story of Alice Humphrey, a woman whose nightmare begins when she goes to work at her new gallery job, only to find everything gone - and a murdered man on the floor. You can't guess the plot twists that follow, as Alice's whole word turns upside down and she has to question everyone and everything she thought was real. And the ending is a shocker you'll never see coming. — Lisa Scottoline

I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way. — Rebecca Miller

Parents can do three things to make reading active. (1) Elaborate and explain the text to the child. This extends and deepens the experience of the story. (2) Relate the story to the child's own experiences. An interest in reading and understanding the meaning of the text occur if there is 'further information' to personalize the text. (3) Ask questions to ensure the child understands the story, thinks about the characters and plot, and extends their imagination. — Colin Baker

Not only a great game, 'Uncharted 2' raised the bar for storytelling for the medium. The game treated action as a part of the overall story rather than a way to move from plot point to plot point. — Rob Manuel

What is this life! you cry out. Only silence answers, and it is eloquent. Shining eyes open in the darkness, the eyes of that face, smiling too much and too long. Without a word, that smile coerces from you an old question: Was it all so useless? The smile pushes up at its edges, too rigid to be real. You cannot look away as it widens past all natural proportion. There is nothing left but that big smile. It is the last thing you see: a great gaping mouth like the entrance to a carnival ride. Then: the sense of being swallowed. That is the story; that is the plot of our lives. — Thomas Ligotti

I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its own. — Carl Barks

The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story. — Randy Pausch

My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts. — Graham Joyce

I say
I've thought of a good plot for a detective story."
"Really?"
"Top
hole. You know, the sort that people bring out and say 'I've often thought of doing it myself, if only I could find time to sit down and write it.' I gather that sitting down is all that is necessary for producing masterpieces. — Dorothy L. Sayers

For example, I keep all my actual writing in the Manuscript section divided by chapter, and then, in the research section, I have folders for Setting, Characters, and Plot with a separate area for my cuts file (where I put big blocks of text that I've cut out of the story but can't bring myself to delete yet) and my writing worksheet, which is the table I use to keep track of my word counts. — Rachel Aaron

I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it. — John Irving

Storytelling began as a way for humans to relay information, from where to find food sources to the benefits of familial bonding, because fictional stories were the easiest way to memorize and communicate a complete set of information. We remember information best when it is delivered in the form of a plot, which is called 'semantic memory.' Stories still serve a definitive purpose and the stronger the purpose, the clearer the story.

Fire Up Your Writing Brain — Susan Reynolds

No story is more beautiful than the Gospel, even though it is a story full of pain and nails and hate and blood and sin and murder and betrayal and forsakenness and unimaginable agony and death. It is the story of what happens to the most beautiful thing, Perfect Love, when it enters our world: it comes to a Cross, to the crossroad between good and evil. All our most beautiful stories are like the Gospel: they are tragedies first, and then comedies; they are crosses and then crowns. They are crosses because they are conflicts between good and evil. That is the fundamental plot of every great story. To say "that story is beautiful" means "that story resembles the Gospel." If you are bored by the Gospel, that puts no black eye on the Gospel, but on you. Most likely, it means you have never listened to it. You must have heard it, but hearing is far from the same thing as listening ... — Peter Kreeft

It would not be amiss for the novice to write the last paragraph of his story first, once a synopsis of the plot has been carefully prepared - as it always should be. — H.P. Lovecraft

Man is eminently a storyteller. His search for a purpose, a cause, an ideal, a mission and the like is largely a search for a plot and a pattern in the development of his life story - a story that is basically without meaning or pattern. — Eric Hoffer

I begin by writing paragraphs that don't have an immediate relation to a plot. The sound of the story comes first. — Grace Paley

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers. — Pat Conroy

A great novel didn't involve tossing together words that didn't interconnect. In a great novel, each sentence mattered, each word had a meaning to the overall story arc. There was always forewarning to the plot twists and the different paths the novel would travel down, too. If a reader looked closely enough, they could always witness the warning signs. They could taste the heart of every word that bled on the page, and by the end, their palate would be satisfied. — Brittainy C. Cherry

The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!" — Cate Marvin

There's a story unfolding with a definite beginning and an eventual end, and even though we can't begin to imagine what the whole plot is, and we can hardly even see beyond the present moment, someday we're going to see and understand all of it. For now, we trust. Later, we'll know. — Ann Tatlock

I once believed in faith - that if I patiently waited, something good will happen. But at the end of the chapter, I found myself devastated. Years have gone by and I'm back at chapter one again. I've tried several times already and ended up in the same ending. It was always a different title, same story; different choices made but ending up with the same plot and finale. I grew tired of this never ending maze, wandering endlessly and finally giving up faith. — Raphael Paolo Augustine Camanag

The most challenging and exciting aspect is the outline and formation of the plot points. This is the stage where the notion of the story begins to take shape, and I can see glimpses of what is to come. — Tony DiTerlizzi

He was back at the point of departure, at the place that filled writers with dread and excitement, for this was where they must decide which new story to tackle of the many floating in the air, which plot to bind themselves to for a lengthy period; and they had to choose carefully, study each option calmly ... because there were dangerous stories, stories that resisted being inhabited, and stories that pulled you apart while you were writing them ... At that moment, before reverently committing the first word to paper, he could write anything he wanted, and this fired his blood with a powerful sense of freedom, as wonderful as it was fleeting, for he knew it would vanish the moment he chose one story and sacrificed all the others. — Felix J. Palma

Winslow says I don't understand plotting and probably I don't - I have been congratulated many times on the skill shown in my plotting when I knew damn well that the story in question had not been plotted in advance at all. My notion of a story is an interesting situation in which a human being has to cope with a problem, does so, and thereby changes his personality, character, or evaluations in some measure because the coping has forced him to revise his thinking. How h copes with it I can't plot because that depends on his character, and I don't know his what his character is until i get acquainted with him. When I can "hear the character talk" then I'm all right - he works out his own salvation. — Robert A. Heinlein

If you are names without a nature, it's not because I don't remember, no, the opposite is true, you are remembered in me as an endless stirring and turning. But it's for this precisely that you must forgive me, because in every story of obsession there's only one character, only one plot. I am writing about myself alone, it's all I know, and for this reason I have always failed in every love, which is to say at the very heart of life. — Damon Galgut

The fact was, as a story - even leaving out the supernatural, especially leaving out the supernatural, taking it all as metaphor, I mean - the Bible made perfect sense to me from the very beginning. I saw a God whose nature was creative love. He made man in his own image for the purpose of forming new and free relationships with him. But in his freedom, man turned away from that relationship to consult his own wisdom and desires. The knowledge of good and evil was not some top-secret catalogue of nice and naughty acts that popped into Eve's mind when a talking snake got her to eat the magic fruit. The knowledge was built into the action of disobedience itself: it's what she learned when she overruled the moral law God had placed within her. There was no going back from that. The original sin poisoned all history. History's murders, rapes, wars, oppressions, and injustices are now the inescapable plot of the story we're in. The — Andrew Klavan

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

I find inspiration in many places. Sometimes music gives me the kernel of a story. Sometimes it's dissatisfaction with the plot of a movie or a book that gets me thinking. Sometimes it's love of a movie or book. — Christopher Paolini

Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth. — Rachel Kushner

Plot-wise, there's nothing particularly groundbreaking about 'Scalped.' It starts off as something we've seen plenty of times before: the story of an undercover FBI agent infiltrating a criminal organization and the story of the guy at the head of that organization. The twist was always the setting: a modern-day Native American reservation. — Jason Aaron

In the story of life, the prologue and epilogue are written by God. Yet the plot has been given to us; therefore we should write the best prose we can. — James D. Maxon

There is no narrative without structure, or plot. In a great story this structure seems like fate, like an inescapable judgment descending on its still unaware heroes, a great metaphysical causality, that crowds out all room for choice. Fate arises not as a limitation on our freedom, but as a manifestation of our freedom, testimony that choice is consequent. The exercise of your freedom cannot prevent the exercise of my own freedom, but it can determine the context in which I am to act freely. You cannot make choices for me, but you can largely determine what my choices will be about. Great stories explore the drama of this deeper touching of one free person by another. They are therefore genuinely sexual dramas astounding us once more with the magic of origins. — James P. Carse

FABULA and SYUZHET. As defined by the film historian and theorist David Bordwell, the syuzhet is essentially the film's plot - it's the specific ordering of narrative elements within the film. The fabula, however, is more than simply the story being told; it's the story that each of us constructs as we watch and hear the syuzhet unfold. It's all the story material presented by the filmmaker, but it's also the story material and associations we bring to the film as individuals - the stories we tell ourselves based on the stories we are being told. — Ed Sikov

You have the capacity to change the plot line of your life, even if you've been acting from the same script since before you can remember. No matter what has happened up to this point, you have the right and the capacity to be happy. You are an innately creative being, capable of writing a love story worth living. — David Simon

In my case, if I start out by thinking about the plot, things don't go well. Small points, such as my impression of what is likely to occur, do come to mind, but I let the rest of the story take its own course. I don't want to spend as long as two years writing a story whose plot I already know. — Haruki Murakami

It's quite difficult to know who owns a story. Is it the writer, who crafted it? The characters, who carry the plot forward? Or you, the reader, who breathes life into them? Or perhaps none of the three can exist without the other. Perhaps without this magical combination, a story would be nothing more than words on a page. — Jodi Picoult

All of our faith and practice arise out of the drama of Scripture, the "big story" that traces the plot of history from creation to consummation, with Christ as its Alpha and Omega, beginning and end. And out of the throbbing verbs of this unfolding drama God reveals stable nouns - doctrines. From what God does in history we are taught certain things about who he is and what it means to be created in his image, fallen, and redeemed, renewed, and glorified in union with Christ. As the Father creates his church, in his Son and by his Spirit, we come to realize what this covenant community is and what it means to belong to it; what kind of future is promised to us in Christ, and how we are to live here and now in the light of it all. The drama and the doctrine provoke us to praise and worship - doxology - and together these three coordinates give us a new way of living in the world as disciples. — Michael S. Horton

All my life I thought that the story was over when the hero and heroine were safely engaged
after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot. — Mary Ann Shaffer

A story in a book has its own intentions, even if unknowable to the virgin reader, who just lollops along at her own pace regardless of the author's strategies, and gets where she will. After all, a book can be set aside for weeks, or for good. (Burned in the grate.) Alternatively, a story can be adored for centuries. But it cannot be derailed. A plot, whether abandoned by a reader or pursued rapturously, remains itself, and gets where it is headed even if nobody is looking. It is progressive and inevitable as the seasons. Winter still comes after autumn though you may have died over the summer. — Gregory Maguire

Do you ever get moods when life seems absolutely meaningless? It's like a badly-constructed story, with all sorts of characters moving in and out who have nothing to do with the plot. And when somebody comes along that you think really has something to do with the plot, he suddenly drops out. After a while you begin to wonder what the story is about, and you feel that it's about nothing - just a jumble. — P.G. Wodehouse

when you gain an understanding of the structure that lies beneath stories. When you understand the bone structure of a plot skeleton, you'll know how to build a story. — Angela Elwell Hunt

Plot is certainly a part of constructing a story. It's a factor in outlining. But believe it or not, it's the least important factor. If you focus your efforts on the Three Legs - character arc, pacing, and theme - you can change the specifics of the plot a hundred different times, and you'll still have essentially the same story. — Libbie Hawker

We have to bring our imaginations to bear on a story if we are to see all it's possibilitiess; otherwise it's just about somebody who did something. Whatever we take away from stories in the way of significance, symbolism, theme, meaning, pretty much anything except character and plot, we discover because our imagination engages with that of the author. Pretty amazing when you consider that the author may have been dead for thousands of years, yet we can still have this exchange, this dialogue, with her. — Thomas C. Foster

Before I start, I trick myself into thinking I know what's going to happen in the story, but the characters have ideas of their own, and I always go with the character's choices. Most of the time I discover plot twists and directions that are better than what I originally had planned. — Neal Shusterman

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot. — Trey Anastasio

Point of view is not something I consciously decide. Almost always, when I come up with a plot I find that the point of view has automatically arrived with it, part and parcel of the story. — Anne Tyler

Entering the house of God to dwell with God, beholding, glorifying and enjoying him eternally, I suggest, is the story of the Bible, the plot that makes sense of the various acts, persons and places of its pages, the deepest context for its doctrines. — L. Michael Morales

What frightened me most was, I could no longer believe in my own life as a story. Everyone needs a story, a part to play in order to avoid the realization that life is without significance. How else do any of us survive? It's what makes life bearable, even interesting. When it becomes neither, people say you've lost the plot. Or just lost it. — Amanda Craig

I always begin with a source of inspiration that comes from nature. The story comes from my research, volunteering, and meeting the people involved in that story world. I am an intuitive writer and an image, sound, experience can all inspire a scene or a plot twist! — Mary Alice Monroe

Plot these days is anti-intellectual and verboten, the mark of the Philistine, the huckster with a pen. There mustn't be too much story and that should be fog-bound and shrouded in heavy symbolism, including the phallic, like a sort of covoluted charade. Symbolism now carries the day, it's the one true ladder of literary heaven. — Robert Traver

As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells. — Carlos Ruiz Zafon

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

For years, I sort of would try to write a story that somehow fit the title. And I don't think it happened for maybe another four years that I actually thought of a story, the plot of a story that corresponded to that phrase. — Jhumpa Lahiri

The writer and the dreamer have so much in common: They can't control the plot, they are always part of the story or the dream. — Isabel Allende

When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners? — Elif Batuman

I like big books and I cannot lie.
You other readers can't deny
That when a kid walks in with The Name of the Wind
Like a hardbound brick of win.
Story bling.
Wanna swipe that thing
Cause you see that boy is speeding
Right through the book he's reading.
I'm hooked and I can't stop pleading.
Wanna curl up with that for ages,
All thousand pages.
Reviewers tried to warn me.
But with that plot you hooked
Me like Bradley.
Ooh, crack that fat spine.
You know I wanna make you mine.
This book is stella 'cause it ain't some quick novella. — Jim C. Hines

I've never really found inspiration for story ideas in the news, but I'd say it certainly affects our lives in so many ways. I would say that certainly the stories of the day appear in the work - I just have never gone so far as to say, well, this particular event could influence a plot of an entire book. — Michael Koryta

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

You wanna be the next Tolkien? Don't read big, tolkien-esque fantasies. TOLKIEN didn't read big, tolkien-esque fantasies. He read books on finnish philology. You go and read outside your comfort zone, go and learn stuff. And then the most important thing, once you get any level of quality
get to the point where you wanna write, and you can write
is tell YOUR story. Don't tell a story anyone else can tell. Because you always start out with other people's voices ... There will always be people who are better or smarter than you. There are people who are better writers than me, who plot better than I do, but there is no one who can tell a Neil Gaiman story like I can. — Neil Gaiman

A circular plot structure, often seen in adventure novels and quest fantasies, is a narrative devise involving setting, character, and theme. Typically a protagonist ventures from home (or the starting place of the story), goes on a journey, often a dangerous one in which many challenges are overcome, and then returns home a changed person. The plot is usually chronological, with the events occurring in a setting that becomes a circle. By returning the character to the place where he started, the author can emphasize the character's growth or change while also highlighting the theme of the story. — Carl M. Tomlinson

Listen," he said one afternoon in the library. "You have to read a book three times before you know it. The first time you read it for the story. The plot. The movement from scene to scene that gives the book its momentum, its rhythm. It's like riding a raft down a river. You're just paying attention to the currents. Do you understand that?"
"Not at all," I said.
"Yes, you do," he said.
"Okay, I do," I said. I really didn't, but Gordy believed in me. He wouldn't let me give up.
The second time you read a book, you read it for its history, its knowledge of history. — Sherman Alexie

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

We are all part of the same story, each of us different chapters. We may not have the power to choose setting or plot, but we can choose what kind of character we want to be. — David Arnold

If someone is counting on children to bring them peace of mind, self-confidence, or a steady sense of happiness, they are in for a bad shock. What children do is complicate, implicate, give plot lines to the story, color to the picture, darken everything, bring fear as never before, suggest the holy, explain the ferocity of the human mind, undo or redo some of the past while casting shadows into the future. There is no boredom with children in the home. The risks are high. The voltage crackling. - Anne Roiphe, Married — Esther Perel

I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be. — Virginia Henley

The king died and then the queen died is a story. The king died, and then queen died of grief is a plot. — E. M. Forster

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra. — E. M. Forster

As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination.
That's my view, anyway. Others writers differ, of course. There are hundreds of books where everything is subordinate to advancing the plot, some of them quite fine, but my work has never been about that, and never will be. — George R R Martin

Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world. — Patrick Rothfuss

literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition. — Bret Lott

'The Merchant of Venice' is a straightforward, clear story, while 'The Winter's Tale,' as a general rule, is hard to present because there is so much plot. — Jesse L. Martin