Plastino Quotes & Sayings
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Top Plastino Quotes

Procreation is nature's principal occupation, and every man, whether he be young or old, when meeting every woman measures the potentiality of sex between them. — Charlie Chaplin

Once opening the door was a promise of happiness, now my surroundings seem to have appointed me the keeper of sadness. — Nancy B. Brewer

For what can be more noble than to slay oneself? Not literally. Not with a blade in the guts. But to extinguish the selfish self within, that part which looks only to its own preservation, to save its own skin. That, I saw, was the victory you Spartans had gained over yourselves. That was the glue. It was what you had learned and it made me stay, to learn it too. — Steven Pressfield

I think this [Gnomeo & Juliet] is the closest I ought to get to Shakespeare to be honest. — Matt Lucas

Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed. — Jim Lee

We seem to do better in the studio than we do in a live environment. — Josh Silver

Every street in London has a camera, and if you ever travel up the M4, it feels as if George Orwell should be your chauffeur. — Don McCullin

Beauty is no end in itself, but if it makes our lives less miserable so that we might be more kind - well, then, let's have beauty, painted on our porcelain, hanging on our walls, ringing through our stories. We are a sorry tribe of beasts. We need all the help we can get. — Gregory Maguire

You can sleep with a gun, but when you gonna wake up and fight for yourself? — Shinedown

Live your dream and never wake up — Liam Payne

Yes, I will be a writer and make all of you live again in my words. — Carlos Bulosan

A player's first move isn't necessarily the truest or clearest view of that person I'll get, but it's often the most naked, because it takes a while to situate yourself within an imaginary landscape. When you respond to the initial subscriber packet with your opening move - when you come to the bridge - you haven't had a chance to get much sense of the game's rhythms, so you're awkward, halting, more likely to overplay your hand. The open path at the overpass gives way to grand schemes, huge, multipart responses, whole narratives from within the canvas newly forming inside the player's imagination. I keep myself out of it; I interpret and react, like a flowchart responding flatly to a person who's asking it how to live. — John Darnielle

Character Education helps to create an environment for caring and learning in schools. — Thomas Lickona