Play Which Way Quotes & Sayings

Pop music, which I deeply admire and wish I could play better than I can, is based on expressing one mood, one feeling at a time. Classical music is by its very nature involved with different kinds of music, constantly transforming one another, which is more akin to the way our experience of life really is. — Michael Tilson Thomas

Another thing worth noting is that all the self-styled 'reformers' [in religion] constantly advertise their claim to be returning to a 'primitive simplicity', which has certainly never existed except in their imaginations. This may sometimes only be a convenient way of hiding the true character of their innovations, but it may also very often be a delusion of which they themselves are the victims, for it is frequently very difficult to determine to what extent the apparent promoters of the anti-traditional spirit are really conscious of the part they are playing, for they could not play it at all unless they themselves had a twisted mentality. — Rene Guenon

While grace does do away with the need for good works, it's grace which also makes good works truly possible. If good works don't play into your salvation, then doing them is a sheer act of love, both for those they benefit and to God. It's a way of solving the conundrum of how can a good work be truly good if the doer of the work expects to benefit from it in any way.
-David Clark — David Clark

We're all black, and we all love to be black, and we all sing from our own hymn sheet. We're all surely black people, but we may be finally approaching a point of human history where you can't talk up or down to us anymore, but only to us. He's talking down to white people - how curious it sounds the other way round! In order to say such a thing, one would have to think collectively of white people, as a people of one mind who speak with one voice - a thought experiment in which we have no practice. But it's worth trying. It's only when you play the record backward that you hear the secret message. 3 — Zadie Smith

We very much use a prototyping model, play with ideas, and then get stuff started that way, which is how the greatest projects get started. — Megan Smith

To image the being of God towards the world, to be the priest of creation, is to behave towards the world in all its aspects, of work, and of play, in such a way that it may come to be what it was created to be, that which praises its maker by becoming perfect in its own way. In all this, there is room for both usefulness and beauty to take their due place, but differently according to differences of activity and object. — Colin Gunton

Is the phrase 'pay' or 'play the piper'
I inquire, why
'Cause I admire a desire to flip the switch
Yeah make a way to face the music like
Life savings for a mosh pit riot
Listen to a mix
Rock the tickets, higher volume
Velocity which shakes a cockpit's pilot — Criss Jami

In terms of the game theory, we might say the universe is so constituted as to maximize play. The best games are not those in which all goes smoothly and steadily toward a certain conclusion, but those in which the outcome is always in doubt. Similarly, the geometry of life is designed to keep us at the point of maximum tension between certainty and uncertainty, order and chaos. Every important call is a close one. We survive and evolve by the skin of our teeth. We really wouldn't want it any other way. — George Leonard

Having set its mark on the generation before Cocteau's, symbolism expressed a form of inner dissidence confronting the narrow-minded materialism and utilitarian obsession of the industrial revolution, and hence a reaction to triumphant naturalism, in literature at least. Nourished by medieval, Renaissance, and Romantic art, symbolism, probably the last great backward-looking movement hatched in the West, had given rise to a desire to explore the secrets of the world and the confines of the soul. Beyond its androgynous Mercuries, its pale Narcissuses, and its Orpheuses borne by rosaries of angels, it gave rise to a whole misty alchemy wherein some found their way into esotericism and even into the religious, since the Universe was only the symbol of another world into which entrance was gained not only through poetry, spiritualism, dreams, and the Ideal, but also via the play of analogies and the study of ciphers. — Claude Arnaud

Industrial Society is not merely one containing 'industry,' large-scale productive units capable of supplying man's material needs in a way which can eliminate poverty: it is also a society in which knowledge plays a part wholly different from that which it played in earlier social forms, and which indeed possesses a quite different type of knowledge. Modern science is inconceivable outside an industrial society: but modern industrial society is equally inconceivable without modern science. Roughly, science is the mode of cognition of industrial society, and industry is the ecology of science. — Ernest Gellner

We were great builders, but one day we decided to play a game. We did it voluntarily; were we such good builders that we could build a maze with a way out but which constantly changed so that, despite the way out, in effect there was no way out for us ... — Philip K. Dick

Hope I never love someone so much that they could hurt me the way Langston was hurt, so wounded all he could do was cry and mope around the house and ask me to make him peanut butter and banana sandwiches with the crusts cut off, then play Boggle with him, which of course I always did, because I usually do whatever Langston wants me to do. — Rachel Cohn

I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way. — Kate Bush

I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way. — Laura Donnelly

Utopianism is, as Plato taught us at the outset, the fire with which we must play because it is the only way we can find out what we are. We need to criticize false understandings of Utopia, but the easy way out provided by realism is deadly. — Allan Bloom

The great and only possible dignity of man lies in his power deliberately to choose certain moral values by which to live as steadfastly as if he, too, like a character in a play, were immured against the corrupting rush of time. Snatching the eternal out of the desperately fleeting is the great magic trick of human existence. As far as we know, as far as there exists any kind of empiric evidence, there is no way to beat the beat the game of being against non-being, in which non-being is the predestined victor on realistic levels. — Tennessee Williams

I am charmed by the idea that there is an activity known as work and another as play, although even in grade school the distinction eluded me. I remember how full of hope I was sitting in first-period home room listening to the teacher divide up our activities into purposeful sections. I got a grip on her process, at last, by picturing it in the following way: A cow stands in clover. When she is milked, that is her work; when she is merely eating, that is her play. But the problem lay, then as now, in the realization that, in any case, she is standing in clover. Not a handsome or elegant analogy, but it approximates for me the habit of reading - standing in a world of clover, the eating of which is occasionally utilitarian, usually nourishing, because that's what one does — Toni Morrison

Perhaps the simplest example is a synthetic plastic, which unlike natural materials, is not degraded by biological decay. It therefore persists as rubbish or is burned-in both cases causing pollution. In the same way, a substance such as DDT or lead, which plays no role in the chemistry of life and interferes with the actions of substances that do, is bound to cause ecological damage if sufficiently concentrated. — Barry Commoner

I consider the first 20 performances just learning the piece. Think about it this way: If you think about a pianist who plays a Schubert sonata through his whole lifetime - if you listen to Rubenstein or Horowitz playing their repertoire later in their life, you understand the richness with which they play that music, and how differently they must have played it when they were younger. — Philip Glass

I have one good girlfriend and then most of my friends are guys. Which I love, because they're just like so easygoing and I love to play like Xbox and just chill out when I'm not working, so boys are probably the way to go for me. — Ashley Benson

And your words ... "
"Tell me about my words."
"They make me crazy."
"Which ones, specifically?"
"All of them. Any of them."
"So mostly 'and', and 'when', and 'if'."
It's another challenge, ten hurdles high. I can clear it, though. I can.
"No. Mostly 'sex' and 'pleasure' and the way you just said 'wet'."
"Like it excites me."
"Yes. Exactly, yes."
"Like I want you to tell me all about that slippery seam between your legs, and how eager you must be to have someone lick their way over it."
"Oh, God, yes."
"And how I would, if I were there. I'd kiss your pussy until you forgot every little sliver of that restraint, play with your nipples to make them so pretty and stiff, slide my fingers inside you just as I think you might be doing now. Are you? — Charlotte Stein

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? — P.G. Wodehouse

What is erotic? The acrobatic play of the imagination. The sea of memories in which we bathe. The way we caress and worship things with our eyes. Our willingness to be stirred by the sight of the voluptuous. What is erotic is our passion for the liveliness of life. — Diane Ackerman

I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted. — Eberhard Weber

Working with children is very different than the way in which I work with adults. I never tell the children the actual truth of the thing that I want them to act. Although children are really into play and play acting, and this is a major part of their existence, they never actually find the playing or acting of adults credible. — Asghar Farhadi

I was lucky enough to be able to do comedies, dramas, completely different parts. At the beginning, when you start you have a fantasy that you could be somebody else. Which is absurd. That's part of being an actor. It's your voice, it's the way you move, it's your body, even if you transform it, you play with it. — Carole Bouquet

The typical big Japanese company has somewhere between a third and 40 percent of its revenues coming from developing countries, and about a third of Japan's exports are also to the emerging countries, so in a strange way, Japan, which has very little internal growth, its big companies are a good way to play the emerging markets. — Wilbur Ross

After supper was over and the toasts had been drunk, the boy Pablo was called in to play for the company while the gentlemen smoked ... there was softness and languor in the wire strings
but there was also a kind of madness; the recklessness, the call of wild countries which all these men had felt or followed in one way or another. Through clouds of cigar smoke, the scout and the soldiers, the Mexican rancheros and the priests, sat silently watching the bent head and crouching shoulders of the banjo player, and his seesawing yellow hand, which sometimes lost all form and became a mere whirl of matter in motion, like a patch of sand-storm. — Willa Cather

I do not mean to impugn the social justice and social expediency of the redistribution of incomes aimed at by N.I.R.A. and by the various schemes for agricultural restriction. The latter, in particular, I should strongly support in principle. But too much emphasis on the remedial value of a higher price-level as an object in itself may lead to serious misapprehension as to the part which prices can play in the technique of recovery. The stimulation of output by increasing aggregate purchasing power is the right way to get prices up; and not the other way round. — John Maynard Keynes

I believe the way to write a good play is to convince yourself it is easy to do
then go ahead and do it with ease. Don't maul, don't suffer, don't groan till the first draft is finished. A play is a pheonix and it dies a thousand deaths. Usually at night. In the morning it springs up again from its ashes and crows like a happy rooster. It is never as bad as you think, it is never as good. It is somewhere in between, and success or failure depends on which end of your emotional gamut concerning its value it approaches more closely. But it is much more likely to be good if you think it is wonderful while you are writing the first draft. An artist must believe in himself. Your belief is contagious. Others may say he is vain, but they are affected. — Tennessee Williams

Each of us has a vital role to play in building a world in which the government and technology serve the world's people and not the other way around. — Rebecca MacKinnon

A Place in the Forest On the way there a pair of startled wings clattered up, that was all. You go there alone. There is a tall building which consists entirely of cracks, a building which is perpetually tottering but can never collapse. The thousand-fold sun floats in through the cracks. In this play of light an inverted law of gravity prevails: the house is anchored in the sky and whatever falls, falls upwards. You can turn round there. There you are allowed to grieve. You can dare to see certain old truths which are otherwise kept packed, in storage. The roles I have, deep down, float up there, hang like the dried skulls in the ancestral cabin on some out-of-the-way Melanesian islet. A childlike aura round the gruesome trophies. So mild it is, in the forest. — Tomas Transtromer

I too play with symbols ... but I play in such a way that I do not forget that I am playing. For nothing is proved by symbols ... unless by sure reasons it can be demonstrated that they are not merely symbolic but are descriptions of the ways in which the two things are connected and of the causes of this connection. — Johannes Kepler

When politicians like Sen. Joseph Lieberman target video game violence, perhaps it is to distract attention from the material conditions that give rise to a culture of domestic violence, the economic policies that make it harder for most of us to own our own homes, and the development practices which pave over the old grasslands and forests. Video games did not make backyard play spaces disappear; rather, they offer children some way to respond to domestic confinement. — Henry Jenkins

There's nothing like working with the best actors possible, and if you have a piece of material like, 'Long Way Down' or 'Love Punch,' which allows you to play, then it's just a joy to go to work. — Pierce Brosnan

I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind. — Elliott Smith

The ethic of ecstasy is the opposite of the trial's ethic; under its protection everybody does whatever he wants: now anyone can suck his thumb as he likes, from infancy to graduation, and it is a freedom no one will be willing to give up; look around you on the Metro; seated or standing, every single person has a finger in some orifice of his face-in the ear, in the mouth, in the nose; no one feels he's being observed, and everyone dreams of writing a book to tell about his unique and inimitable self, which is picking its nose; no one listens to anyone else, everyone writes, and each of them writes the way rock is danced to: alone, for himself, focused on himself yet making the same motions as all the others. In this situation of uniform egocentricity, the sense of guilt does not play the role it once did; the tribunals still operate, but they are fascinated exclusively by the past; they see only the core of the century; they see only the generations that are old or dead. — Milan Kundera

Studies introduced ideas such as the theory that parents pushing their children to play with gendered toys meant children learned to act a certain way according to whether they were a boy or a girl, which was then taken to mean they were "naturally" feminine/masculine. — Harriet Dyer

I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs ... on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music. — Ernest Gellner

I think I probably think about myself as an actor, which is the way most people do. I think I'm good, I don't think I'm great. I think I would hire somebody else to play me in the movie about me. — Ashton Kutcher

I watched them tearing a building down,
A gang of men in a busy town.
With a ho-heave-ho and a lusty yell,
They swung a beam, and the side wall fell.
I asked the foreman: "Are these skilled
And the men you'd hire if you had to build?"
He gave me a laugh and said: "No, indeed!
Just common labor is all I need.
I can wreck in a day or two
What builders have taken a year to do."
And I thought to myself as I went my way,
Which of these roles have I tried to play?
Am I a builder who works with care
Measuring life by a rule and square?
Am I shaping my deeds to a well made Plan,
Patiently doing the best I can?
Or am I a wrecker, who walks the town
Content with the labor of tearing down? — Edgar A. Guest

I think having my life be as private and quiet as possible is a way in which then I can go and play characters. — Nicole Kidman

Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important. — Denis O'Hare

I study her," Patch said. "I figure out what she's thinking and feeling. She's not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?" Laughter rose in the room. I dropped my hands to my lap. "She's game," said Patch, bumping my leg again.
Of all things, I blushed. — Becca Fitzpatrick

Mostly writing requires massive dedication, a whole lot of time spent alone, way too much sitting, countless hours spent thinking hard, and unending and occasionally painful dedication to forming ideas and laboring over the production of sentences, paragraphs, scenes, dialogue, punctuation, and all the elements that go into writing a novel, a play, a screenplay, or a poem. When we're not writing, we're thinking, plotting, imagining, or editing, which can be far more tedious than cranking out first drafts.
--Fire Up Your Writing Brain — Susan Reynolds

And it works. There have now been many studies of elite performers - international violinists, chess grand masters, professional ice-skaters, mathematicians, and so forth - and the biggest difference researchers find between them and lesser performers is the cumulative amount of deliberate practice they've had. Indeed, the most important talent may be the talent for practice itself. K. Anders Ericsson, a cognitive psychologist and expert on performance, notes that the most important way in which innate factors play a role may be in one's willingness to engage in sustained training. — Atul Gawande

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. That's the struggle of humanity, to recruit others to your version of what's real. Then even the flowers and the moss on the stones become the moss and the flowers of a version. — Saul Bellow

On a strange and devious way, Siddhartha had gotten into this final and most base of all dependencies, by means of the game of dice. It was since that time, when he had stopped being a Samana in his heart, that Siddhartha began to play the game for money and precious things, which he at other times only joined with a smile and casually as a custom of the childlike people, with an increasing rage and passion. He was a feared gambler, few dared to take him on, so high and audacious were his stakes. He played the game due to a pain of his heart, losing and wasting his wretched money in the game brought him an angry joy, in no other way he could demonstrate his disdain for wealth, the merchants' false god, more clearly and more mockingly. — Hermann Hesse

"Chess has definitely helped me understand a lot of the strategy of football. In chess, good offense is often an exercise in putting multiple points of pressure on one square. In football, offensive play design (particularly passes) involves putting multiple points of pressure on one player." "In chess, you often give your opponent a move that looks strong for him, but it turns into a trap. Football is the same way. I've always thought of defense in football as being totally reactive. But now I understand the ways in which football defenses force the offense to make certain choices." — Reggie Rivers

Play, Incorporating Animistic and Magical Thinking Is Important Because It:
Fosters the healthy, creative and emotional growth of a child;
Forms the best foundation for later intellectual growth.
Provides a way in which children get to know the world and creates possibilities for different ways of responding to it.
Fosters empathy and wonder. — Rachel Carson

And so we use them for a kind of pleasure which can be called "fun." But it is not the creative kind of fun often connected with play; it is, rather, a shallow, distracting, greedy way of "having fun." And it is not by chance that it is that type of fun which can easily be commercialized, for it is dependent on calculable reactions, without passion, without risk, without love. Of all the dangers that threaten our civilization, this is one of the most dangerous ones: the escape from one's emptiness through a "fun" which makes joy impossible. — Paul Tillich

I picked up the guitar very late, in a very pagan way - I didn't know how to play, but I knew I had to. I drew and I had a diary, but it wasn't enough; I needed to express more. As soon as I learned two notes, I started to tell a story, which is why, I guess, my music resembles blues or folk. — Lou Doillon

Our education system is increasingly embracing a black-and-white way of thinking, in which 'learning' and 'play' are diametrically opposed. 'Learning' is the serious stuff that happens inside a classroom and can be measured via multiple choice questions and a No. 2 pencil. 'Play' is frivolous, fun, and worst of all, optional. — Darell Hammond

In and of itself, sports may be trivial, but as a symbol of the American way of life, it has enormous weight. We are seen, worldwide, as an enormously competitive, enthusiastic people who work as hard as we play and play as hard as we work. When baseball - which has traditionally canceled one day of games for huge national celebrations or disasters - stops play for six days, that has reverberations in the national consciousness. — Thomas Boswell

There was one point on which they were agreed: there was no way you could play classical music on a white piano. — Pascal Garnier

After the curtain had fallen, a raucous display of malice had erupted from the gallery, and the ensuing scene, a quarter of an hour in which Hr'y's friends close to the stage attempted to applaud over the hoots and jeers of callous roughs in the shadows - a spectacle that culminated with the play's nervous director appearing on stage to quickly apologize for the production - is one of the better documented episodes in the many biographies of Hr'y's life. What's worth revisiting is the way he described it once he mustered the courage to put it all in a letter. The play had never really had a chance, he wrote. His 'extremely human' effort was met by a mob that responded with 'roars (like those of a cage of beasts at some infernal 'Zoo') — J.C. Hallman

For Buddha, attachments are like a game of roulette in which someone else spins the wheel and the game is rigged: The more you play, the more you lose. The only way to win is to step away from the table. And the only way to step away, to make yourself not react to the ups and downs of life, is to meditate and tame the mind. Although you give up the pleasures of winning, you also give up the larger pains of losing. — Jonathan Haidt

For my entire career, I wanted to be a director. When I was in the theater, it was very difficult to get directing jobs, and I fell into the acting by default. I got in the habit of accepting whatever came my way. Not things that I disagreed with, though. It's not like I had aspirations - well, I did have aspirations to play Hamlet, which I ended up doing. — James Cromwell

There's no way I can play for the Yankees, but I know they're going to come after me hard. It's definitely not the most important thing to go out there for the top dollar, which the Yankees are going to offer me. It's not what I need. — Johnny Damon

Curiously, Laura Warholic is one of those novels in which the characters actually read books.You don't often see this in contemporary fiction. People resent polysyllabic words, find it showing off, never look them up, refuse to play. Words are to a writer what paint is to an artist. I am amazed at how readers refuse to enjoy the out-of-the-way fact, the astonishing detail, the original thought. Style is taken as an affront by stupid and lazy people. Just say it, they say. Sure! Should I die or should I live basically sums up Hamlet's "To Be or Not to Be" soliloquy. Why didn't he just say so!? — Alexander Theroux

My reading was good enough to play big-band charts, but I ran into trouble with Claude (Thornhill)'s theme song "Snowfall," which had a repeating bass line in D-flat that was very difficult for me to finger using my self-taught technique. I spent one morning figuring out an alternate fingering, and that started me on the way to learning a better use of the fingerboard. — Bill Crow

Does it matter whether we achieve our outer purpose, whether we succeed or fail in the world? It will matter to you as long as you haven't realized your inner purpose. After that, the outer purpose is just a game that you may continue to play simply because you enjoy it. It is also possible to fail completely in your outer purpose and at the same time totally succeed in your inner purpose. Or the other way around, which is actually more common: outer riches and inner poverty, or to "gain the world and lose your soul," as Jesus puts it. Ultimately, of course, every outer purpose is doomed to "fail" sooner or later, simply because it is subject to the law of impermanence of all things. The sooner you realize that your outer purpose cannot give you lasting fulfillment, the better. When you have seen the limitations of your outer purpose, you give up your unrealistic expectation that it should make you happy, and you make it subservient to your inner purpose. — Eckhart Tolle

Returning the Pencil to Its Tray Everything is fine - the first bits of sun are on the yellow flowers behind the low wall, people in cars are on their way to work, and I will never have to write again. Just looking around will suffice from here on in. Who said I had to always play the secretary of the interior? And I am getting good at being blank, staring at all the zeroes in the air. It must have been all the time spent in the kayak this summer that brought this out, the yellow one which went nicely with the pale blue life jacket - the sudden, tippy buoyancy of the launch, then the exertion, striking into the wind against the short waves, but the best was drifting back, the paddle resting athwart the craft, and me mindless in the middle of time. Not even that dark cormorant perched on the No Wake sign, his narrow head raised as if he were looking over something, not even that inquisitive little fellow could bring me to write another word. — Billy Collins

Generations of British writers would look up to Roget as a kindred soul who could offer both emotional as well as intellectual sustenance. In the stage directions to Peter Pan, J.M. Barrie includes an homage to Roget: The night nursery of the Darling family, which is the scene of our opening Act, is at the top of a rather depressed street in Bloomsbury. We might have a right to place it where we will, and the reason Bloomsbury is chosen is that Mr. Roget once lived there. So did we in the days when his Thesaurus was our only companion in London; and we whom he has helped to wend our way through life have always wanted to pay him a little compliment. For Barrie, Roget's masterpiece was synonymous with virtue itself. To describe the one saving grace of the play's villain, Captain Hook, Barrie adds, "The man is not wholly evil--he has a Thesaurus in his cabin. — Joshua Kendall

Consider the problem, "How can I win the game of tick-tack-toe?" It is well known that I cannot, if I assume (in keeping with the conventions of game theory) that my opponent understands the game perfectly. Put another way, there is no "technical solution" to the problem. I can win only by giving a radical meaning to the word "win." I can hit my opponent over the head; or I can drug him; or I can falsify the records. Every way in which I "win" involves, in some sense, an abandonment of the game, as we intuitively understand it. (I can also, of course, openly abandon the game--refuse to play it. This is what most adults do.) — Garrett Hardin

The great flaw of all these administrative techniques is that, in the name of equality and democracy, they function as a vast "antipolitics machine", sweeping vast realms of legitimate public debate out of the public sphere and into the arms of technical, administrative committees. They stand in the way of potentially bracing and instructive debates about social policy, the meaning of intelligence, the selection of elites, the value of equity and diversity, and the purpose of economic growth and development. They are, in short, the means by which technical and administrative elites attempt to convince a skeptical public--while excluding the public from debate--that they play no favorites, take no obscure discretionary action, and have no biases but are merely taking transparent technical calculations. — James C. Scott

I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist. — Donald Fagen

Might we not say that every child at play behaves like a creative writer, in that he creates a world of his own, or, rather, rearranges the things of his world in a new way which pleases him? — Sigmund Freud

My favourite two festivals have always been the Big Day Out and Summersonic in Japan. The Big Day Out is a little more fun because it lasts longer. It's like an abbreviated version of the Warped tour because you get to play with the same people every day, which is really fun. — Gerard Way

I am not attempting to preserve culture, or record actual events or stories. Instead I bow my head in gratitude to those storytellers who have gone before and paved a way for me play in their stomping grounds. Doubtless those who want to be offended, will - allowing me to make them happy, too, which pleases me as much as it pleases them. — Patricia Briggs

In my opinion, kids need their parents more in their teens than when they were younger, and that's exactly the time parents think their jobs are done and stop paying close attention. A ten-year-old has more common sense than four sixteen-year-olds put together. Hormones begin shooting every which way, and teenaged nervous systems malfunction, causing them to lose their reasoning abilities. "Oh, I don't know," she said, hesitantly. "I'd rather not. I'm a little busy." I bet. I decided to play my hunch. "If you don't answer my questions, I'll have to find your parents and tell them." I managed a clear tone of implied threat and leaned to the left so I could stare behind her. "You wouldn't like that, would you? — Deb Baker

These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives. — Hari Kunzru

It all came back to something I'd figured out once about the detective business. There were two ways to go along: underground or on top. I never found out which was best. Underground you had the element of surprise on your side, but it was harder to move around. On top you went everywhere, taking cracks at everybody, and everybody taking cracks at you. You had to be tough to play it that way. Well, I was tough. — Jonathan Latimer

People use their leaders almost as an excuse. When they give in to the leader's commands they can always reserve the feeling that these commands are are alien to them, that they are the leader's responsibility, that the terrible acts they are committing are in his name and not theirs. This, then, is another thing that makes people feel so guiltless, as Canetti points out: they can imagine themselves as temporary victims of the leader. The more they give in to his spell, and the more terrible the crimes they commit, the more they can feel that the wrongs are not natural to them. It is all so neat, this usage of the leader; it reminds us of James Franzer's discovery that in the remote past tribes often used their kings as scapegoats who, when they no longer served the people's needs, were put to death. These are the many ways in which men can play the hero, all the while that they are avoiding responsibility for their own acts in a cowardly way. — Ernest Becker

At the quantum level our universe can be seen as an indeterminate place, predictable in a statistical way only when you employ large enough numbers. Between that universe and a relatively predictable one where the passage of a single planet can be timed to a picosecond, other forces come into play. For the in-between universe where we find our daily lives, that which you believe is a dominant force. Your beliefs order the unfolding of daily events. If enough of us believe, a new thing can be made to exist. Belief structure creates a filter through which chaos is sifted into order. — Frank Herbert

I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympathies and feelings kind of by stealth if you like. — Salman Rushdie

I don't know what I could say specifically, except that everything I've learned as a kid of course must somehow play into what I do now. I think when everything kind of drifted away, I had to go out into the world and learn how to emotionally be okay with all that, which to me was a decades-long process. But also I happened to find my way in life, to find a living, to figure out what I wanted to be when I grow up. I think all of that now probably helps me. It probably gives me more life experience to draw from. — Jackie Earle Haley

That's the way I came up, writing and recording at home. I developed by playing everything myself. I was a drummer first and that's my favorite instrument to play. Once I get the drums done, everything else comes real quick. Also, we track in my friends' garage, which is really small ... there's not really room to record live with a band. — Pete Yorn

There's a sound with Motley Crue, and it comes with Vince's voice, which is such an important part of the show, and Mick's guitar. And the way Tommy and me play together is an important part of it. — Nikki Sixx

When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music. — Lenny Kravitz

Half an hour into the movie, Margot started giggling, but it wasn't a funny part or anything. When Quinn looked over at her, she was covering her mouth and nose with one hand while waving the other in front of her. He couldn't hide his shock. No fucking way!
"Margot! You did not just fart!" Quinn exclaimed. He was absolutely dumbfounded. No woman has ever farted in front of him, not even his mom.
"I am sorry!" She laughed. "You would have never known if it did not smell!"
Quinn burst out laughing. He caught a whiff and laughed harder as he clapped a hand over his nose. It wasn't that bad, but he decided to play along. He was laughing so hard that he had tears running down his face. He couldn't remember the last time he laughed until he cried. Margot too was laughing so hard that she had tears running down her face. She gave him a playful shove, which only made it harder for him to breathe. — Andria Large

The bottom line is that sometimes the most responsible, loving, efficient, and sane thing we can do is let another person have their process. We can set boundaries if their process is making us insane, and we do not have to agree to enable behavior with which we do not agree. Finally, we can accept the ultimate boundary that their life is their own, and they deserve to find their way, knowing that when we intervene, sometimes we stand in the way of exactly the path that will be of greatest value to them. We can disengage to stay sane, trust them to find their way, and walk with them with a lot less anxiety, guilt, and frustration, and just enjoy being their daughter, son, loved one, rather than trying to play a role that isn't ours to play. — Carla Cheatham

I'm quite glad I never learned to play the guitar, because I think I'd write songs that were more classically structured. As it is, I've had to create my own way of writing, which isn't typical. Everything's a big crescendo. — Florence Welch

When we play music we describe the echo the tableau of natural forms, their shapes and arrangements, as uncovered by the composer's imagination, which yet must be filtered through our own. There is no other way. And in acknowledging this tableau, this revelation, we must "hesitate", we must doubt, as the composer doubted, for no valid creation can issue unscarred by doubt, by that vast flux of wonder which precedes the construction of being. — Russell Sherman

Beauty misleads without lying, like an ambiguous prophecy in a Greek play. We read into it our hopes, to which it is indifferent. We ask it to be true and good, but it has its own way of measuring worth, its own standard and authority. — Phillip Margulies

Our brain comes hard-wired with an urge to play, one that hurls us into sociability. A child's play both demands and creates its own safe space, one in which she can confront threats, fears, and dangers, but always come through whole. Play offers a child a natural way to manage feared separations or abandonment, rendering them instead opportunities for mastery and self-discovery. — Daniel Goleman

Love your freeloaders, and they'll love you back. Some of them will like what you do so much that they'll become paying customers. Some will even become whales. Some of them will invite their friends to come and play - which has a direct financial upside for you, because it reduces your acquisition cost. Some will play with their friends in the game, which boosts your retention and makes those friends more likely to keep playing and become paying customers. Some will spread the word about how fun your game is. They'll all bring you value in their own way. Of course, that doesn't — Rob Fahey

Characters in a novel or a play who act all the way through exactly as one expects them to ... This consistency of theirs, which is held up to our admiration, is on the contrary the very thing which makes us recognise that they are artificially composed. — Andre Gide

I love baseball, I really do. I always told my Dad, I'm not gonna make it working ... I like to play ball too much. Which I did. I played hard. You gotta work at this game. You really do. And its fun doing it if you do it the right way. — Yogi Berra

Many critics always saw and heard that my style comes from Roy Eldridge, which is true. But for many things, not only how to play the trumpet but the way to choose the notes, how to play them and how to phrase all of them, I took that from Sweets [Edison]. He really brought something new to the trumpet. — Dizzy Gillespie

We were outside the world, we didn't even own things
some clothes ... This arrangement resembles the prehistoric way to live, and it therefore feels right to us, because our brains recognize it from 3 millions of years practicing it. In essence our brains grew to their current configuration in response to the realities of that life. So as a result people grow powerfully attached to that kind of life, when they get the chance to live it. It allows you to concentrate your attention on the real work, which means everything that is done to stay alive, to make things, or satisfy one's curiosity, or play. That is utopia. — Kim Stanley Robinson

I've been impressed by the extent to which one gets sentenced by one's own sentences. One explores certain things in play and then in a strange way they become commitments which one has to live. I have gained a deep respect for the demonic power of the word. Words are not idle. They have consequences. — Norman O. Brown

I love doing heightened reality stuff, and having fun with the characters I play, especially in a kind of darker way, which I don't get to do in 'Primeval' at all. — Andrew-Lee Potts

Screw this. He'd blown his shot at nice-and-easy, which only left quick-and-brutal - my favorite way to play. — Rachel Vincent

The removing of the 'tangles'is a process of liberation from our complexes and illusions and from the way in which we identify with the roles we play in life, with the masks within us and with our idols, etc. It is a 'release' according to the etymology of the word, a liberation and awakening of hidden potential. — Roberto Assagioli

So far I had been travelling alone with my handbook and my Western Railway timetable: I was happiest finding my own way and did not require a liaison man. It had been my intention to stay on the train, without bothering about arriving anywhere: sight-seeing was a way of passing the time, but, as I had concluded in Istanbul, it was an activity very largely based on imaginative invention, like rehearsing your own play in stage sets from which all the actors had fled. — Paul Theroux

I only know myself as a human entity; the scene, so to speak, of thoughts and affections; and I'm sensible of a certain doubleness by which I can stand as remote from myself as another. However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but spectator, sharing no experience, but taking note of it; and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only.. — Henry David Thoreau

The thing that is always so surprising about plays written in another century is how remarkably elastic they are. When you listen to the way in which Shakespeare attacks relationships, for example, even though the words may start off sounding foreign, in actuality they are so accessible, the motivations so clear, the resonances so contemporary. When you put it in a modern context - we could well be in a place with someone like Gaddafi or Mubarak - it becomes apparent how Richard III resonates with that type of personality, with media and manipulation, alliances and petty jealousies. — Kevin Spacey

They're talking about Kobe and how great it is that he's playing with the team. Well, isn't that what you're supposed to do? Now he's the savior because he's playing that way? He's no god. He does what he's supposed to be doing, which is what we learned in kindergarten. Share the ball and play. And that's what we do better than they do — Jack McCallum